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Misplaced
Songs like
Misplaced
by
Riley Pearce
Based on a tempo of (+/- 10%) and a similar genre
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Riley Pearce
Furniture
115 bpm • E Maj • 03:14 • -12.9db
34% Popularity • 76% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Dusty Boots
Hideaway
115 bpm • F# Maj • 04:17 • -9.63db
27% Popularity • 66% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Hazlett
First World Problems
115 bpm • F# Maj • 04:23 • -11db
20% Popularity • 44% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
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Novo Amor
Pteryla
115 bpm • D min • 04:27 • -12db
41% Popularity • 28% Danceability • 27% Energy • 8% Liveness
22% Instrumentalness • 10% Positiveness
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Spectre Jones
Surplus
115 bpm • A# Maj • 03:30 • -12.94db
24% Popularity • 50% Danceability • 34% Energy • 28% Liveness
13% Instrumentalness • 16% Positiveness
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Henry Jamison
Gloria
115 bpm • A# Maj • 03:47 • -13.25db
28% Popularity • 41% Danceability • 28% Energy • 11% Liveness
24% Instrumentalness • 24% Positiveness
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Riley Pearce
406
115 bpm • F# Maj • 01:22 • -19.93db
42% Popularity • 58% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Fractures
It's Alright
115 bpm • C Maj • 04:10 • -16.85db
30% Popularity • 30% Danceability • 26% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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George Ogilvie
Birdsong
114 bpm • A# Maj • 05:26 • -9db
35% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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High Highs
St.Marie
114 bpm • D# Maj • 02:29 • -15.58db
23% Popularity • 33% Danceability • 11% Energy • 10% Liveness
26% Instrumentalness • 20% Positiveness
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Israel Cannan
Lost
116 bpm • C# Maj • 03:41 • -8.59db
30% Popularity • 64% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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VVE
Denmark
114 bpm • A min • 04:04 • -11.59db
13% Popularity • 46% Danceability • 54% Energy • 7% Liveness
29% Instrumentalness • 14% Positiveness
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Riley Pearce
Misplaced
115 bpm • F Maj • 04:53 • -9.94db
36% Popularity • 55% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Michael Dunstan
Red Moon
114 bpm • C# Maj • 03:29 • -9db
28% Popularity • 65% Danceability • 61% Energy • 6% Liveness
3% Instrumentalness • 24% Positiveness
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Davis John Patton
A Tale of Rescue
114 bpm • E Maj • 03:46 • -11.12db
34% Popularity • 64% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jordy Maxwell
Blue Eyes
114 bpm • G min • 03:57 • -12db
47% Popularity • 43% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Ben Stevenson
Yellow Bird
114 bpm • F# min • 03:42 • -10.63db
35% Popularity • 50% Danceability • 36% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
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George Ogilvie
Second Nature
114 bpm • F min • 05:08 • -7.84db
26% Popularity • 60% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Riley Pearce
Brave
116 bpm • E min • 04:07 • -10.59db
56% Popularity • 52% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Scenic Route to Alaska
Taking Its Toll
116 bpm • F Maj • 04:18 • -8.36db
18% Popularity • 51% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Dermot Kennedy
Boston
116 bpm • E Maj • 04:33 • -10.92db
42% Popularity • 56% Danceability • 45% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
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Greta Stanley
Alright with Me
116 bpm • D# Maj • 02:44 • -10.98db
20% Popularity • 34% Danceability • 33% Energy • 10% Liveness
7% Instrumentalness • 19% Positiveness
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Novo Amor
Amateur Blood
117 bpm • C# Maj • 03:31 • -14db
51% Popularity • 34% Danceability • 20% Energy • 11% Liveness
19% Instrumentalness • 13% Positiveness
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Bien
The Best Part
117 bpm • E Maj • 03:50 • -11.05db
34% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Riley Pearce
Rewind - Acoustic
114 bpm • G min • 03:24 • -12db
27% Popularity • 90% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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The Boxer Rebellion
You Can Love Me
117 bpm • F# Maj • 05:16 • -8.53db
24% Popularity • 23% Danceability • 74% Energy • 13% Liveness
78% Instrumentalness • 30% Positiveness
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Henry Jamison
The Rains
117 bpm • F# Maj • 03:31 • -11db
45% Popularity • 69% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 43% Positiveness
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Barcelona
Next Year People
117 bpm • C Maj • 03:19 • -12.11db
35% Popularity • 49% Danceability • 39% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
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Boatkeeper
Cleanse
117 bpm • D Maj • 04:03 • -8.43db
30% Popularity • 55% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Didirri
Blind You
117 bpm • D Maj • 02:54 • -12.83db
36% Popularity • 58% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Riley Pearce
Cloudships
116 bpm • G# Maj • 03:48 • -17.87db
13% Popularity • 77% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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George Ogilvie
Nowhere - Acoustic
118 bpm • D# Maj • 05:02 • -11db
26% Popularity • 43% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Wilsen
Final
118 bpm • G Maj • 04:59 • -20.44db
29% Popularity • 62% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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HAWAI
Fault
118 bpm • D Maj • 04:04 • -4.91db
20% Popularity • 46% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Angus & Julia Stone
Baudelaire
118 bpm • F# Maj • 04:14 • -9db
29% Popularity • 62% Danceability • 61% Energy • 14% Liveness
48% Instrumentalness • 40% Positiveness
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Billy Raffoul
Dark Four Door
118 bpm • A# Maj • 03:28 • -11.72db
45% Popularity • 70% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Riley Pearce
Golden Retriever
114 bpm • G# min • 03:38 • -6.42db
36% Popularity • 70% Danceability • 80% Energy • 8% Liveness
2% Instrumentalness • 97% Positiveness
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George Ogilvie
October
118 bpm • F Maj • 05:07 • -7db
45% Popularity • 68% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Bobby, I Miss You
Comes and Goes
112 bpm • D Maj • 03:06 • -25db
39% Popularity • 71% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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DYAN
The Push
118 bpm • G# Maj • 04:17 • -13.28db
23% Popularity • 24% Danceability • 31% Energy • 7% Liveness
53% Instrumentalness • 5% Positiveness
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Mountains of the Moon
Caterpillar
119 bpm • A# min • 05:24 • -17db
40% Popularity • 47% Danceability • 10% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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The Western Den
I Still Remain
119 bpm • C# Maj • 04:29 • -11.38db
34% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Riley Pearce
Circles
118 bpm • D min • 04:39 • -10.99db
23% Popularity • 72% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Ziggy Alberts
Tell Me (The Hoddevik Song)
111 bpm • A# min • 04:16 • -8.13db
42% Popularity • 73% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Leif Vollebekk
All Night Sedans
119 bpm • F min • 03:08 • -16.7db
42% Popularity • 73% Danceability • 16% Energy • 16% Liveness
1% Instrumentalness • 28% Positiveness
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Bien
Spinning on Blue
111 bpm • C# Maj • 04:34 • -10.99db
20% Popularity • 56% Danceability • 38% Energy • 9% Liveness
38% Instrumentalness • 9% Positiveness
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Whitaker
5,000,000,000 Years
119 bpm • D min • 03:19 • -8.32db
27% Popularity • 89% Danceability • 34% Energy • 11% Liveness
55% Instrumentalness • 27% Positiveness
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The Black Atlantic
I Shall Cross This River
119 bpm • A Maj • 03:28 • -24.63db
36% Popularity • 55% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Riley Pearce
All My Love
118 bpm • D# Maj • 03:18 • -9.16db
44% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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flora cash
Sadness Is Taking Over
120 bpm • G# min • 03:48 • -7.69db
37% Popularity • 51% Danceability • 64% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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St. South
Twenty Four
119 bpm • D Maj • 03:18 • -15.16db
17% Popularity • 36% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Twiceyoung
Night Drive - Deconstructed
120 bpm • F# min • 04:12 • -13db
30% Popularity • 27% Danceability • 34% Energy • 29% Liveness
33% Instrumentalness • 19% Positiveness
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George Ogilvie
Surveillance
120 bpm • D# min • 04:12 • -9db
43% Popularity • 52% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Aquilo
The Road Less Wandered
120 bpm • F Maj • 03:23 • -11.89db
26% Popularity • 38% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Riley Pearce
Portugal
112 bpm • F# Maj • 04:02 • -11.46db
21% Popularity • 49% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Garrett Kato
Sweet Jane
120 bpm • E Maj • 03:20 • -10.74db
42% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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David O'Dowda
Redemption
120 bpm • C Maj • 03:13 • -16.68db
29% Popularity • 69% Danceability • 19% Energy • 14% Liveness
55% Instrumentalness • 4% Positiveness
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Austin Basham
New House
120 bpm • E min • 03:33 • -6db
39% Popularity • 51% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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flora cash
Mezmer
120 bpm • B min • 04:00 • -14.6db
15% Popularity • 67% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Aquilo
Silent Movies
120 bpm • G Maj • 03:21 • -10.74db
30% Popularity • 40% Danceability • 45% Energy • 21% Liveness
1% Instrumentalness • 35% Positiveness
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Riley Pearce
Elephants
112 bpm • D# Maj • 03:01 • -11db
55% Popularity • 66% Danceability • 43% Energy • 9% Liveness
4% Instrumentalness • 30% Positiveness
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This New Light
End of the Line
120 bpm • E Maj • 04:20 • -10.68db
44% Popularity • 34% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Hein Cooper
Rusty
120 bpm • F# Maj • 03:18 • -8db
46% Popularity • 87% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Nathan Hawes
Warmth
120 bpm • G# Maj • 03:51 • -6.84db
29% Popularity • 64% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Bear's Den
Fuel On The Fire
120 bpm • G Maj • 03:54 • -9db
40% Popularity • 66% Danceability • 46% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
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Ben Howard
Another Friday Night
120 bpm • C min • 04:36 • -16db
36% Popularity • 59% Danceability • 32% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
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Riley Pearce
Roskie
112 bpm • F# Maj • 02:58 • -8.94db
40% Popularity • 62% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Matthew And The Atlas
Cali
120 bpm • F# min • 03:56 • -13db
30% Popularity • 37% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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DYAN
Reality
120 bpm • F Maj • 02:25 • -15db
24% Popularity • 44% Danceability • 27% Energy • 8% Liveness
80% Instrumentalness • 29% Positiveness
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Novo Amor
Silvery
120 bpm • C# Maj • 03:52 • -11db
48% Popularity • 54% Danceability • 36% Energy • 33% Liveness
8% Instrumentalness • 10% Positiveness
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Aquilo
I Could Fight On A Wall
120 bpm • C Maj • 03:30 • -12db
35% Popularity • 68% Danceability • 34% Energy • 9% Liveness
12% Instrumentalness • 29% Positiveness
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Henry Jamison
Dallas Love Field
120 bpm • C Maj • 03:54 • -8.91db
29% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Riley Pearce
Bottle It Up
119 bpm • E Maj • 03:05 • -9.55db
47% Popularity • 82% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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John Vincent III
Slow Song
120 bpm • A# Maj • 04:51 • -7db
45% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Paper Kites
Deep Burn Blue
110 bpm • A min • 04:39 • -5.97db
30% Popularity • 56% Danceability • 81% Energy • 13% Liveness
62% Instrumentalness • 16% Positiveness
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Joel Leggett
Part of Me
110 bpm • D Maj • 04:44 • -11db
35% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sons Of The East
Into The Sun - EP Version
110 bpm • B Maj • 05:00 • -10.27db
60% Popularity • 58% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Ade Mai
Miles
110 bpm • D Maj • 06:14 • -12.49db
27% Popularity • 36% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Riley Pearce
Glass Vase
120 bpm • C# min • 03:52 • -11.86db
30% Popularity • 67% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Novo Amor
Callow
110 bpm • C# Maj • 03:16 • -11.91db
50% Popularity • 38% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 9% Positiveness
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Steve Benjamins
Purification Ritual
110 bpm • D Maj • 03:00 • -6db
25% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Paul Cook & The Chronicles
Upstairs Room
110 bpm • D# Maj • 02:48 • -8.32db
15% Popularity • 61% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Harrison Storm
Change It All
121 bpm • A# Maj • 04:07 • -13db
55% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Jack Grace
if i tremble
121 bpm • A# Maj • 03:56 • -13.84db
23% Popularity • 38% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Riley Pearce
Nostalgia
120 bpm • D Maj • 04:01 • -14.3db
40% Popularity • 79% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Garrett Kato
Where the Vampires Hide
121 bpm • F# Maj • 02:29 • -12.2db
41% Popularity • 67% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Jordy Maxwell
As You Go
109 bpm • E Maj • 03:00 • -16.55db
43% Popularity • 40% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Novo Amor
Embody Me
121 bpm • C Maj • 03:10 • -12.04db
59% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Alae
All Gived Up
121 bpm • B min • 03:39 • -9.65db
26% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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AVEC
Sailing Away
121 bpm • G min • 04:16 • -10.25db
40% Popularity • 56% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Riley Pearce
Ceramic Real Estate
120 bpm • D Maj • 03:08 • -6.77db
23% Popularity • 59% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Garrett Kato
Holding on to You
121 bpm • C# Maj • 03:33 • -9.91db
37% Popularity • 68% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Nathan Hawes
Left With The Wolves
109 bpm • D min • 03:49 • -5db
37% Popularity • 66% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Ziggy Alberts
Love Me Now
109 bpm • C Maj • 04:03 • -9.19db
51% Popularity • 73% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Lorne
Oil and Water
109 bpm • D# min • 03:42 • -10db
18% Popularity • 73% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Running Young
Out of Time
122 bpm • G# Maj • 02:06 • -11.26db
16% Popularity • 46% Danceability • 18% Energy • 14% Liveness
7% Instrumentalness • 10% Positiveness
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Riley Pearce
Only You
121 bpm • F Maj • 03:06 • -8.23db
46% Popularity • 65% Danceability • 58% Energy • 14% Liveness
6% Instrumentalness • 56% Positiveness
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Henri Bardot
Make You Love Me
122 bpm • D# min • 03:01 • -13.09db
29% Popularity • 34% Danceability • 23% Energy • 8% Liveness
4% Instrumentalness • 23% Positiveness
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Brolly
They Run, They Hide
122 bpm • C min • 04:32 • -8db
21% Popularity • 51% Danceability • 67% Energy • 37% Liveness
3% Instrumentalness • 30% Positiveness
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Armon Jay
Better off Without
122 bpm • D Maj • 04:23 • -10.46db
32% Popularity • 67% Danceability • 57% Energy • 10% Liveness
42% Instrumentalness • 24% Positiveness
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Misplaced