Songs like Minuet in G Minor, HWV 434 No. 4 (Arr. Kempff) by George Frideric Handel
Based on a tempo of (+/- 10%) and a similar genre
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George Frideric Handel
Minuet in G Minor, HWV 434 No. 4 (Arr. K...
57 bpm • G min • 04:35 • -32.7db
44% Popularity • 40% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 8% Positiveness
44% Popularity • 40% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 8% Positiveness
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Georgs Pelēcis
All in the Past
58 bpm • D min • 02:56 • -26.4db
32% Popularity • 33% Danceability • 2% Energy • 21% Liveness
36% Instrumentalness • 16% Positiveness
32% Popularity • 33% Danceability • 2% Energy • 21% Liveness
36% Instrumentalness • 16% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: The Seasons, Op. 37a: No. 1...
57 bpm • D min • 04:57 • -36db
31% Popularity • 37% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
31% Popularity • 37% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Johannes Brahms
4 Klavierstücke, Op.119: I. Intermezzo ...
55 bpm • D Maj • 04:04 • -32db
32% Popularity • 36% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
32% Popularity • 36% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Anna Malikova
Standchen (Schubert - Liszt)
60 bpm • D Maj • 06:20 • -30db
17% Popularity • 33% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
17% Popularity • 33% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
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Wilhelm Kempff
Keyboard Suite No. 1 (Set II) in B-Flat ...
60 bpm • G min • 03:54 • -34db
36% Popularity • 34% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
36% Popularity • 34% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
59 bpm • F Maj • 03:32 • -24.75db
40% Popularity • 42% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 51% Positiveness
40% Popularity • 42% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 51% Positiveness
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Max Bruch
Scottish Fantasy for Violin and Orchestr...
60 bpm • D# Maj • 08:50 • -15db
43% Popularity • 11% Danceability • 23% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
43% Popularity • 11% Danceability • 23% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Ignacy Jan Paderewski
Miscellanea, Op. 16: No. 4, Nocturne in ...
61 bpm • A# Maj • 03:55 • -30db
34% Popularity • 32% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 7% Positiveness
34% Popularity • 32% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 7% Positiveness
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Joseph Haydn
Cello Concerto No. 1 in C Major, Hob. VI...
62 bpm • F Maj • 08:13 • -25db
42% Popularity • 9% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
42% Popularity • 9% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Claude Debussy
Debussy: Debussy: Beau Soir, L.6
61 bpm • E Maj • 02:55 • -25.28db
27% Popularity • 20% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Prelude No. 12 in G Sharp Minor, Op. 32
62 bpm • G# min • 02:54 • -26.04db
19% Popularity • 27% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
19% Popularity • 27% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
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George Frideric Handel
Suite in B-Flat Major, HWV 434: IV. Menu...
59 bpm • G min • 03:50 • -32.74db
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu VI
62 bpm • E Maj • 06:09 • -36.51db
50% Popularity • 45% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
50% Popularity • 45% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
3 Etudes Opus 104b: No. 1 in B-Flat Mino...
52 bpm • A# min • 02:12 • -24db
56% Popularity • 33% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
56% Popularity • 33% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
II. Adagio cantabile from Piano Sonata N...
62 bpm • G# Maj • 05:21 • -41.73db
41% Popularity • 28% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
41% Popularity • 28% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
62 bpm • G Maj • 05:42 • -33db
47% Popularity • 34% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 34% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Gabriel Fauré
Dolly Suite, Op. 56: I. Berceuse
63 bpm • E Maj • 02:56 • -33.66db
65% Popularity • 37% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
65% Popularity • 37% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 437: III. Saraband
60 bpm • D min • 05:44 • -18.81db
38% Popularity • 6% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
38% Popularity • 6% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo Ed Euridice: Dance of the Blessed ...
63 bpm • F Maj • 06:45 • -28db
45% Popularity • 16% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
45% Popularity • 16% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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Georges Bizet
Jeux d'enfants, Op. 22: No. 3, La poupé...
64 bpm • B Maj • 02:22 • -37.46db
49% Popularity • 50% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
49% Popularity • 50% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 in C minor, Op. 13, "...
63 bpm • G# Maj • 05:03 • -36.86db
40% Popularity • 23% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
40% Popularity • 23% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37a: VI. June - Barcaro...
64 bpm • G min • 05:39 • -29db
26% Popularity • 38% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
26% Popularity • 38% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Federico Mompou
Cancons i danses: Canco i dansa No. 6
64 bpm • D# min • 04:45 • -24db
19% Popularity • 26% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
19% Popularity • 26% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: No. 2...
51 bpm • C# min • 02:08 • -25.2db
38% Popularity • 22% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
38% Popularity • 22% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Franz Schubert
Impromptus, D 899, Op. 90: III. Andante
64 bpm • F# Maj • 06:37 • -27.59db
39% Popularity • 26% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 26% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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François Couperin
Le Rossignol-en-Amour: 14ème ordre, 3è...
65 bpm • A Maj • 02:36 • -31.92db
42% Popularity • 40% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 37% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 37% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 in C minor, Op. 13 -"...
64 bpm • G# Maj • 05:12 • -34.15db
35% Popularity • 27% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
35% Popularity • 27% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Benjamin Frith
Nocturne No. 10 In E Minor
65 bpm • E min • 03:12 • -36.52db
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
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Claude Debussy
Rêverie, L. 68
65 bpm • F Maj • 05:28 • -33db
24% Popularity • 26% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
24% Popularity • 26% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
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George Frideric Handel
Alcina, HWV 34 / Act 2: Qual portento mi...
51 bpm • E Maj • 02:31 • -18.9db
6% Popularity • 35% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
6% Popularity • 35% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Jean Sibelius
Andante festivo for Strings and Timpani,...
65 bpm • G Maj • 05:37 • -20.05db
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7, Träumerei
65 bpm • F Maj • 02:27 • -36.04db
39% Popularity • 36% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
39% Popularity • 36% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Teresa Carreño
Mi Teresita (Little Waltz)
65 bpm • D Maj • 04:27 • -32db
19% Popularity • 32% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
19% Popularity • 32% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Georges Bizet
Chants du Rhin, WD 52: Les rêves
65 bpm • C# Maj • 03:44 • -30.94db
44% Popularity • 40% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
44% Popularity • 40% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
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John Field
Nocturne No. 5 in B Flat Major, H.37
65 bpm • A# Maj • 03:16 • -27db
31% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
31% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
65 bpm • E Maj • 10:25 • -22.71db
30% Popularity • 14% Danceability • 9% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 9% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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George Frideric Handel
Suite in B-Flat Major, HWV 434: IV. Minu...
65 bpm • G min • 03:32 • -32db
24% Popularity • 35% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
24% Popularity • 35% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Nora Mercz
Sadko: Hindu Song (arr. N. Mercz): Hindu...
65 bpm • F Maj • 03:32 • -31.62db
54% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
54% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Trois Romances sans paroles, Op. 17: 3. ...
65 bpm • G# Maj • 02:45 • -34.75db
53% Popularity • 35% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
53% Popularity • 35% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 15% Positiveness
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AntonÃn Dvořák
2 Pieces, Op. posth., B. 188: No. 1. Lul...
66 bpm • G Maj • 03:11 • -29.06db
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Ferruccio Busoni
Busoni: Ich ruf' zu dir (After Bach's ch...
66 bpm • F min • 03:12 • -29db
25% Popularity • 49% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
25% Popularity • 49% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Robert Schumann
Schumann: Kinderszenen, Op. 15: No. 7, T...
66 bpm • F Maj • 03:14 • -36db
29% Popularity • 40% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
29% Popularity • 40% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 18% Positiveness
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Franz Liszt
Consolations, S. 172: No. 3 in D-Flat Ma...
66 bpm • C# Maj • 04:35 • -35.84db
23% Popularity • 29% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
23% Popularity • 29% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Erik Satie
Gnossienne No. 5
66 bpm • G Maj • 03:44 • -34.09db
12% Popularity • 43% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
12% Popularity • 43% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Gabriel Fauré
Masques et bergamasques Suite, Op. 112: ...
66 bpm • D Maj • 04:23 • -31db
35% Popularity • 18% Danceability • 2% Energy • 30% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 2% Energy • 30% Liveness
92% Instrumentalness • 4% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 2 in...
66 bpm • A min • 01:37 • -30db
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Johannes Brahms
Fantasien op. 116: Intermezzo: Adagio
66 bpm • E Maj • 04:34 • -35db
40% Popularity • 31% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
40% Popularity • 31% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
66 bpm • B min • 03:48 • -25db
27% Popularity • 19% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
27% Popularity • 19% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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![Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] cover art](https://i.scdn.co/image/ab67616d00001e027de83c6c3607df60e997e186)
Franz Liszt
Schwanengesang, S. 560: Schubert - Schwa...
66 bpm • D Maj • 07:05 • -37.69db
45% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Robert Schumann
Carnaval, Op. 9: XII. Chopin
66 bpm • G# Maj • 01:30 • -36.35db
48% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
48% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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George Frideric Handel
Menuet en Sol Mineur, transcription de W...
66 bpm • G min • 04:35 • -32.7db
10% Popularity • 51% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 8% Positiveness
10% Popularity • 51% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Ludwig van Beethoven
Sonata for Cello and Piano No. 4 in C Ma...
66 bpm • C Maj • 02:59 • -33db
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
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Emmanuel Chabrier
Habanera
66 bpm • C# Maj • 05:20 • -26db
15% Popularity • 38% Danceability • 2% Energy • 15% Liveness
87% Instrumentalness • 5% Positiveness
15% Popularity • 38% Danceability • 2% Energy • 15% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Gabriel Fauré
Les berceaux, Op. 23 No. 1
66 bpm • C min • 02:27 • -24db
21% Popularity • 22% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Valse nonchalante en Ré-Bémol Majeur, ...
67 bpm • C# Maj • 04:21 • -28db
27% Popularity • 30% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
27% Popularity • 30% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Christoph Willibald Gluck
Orpheo ed Euridice, Wq. 30, Act II: Danc...
67 bpm • D min • 03:27 • -25.5db
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
► Preview
Franz Liszt
Wiegenlied, S. 198
67 bpm • A min • 03:09 • -40db
32% Popularity • 30% Danceability • 0% Energy • 6% Liveness
87% Instrumentalness • 11% Positiveness
32% Popularity • 30% Danceability • 0% Energy • 6% Liveness
87% Instrumentalness • 11% Positiveness
► Preview
Charles-Valentin Alkan
Barcarolle Op. 65 No. 6
67 bpm • G min • 04:13 • -31.26db
16% Popularity • 22% Danceability • 3% Energy • 16% Liveness
88% Instrumentalness • 5% Positiveness
16% Popularity • 22% Danceability • 3% Energy • 16% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Wilhelm Kempff
Keyboard Suite No. 1 (Set II) in B-Flat ...
67 bpm • G min • 03:37 • -31.64db
26% Popularity • 48% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 48% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Erik Satie
Gnossienne No. 2
67 bpm • D min • 02:06 • -37.25db
12% Popularity • 38% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
12% Popularity • 38% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
George Frideric Handel
Concerto-Pasticcio in C Major: I. Largo
67 bpm • G Maj • 01:46 • -17.4db
45% Popularity • 15% Danceability • 5% Energy • 12% Liveness
50% Instrumentalness • 8% Positiveness
45% Popularity • 15% Danceability • 5% Energy • 12% Liveness
50% Instrumentalness • 8% Positiveness
► Preview
Franz Liszt
Romance "O pourquoi donc" in E Minor, S....
67 bpm • E min • 03:05 • -32.14db
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Franz Schubert
Vier Impromptus, op.90 D.899: Vier Impro...
67 bpm • F# Maj • 05:50 • -31.23db
41% Popularity • 19% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
41% Popularity • 19% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Pavane pour une infante défunte, M. 19
67 bpm • E min • 06:29 • -31db
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: No. 6...
67 bpm • F# min • 02:52 • -32.82db
38% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Choral "Jesu, meine Freude" de la Cantat...
67 bpm • G Maj • 03:29 • -31.27db
37% Popularity • 30% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 42% Positiveness
37% Popularity • 30% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 42% Positiveness
► Preview
Gabriela Montero
Montero & Vivaldi: The Four Seasons, Vio...
67 bpm • D# Maj • 05:09 • -27db
14% Popularity • 32% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 32% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Erik Satie
Satie: 6 Gnossiennes: No. 3, Lent
67 bpm • A min • 02:42 • -34.25db
15% Popularity • 39% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
15% Popularity • 39% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
► Preview
Franz Liszt
En rêve, S. 207
67 bpm • B Maj • 02:34 • -39db
38% Popularity • 28% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 28% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Intermezzo in B-Flat Minor, Op. 117/2
67 bpm • C# Maj • 05:10 • -29db
31% Popularity • 31% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 31% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 3 in G...
67 bpm • F# Maj • 06:17 • -36.15db
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Albumblatt in E Minor, Op. 117, MWV U134
68 bpm • E min • 04:49 • -23.67db
29% Popularity • 19% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
29% Popularity • 19% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Piano Quartet No. 1 in G Minor, K. 478: ...
68 bpm • A# Maj • 06:58 • -25db
47% Popularity • 29% Danceability • 4% Energy • 19% Liveness
53% Instrumentalness • 17% Positiveness
47% Popularity • 29% Danceability • 4% Energy • 19% Liveness
53% Instrumentalness • 17% Positiveness
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Erik Satie
Satie: Caresse
68 bpm • C Maj • 01:47 • -38.24db
2% Popularity • 46% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
2% Popularity • 46% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
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Johann Sebastian Bach
Concerto en ré mineur, BWV 974: II. Ada...
68 bpm • D min • 04:13 • -27db
57% Popularity • 35% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
57% Popularity • 35% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Die Torrente in ...
68 bpm • B min • 04:15 • -25.14db
37% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Piano Concerto No. 21 in C Major...
68 bpm • F Maj • 06:46 • -35db
36% Popularity • 11% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 11% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Erik Satie
Satie / Orch. Debussy: 3 Gymnopédies: N...
68 bpm • A min • 03:04 • -33.51db
20% Popularity • 9% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
20% Popularity • 9% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
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Franz Schubert
Schubert: 4 Impromptus, Op. 90, D. 899: ...
68 bpm • F# Maj • 05:43 • -26db
27% Popularity • 25% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
27% Popularity • 25% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Edvard Grieg
Lyric Pieces Book III, Op. 43: No. 6 To ...
68 bpm • F# Maj • 03:19 • -23.86db
26% Popularity • 32% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
26% Popularity • 32% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte in G ma...
69 bpm • E min • 05:55 • -32db
30% Popularity • 40% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
30% Popularity • 40% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Franz Liszt
Ave Maria, S. 558 (after Schubert, D. 83...
69 bpm • A# Maj • 05:28 • -27.59db
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Erik Satie
Je te veux
69 bpm • C Maj • 05:11 • -24db
9% Popularity • 37% Danceability • 5% Energy • 15% Liveness
90% Instrumentalness • 18% Positiveness
9% Popularity • 37% Danceability • 5% Energy • 15% Liveness
90% Instrumentalness • 18% Positiveness
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Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
6 Pieces, Op. 19: IV. Nocturne (Andante ...
69 bpm • C# min • 03:36 • -28.51db
12% Popularity • 31% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
12% Popularity • 31% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
33% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. T...
69 bpm • G Maj • 02:33 • -22.02db
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Erik Satie
Satie: 3 Gymnopédies: No. 2, Lent et tr...
69 bpm • D min • 02:54 • -35db
28% Popularity • 56% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
28% Popularity • 56% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7, Act II: Lascia ch'io pia...
70 bpm • D Maj • 02:32 • -31.48db
20% Popularity • 48% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 48% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 15 in A Flat Maj...
69 bpm • G# Maj • 01:38 • -27.31db
40% Popularity • 38% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
40% Popularity • 38% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
