Songs like Mini-Skirt Minnie by Sir Mack Rice
Based on a tempo of (+/- 10%) and a similar genre
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Don Covay & The Goodtimers
Mercy, Mercy
118 bpm • A Maj • 02:26 • -13.43db
44% Popularity • 86% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 86% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Sir Mack Rice
Yesterdays Hero
118 bpm • C Maj • 04:44 • -3.56db
0% Popularity • 69% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 69% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Major Lance
Rhythm
118 bpm • C# Maj • 02:20 • -8.93db
20% Popularity • 67% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 67% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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The Impressions
Woman's Got Soul
118 bpm • G# Maj • 02:27 • -9db
35% Popularity • 70% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 70% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Barrett Strong
Make up My Mind
118 bpm • A# Maj • 02:24 • -5.02db
15% Popularity • 61% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 61% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Lamont Dozier
Dearest One - Mono Single
118 bpm • C Maj • 02:05 • -6.47db
10% Popularity • 65% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 65% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Daye
What'll I Do For Satisfaction
118 bpm • A Maj • 02:56 • -11.03db
7% Popularity • 71% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 71% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Sir Mack Rice
Respect Yourself
118 bpm • F# Maj • 04:15 • -5.44db
0% Popularity • 85% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 85% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Major Lance
Mama Didn't Know
118 bpm • D Maj • 02:42 • -8.74db
15% Popularity • 74% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 74% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Maxine Brown
Yesterday's Kisses
118 bpm • G# Maj • 02:30 • -9.26db
10% Popularity • 76% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 76% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Howard Tate
Keep Cool
119 bpm • G Maj • 02:36 • -7db
19% Popularity • 60% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 60% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Lee Dorsey
People Gonna Talk
119 bpm • F Maj • 02:27 • -9.6db
12% Popularity • 80% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 80% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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The Dells
Oh, What A Day
119 bpm • A Maj • 02:49 • -13.48db
9% Popularity • 57% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 57% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Sir Mack Rice
Mini-Skirt Minnie
118 bpm • A# Maj • 02:33 • -6.63db
9% Popularity • 83% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 83% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Major Lance
I Just Can't Help It
119 bpm • A Maj • 02:26 • -11.1db
14% Popularity • 88% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 88% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 95% Positiveness
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Ann Peebles
Generation Gap Between Us
117 bpm • F Maj • 02:24 • -11.97db
21% Popularity • 82% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 82% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Carla Thomas
I Play For Keeps
117 bpm • F Maj • 02:46 • -12.98db
9% Popularity • 54% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 54% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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The Impressions
Girl You Don't Know Me
117 bpm • F# Maj • 02:17 • -11.4db
10% Popularity • 83% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
10% Popularity • 83% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
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Sugar Pie DeSanto
I Don't Wanna Fuss
117 bpm • A Maj • 03:20 • -8.3db
26% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Sir Mack Rice
Yesterday's Hero
117 bpm • C Maj • 04:20 • -14.79db
0% Popularity • 69% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 69% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Drifters
If You Don't Come Back - Single Version
119 bpm • F Maj • 02:37 • -13.48db
25% Popularity • 68% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 68% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Major Lance
Get My Hat
118 bpm • F min • 02:58 • -11.37db
9% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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The Astors
In The Twilight Zone
117 bpm • D Maj • 02:42 • -9.81db
7% Popularity • 82% Danceability • 58% Energy • 6% Liveness
6% Instrumentalness • 74% Positiveness
7% Popularity • 82% Danceability • 58% Energy • 6% Liveness
6% Instrumentalness • 74% Positiveness
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Jean Knight
Call Me Your Fool If You Want To
117 bpm • G# Maj • 03:04 • -11.14db
12% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Don Covay & The Goodtimers
Take This Hurt off Me
120 bpm • A Maj • 02:31 • -12.18db
12% Popularity • 82% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 82% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Sir Mack Rice
Mini-Skirt Minnie
119 bpm • G min • 03:44 • -4.32db
0% Popularity • 79% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 79% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Gino Parks
Fire - Mono Single
116 bpm • F Maj • 02:46 • -4.96db
18% Popularity • 50% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 50% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Major Lance
Um, Um, Um, Um, Um, Um
117 bpm • B min • 02:19 • -12db
38% Popularity • 85% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 85% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Tammy Montgomery
If I Would Marry You
116 bpm • C# Maj • 03:25 • -3.96db
8% Popularity • 82% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 82% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Barrett Strong
Misery - Single Version
116 bpm • B Maj • 02:27 • -6.89db
33% Popularity • 62% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 62% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Bettye LaVette
My Man Is a Lovin' Man - Remastered Sing...
120 bpm • G# Maj • 02:42 • -7.55db
11% Popularity • 71% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 71% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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Arthur Conley
Aunt Dora's Love Soul Shack
120 bpm • G Maj • 02:48 • -6.61db
20% Popularity • 80% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 80% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Johnny "Guitar" Watson
Posin'
120 bpm • D Maj • 02:40 • -7.94db
9% Popularity • 68% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 68% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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David Ruffin
Everlasting Love
120 bpm • A Maj • 03:02 • -9db
25% Popularity • 62% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 62% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Shorty Long
Here Comes The Judge
116 bpm • C# Maj • 02:37 • -16db
25% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Barrett Strong
Believe It Or Not
116 bpm • F Maj • 03:08 • -8.61db
10% Popularity • 78% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 78% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Darrell Banks
I've Got That Feelin'
120 bpm • G min • 02:16 • -6.65db
16% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Arthur Conley
Who's Foolin' Who
120 bpm • D# Maj • 02:32 • -6.45db
13% Popularity • 78% Danceability • 57% Energy • 14% Liveness
5% Instrumentalness • 88% Positiveness
13% Popularity • 78% Danceability • 57% Energy • 14% Liveness
5% Instrumentalness • 88% Positiveness
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Sir Mack Rice
Get That Money
120 bpm • C Maj • 04:32 • -4.35db
0% Popularity • 75% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 75% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Little Hank
Mister Bang Bang Man
120 bpm • C Maj • 02:40 • -8.51db
13% Popularity • 73% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 73% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Smokey Robinson & The Miracles
What's So Good About Goodbye
120 bpm • G# Maj • 02:21 • -7.81db
21% Popularity • 51% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 51% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Percy Sledge
Heart of a Child
116 bpm • A Maj • 02:45 • -10.76db
8% Popularity • 67% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 67% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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The Staple Singers
Love Is Plentiful
120 bpm • F Maj • 02:30 • -8.63db
5% Popularity • 62% Danceability • 77% Energy • 56% Liveness
1% Instrumentalness • 93% Positiveness
5% Popularity • 62% Danceability • 77% Energy • 56% Liveness
1% Instrumentalness • 93% Positiveness
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Barbara George
Send for Me If You Need Some Lovin' - Bo...
120 bpm • G Maj • 02:16 • -6.81db
18% Popularity • 78% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 78% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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The Valentinos
Baby, Lots Of Luck
120 bpm • C Maj • 02:43 • -6.03db
10% Popularity • 68% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 68% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Mable John
Who Wouldn't Love A Man Like That - Firs...
120 bpm • D Maj • 02:44 • -8.23db
20% Popularity • 80% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 80% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Major Lance
Do The Tighten Up
120 bpm • C Maj • 02:17 • -8.05db
4% Popularity • 72% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
4% Popularity • 72% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Impressions
Gypsy Woman
120 bpm • G# min • 02:20 • -10db
35% Popularity • 57% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 57% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Don Covay & The Goodtimers
I'll Be Satisfied
120 bpm • A Maj • 03:17 • -13.14db
10% Popularity • 78% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 78% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Candi Staton
Get It When I Want It
121 bpm • A min • 02:30 • -15.87db
10% Popularity • 76% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 76% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Jimmy Hughes
I'm A Man Of Action
116 bpm • D Maj • 02:13 • -5.07db
24% Popularity • 76% Danceability • 74% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
24% Popularity • 76% Danceability • 74% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
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Johnnie Taylor
Who's Making Love
115 bpm • A# Maj • 02:46 • -13.27db
43% Popularity • 79% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 79% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Percy Sledge
Love Me Like You Mean It
121 bpm • G Maj • 02:30 • -21.35db
15% Popularity • 82% Danceability • 24% Energy • 14% Liveness
18% Instrumentalness • 68% Positiveness
15% Popularity • 82% Danceability • 24% Energy • 14% Liveness
18% Instrumentalness • 68% Positiveness
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Barrett Strong
I'm Gonna Cry (If You Quit Me) - Single ...
121 bpm • G Maj • 02:53 • -6.32db
26% Popularity • 74% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 74% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Lamont Dozier
Fortune Teller (Tell Me) - Mono Single
121 bpm • A# Maj • 02:04 • -4.77db
24% Popularity • 76% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 76% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Don Covay
Sookie, Sookie
121 bpm • E Maj • 02:45 • -11.26db
26% Popularity • 79% Danceability • 38% Energy • 18% Liveness
62% Instrumentalness • 70% Positiveness
26% Popularity • 79% Danceability • 38% Energy • 18% Liveness
62% Instrumentalness • 70% Positiveness
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Mable John
Who Wouldn't Love A Man Like That - 1963...
121 bpm • D Maj • 02:45 • -7.34db
13% Popularity • 82% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 82% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Ann Peebles
Doctor Love Power
121 bpm • A min • 03:10 • -10.82db
16% Popularity • 89% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 89% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
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Sir Mack Rice
It Takes One To Know One
121 bpm • C# Maj • 02:53 • -8.96db
0% Popularity • 79% Danceability • 72% Energy • 27% Liveness
1% Instrumentalness • 96% Positiveness
0% Popularity • 79% Danceability • 72% Energy • 27% Liveness
1% Instrumentalness • 96% Positiveness
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Lee Dorsey
Holy Cow
121 bpm • G# Maj • 02:31 • -9.87db
23% Popularity • 88% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 88% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Arthur Conley
I Got a Feeling
115 bpm • C Maj • 02:22 • -6.05db
17% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Bobby "Blue" Bland
Ain't Nothing You Can Do - Single Versio...
115 bpm • E Maj • 02:38 • -8.68db
28% Popularity • 61% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 61% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Inez & Charlie Foxx
La De Da I Love You
115 bpm • D Maj • 02:23 • -6.58db
16% Popularity • 70% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 70% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Ann Peebles
Solid Foundation
121 bpm • D min • 02:12 • -12.88db
13% Popularity • 75% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 75% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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LaVern Baker
Wrapped Tied & Tangled
115 bpm • F Maj • 02:06 • -5db
15% Popularity • 73% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 73% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Little Jerry Williams
I'm the Lover Man
115 bpm • E min • 02:36 • -8db
11% Popularity • 85% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 85% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Johnnie Taylor
Testify (I Wonna)
115 bpm • A# Maj • 04:06 • -10.19db
9% Popularity • 70% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 70% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Chuck Jackson
What Am I Gonna Do Without You
121 bpm • G Maj • 02:36 • -13db
27% Popularity • 70% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 70% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Al Green
Get Back
121 bpm • D Maj • 02:25 • -17.64db
19% Popularity • 89% Danceability • 39% Energy • 8% Liveness
6% Instrumentalness • 86% Positiveness
19% Popularity • 89% Danceability • 39% Energy • 8% Liveness
6% Instrumentalness • 86% Positiveness
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Garnet Mimms
Prove It To Me
122 bpm • G Maj • 02:13 • -11.22db
24% Popularity • 62% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 62% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Contours
Shake Sherrie - Single Version / Mono
122 bpm • F Maj • 02:50 • -7.75db
26% Popularity • 69% Danceability • 57% Energy • 9% Liveness
81% Instrumentalness • 96% Positiveness
26% Popularity • 69% Danceability • 57% Energy • 9% Liveness
81% Instrumentalness • 96% Positiveness
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The Impressions
Meeting Over Yonder
114 bpm • F# Maj • 02:19 • -10.39db
10% Popularity • 70% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 70% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny "Guitar" Watson
Cold, Cold Heart
122 bpm • D# Maj • 02:28 • -10.14db
14% Popularity • 70% Danceability • 75% Energy • 82% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 70% Danceability • 75% Energy • 82% Liveness
0% Instrumentalness • 74% Positiveness
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The Johnny Otis Show
The Watts Breakaway
114 bpm • G Maj • 02:34 • -10.63db
24% Popularity • 74% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 74% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Don Covay
Please Do Something
122 bpm • D Maj • 02:51 • -12db
10% Popularity • 76% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 76% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Carla Thomas
I Like What You're Doing (To Me)
114 bpm • E Maj • 02:58 • -17.2db
30% Popularity • 72% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 72% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Sir Mack Rice
2000 Woman
122 bpm • C Maj • 05:06 • -4.1db
0% Popularity • 72% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 72% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Dyke & The Blazers
Funky Broadway Part 1
122 bpm • C# Maj • 02:40 • -9.46db
35% Popularity • 71% Danceability • 54% Energy • 14% Liveness
47% Instrumentalness • 95% Positiveness
35% Popularity • 71% Danceability • 54% Energy • 14% Liveness
47% Instrumentalness • 95% Positiveness
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The Impressions
You Must Believe Me
114 bpm • E Maj • 02:31 • -9.27db
22% Popularity • 76% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 76% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Mitty Collier
Don't Let Her Take My Baby
122 bpm • F Maj • 02:23 • -3db
14% Popularity • 69% Danceability • 62% Energy • 66% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 69% Danceability • 62% Energy • 66% Liveness
0% Instrumentalness • 80% Positiveness
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Jimmy Hughes
Neighbor, Neighbor
122 bpm • D Maj • 02:59 • -5.07db
20% Popularity • 91% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 91% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Ben E. King
Cry No More
114 bpm • F Maj • 02:52 • -10.31db
8% Popularity • 63% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 63% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Sir Mack Rice
Mustang Sally (Live)
114 bpm • C Maj • 04:33 • -9.54db
0% Popularity • 66% Danceability • 58% Energy • 92% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 66% Danceability • 58% Energy • 92% Liveness
0% Instrumentalness • 75% Positiveness
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Eddie Floyd
Things Get Better
122 bpm • C Maj • 02:26 • -9.89db
17% Popularity • 70% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 70% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Al Wilson
Born on the Bayou
122 bpm • G Maj • 02:55 • -10.14db
12% Popularity • 71% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 71% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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The Bar-Kays
A Hard Day's Night
114 bpm • C Maj • 02:41 • -9.45db
11% Popularity • 64% Danceability • 65% Energy • 37% Liveness
87% Instrumentalness • 83% Positiveness
11% Popularity • 64% Danceability • 65% Energy • 37% Liveness
87% Instrumentalness • 83% Positiveness
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Sugar Pie DeSanto
Here You Come Running
122 bpm • C Maj • 02:49 • -7.25db
9% Popularity • 65% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 65% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Lee "Shot" Williams
You Gotta Have Soul
123 bpm • C# Maj • 01:45 • -9db
8% Popularity • 77% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
8% Popularity • 77% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Sir Mack Rice
Cheaper to Keep Her
114 bpm • A# Maj • 05:07 • -15.23db
0% Popularity • 84% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 84% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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The Impressions
I'm The One Who Loves You
123 bpm • G Maj • 02:29 • -13.16db
26% Popularity • 66% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 66% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Mable John
Looking For A Man - Single Version
113 bpm • F min • 02:34 • -9.58db
17% Popularity • 71% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 71% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Bobby Marchan
You Won't Do Right
113 bpm • G min • 02:32 • -10.01db
8% Popularity • 65% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 65% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Barbara Lynn
You're Losing Me
123 bpm • G Maj • 02:15 • -7db
28% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Don Covay
Everything Gonna Be Everything
123 bpm • A Maj • 02:33 • -12db
12% Popularity • 73% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 73% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Mitty Collier
Git Out
113 bpm • B min • 03:03 • -7db
23% Popularity • 68% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 68% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Arthur Conley
Rome (Wasn't Built In a Day)
113 bpm • C# Maj • 02:08 • -8.92db
15% Popularity • 77% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 77% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Irma Thomas
Long After Tonight Is All Over
123 bpm • F Maj • 02:27 • -9.34db
14% Popularity • 62% Danceability • 56% Energy • 40% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 62% Danceability • 56% Energy • 40% Liveness
0% Instrumentalness • 85% Positiveness
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Derek Martin
Soul Power
113 bpm • G min • 02:52 • -5.85db
10% Popularity • 49% Danceability • 70% Energy • 43% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 49% Danceability • 70% Energy • 43% Liveness
0% Instrumentalness • 39% Positiveness
