Songs like Mirror, Mirror by Diana Ross
Based on a tempo of (+/- 10%) and a similar genre
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Dr. Hook
Sexy Eyes - Single Version
104 bpm • A min • 03:00 • -11.9db
54% Popularity • 74% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
54% Popularity • 74% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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The Real Thing
You to Me Are Everything (The Decade Rem...
104 bpm • C Maj • 06:05 • -9.88db
37% Popularity • 70% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 70% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Chicago
If You Leave Me Now
104 bpm • B Maj • 03:55 • -6.78db
77% Popularity • 43% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
77% Popularity • 43% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Barry Manilow
Mandy
104 bpm • A# Maj • 03:33 • -9.03db
69% Popularity • 31% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
69% Popularity • 31% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Simply Red
Stars
104 bpm • G Maj • 04:08 • -7.46db
71% Popularity • 72% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
71% Popularity • 72% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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The Gap Band
I Don't Believe You Want To Get Up And D...
104 bpm • B min • 03:31 • -10.31db
43% Popularity • 65% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
43% Popularity • 65% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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George McCrae
Rock Your Baby
104 bpm • C# Maj • 03:20 • -5.54db
61% Popularity • 59% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
61% Popularity • 59% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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George Michael
Fastlove, Pt. 1
104 bpm • A# min • 05:24 • -7.52db
65% Popularity • 74% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
65% Popularity • 74% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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The Temptations
My Girl
105 bpm • C Maj • 02:45 • -10.74db
81% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
81% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Patti LaBelle
Stir It Up
105 bpm • B min • 03:38 • -6.92db
47% Popularity • 74% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
47% Popularity • 74% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Hot Chocolate
So You Win Again
105 bpm • A Maj • 04:31 • -9db
49% Popularity • 71% Danceability • 54% Energy • 39% Liveness
14% Instrumentalness • 82% Positiveness
49% Popularity • 71% Danceability • 54% Energy • 39% Liveness
14% Instrumentalness • 82% Positiveness
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The Gap Band
I Don't Believe You Want To Get Up And D...
104 bpm • E min • 08:42 • -13db
37% Popularity • 71% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 71% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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George McCrae
Rock Your Baby
104 bpm • F min • 06:24 • -9.77db
43% Popularity • 60% Danceability • 82% Energy • 9% Liveness
12% Instrumentalness • 94% Positiveness
43% Popularity • 60% Danceability • 82% Energy • 9% Liveness
12% Instrumentalness • 94% Positiveness
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Jocelyn Brown
Somebody Else's Guy
103 bpm • F# Maj • 06:26 • -10db
58% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
58% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Diana Ross & The Supremes
Love Child
105 bpm • A min • 03:01 • -0.81db
49% Popularity • 57% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 57% Danceability • 96% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Andrea True Connection
More, More, More - Re-Recorded - Instrum...
103 bpm • A min • 03:03 • -6.26db
33% Popularity • 77% Danceability • 84% Energy • 10% Liveness
40% Instrumentalness • 91% Positiveness
33% Popularity • 77% Danceability • 84% Energy • 10% Liveness
40% Instrumentalness • 91% Positiveness
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Imagination
Just an Illusion
105 bpm • B min • 06:27 • -10.53db
62% Popularity • 75% Danceability • 55% Energy • 6% Liveness
12% Instrumentalness • 66% Positiveness
62% Popularity • 75% Danceability • 55% Energy • 6% Liveness
12% Instrumentalness • 66% Positiveness
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Commodores
Nightshift
105 bpm • G# Maj • 05:06 • -10.19db
65% Popularity • 73% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
65% Popularity • 73% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
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George McCrae
Rock Your Baby - 2012 Remaster
105 bpm • C# Maj • 06:25 • -10db
36% Popularity • 59% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
36% Popularity • 59% Danceability • 80% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
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Shalamar
There It Is
103 bpm • B min • 04:28 • -6.01db
43% Popularity • 76% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 76% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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KC & The Sunshine Band
Sound Your Funky Horn
105 bpm • F# Maj • 03:03 • -5db
32% Popularity • 71% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 71% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 80% Positiveness
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George Benson
Lady Love Me (One More Time)
103 bpm • F# min • 04:00 • -8.54db
54% Popularity • 67% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
54% Popularity • 67% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Dr. Hook
Sexy Eyes
102 bpm • A min • 03:31 • -10db
49% Popularity • 75% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
49% Popularity • 75% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Earth, Wind & Fire
Shining Star
103 bpm • A Maj • 02:50 • -13.09db
64% Popularity • 68% Danceability • 69% Energy • 13% Liveness
1% Instrumentalness • 80% Positiveness
64% Popularity • 68% Danceability • 69% Energy • 13% Liveness
1% Instrumentalness • 80% Positiveness
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George McCrae
Rock Your Baby
106 bpm • C# Maj • 03:21 • -13.06db
51% Popularity • 65% Danceability • 56% Energy • 7% Liveness
90% Instrumentalness • 89% Positiveness
51% Popularity • 65% Danceability • 56% Energy • 7% Liveness
90% Instrumentalness • 89% Positiveness
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Stevie Wonder
As
102 bpm • G# min • 07:08 • -10.34db
61% Popularity • 47% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 47% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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The Real Thing
You to Me Are Everything
102 bpm • C Maj • 03:28 • -7.33db
66% Popularity • 60% Danceability • 92% Energy • 81% Liveness
0% Instrumentalness • 94% Positiveness
66% Popularity • 60% Danceability • 92% Energy • 81% Liveness
0% Instrumentalness • 94% Positiveness
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Kenny Loggins
This Is It
102 bpm • G min • 03:56 • -12.23db
55% Popularity • 64% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 64% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Lisa Stansfield
Change - Remastered
106 bpm • C Maj • 05:38 • -6.79db
30% Popularity • 66% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 66% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Hot Chocolate
You Sexy Thing
106 bpm • F Maj • 04:04 • -5.47db
73% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
73% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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The Love Unlimited Orchestra
Love's Theme - Alternate Version
102 bpm • E min • 03:57 • -9db
46% Popularity • 43% Danceability • 65% Energy • 10% Liveness
21% Instrumentalness • 74% Positiveness
46% Popularity • 43% Danceability • 65% Energy • 10% Liveness
21% Instrumentalness • 74% Positiveness
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Stevie Wonder
I Wish
106 bpm • A# min • 04:12 • -10.4db
67% Popularity • 82% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
67% Popularity • 82% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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George Michael
Father Figure - Remastered
102 bpm • D# Maj • 05:36 • -13.29db
63% Popularity • 69% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
63% Popularity • 69% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Real Thing
You To Me Are Everything
102 bpm • C Maj • 03:33 • -4db
46% Popularity • 55% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
46% Popularity • 55% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Lisa Stansfield
Change - Edit
106 bpm • D min • 04:34 • -8.27db
46% Popularity • 68% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 68% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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CHIC
My Forbidden Lover
107 bpm • D Maj • 04:34 • -9.77db
44% Popularity • 81% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
44% Popularity • 81% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Ashford & Simpson
Solid
101 bpm • C Maj • 05:12 • -12db
55% Popularity • 81% Danceability • 47% Energy • 60% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 81% Danceability • 47% Energy • 60% Liveness
0% Instrumentalness • 96% Positiveness
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Stevie Wonder
Sir Duke
107 bpm • F# Maj • 03:52 • -9.77db
72% Popularity • 59% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
72% Popularity • 59% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Commodores
Sweet Love
101 bpm • C# Maj • 06:33 • -8db
44% Popularity • 58% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 58% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Diana Ross & The Supremes
Someday We'll Be Together
107 bpm • C# Maj • 03:31 • -12.45db
55% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
55% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Lisa Stansfield
All Around the World - Remastered
101 bpm • C# Maj • 04:25 • -4.6db
63% Popularity • 67% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
63% Popularity • 67% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Soul II Soul
Back To Life
101 bpm • G Maj • 03:48 • -11.66db
66% Popularity • 82% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
66% Popularity • 82% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Diana Ross
Upside Down - Original CHIC Mix
107 bpm • F Maj • 04:15 • -8.63db
34% Popularity • 76% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 76% Danceability • 87% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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Stevie Wonder
My Cherie Amour
101 bpm • F# Maj • 02:53 • -11.34db
68% Popularity • 57% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
68% Popularity • 57% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Hues Corporation
Rock the Boat
107 bpm • D# Maj • 03:22 • -9.72db
65% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
65% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The S.O.S Band
Just Be Good To Me
101 bpm • D Maj • 09:09 • -11.07db
48% Popularity • 61% Danceability • 91% Energy • 8% Liveness
12% Instrumentalness • 86% Positiveness
48% Popularity • 61% Danceability • 91% Energy • 8% Liveness
12% Instrumentalness • 86% Positiveness
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Oleta Adams
Get Here
107 bpm • A# Maj • 04:34 • -16.05db
56% Popularity • 48% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
56% Popularity • 48% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Culture Club
Do You Really Want To Hurt Me
101 bpm • E min • 04:22 • -15db
68% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
68% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Odyssey
Going Back to My Roots - Single Version
107 bpm • C# Maj • 03:25 • -9.67db
47% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Stevie Wonder
Superstition
101 bpm • C# Maj • 04:26 • -14.17db
67% Popularity • 61% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 88% Positiveness
67% Popularity • 61% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 88% Positiveness
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Neil Sedaka
Laughter In The Rain
101 bpm • F Maj • 02:50 • -9.46db
67% Popularity • 50% Danceability • 61% Energy • 4% Liveness
1% Instrumentalness • 92% Positiveness
67% Popularity • 50% Danceability • 61% Energy • 4% Liveness
1% Instrumentalness • 92% Positiveness
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The 5th Dimension
Up, Up and Away
108 bpm • G min • 02:43 • -14.6db
50% Popularity • 39% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 39% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Silver Convention
Fly Robin Fly - Alternate Mix
100 bpm • C min • 03:48 • -14.14db
45% Popularity • 83% Danceability • 42% Energy • 7% Liveness
76% Instrumentalness • 94% Positiveness
45% Popularity • 83% Danceability • 42% Energy • 7% Liveness
76% Instrumentalness • 94% Positiveness
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Four Tops
When She Was My Girl
100 bpm • F Maj • 03:26 • -10db
47% Popularity • 70% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 70% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Diana Ross
Upside Down
108 bpm • F min • 04:05 • -8.56db
70% Popularity • 87% Danceability • 86% Energy • 4% Liveness
3% Instrumentalness • 88% Positiveness
70% Popularity • 87% Danceability • 86% Energy • 4% Liveness
3% Instrumentalness • 88% Positiveness
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Stevie Wonder
Superstition - Single Version
100 bpm • G# Maj • 04:05 • -12.12db
74% Popularity • 63% Danceability • 63% Energy • 4% Liveness
1% Instrumentalness • 87% Positiveness
74% Popularity • 63% Danceability • 63% Energy • 4% Liveness
1% Instrumentalness • 87% Positiveness
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Commodores
Brick House
108 bpm • E min • 03:28 • -10.48db
66% Popularity • 83% Danceability • 78% Energy • 3% Liveness
2% Instrumentalness • 63% Positiveness
66% Popularity • 83% Danceability • 78% Energy • 3% Liveness
2% Instrumentalness • 63% Positiveness
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Billy Ocean
Loverboy
108 bpm • F# min • 04:09 • -9.16db
54% Popularity • 73% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
54% Popularity • 73% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Taylor Dayne
Can't Get Enough of Your Love
108 bpm • A min • 04:25 • -5.09db
39% Popularity • 69% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 69% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Paul
Let 'Em In
100 bpm • C min • 05:03 • -7.39db
41% Popularity • 67% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 67% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Diana Ross & The Supremes
Reflections
100 bpm • C# Maj • 02:49 • -10db
49% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Bill Medley
(I've Had) The Time Of My Life - theme f...
108 bpm • F# min • 04:49 • -11.25db
68% Popularity • 66% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
68% Popularity • 66% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Bananarama
Cruel Summer
109 bpm • C# min • 03:35 • -6.02db
68% Popularity • 67% Danceability • 87% Energy • 26% Liveness
2% Instrumentalness • 94% Positiveness
68% Popularity • 67% Danceability • 87% Energy • 26% Liveness
2% Instrumentalness • 94% Positiveness
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KC & The Sunshine Band
That's the Way (I Like It)
109 bpm • F min • 05:06 • -6.9db
52% Popularity • 66% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
52% Popularity • 66% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Diana Ross
It's My House
99 bpm • F Maj • 04:34 • -5.86db
50% Popularity • 76% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
50% Popularity • 76% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Smokey Robinson
Being With You
109 bpm • C min • 04:06 • -9.53db
54% Popularity • 65% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
54% Popularity • 65% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Fine Young Cannibals
She Drives Me Crazy
109 bpm • D Maj • 03:35 • -5.68db
76% Popularity • 80% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
76% Popularity • 80% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Lionel Richie
All Night Long (All Night)
109 bpm • C# Maj • 06:23 • -13.92db
55% Popularity • 72% Danceability • 56% Energy • 4% Liveness
1% Instrumentalness • 80% Positiveness
55% Popularity • 72% Danceability • 56% Energy • 4% Liveness
1% Instrumentalness • 80% Positiveness
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Whitney Houston
Saving All My Love for You
99 bpm • F# min • 03:58 • -14.57db
69% Popularity • 64% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
69% Popularity • 64% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Stevie Wonder
Signed, Sealed, Delivered (I'm Yours)
109 bpm • F Maj • 02:41 • -11.33db
77% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
77% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Diana Ross
Endless Love
99 bpm • A# Maj • 04:56 • -17.83db
20% Popularity • 41% Danceability • 22% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
20% Popularity • 41% Danceability • 22% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Carly Simon
You Belong to Me
109 bpm • F min • 03:52 • -8db
53% Popularity • 64% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 64% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Shalamar
A Night to Remember (Single Version)
109 bpm • C# Maj • 03:32 • -10.12db
59% Popularity • 76% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
59% Popularity • 76% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Lionel Richie
All Night Long (All Night) - Single Vers...
109 bpm • C# Maj • 04:18 • -12.04db
73% Popularity • 75% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
73% Popularity • 75% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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Smokey Robinson
Just To See Her
109 bpm • E min • 04:04 • -15.49db
56% Popularity • 82% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
56% Popularity • 82% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Robert Palmer
Mercy Mercy Me / I Want You (Medley)
99 bpm • C# min • 05:57 • -7.67db
48% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Diana Ross
Thank You
99 bpm • G# Maj • 03:45 • -2.46db
39% Popularity • 71% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 71% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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George Michael
A Different Corner
99 bpm • F# Maj • 04:03 • -10.34db
53% Popularity • 26% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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The Real Thing
Can't Get By Without You
99 bpm • C# min • 03:29 • -8.66db
32% Popularity • 68% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 68% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Odyssey
Native New Yorker
109 bpm • C# Maj • 03:26 • -6.87db
37% Popularity • 51% Danceability • 93% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 51% Danceability • 93% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
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Frankie Valli
Grease - 2007 Remaster
109 bpm • B Maj • 03:27 • -8.45db
66% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
66% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Wild Cherry
Play That Funky Music
109 bpm • A Maj • 05:00 • -12.07db
71% Popularity • 81% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
71% Popularity • 81% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Diana Ross
I'm Coming Out - Original CHIC Mix
109 bpm • F Maj • 06:00 • -8.38db
43% Popularity • 70% Danceability • 82% Energy • 16% Liveness
4% Instrumentalness • 82% Positiveness
43% Popularity • 70% Danceability • 82% Energy • 16% Liveness
4% Instrumentalness • 82% Positiveness
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Dr. Hook
When You're In Love With A Beautiful Wom...
110 bpm • G# Maj • 02:58 • -9.54db
66% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
66% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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The Real Thing
Can't Get By Without You (7" Version)
99 bpm • C# min • 03:09 • -8.28db
46% Popularity • 64% Danceability • 80% Energy • 61% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 64% Danceability • 80% Energy • 61% Liveness
0% Instrumentalness • 78% Positiveness
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Lisa Stansfield
The Real Thing
99 bpm • B min • 04:20 • -5.93db
54% Popularity • 70% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 70% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Eric Carmen
Hungry Eyes
110 bpm • F Maj • 04:11 • -9db
75% Popularity • 71% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
75% Popularity • 71% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Jimmy Ruffin
What Becomes Of The Brokenhearted
99 bpm • G min • 02:55 • -12.67db
58% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
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George Benson
Give Me the Night
110 bpm • C# Maj • 03:42 • -15.67db
68% Popularity • 85% Danceability • 47% Energy • 13% Liveness
2% Instrumentalness • 86% Positiveness
68% Popularity • 85% Danceability • 47% Energy • 13% Liveness
2% Instrumentalness • 86% Positiveness
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Diana Ross & The Supremes
I'm Gonna Make You Love Me
98 bpm • A# Maj • 03:07 • -11.89db
52% Popularity • 64% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 64% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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George Michael
Too Funky - Single Edit
98 bpm • G min • 03:50 • -8.54db
52% Popularity • 67% Danceability • 90% Energy • 27% Liveness
29% Instrumentalness • 84% Positiveness
52% Popularity • 67% Danceability • 90% Energy • 27% Liveness
29% Instrumentalness • 84% Positiveness
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Diana Ross
I'm Coming Out
110 bpm • F Maj • 05:23 • -9.21db
70% Popularity • 72% Danceability • 83% Energy • 8% Liveness
43% Instrumentalness • 77% Positiveness
70% Popularity • 72% Danceability • 83% Energy • 8% Liveness
43% Instrumentalness • 77% Positiveness
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Lionel Richie
Penny Lover
98 bpm • G# Maj • 05:32 • -15.16db
47% Popularity • 70% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
47% Popularity • 70% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Marvin Gaye
How Sweet It Is (To Be Loved By You)
110 bpm • C Maj • 02:57 • -10db
61% Popularity • 65% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 65% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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George Benson
Give Me the Night
110 bpm • C# Maj • 05:01 • -7.83db
64% Popularity • 84% Danceability • 76% Energy • 12% Liveness
7% Instrumentalness • 86% Positiveness
64% Popularity • 84% Danceability • 76% Energy • 12% Liveness
7% Instrumentalness • 86% Positiveness
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En Vogue
My Lovin' (You're Never Gonna Get It)
98 bpm • G# Maj • 04:41 • -5.52db
58% Popularity • 77% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 77% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Stevie Wonder
For Once In My Life
110 bpm • F# Maj • 02:49 • -11.9db
76% Popularity • 52% Danceability • 52% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
76% Popularity • 52% Danceability • 52% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
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Bill Withers
Lovely Day
98 bpm • A Maj • 04:14 • -8.27db
78% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
78% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
