Songs like Mir san a bayrische Band by Enzian Buam
Based on a tempo of (+/- 10%) and a similar genre
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EAV (Erste Allgemeine Verunsicherung)
3 weisse Tauben
136 bpm • A Maj • 03:29 • -6db
34% Popularity • 72% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 72% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Wolfgang Petry
Wahnsinn
136 bpm • A Maj • 03:21 • -6.59db
33% Popularity • 68% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 68% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Steve Benson
Love Takes Time
136 bpm • E Maj • 03:41 • -4.89db
12% Popularity • 65% Danceability • 90% Energy • 88% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 65% Danceability • 90% Energy • 88% Liveness
0% Instrumentalness • 61% Positiveness
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Achim Reichel
Fledermaus
136 bpm • E min • 03:40 • -4.53db
11% Popularity • 57% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 57% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Judge Dread
Hello Baby
137 bpm • A# Maj • 02:45 • -5.25db
9% Popularity • 83% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 83% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Orchester & Chor Christian Bruhn
Hey Hey Wickie
136 bpm • A Maj • 01:09 • -11.61db
14% Popularity • 75% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 75% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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EAV (Erste Allgemeine Verunsicherung)
Küss' die Hand, schöne Frau - Maxi-Ver...
135 bpm • C# min • 05:40 • -11.01db
21% Popularity • 82% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 82% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Anton aus Tirol
Anton aus Tirol
135 bpm • G Maj • 03:00 • -8.32db
20% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Sascha 'K'
Wahnsinn / Hölle
135 bpm • B min • 03:25 • -6.65db
6% Popularity • 75% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
6% Popularity • 75% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Hank Häberle
I Fahr Gti
135 bpm • G Maj • 03:41 • -12.55db
29% Popularity • 76% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 76% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Bierstrassen Cowboys
Die Hände zum Himmel
135 bpm • D Maj • 03:17 • -4.83db
3% Popularity • 71% Danceability • 94% Energy • 49% Liveness
0% Instrumentalness • 57% Positiveness
3% Popularity • 71% Danceability • 94% Energy • 49% Liveness
0% Instrumentalness • 57% Positiveness
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Rolli und Rita
Was Ist Dein Lieblingsfach?
135 bpm • A min • 01:11 • -9db
44% Popularity • 83% Danceability • 100% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 83% Danceability • 100% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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EAV (Erste Allgemeine Verunsicherung)
Küss' die Hand schöne Frau - Neuaufnah...
135 bpm • A Maj • 04:06 • -6.55db
25% Popularity • 79% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 79% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Arnulf Wenning
Rot so rot
137 bpm • C# Maj • 03:01 • -12.17db
16% Popularity • 68% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 68% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Baccara
My Kisses Need A Cavalier
135 bpm • D Maj • 04:51 • -5.48db
6% Popularity • 66% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
6% Popularity • 66% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Benny
Amigo Charly Brown
138 bpm • A Maj • 02:57 • -6db
36% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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Wencke Myhre
Flower-Power-Kleid
138 bpm • D Maj • 02:29 • -7.94db
26% Popularity • 65% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 65% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Adam & die Micky's
Fraa Becker (Ma Baker)
134 bpm • C# Maj • 04:14 • -12.36db
12% Popularity • 84% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 84% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Katja Ebstein
Dann heirat' doch dein Büro
138 bpm • F Maj • 03:36 • -8db
31% Popularity • 78% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 78% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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The Donkeys
Djengis Khan
138 bpm • C Maj • 03:05 • -7db
4% Popularity • 71% Danceability • 92% Energy • 79% Liveness
0% Instrumentalness • 96% Positiveness
4% Popularity • 71% Danceability • 92% Energy • 79% Liveness
0% Instrumentalness • 96% Positiveness
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Rio Und Die Schnarchlappen
Bulle Hermann
138 bpm • A Maj • 03:46 • -11.13db
7% Popularity • 83% Danceability • 66% Energy • 3% Liveness
0% Instrumentalness • 98% Positiveness
7% Popularity • 83% Danceability • 66% Energy • 3% Liveness
0% Instrumentalness • 98% Positiveness
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Die Kleine Tierschau
Campari
138 bpm • A Maj • 03:03 • -12.54db
11% Popularity • 78% Danceability • 55% Energy • 43% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 78% Danceability • 55% Energy • 43% Liveness
0% Instrumentalness • 97% Positiveness
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Nickerbocker
Zruck zu dir (Hallo Maus) - 1982-Origina...
134 bpm • A Maj • 03:35 • -8.4db
15% Popularity • 63% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 63% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Dieter Birr
So ist das Leben
134 bpm • D min • 04:44 • -8.75db
12% Popularity • 61% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 89% Positiveness
12% Popularity • 61% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 89% Positiveness
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Nickerbocker & Freundin
HALLO MAUS (I wü z'ruck zu Dir) - ZRUCK...
134 bpm • D min • 03:33 • -6db
11% Popularity • 62% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 62% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Chris Roberts
Do You Speak English?
134 bpm • D# Maj • 02:44 • -10db
14% Popularity • 62% Danceability • 67% Energy • 59% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 62% Danceability • 67% Energy • 59% Liveness
0% Instrumentalness • 86% Positiveness
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Benny
Was geht da vor hinter Billy's Scheunent...
138 bpm • E Maj • 04:05 • -6.25db
15% Popularity • 71% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 71% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Joddla Med Siv
Aj, Aj Kylaspray
134 bpm • A Maj • 06:45 • -9.63db
19% Popularity • 61% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 61% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Gitte Hænning
Lampenfieber
138 bpm • G Maj • 03:39 • -11.88db
27% Popularity • 74% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 74% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Paul Severs
Zeg 'ns Meisje
134 bpm • A Maj • 02:52 • -9.08db
42% Popularity • 65% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
42% Popularity • 65% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Die Flippers
Mama Mia
134 bpm • D# Maj • 03:16 • -8.59db
15% Popularity • 67% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 67% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Cast Campeones
Oliver y Benji (Campeones) (De " Campeon...
134 bpm • E min • 02:36 • -5.36db
15% Popularity • 77% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 77% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Gunter Gabriel
Hey Boss, ich brauch mehr Geld
133 bpm • D Maj • 02:58 • -12db
10% Popularity • 70% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 70% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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France Gall
Ich liebe dich - So wie du bist
133 bpm • A# Maj • 02:32 • -7.86db
15% Popularity • 71% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 71% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Puhdys
Schlaf mit mir
133 bpm • B min • 03:57 • -12.25db
19% Popularity • 70% Danceability • 77% Energy • 17% Liveness
2% Instrumentalness • 89% Positiveness
19% Popularity • 70% Danceability • 77% Energy • 17% Liveness
2% Instrumentalness • 89% Positiveness
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Petra Zieger
Superfrau
139 bpm • G Maj • 03:50 • -8.8db
15% Popularity • 60% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 60% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Benny
Du bist sechzehn (You're Sixteen)
133 bpm • C Maj • 02:19 • -5.77db
8% Popularity • 62% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 62% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Roberts
Wann liegen wir uns wieder in den Armen,...
133 bpm • G Maj • 04:07 • -9db
18% Popularity • 63% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 63% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Right Said Fred
Love Song
133 bpm • E Maj • 03:44 • -9db
27% Popularity • 70% Danceability • 99% Energy • 28% Liveness
1% Instrumentalness • 31% Positiveness
27% Popularity • 70% Danceability • 99% Energy • 28% Liveness
1% Instrumentalness • 31% Positiveness
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Giorgio Vanni
What's My Destiny Dragon Ball/Go West
133 bpm • A min • 02:52 • -3.45db
16% Popularity • 62% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 62% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Puhdys
Kein Paradies
133 bpm • G Maj • 02:04 • -6.79db
24% Popularity • 45% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 45% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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Die Original Wiener Buam
Sanitätsgefreiter Neumann
139 bpm • C Maj • 03:50 • -12.92db
10% Popularity • 63% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 63% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Karel Gott
Wie der Teufel es will
139 bpm • E Maj • 02:40 • -9.01db
23% Popularity • 61% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 61% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Roberto Blanco
Morgen sind wir reich
139 bpm • G Maj • 03:52 • -5db
9% Popularity • 70% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 70% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Mickie Krause
Zehn Nackte Friseusen 2003
133 bpm • C# min • 03:44 • -4.63db
29% Popularity • 69% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 69% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Roberts
Happy Chris - Mix
133 bpm • D Maj • 03:35 • -8db
8% Popularity • 70% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 70% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Andrea Jürgens
Ich hab`dir nie den Himmel versprochen
133 bpm • F# Maj • 03:49 • -6db
27% Popularity • 61% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 61% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Heino
Ja, ja, die Katja, die hat ja
133 bpm • C Maj • 02:57 • -12.13db
18% Popularity • 68% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 68% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
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Pepe Lienhard Band
Piccolo Man
133 bpm • A Maj • 02:47 • -9.47db
9% Popularity • 81% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 81% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Brigitte Ahrens
Da ging für mich die Sonne auf
132 bpm • A# Maj • 02:20 • -5.85db
17% Popularity • 62% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 62% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Neoton Familia
Körben-járás
132 bpm • A min • 03:44 • -11.38db
9% Popularity • 76% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 76% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Bjarne Liller
0059
132 bpm • D Maj • 03:09 • -8.65db
5% Popularity • 78% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
5% Popularity • 78% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Nina & Mike
La Paloma Blanca
132 bpm • D Maj • 02:40 • -2.59db
18% Popularity • 58% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 58% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Amanda Lear
The Lady In Black
140 bpm • E min • 03:39 • -9.74db
17% Popularity • 70% Danceability • 68% Energy • 10% Liveness
4% Instrumentalness • 79% Positiveness
17% Popularity • 70% Danceability • 68% Energy • 10% Liveness
4% Instrumentalness • 79% Positiveness
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Bläck Fööss
Frankreich Frankreich
140 bpm • C min • 04:18 • -12db
32% Popularity • 80% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 80% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Roy D. Martin
För die Liebe nit
140 bpm • G Maj • 04:13 • -5.91db
17% Popularity • 66% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 66% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Geier Sturzflug
Pure Lust am Leben
140 bpm • F min • 03:25 • -7.54db
53% Popularity • 80% Danceability • 63% Energy • 66% Liveness
0% Instrumentalness • 83% Positiveness
53% Popularity • 80% Danceability • 63% Energy • 66% Liveness
0% Instrumentalness • 83% Positiveness
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Phil & John
Du oder Keine
132 bpm • G Maj • 03:05 • -10.73db
10% Popularity • 56% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 56% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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butzemann
Tanz mit dem Biber
140 bpm • C# Maj • 02:55 • -11.83db
24% Popularity • 67% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 67% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Peter Orloff
Ein Mädchen für immer
132 bpm • B Maj • 02:51 • -3.1db
18% Popularity • 76% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 76% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Michael Holm
Nur ein Kuss, Maddalena
140 bpm • G# Maj • 03:13 • -12db
18% Popularity • 68% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 68% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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ChueLee
Heidi
140 bpm • F# min • 03:25 • -9db
28% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 60% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Gunilla Persson
I Won't Shake (La La Gunilla)
140 bpm • G# min • 02:59 • -3.11db
67% Popularity • 64% Danceability • 94% Energy • 48% Liveness
0% Instrumentalness • 80% Positiveness
67% Popularity • 64% Danceability • 94% Energy • 48% Liveness
0% Instrumentalness • 80% Positiveness
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Batschkapp
Meenzer Bube, Meenzer Mädcher
140 bpm • D Maj • 02:49 • -12.42db
24% Popularity • 66% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 66% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Die Campbells
Meisie Sonder Sokkies
132 bpm • A min • 03:15 • -5.65db
11% Popularity • 81% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 98% Positiveness
11% Popularity • 81% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 98% Positiveness
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Right Said Fred
You're My Mate
132 bpm • E Maj • 03:17 • -5.73db
52% Popularity • 64% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 64% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Klaus & Klaus
Weissbier Auf Der Hütt'n
132 bpm • C Maj • 03:17 • -5.95db
8% Popularity • 67% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 67% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Bernhard Brink
Frei und abgebrannt
132 bpm • A min • 03:54 • -8.05db
14% Popularity • 64% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 64% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Jürgen Eberlein
Baby, was für ein Zauber
132 bpm • C Maj • 04:02 • -4.52db
10% Popularity • 63% Danceability • 94% Energy • 32% Liveness
3% Instrumentalness • 40% Positiveness
10% Popularity • 63% Danceability • 94% Energy • 32% Liveness
3% Instrumentalness • 40% Positiveness
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Katja Ebstein
Was hat sie, das ich nicht habe
140 bpm • G# Maj • 02:56 • -3.42db
10% Popularity • 66% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 66% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Gaby Baginsky
Diebe kommen am Abend - Remastered 2006
132 bpm • E Maj • 03:08 • -6db
29% Popularity • 62% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 62% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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80’s 90’s Pop Hits
Flying High
132 bpm • C# Maj • 03:41 • -5.41db
12% Popularity • 71% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 71% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Gunter Gabriel
Ich bin CB-Funker
140 bpm • A Maj • 03:49 • -9.3db
4% Popularity • 70% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
4% Popularity • 70% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Stein Ingebrigtsen
Storholt, Stensen, Stenshjemmet Og Sjøb...
132 bpm • A Maj • 03:19 • -5db
15% Popularity • 43% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 43% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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Tommy Seebach
Apache - 2010 - Remaster
131 bpm • A min • 04:46 • -12.07db
15% Popularity • 53% Danceability • 64% Energy • 19% Liveness
48% Instrumentalness • 77% Positiveness
15% Popularity • 53% Danceability • 64% Energy • 19% Liveness
48% Instrumentalness • 77% Positiveness
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Marianne Rosenberg
Er gehört zu mir
131 bpm • C Maj • 02:59 • -11.91db
33% Popularity • 58% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 58% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Michael Holm
Barfuß im Regen
141 bpm • A Maj • 02:41 • -9.68db
39% Popularity • 68% Danceability • 57% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
39% Popularity • 68% Danceability • 57% Energy • 43% Liveness
0% Instrumentalness • 95% Positiveness
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Ibo
Großstadtmädchen
131 bpm • D# Maj • 03:52 • -7.05db
8% Popularity • 67% Danceability • 76% Energy • 46% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 67% Danceability • 76% Energy • 46% Liveness
0% Instrumentalness • 94% Positiveness
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Ireen Sheer
Feuer
131 bpm • C min • 03:02 • -9.16db
14% Popularity • 54% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 54% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Zefanias Zelfband
Always On My Mind
131 bpm • D Maj • 01:48 • -10.07db
14% Popularity • 69% Danceability • 91% Energy • 11% Liveness
2% Instrumentalness • 92% Positiveness
14% Popularity • 69% Danceability • 91% Energy • 11% Liveness
2% Instrumentalness • 92% Positiveness
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teenie
Der Typ Will Mich Kussen
141 bpm • D Maj • 02:52 • -7.62db
30% Popularity • 61% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 61% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Katja Ebstein
Ich bereue keinen Augenblick
141 bpm • C# Maj • 03:47 • -8.77db
14% Popularity • 74% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 74% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Nickerbocker
Zruck zu dir (Hallo Klaus) - Original
131 bpm • A Maj • 03:45 • -7db
51% Popularity • 79% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 79% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Ibo
Hass mich oder vernasch mich
131 bpm • E Maj • 03:39 • -9.54db
28% Popularity • 71% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 71% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Dolly Roll
Vakációóó
131 bpm • C Maj • 02:24 • -7.04db
27% Popularity • 73% Danceability • 54% Energy • 48% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 73% Danceability • 54% Energy • 48% Liveness
0% Instrumentalness • 60% Positiveness
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Michael Holm
Der Michael Holm Hit-Mix (by 13th SOUNDS...
131 bpm • A Maj • 05:52 • -9.42db
23% Popularity • 48% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 48% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Colör
Männerstrip im Waschsalon (Rama Lama Di...
130 bpm • D Maj • 03:00 • -3.18db
28% Popularity • 70% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 70% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Howard Carpendale
Ich geb mir selbst 'ne Party
130 bpm • F Maj • 02:26 • -8.51db
27% Popularity • 87% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 87% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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EAV (Erste Allgemeine Verunsicherung)
An der Copacabana
130 bpm • C Maj • 04:36 • -10db
38% Popularity • 85% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 85% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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Amanda Lear
Follow Me
130 bpm • F Maj • 04:08 • -8.46db
21% Popularity • 66% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 66% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Garden Of Delight
The Hills Behind My Old Hometown
130 bpm • F Maj • 03:01 • -7.26db
10% Popularity • 77% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 98% Positiveness
10% Popularity • 77% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 98% Positiveness
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Rosanna Rocci
Theresa
130 bpm • A Maj • 03:18 • -10.06db
26% Popularity • 63% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 63% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Michael Holm
Mega-Mix (Tränen Lügen Nicht / Barfuß...
130 bpm • A Maj • 07:50 • -10.23db
24% Popularity • 62% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 62% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Howard Carpendale
Tür an Tür mit Alice (Living Next Door...
130 bpm • G Maj • 02:49 • -4.32db
20% Popularity • 63% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 63% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Heino
Geh mal Bier holen
130 bpm • F Maj • 03:24 • -3.51db
25% Popularity • 73% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 73% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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EAV (Erste Allgemeine Verunsicherung)
Himbeerland I
130 bpm • E Maj • 02:51 • -7.04db
12% Popularity • 81% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 81% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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David Bosh
Lass uns träumen
130 bpm • D Maj • 04:23 • -11.44db
13% Popularity • 76% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 76% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Peggy March
Costa Brava
130 bpm • D Maj • 02:48 • -7.47db
15% Popularity • 55% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 55% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
