Songs like Minuet by Michael Finnissy
Based on a tempo of (+/- 10%) and a similar genre
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Michael Finnissy
Minuet
92 bpm • A min • 02:04 • -22db
6% Popularity • 39% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 14% Positiveness
6% Popularity • 39% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
The Flight of the Bumblebee
92 bpm • D min • 01:13 • -28db
44% Popularity • 40% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 18% Positiveness
44% Popularity • 40% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
91 bpm • A min • 02:24 • -35.61db
34% Popularity • 21% Danceability • 1% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
34% Popularity • 21% Danceability • 1% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
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John Corigliano
I. Cremona, The Red Violin
93 bpm • B Maj • 01:33 • -21.48db
33% Popularity • 26% Danceability • 7% Energy • 47% Liveness
54% Instrumentalness • 3% Positiveness
33% Popularity • 26% Danceability • 7% Energy • 47% Liveness
54% Instrumentalness • 3% Positiveness
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Franz Liszt
Grandes Études de Paganini, S. 141: No....
93 bpm • G# min • 04:51 • -22.03db
39% Popularity • 27% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 42% Positiveness
39% Popularity • 27% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 42% Positiveness
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Richard Wagner
Die Walküre, WWV 86B - Concert version ...
91 bpm • G Maj • 03:03 • -13.86db
44% Popularity • 24% Danceability • 36% Energy • 17% Liveness
91% Instrumentalness • 13% Positiveness
44% Popularity • 24% Danceability • 36% Energy • 17% Liveness
91% Instrumentalness • 13% Positiveness
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Antonio Bazzini
The Dance of the Goblins. Op. 25
93 bpm • G Maj • 04:58 • -20.35db
28% Popularity • 60% Danceability • 26% Energy • 19% Liveness
14% Instrumentalness • 74% Positiveness
28% Popularity • 60% Danceability • 26% Energy • 19% Liveness
14% Instrumentalness • 74% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Solveig's So...
93 bpm • A min • 05:14 • -32db
33% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Introduction and Rondo capriccioso in A ...
91 bpm • A min • 09:07 • -26db
36% Popularity • 29% Danceability • 9% Energy • 10% Liveness
70% Instrumentalness • 16% Positiveness
36% Popularity • 29% Danceability • 9% Energy • 10% Liveness
70% Instrumentalness • 16% Positiveness
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Giuseppe Tartini
Violin Sonata in G Minor, "Devil's Trill...
90 bpm • A# Maj • 04:07 • -19db
25% Popularity • 52% Danceability • 16% Energy • 18% Liveness
1% Instrumentalness • 52% Positiveness
25% Popularity • 52% Danceability • 16% Energy • 18% Liveness
1% Instrumentalness • 52% Positiveness
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Nikolai Rimsky-Korsakov
Flight of the Bumblebee
94 bpm • D min • 01:17 • -11.65db
51% Popularity • 58% Danceability • 72% Energy • 39% Liveness
81% Instrumentalness • 97% Positiveness
51% Popularity • 58% Danceability • 72% Energy • 39% Liveness
81% Instrumentalness • 97% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 1 in A minor, BWV 10...
91 bpm • A min • 03:55 • -11.51db
56% Popularity • 50% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
56% Popularity • 50% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Frédéric Chopin
Nocturne, B. 49: Lento con gran espressi...
94 bpm • C# Maj • 04:06 • -25.67db
37% Popularity • 29% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 11% Positiveness
37% Popularity • 29% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 11% Positiveness
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Johann Strauss II
On the Beautiful Blue Danube, Op. 314
94 bpm • D Maj • 10:05 • -22.92db
34% Popularity • 29% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 18% Positiveness
34% Popularity • 29% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 18% Positiveness
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Richard Wagner
Die Walkure, Act III: Ride of the Valkyr...
90 bpm • G Maj • 05:25 • -16.78db
53% Popularity • 25% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
53% Popularity • 25% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Giuseppe Tartini
Violin Sonata in G Minor, "Devil's Trill...
90 bpm • A# Maj • 03:14 • -24db
29% Popularity • 15% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
29% Popularity • 15% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Saint- Saëns: Introduction and Rondo Ca...
90 bpm • A min • 09:04 • -21.19db
38% Popularity • 32% Danceability • 13% Energy • 7% Liveness
30% Instrumentalness • 18% Positiveness
38% Popularity • 32% Danceability • 13% Energy • 7% Liveness
30% Instrumentalness • 18% Positiveness
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Michael Finnissy
Commentary on ‘Wie schön leuchtet der...
90 bpm • G Maj • 03:59 • -26.97db
0% Popularity • 16% Danceability • 3% Energy • 10% Liveness
52% Instrumentalness • 10% Positiveness
0% Popularity • 16% Danceability • 3% Energy • 10% Liveness
52% Instrumentalness • 10% Positiveness
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Tomaso Albinoni
Adagio in G Minor
90 bpm • G min • 04:26 • -12.94db
51% Popularity • 10% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
51% Popularity • 10% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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St. Petersburg State Symphony Orchestra
Masquerade Suite: Maskarad (Masquerade):...
94 bpm • C Maj • 04:22 • -17.68db
53% Popularity • 30% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
53% Popularity • 30% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
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Johann Strauss II
The Blue Danube
94 bpm • D Maj • 05:51 • -14.41db
32% Popularity • 27% Danceability • 18% Energy • 7% Liveness
79% Instrumentalness • 26% Positiveness
32% Popularity • 27% Danceability • 18% Energy • 7% Liveness
79% Instrumentalness • 26% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Danse macabre, Op. 40 (Arr. F. Liszt, V....
90 bpm • D# Maj • 08:44 • -21.99db
30% Popularity • 30% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Finnissy
Herr Christ, der einge Gottessohn: V. �...
90 bpm • A# Maj • 03:24 • -28.6db
0% Popularity • 21% Danceability • 6% Energy • 16% Liveness
30% Instrumentalness • 13% Positiveness
0% Popularity • 21% Danceability • 6% Energy • 16% Liveness
30% Instrumentalness • 13% Positiveness
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Samuel Barber
String Quartet, Op. 11: II. Molto adagio
90 bpm • A# min • 06:52 • -26.61db
27% Popularity • 10% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 10% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Philip Glass
The Truman Show: Truman Sleeps - Short V...
95 bpm • G# Maj • 02:40 • -29.74db
52% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
52% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Arash Safaian
Adagietto
89 bpm • G Maj • 02:22 • -33.27db
57% Popularity • 31% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 11% Positiveness
57% Popularity • 31% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Le Cygne
94 bpm • G Maj • 03:34 • -26.63db
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Franz Liszt
Liebestraum
95 bpm • G# Maj • 04:45 • -15.77db
47% Popularity • 36% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 36% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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London Philharmonic Orchestra
Die Walkürie (The Valkyrie), Act 3: Rid...
95 bpm • B Maj • 05:11 • -12db
30% Popularity • 21% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
30% Popularity • 21% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
58% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
58% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 2 in B...
95 bpm • B min • 02:43 • -16.21db
51% Popularity • 58% Danceability • 28% Energy • 8% Liveness
69% Instrumentalness • 86% Positiveness
51% Popularity • 58% Danceability • 28% Energy • 8% Liveness
69% Instrumentalness • 86% Positiveness
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John Williams
Sayuri's Theme
95 bpm • D Maj • 01:31 • -21db
52% Popularity • 20% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
52% Popularity • 20% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33, TH...
89 bpm • D Maj • 02:36 • -31.18db
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
59% Popularity • 12% Danceability • 3% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: 13. Da...
95 bpm • A min • 04:00 • -21.66db
23% Popularity • 19% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 16% Positiveness
23% Popularity • 19% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 16% Positiveness
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Dmitri Shostakovich
Symphony No. 10 in E Minor, Op. 93: II. ...
89 bpm • A# min • 04:05 • -8.21db
34% Popularity • 50% Danceability • 62% Energy • 27% Liveness
92% Instrumentalness • 32% Positiveness
34% Popularity • 50% Danceability • 62% Energy • 27% Liveness
92% Instrumentalness • 32% Positiveness
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Sergei Rachmaninoff
Morceaux de Fantaisie, Op. 3: 1. Elégie
89 bpm • D# min • 05:17 • -22db
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Léo Delibes
Coppelia: Act I - Valse
89 bpm • D# Maj • 02:21 • -26.69db
55% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
55% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV 988: Aria
96 bpm • E min • 03:20 • -31.7db
35% Popularity • 41% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 18% Positiveness
35% Popularity • 41% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 18% Positiveness
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![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, Frühl...
96 bpm • G min • 02:11 • -35.91db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Michael Finnissy
Palm-Sunday
88 bpm • C min • 11:03 • -27.64db
0% Popularity • 9% Danceability • 3% Energy • 20% Liveness
38% Instrumentalness • 3% Positiveness
0% Popularity • 9% Danceability • 3% Energy • 20% Liveness
38% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
48% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
48% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
88 bpm • C# Maj • 02:54 • -23.84db
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
55% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz 56: III. Pe-loc...
88 bpm • C Maj • 01:06 • -37.89db
56% Popularity • 56% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
56% Popularity • 56% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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London Philharmonic Orchestra
Messa da Requiem: Dies irae - Tuba mirum
88 bpm • D# Maj • 03:54 • -11.19db
28% Popularity • 15% Danceability • 40% Energy • 26% Liveness
88% Instrumentalness • 5% Positiveness
28% Popularity • 15% Danceability • 40% Energy • 26% Liveness
88% Instrumentalness • 5% Positiveness
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Franz Liszt
La campanella in G-Sharp Minor
88 bpm • G# min • 04:47 • -22.17db
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
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Michael Finnissy
They Can't Take That Away from Me
96 bpm • D# Maj • 03:16 • -28.94db
0% Popularity • 39% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 11% Positiveness
0% Popularity • 39% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 11% Positiveness
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Gabriel Fauré
Pavane, Op. 50
97 bpm • F# min • 04:37 • -32.66db
36% Popularity • 12% Danceability • 2% Energy • 18% Liveness
49% Instrumentalness • 4% Positiveness
36% Popularity • 12% Danceability • 2% Energy • 18% Liveness
49% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Schwanensee, Op. 20: Act II No. 10: Scen...
87 bpm • E min • 02:16 • -22db
52% Popularity • 16% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
87 bpm • B min • 03:28 • -30.17db
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Variati...
97 bpm • D# Maj • 01:15 • -23db
61% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
61% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Claude Debussy
Clair De Lune
87 bpm • C# Maj • 05:06 • -18.24db
58% Popularity • 20% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
58% Popularity • 20% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: IV. Ada...
87 bpm • F Maj • 10:59 • -33db
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 1% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Album for the Young, Op. 39: No. 3. Mamm...
87 bpm • G Maj • 01:33 • -37.26db
65% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
65% Popularity • 42% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
► Preview
Fritz Kreisler
Liebesleid (Love's Sorrow)
98 bpm • A Maj • 04:13 • -19.86db
51% Popularity • 33% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
51% Popularity • 33% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 26% Positiveness
► Preview
Giacomo Puccini
Gianni Schicchi: O mio babbino caro
98 bpm • G# Maj • 02:49 • -21.23db
50% Popularity • 21% Danceability • 16% Energy • 51% Liveness
38% Instrumentalness • 9% Positiveness
50% Popularity • 21% Danceability • 16% Energy • 51% Liveness
38% Instrumentalness • 9% Positiveness
► Preview
Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Baroque Festival Orchestra
The Four Seasons (Concerti Op.8 Nos.1-4)...
98 bpm • E Maj • 03:26 • -22db
56% Popularity • 46% Danceability • 4% Energy • 10% Liveness
56% Instrumentalness • 39% Positiveness
56% Popularity • 46% Danceability • 4% Energy • 10% Liveness
56% Instrumentalness • 39% Positiveness
► Preview
John Williams
Theme From Schindler's List
99 bpm • D min • 04:15 • -25.36db
62% Popularity • 14% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
62% Popularity • 14% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Abel Korzeniowski
Dance For Me Wallis
86 bpm • G min • 03:08 • -14.69db
59% Popularity • 40% Danceability • 36% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
59% Popularity • 40% Danceability • 36% Energy • 15% Liveness
91% Instrumentalness • 16% Positiveness
► Preview
Laurence Crane
3 Preludes: No. 2. —
99 bpm • D# min • 01:10 • -21.09db
3% Popularity • 70% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
3% Popularity • 70% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
► Preview
Ennio Morricone
The Ecstasy Of Gold - 2004 Remaster
99 bpm • A min • 03:23 • -13.86db
61% Popularity • 13% Danceability • 47% Energy • 20% Liveness
58% Instrumentalness • 13% Positiveness
61% Popularity • 13% Danceability • 47% Energy • 20% Liveness
58% Instrumentalness • 13% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: Prelude No. 1 in C-Sharp Mi...
85 bpm • C# min • 04:25 • -20.87db
25% Popularity • 34% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
25% Popularity • 34% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
► Preview
![Peer Gynt, Op. 23, Act III: Prelude (Forspill til Ases dod) [Prelude to the Death of Ase] cover art](https://i.scdn.co/image/ab67616d00001e02547604e8452f8996b3314f3f)
Edvard Grieg
Peer Gynt, Op. 23, Act III: Prelude (For...
85 bpm • B min • 04:28 • -28.48db
8% Popularity • 14% Danceability • 2% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 2% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Violin Concerto BWV 1042 in E Major: Vio...
99 bpm • D# Maj • 07:33 • -13.99db
50% Popularity • 44% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 44% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
51% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
► Preview
Jean-Philippe Rameau
Suite in G Major, RCT 6: No. 14, Les sau...
85 bpm • F# min • 02:26 • -16.93db
51% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
51% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
1812 Festival Overture, Op. 49: 1812 Ove...
85 bpm • D# Maj • 03:49 • -13db
34% Popularity • 23% Danceability • 54% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
34% Popularity • 23% Danceability • 54% Energy • 8% Liveness
77% Instrumentalness • 9% Positiveness
► Preview
Michael Finnissy
Two Scenes from "Shameful Vice": Scene V
100 bpm • D# min • 03:51 • -39.56db
0% Popularity • 28% Danceability • 0% Energy • 8% Liveness
84% Instrumentalness • 19% Positiveness
0% Popularity • 28% Danceability • 0% Energy • 8% Liveness
84% Instrumentalness • 19% Positiveness
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Peter Samuels
Adagio For Strings
85 bpm • A# min • 10:00 • -17db
44% Popularity • 16% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
44% Popularity • 16% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Requiem: Dies Irae - Tuba Mirum
85 bpm • F min • 04:04 • -12.66db
29% Popularity • 23% Danceability • 37% Energy • 28% Liveness
39% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 37% Energy • 28% Liveness
39% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: II. Lyric Waltz
100 bpm • C min • 02:08 • -19.27db
50% Popularity • 31% Danceability • 14% Energy • 17% Liveness
73% Instrumentalness • 27% Positiveness
50% Popularity • 31% Danceability • 14% Energy • 17% Liveness
73% Instrumentalness • 27% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
43% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
43% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20: II. Lento
100 bpm • C min • 03:41 • -22.63db
38% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Concerto for 2 Violins in D Minor, BWV 1...
100 bpm • D min • 03:38 • -15.82db
39% Popularity • 61% Danceability • 29% Energy • 24% Liveness
3% Instrumentalness • 77% Positiveness
39% Popularity • 61% Danceability • 29% Energy • 24% Liveness
3% Instrumentalness • 77% Positiveness
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Johann Pachelbel
Pachelbel: Canon and Gigue in D Major: C...
84 bpm • D Maj • 05:00 • -16.65db
63% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
63% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Wojciech Kilar
Moving to the Ghetto Oct. 31, 1940
101 bpm • A min • 01:45 • -41db
41% Popularity • 15% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
41% Popularity • 15% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
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Giacomo Puccini
Turandot, SC 91, Act III: Nessun dorma!
84 bpm • D Maj • 02:57 • -12.51db
56% Popularity • 21% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
56% Popularity • 21% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Edvard Grieg
Peer Gynt-Suite Nr. 1, Op. 46: II. Ases ...
84 bpm • B min • 05:06 • -29.72db
25% Popularity • 8% Danceability • 1% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 1% Energy • 16% Liveness
68% Instrumentalness • 4% Positiveness
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Yann Tiersen
Comptine d'un autre été, l'après-midi
101 bpm • E min • 02:20 • -15.38db
75% Popularity • 48% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
75% Popularity • 48% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Gloria Coates
String Quartet No. 7, "Angels"
84 bpm • F Maj • 15:14 • -28.39db
1% Popularity • 11% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
1% Popularity • 11% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Finghin Collins
Nocturnes, Op. 9: No. 2 in E-Flat Major
101 bpm • A# Maj • 04:53 • -24.9db
38% Popularity • 43% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
38% Popularity • 43% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Michael Finnissy
Things Are Looking Up
101 bpm • D# Maj • 03:08 • -26.94db
0% Popularity • 46% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
0% Popularity • 46% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Philip Glass
Etude No. 2
101 bpm • F Maj • 04:55 • -20db
48% Popularity • 24% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
48% Popularity • 24% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Toccata and Fugue in D Minor, BWV 565: I...
84 bpm • D min • 02:30 • -15.53db
45% Popularity • 30% Danceability • 16% Energy • 24% Liveness
26% Instrumentalness • 11% Positiveness
45% Popularity • 30% Danceability • 16% Energy • 24% Liveness
26% Instrumentalness • 11% Positiveness
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Sergei Prokofiev
Romeo & Juliet, Op. 64, Act I: No. 13, D...
101 bpm • C Maj • 05:34 • -23.86db
26% Popularity • 27% Danceability • 5% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
26% Popularity • 27% Danceability • 5% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
83 bpm • E Maj • 04:08 • -17db
45% Popularity • 18% Danceability • 20% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
45% Popularity • 18% Danceability • 20% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
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Samuel Barber
Adagio for Strings, Op. 11
83 bpm • A# min • 07:30 • -25db
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Franz Liszt
Hungarian Rhapsody No. 2 in C Sharp Mino...
83 bpm • C# Maj • 09:03 • -21.03db
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Niccolò Paganini
La Campanella, Op. 7 - Arr. August Wilhe...
102 bpm • D Maj • 06:09 • -22.15db
51% Popularity • 55% Danceability • 12% Energy • 9% Liveness
18% Instrumentalness • 41% Positiveness
51% Popularity • 55% Danceability • 12% Energy • 9% Liveness
18% Instrumentalness • 41% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66, TH 13 / Act...
102 bpm • A# Maj • 04:39 • -20.06db
46% Popularity • 27% Danceability • 15% Energy • 31% Liveness
89% Instrumentalness • 47% Positiveness
46% Popularity • 27% Danceability • 15% Energy • 31% Liveness
89% Instrumentalness • 47% Positiveness
► Preview
Camille Saint-Saëns
Danse macabre, Op. 40
102 bpm • G min • 07:48 • -23.73db
37% Popularity • 35% Danceability • 11% Energy • 8% Liveness
54% Instrumentalness • 6% Positiveness
37% Popularity • 35% Danceability • 11% Energy • 8% Liveness
54% Instrumentalness • 6% Positiveness
