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Misophonia
Songs like
Misophonia
by
Yazz Ahmed
Based on a tempo of (+/- 10%) and a similar genre
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Yazz Ahmed
Misophonia
139 bpm • F Maj • 01:13 • -17.4db
29% Popularity • 48% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
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Ruby Rushton
Two for Joy
139 bpm • G# min • 04:17 • -13db
17% Popularity • 46% Danceability • 38% Energy • 7% Liveness
5% Instrumentalness • 24% Positiveness
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Theon Cross
Candace of Meroe
139 bpm • G Maj • 05:47 • -13.17db
14% Popularity • 64% Danceability • 63% Energy • 20% Liveness
90% Instrumentalness • 82% Positiveness
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Kham Meslien
Mauza
139 bpm • G min • 01:01 • -22.55db
34% Popularity • 47% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Natacha Atlas
The Inner
138 bpm • G min • 06:02 • -17.14db
6% Popularity • 28% Danceability • 10% Energy • 13% Liveness
90% Instrumentalness • 11% Positiveness
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Vega Trails
Love Your Grace
138 bpm • D Maj • 02:32 • -22db
41% Popularity • 44% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
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Get The Blessing
Not With Standing
140 bpm • D# Maj • 03:12 • -15.18db
37% Popularity • 55% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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Yazz Ahmed
One Girl Among Many - Asmara Remix
140 bpm • F# min • 04:00 • -15db
2% Popularity • 53% Danceability • 50% Energy • 7% Liveness
95% Instrumentalness • 20% Positiveness
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Mammal Hands
(Intro) Dimu
140 bpm • C Maj • 02:22 • -21.02db
28% Popularity • 25% Danceability • 3% Energy • 10% Liveness
48% Instrumentalness • 13% Positiveness
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Kham Meslien
Gnawen
138 bpm • G Maj • 04:37 • -17.5db
22% Popularity • 87% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 82% Positiveness
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Jaimie Branch
theme 001
140 bpm • E min • 04:41 • -10.5db
19% Popularity • 52% Danceability • 81% Energy • 8% Liveness
86% Instrumentalness • 43% Positiveness
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Yussef Kamaal
Mansur's Message
140 bpm • F min • 02:06 • -23.8db
34% Popularity • 40% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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The Comet Is Coming
Deep Within the Engine Deck
138 bpm • C min • 01:22 • -6.61db
31% Popularity • 64% Danceability • 95% Energy • 36% Liveness
30% Instrumentalness • 24% Positiveness
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Otis Sandsjö
Tremendoce, Pt. 2
140 bpm • C# Maj • 03:13 • -13.29db
24% Popularity • 60% Danceability • 34% Energy • 16% Liveness
60% Instrumentalness • 38% Positiveness
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Chelsea Carmichael
There Is You And You
138 bpm • F# Maj • 06:57 • -7.89db
13% Popularity • 48% Danceability • 57% Energy • 32% Liveness
81% Instrumentalness • 58% Positiveness
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1000 Kings
Kind of Fuji
138 bpm • A# Maj • 05:11 • -13.01db
18% Popularity • 53% Danceability • 47% Energy • 11% Liveness
94% Instrumentalness • 64% Positiveness
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Ambrose Akinmusire
Vartha
137 bpm • B min • 07:46 • -9db
21% Popularity • 34% Danceability • 50% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Andrew Cyrille
Worried Woman
141 bpm • F min • 07:35 • -18.4db
11% Popularity • 34% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 22% Positiveness
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Phi-Psonics
Desert Ride
137 bpm • D# Maj • 05:55 • -16.46db
10% Popularity • 35% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Maisha
Azure
141 bpm • F min • 09:49 • -15.65db
19% Popularity • 36% Danceability • 24% Energy • 8% Liveness
76% Instrumentalness • 23% Positiveness
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Get The Blessing
Sunwise
137 bpm • F min • 03:13 • -12db
33% Popularity • 62% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 72% Positiveness
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Wildflower
Light in the Sorrow
137 bpm • G min • 05:20 • -13.46db
12% Popularity • 34% Danceability • 33% Energy • 11% Liveness
28% Instrumentalness • 34% Positiveness
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Aaron Parks
Is Anything Okay?
141 bpm • C# Maj • 03:24 • -13.62db
33% Popularity • 53% Danceability • 34% Energy • 7% Liveness
87% Instrumentalness • 6% Positiveness
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Sam Wilkes
Run
142 bpm • E Maj • 07:03 • -9.73db
21% Popularity • 29% Danceability • 46% Energy • 20% Liveness
56% Instrumentalness • 10% Positiveness
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Henri Texier
Mr Donald Cerise
136 bpm • G Maj • 04:05 • -23db
17% Popularity • 69% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Maisha
Eaglehurst / The Palace
141 bpm • F min • 07:59 • -10.51db
14% Popularity • 46% Danceability • 66% Energy • 12% Liveness
87% Instrumentalness • 76% Positiveness
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Wadada Leo Smith
Uprising
136 bpm • E min • 04:41 • -11db
12% Popularity • 44% Danceability • 66% Energy • 9% Liveness
14% Instrumentalness • 62% Positiveness
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Tarek Yamani
Hala Land
142 bpm • G# Maj • 05:08 • -9.08db
21% Popularity • 70% Danceability • 62% Energy • 9% Liveness
96% Instrumentalness • 84% Positiveness
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Booker Little
Man Of Words - Remastered
136 bpm • F min • 04:51 • -16.19db
27% Popularity • 36% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Black Flower
The Light
136 bpm • E min • 06:24 • -14.68db
13% Popularity • 55% Danceability • 38% Energy • 17% Liveness
93% Instrumentalness • 25% Positiveness
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Girls in Airports
Cabin
136 bpm • E Maj • 03:01 • -21.43db
18% Popularity • 22% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Jaimie Branch
birds of paradise
136 bpm • G# Maj • 03:57 • -21.69db
17% Popularity • 50% Danceability • 32% Energy • 63% Liveness
88% Instrumentalness • 26% Positiveness
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Fazer
Babel
142 bpm • G# Maj • 04:36 • -16.04db
15% Popularity • 72% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Ruby Rushton
The Target
143 bpm • C# Maj • 02:36 • -7.93db
30% Popularity • 65% Danceability • 55% Energy • 8% Liveness
89% Instrumentalness • 50% Positiveness
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Mammal Hands
Tiny Crumb
143 bpm • C Maj • 07:46 • -9.88db
20% Popularity • 37% Danceability • 54% Energy • 18% Liveness
86% Instrumentalness • 31% Positiveness
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Rosa Brunello
Furgonauta - Eva Geist Remix
135 bpm • G# Maj • 04:51 • -15.01db
13% Popularity • 67% Danceability • 33% Energy • 13% Liveness
80% Instrumentalness • 32% Positiveness
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Michael Wollny
Nörvenich Lounge
143 bpm • D Maj • 03:47 • -12.26db
15% Popularity • 68% Danceability • 67% Energy • 11% Liveness
71% Instrumentalness • 13% Positiveness
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Binker and Moses
The Departure
143 bpm • C# Maj • 07:23 • -15.02db
10% Popularity • 35% Danceability • 56% Energy • 33% Liveness
86% Instrumentalness • 54% Positiveness
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Maisha
There Is a Place
143 bpm • A# min • 04:37 • -15.09db
15% Popularity • 18% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Shabaka and the Ancestors
Joyous
144 bpm • C Maj • 06:38 • -10.07db
27% Popularity • 40% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 29% Positiveness
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Jaimie Branch
Theme 002
144 bpm • C Maj • 05:20 • -7db
18% Popularity • 53% Danceability • 74% Energy • 16% Liveness
74% Instrumentalness • 66% Positiveness
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Avishai Cohen
Hidden Chamber
134 bpm • A min • 04:42 • -11.99db
14% Popularity • 35% Danceability • 43% Energy • 39% Liveness
88% Instrumentalness • 9% Positiveness
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Daniel Herskedal
Monsoon Coming
144 bpm • C Maj • 06:34 • -19.12db
13% Popularity • 63% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Vijay Iyer Trio
Hood
144 bpm • B min • 06:10 • -22.84db
13% Popularity • 50% Danceability • 30% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
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Wolfgang Muthspiel
Ending Music
144 bpm • D Maj • 01:23 • -25.79db
36% Popularity • 40% Danceability • 13% Energy • 18% Liveness
91% Instrumentalness • 13% Positiveness
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Ebi Soda
Ecchi
144 bpm • G Maj • 04:34 • -10.78db
26% Popularity • 40% Danceability • 57% Energy • 22% Liveness
79% Instrumentalness • 46% Positiveness
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Mammal Hands
Nightingale
133 bpm • C# Maj • 05:12 • -15.41db
39% Popularity • 61% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 37% Positiveness
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Yazz Ahmed
Whirling
133 bpm • F Maj • 00:42 • -21.39db
12% Popularity • 30% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 49% Positiveness
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Eberhard Weber
The Colours Of Chloë
133 bpm • A Maj • 07:51 • -19.83db
29% Popularity • 28% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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Mino Cinelu
Le monde qui change
145 bpm • E min • 00:59 • -18.8db
27% Popularity • 45% Danceability • 8% Energy • 21% Liveness
95% Instrumentalness • 33% Positiveness
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Jason Singh
Changes
145 bpm • D Maj • 05:12 • -21.24db
1% Popularity • 31% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Tonbruket
Music for the Sun King
133 bpm • A# Maj • 05:43 • -19.7db
23% Popularity • 46% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Mammal Hands
Kernel
145 bpm • C# Maj • 04:20 • -11.09db
29% Popularity • 35% Danceability • 33% Energy • 15% Liveness
95% Instrumentalness • 33% Positiveness
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Vijay Iyer
Touba
145 bpm • C# Maj • 07:17 • -23db
13% Popularity • 35% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
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Lucian Ban
The Dowry Song
145 bpm • C Maj • 07:38 • -14.51db
9% Popularity • 36% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 15% Positiveness
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Kibrom Birhane
Circles
146 bpm • D# Maj • 08:15 • -12.74db
14% Popularity • 58% Danceability • 38% Energy • 9% Liveness
86% Instrumentalness • 48% Positiveness
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Lloyd Miller
Spiritual Jazz
146 bpm • A min • 07:32 • -14.19db
16% Popularity • 41% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Anteloper
Fossil Record
146 bpm • C# Maj • 04:43 • -12.36db
11% Popularity • 59% Danceability • 47% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Mammal Hands
Dimu
133 bpm • G min • 05:06 • -12.97db
29% Popularity • 34% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 35% Positiveness
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Mathias Eick
Parents
132 bpm • C Maj • 05:16 • -16db
17% Popularity • 54% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 24% Positiveness
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Flock
Bold Dream
146 bpm • C# Maj • 06:12 • -12.31db
7% Popularity • 54% Danceability • 47% Energy • 13% Liveness
14% Instrumentalness • 34% Positiveness
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Bill Laurance
Where You Wish You Were
132 bpm • G# min • 01:34 • -18.9db
40% Popularity • 58% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Henri Texier
Angèle
146 bpm • C Maj • 01:44 • -19.35db
20% Popularity • 55% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Ebi Soda
Resent
147 bpm • C# Maj • 04:39 • -7.02db
20% Popularity • 45% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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John Surman
Following Behind
147 bpm • C min • 01:18 • -15.34db
27% Popularity • 79% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 70% Positiveness
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Nils Petter Molvær
Honey in Your Head
132 bpm • B min • 03:42 • -17.76db
25% Popularity • 43% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Shabaka and the Ancestors
Nguni
147 bpm • A min • 09:29 • -10.01db
10% Popularity • 31% Danceability • 52% Energy • 15% Liveness
75% Instrumentalness • 29% Positiveness
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James Brandon Lewis
First Born
147 bpm • E Maj • 04:13 • -15.76db
20% Popularity • 48% Danceability • 23% Energy • 9% Liveness
55% Instrumentalness • 58% Positiveness
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Nik Bärtsch
Modul 42
131 bpm • C# Maj • 06:27 • -23.64db
18% Popularity • 48% Danceability • 9% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
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Yazz Ahmed
Lahan al-Mansour
148 bpm • F# Maj • 09:57 • -15.28db
17% Popularity • 24% Danceability • 28% Energy • 7% Liveness
92% Instrumentalness • 14% Positiveness
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Markus Stockhausen
Mona
148 bpm • G min • 05:00 • -13.4db
26% Popularity • 48% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Mette Henriette
Drifting
131 bpm • A# min • 04:01 • -22.46db
27% Popularity • 30% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Jaimie Branch
twenty-three n me, jupiter redux
130 bpm • G Maj • 03:43 • -11.03db
10% Popularity • 36% Danceability • 51% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Kirk Knuffke
Safety Shoes
131 bpm • A Maj • 02:33 • -15db
16% Popularity • 66% Danceability • 33% Energy • 7% Liveness
81% Instrumentalness • 57% Positiveness
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Fazer
Akom
130 bpm • G# min • 04:12 • -12.51db
20% Popularity • 63% Danceability • 58% Energy • 6% Liveness
87% Instrumentalness • 86% Positiveness
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Ebi Soda
Keisha Billip
149 bpm • G# Maj • 04:22 • -7db
24% Popularity • 42% Danceability • 57% Energy • 21% Liveness
89% Instrumentalness • 40% Positiveness
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Mark Lockheart
Jagdish
130 bpm • G Maj • 02:27 • -14db
16% Popularity • 50% Danceability • 34% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Kham Meslien
Kar kar kar
129 bpm • G Maj • 02:59 • -20.37db
25% Popularity • 54% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
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Yazz Ahmed
2857
129 bpm • G# Maj • 08:30 • -12.16db
10% Popularity • 39% Danceability • 48% Energy • 12% Liveness
77% Instrumentalness • 6% Positiveness
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Bill Frisell
Outlaws
129 bpm • G min • 07:55 • -15.19db
22% Popularity • 50% Danceability • 29% Energy • 11% Liveness
70% Instrumentalness • 24% Positiveness
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Maisha
Kaa
129 bpm • D# min • 10:22 • -10.87db
12% Popularity • 46% Danceability • 63% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
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Anouar Brahem
Talwin
149 bpm • A min • 04:15 • -25.03db
25% Popularity • 53% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
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Ash Walker
Come with Us
150 bpm • A Maj • 03:12 • -11.6db
18% Popularity • 58% Danceability • 63% Energy • 12% Liveness
45% Instrumentalness • 64% Positiveness
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Jeff Parker
Jrifted
150 bpm • F min • 07:45 • -9.02db
11% Popularity • 52% Danceability • 52% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Yazz Ahmed
It
150 bpm • F Maj • 05:13 • -9.81db
4% Popularity • 47% Danceability • 62% Energy • 8% Liveness
94% Instrumentalness • 39% Positiveness
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Josh Johnson
Eclipsing
128 bpm • D Maj • 03:32 • -14.86db
14% Popularity • 57% Danceability • 26% Energy • 18% Liveness
86% Instrumentalness • 21% Positiveness
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Bill Laurance
Ngoni Baby
128 bpm • A Maj • 02:24 • -18.22db
29% Popularity • 82% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Get The Blessing
If It Can It Will
151 bpm • A min • 02:54 • -7.75db
19% Popularity • 63% Danceability • 73% Energy • 6% Liveness
77% Instrumentalness • 94% Positiveness
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Ash Walker
Detroit Velvet Smooth
150 bpm • C# min • 04:06 • -12.09db
13% Popularity • 44% Danceability • 88% Energy • 26% Liveness
84% Instrumentalness • 65% Positiveness
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Franklin Kiermyer
Peace On Earth
128 bpm • D# Maj • 05:48 • -23db
11% Popularity • 37% Danceability • 2% Energy • 8% Liveness
62% Instrumentalness • 12% Positiveness
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Atlantis Jazz Ensemble
White Nile
128 bpm • E min • 06:15 • -14.02db
9% Popularity • 50% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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AKU!
Dub Ting
128 bpm • C# min • 06:09 • -10.58db
12% Popularity • 50% Danceability • 38% Energy • 11% Liveness
10% Instrumentalness • 44% Positiveness
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Mu Quintet
IV
127 bpm • D Maj • 01:23 • -39db
27% Popularity • 35% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 17% Positiveness
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Mats Eilertsen
March
127 bpm • A min • 08:03 • -15.69db
16% Popularity • 39% Danceability • 16% Energy • 14% Liveness
54% Instrumentalness • 8% Positiveness
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Jack DeJohnette
In Movement
152 bpm • C# Maj • 09:21 • -14.58db
15% Popularity • 38% Danceability • 39% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Nubya Garcia
Fly Free
127 bpm • A# min • 09:41 • -14.31db
20% Popularity • 42% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 33% Positiveness
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Yacine Boularès
Dar Shems - The House of The Sun
152 bpm • C Maj • 02:24 • -15.54db
19% Popularity • 34% Danceability • 20% Energy • 35% Liveness
71% Instrumentalness • 33% Positiveness
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Black Flower
Magma
127 bpm • C# Maj • 06:33 • -12.9db
13% Popularity • 38% Danceability • 41% Energy • 24% Liveness
89% Instrumentalness • 48% Positiveness
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Nik Bärtsch
Modul 4
152 bpm • G# Maj • 05:25 • -18db
12% Popularity • 66% Danceability • 51% Energy • 9% Liveness
94% Instrumentalness • 70% Positiveness
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Girls in Airports
Intro
153 bpm • F Maj • 03:01 • -31.77db
22% Popularity • 38% Danceability • 12% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
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Misophonia