Songs like Miss by Tim Hanauer
Based on a tempo of (+/- 10%) and a similar genre
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Tim Hanauer
Miss
142 bpm • C min • 02:59 • -10.69db
5% Popularity • 79% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
5% Popularity • 79% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Andrew Belle
My Oldest Friend
142 bpm • G Maj • 04:59 • -8db
25% Popularity • 53% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 53% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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John Gregory
Ride of Your Life - Vocal up 2 Main Mix
142 bpm • C Maj • 03:46 • -4.55db
23% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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John David Webster
Now
142 bpm • B Maj • 03:40 • -6.76db
10% Popularity • 44% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 44% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Buffseeds
Sparkle Me
142 bpm • E Maj • 04:24 • -5.1db
26% Popularity • 46% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 46% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Brooke Waggoner
Wonder-Dummied
143 bpm • C# min • 04:40 • -11.09db
25% Popularity • 38% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 15% Positiveness
25% Popularity • 38% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 15% Positiveness
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Tim Hanauer
Let go
142 bpm • C Maj • 02:58 • -10.35db
0% Popularity • 36% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 36% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Gersey
Crashing
141 bpm • A Maj • 05:08 • -11db
18% Popularity • 30% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
18% Popularity • 30% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
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Pete Francis
Untold
143 bpm • F Maj • 04:21 • -8.62db
25% Popularity • 41% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 53% Positiveness
25% Popularity • 41% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 53% Positiveness
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Kris Orlowski
Mountains
143 bpm • F# min • 04:41 • -13.73db
13% Popularity • 34% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 34% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Trent Dabbs
Inside These Lines
143 bpm • F min • 04:28 • -6.31db
32% Popularity • 46% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 46% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Allie Moss
Dig With Me
143 bpm • C# Maj • 03:59 • -7.61db
11% Popularity • 49% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
11% Popularity • 49% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Ian Britt
The Shape Of Us
143 bpm • A Maj • 04:16 • -12db
30% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Hires
Forever
143 bpm • F Maj • 03:28 • -5.54db
24% Popularity • 54% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 54% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Will Dailey
Rise
141 bpm • C Maj • 04:45 • -8db
11% Popularity • 63% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 63% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Robin Hackett
Hard Left
144 bpm • D# Maj • 02:50 • -16db
27% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Andy Brown
Ashes
140 bpm • A# Maj • 03:41 • -12.57db
20% Popularity • 45% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 45% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Mark Sholtez
Too Late for Heroes
144 bpm • D Maj • 04:13 • -13.12db
5% Popularity • 53% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
5% Popularity • 53% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Kevin Andrew Prchal
Terrified!
144 bpm • F# Maj • 03:47 • -5.42db
8% Popularity • 43% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 43% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Pete Yorn
Don't Wanna Cry
140 bpm • E Maj • 03:56 • -9db
18% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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John Gold
Vampire's Kiss
144 bpm • A Maj • 04:26 • -8.72db
31% Popularity • 35% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 35% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Greg Laswell
What A Day
140 bpm • E min • 05:09 • -11db
24% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Right the Stars
Give It All
140 bpm • B Maj • 03:44 • -6db
17% Popularity • 43% Danceability • 70% Energy • 10% Liveness
23% Instrumentalness • 23% Positiveness
17% Popularity • 43% Danceability • 70% Energy • 10% Liveness
23% Instrumentalness • 23% Positiveness
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Aidan Hawken
Shut Me Out
144 bpm • E Maj • 02:45 • -8.76db
17% Popularity • 65% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 65% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Adam Agin
Your Heart Keeps Burning
144 bpm • C Maj • 03:54 • -6.51db
14% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 42% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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James Morrison
Once When I Was Little
140 bpm • G Maj • 04:42 • -5.53db
33% Popularity • 54% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 54% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Barcelona
Slowly
140 bpm • D Maj • 04:29 • -6.98db
20% Popularity • 54% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 54% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Michelle Featherstone
Careful
144 bpm • F Maj • 04:16 • -4db
33% Popularity • 50% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 50% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Matt White
Wait For Love
140 bpm • C Maj • 03:52 • -5.31db
24% Popularity • 42% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 42% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Zoe Sky Jordan
In Another Lifetime
140 bpm • A# Maj • 03:30 • -11db
23% Popularity • 43% Danceability • 43% Energy • 12% Liveness
16% Instrumentalness • 20% Positiveness
23% Popularity • 43% Danceability • 43% Energy • 12% Liveness
16% Instrumentalness • 20% Positiveness
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Jont
Sweetheart
144 bpm • E Maj • 04:06 • -13.49db
27% Popularity • 42% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 42% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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The Fray
Heartbeat
144 bpm • A Maj • 03:40 • -5.08db
52% Popularity • 46% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 46% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Kyle Neal
Bottom of a Well
140 bpm • G Maj • 04:06 • -15.26db
13% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Morgan Taylor Reid
Brighter
139 bpm • C Maj • 03:35 • -11.87db
20% Popularity • 29% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 29% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ben Lee
Rise Up
145 bpm • F Maj • 04:25 • -15db
15% Popularity • 65% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 65% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Matthew Ryan
Some Streets Lead Nowhere
139 bpm • D# Maj • 04:25 • -11.5db
20% Popularity • 35% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 35% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Rob Giles
Did I Stay the Same
145 bpm • A Maj • 03:45 • -13.78db
10% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Taps
What Have I Done
139 bpm • D Maj • 02:40 • -10db
18% Popularity • 43% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 43% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
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Snow Patrol
New York
138 bpm • F Maj • 04:00 • -6.74db
48% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 38% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Matthew Barber
Our Voices
139 bpm • E Maj • 03:26 • -11.2db
25% Popularity • 40% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
25% Popularity • 40% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Courrier
Between
146 bpm • G# Maj • 03:51 • -6.16db
42% Popularity • 40% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 16% Positiveness
42% Popularity • 40% Danceability • 46% Energy • 15% Liveness
1% Instrumentalness • 16% Positiveness
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Donovan Woods
Kennedy
146 bpm • G Maj • 01:48 • -13db
30% Popularity • 34% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 34% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Tim Myers
A Beautiful World
138 bpm • B min • 03:25 • -10db
27% Popularity • 53% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 53% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Daniel Ahearn
I will let you go
146 bpm • A Maj • 04:24 • -15db
33% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Mariah McManus
Unarmed
138 bpm • C Maj • 04:30 • -18.24db
21% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Hollow Wood
Seasons
138 bpm • C Maj • 06:04 • -11.89db
17% Popularity • 50% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
17% Popularity • 50% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Tim Hanauer
Another Day of the Weekend
138 bpm • E Maj • 03:09 • -10.12db
0% Popularity • 74% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 74% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Joy Williams
If You Wanna Go
138 bpm • C# Maj • 03:58 • -8.1db
23% Popularity • 50% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 50% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Joe Purdy
Suitcase
146 bpm • E Maj • 02:56 • -17.34db
24% Popularity • 35% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 35% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Train
To Be Loved
138 bpm • A Maj • 03:41 • -4.3db
36% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 55% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Jason Walker
Midnight Starlight
138 bpm • G# Maj • 04:14 • -6.35db
24% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Matt Hires
Signal in the Sky
146 bpm • F Maj • 04:43 • -8.49db
11% Popularity • 44% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 44% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Tim Hanauer
Yellow Raincoat
138 bpm • G Maj • 04:00 • -8.04db
5% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
5% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Kim Taylor
Days Like This
138 bpm • A# min • 03:45 • -14.25db
23% Popularity • 74% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 74% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Blackchords
Sinking Like Stone
147 bpm • G# Maj • 03:58 • -8.5db
15% Popularity • 46% Danceability • 44% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
15% Popularity • 46% Danceability • 44% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
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Snow Patrol
Give Me Strength
147 bpm • B Maj • 03:22 • -5.98db
38% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Andrew Belle
Replace Me
137 bpm • G# Maj • 04:18 • -6.52db
23% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Toby Lightman
Holding a Heart
148 bpm • D Maj • 03:32 • -5.05db
38% Popularity • 34% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 34% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Josh Canova
Most of the Time
148 bpm • D Maj • 04:42 • -6.68db
20% Popularity • 33% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 33% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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The Fray
Happiness
148 bpm • C# Maj • 05:22 • -11.61db
45% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Tim Hanauer
December Days
148 bpm • C min • 05:21 • -11.02db
5% Popularity • 53% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
5% Popularity • 53% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Mat Kearney
Crashing Down
148 bpm • G Maj • 04:13 • -6db
24% Popularity • 38% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 38% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Aidan Hawken
Fly Straight
148 bpm • D# Maj • 04:40 • -6.36db
16% Popularity • 45% Danceability • 50% Energy • 11% Liveness
65% Instrumentalness • 17% Positiveness
16% Popularity • 45% Danceability • 50% Energy • 11% Liveness
65% Instrumentalness • 17% Positiveness
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Umbrellas
The City Lights
148 bpm • D min • 03:21 • -6db
27% Popularity • 47% Danceability • 69% Energy • 9% Liveness
6% Instrumentalness • 44% Positiveness
27% Popularity • 47% Danceability • 69% Energy • 9% Liveness
6% Instrumentalness • 44% Positiveness
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Bruno Merz
For You Now
136 bpm • E Maj • 03:42 • -19db
38% Popularity • 66% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 28% Positiveness
38% Popularity • 66% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 28% Positiveness
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Amy Stroup
Backed into the Corner
148 bpm • C Maj • 04:14 • -8.08db
17% Popularity • 43% Danceability • 53% Energy • 13% Liveness
4% Instrumentalness • 47% Positiveness
17% Popularity • 43% Danceability • 53% Energy • 13% Liveness
4% Instrumentalness • 47% Positiveness
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Tim Hanauer
Girls Have Super Powers
148 bpm • E Maj • 01:31 • -4.93db
0% Popularity • 73% Danceability • 87% Energy • 10% Liveness
64% Instrumentalness • 96% Positiveness
0% Popularity • 73% Danceability • 87% Energy • 10% Liveness
64% Instrumentalness • 96% Positiveness
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Axel Flóvent
Silently
136 bpm • C Maj • 04:14 • -9.3db
24% Popularity • 50% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 50% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Rosi Golan
Give up the Ghost
136 bpm • C Maj • 03:55 • -11.81db
31% Popularity • 70% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 70% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Stars of Track and Field
End Of All Time
136 bpm • C Maj • 03:35 • -7db
35% Popularity • 43% Danceability • 67% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 43% Danceability • 67% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
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Graham Colton
If Love Was Enough
136 bpm • G Maj • 03:51 • -5.89db
27% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
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The Mostar Diving Club
Echoes
148 bpm • E Maj • 03:58 • -12.4db
14% Popularity • 55% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
14% Popularity • 55% Danceability • 33% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Olin And The Moon
Not In Love
136 bpm • F# Maj • 04:07 • -7db
32% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ben Jelen
Come On
136 bpm • G# Maj • 03:46 • -7.1db
28% Popularity • 46% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 46% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Rosi Golan
Come Around
136 bpm • A# Maj • 04:02 • -10db
28% Popularity • 58% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 58% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Birdy
The District Sleeps Alone Tonight
136 bpm • C Maj • 04:44 • -7.62db
41% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 61% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Jason Koiter
Amanda's Song
135 bpm • G# Maj • 03:33 • -12.27db
9% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Lucy Rose
Be Alright
135 bpm • F Maj • 03:55 • -10db
34% Popularity • 58% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 58% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Wilcox
Final Days
135 bpm • A Maj • 03:48 • -9.8db
6% Popularity • 58% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 31% Positiveness
6% Popularity • 58% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 31% Positiveness
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Weinland
People Like You
135 bpm • D min • 03:23 • -10.83db
19% Popularity • 76% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 76% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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The Rescues
Break Me Out
135 bpm • C# Maj • 03:54 • -6.07db
33% Popularity • 60% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 60% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Rio Bravo
American Man
135 bpm • C Maj • 04:00 • -6.54db
27% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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The Strange Familiar
Redemption
150 bpm • D Maj • 03:54 • -7.95db
21% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Trent Dabbs
Leave To See
150 bpm • D Maj • 03:45 • -11.88db
30% Popularity • 55% Danceability • 45% Energy • 12% Liveness
72% Instrumentalness • 27% Positiveness
30% Popularity • 55% Danceability • 45% Energy • 12% Liveness
72% Instrumentalness • 27% Positiveness
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A Boy and His Kite
Cover Your Tracks
150 bpm • C Maj • 04:31 • -12db
38% Popularity • 46% Danceability • 41% Energy • 10% Liveness
29% Instrumentalness • 16% Positiveness
38% Popularity • 46% Danceability • 41% Energy • 10% Liveness
29% Instrumentalness • 16% Positiveness
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Measure
Begin Again
150 bpm • C Maj • 04:19 • -9.59db
34% Popularity • 66% Danceability • 50% Energy • 10% Liveness
24% Instrumentalness • 16% Positiveness
34% Popularity • 66% Danceability • 50% Energy • 10% Liveness
24% Instrumentalness • 16% Positiveness
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Matt Nathanson
All We Are - Acoustic Version
150 bpm • E Maj • 03:22 • -22.57db
18% Popularity • 43% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 43% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Clint Michigan
Hawthorne to Hennepin
134 bpm • B Maj • 03:28 • -12.3db
13% Popularity • 61% Danceability • 48% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
13% Popularity • 61% Danceability • 48% Energy • 13% Liveness
2% Instrumentalness • 24% Positiveness
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Matt Walters
I Would Die For You
134 bpm • A min • 06:26 • -13db
5% Popularity • 51% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
5% Popularity • 51% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Fort Atlantic
Let Your Heart Hold Fast
134 bpm • F Maj • 03:46 • -7.52db
51% Popularity • 47% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 47% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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The Sorry Kisses
Abandon Ship
134 bpm • C Maj • 04:16 • -5.27db
21% Popularity • 48% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 48% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Duncan Sheik
Half-Life
134 bpm • F Maj • 03:53 • -6db
44% Popularity • 54% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 54% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Matthew Perryman Jones
Waiting On the Light to Change
134 bpm • C# min • 03:21 • -8.09db
13% Popularity • 51% Danceability • 88% Energy • 18% Liveness
10% Instrumentalness • 43% Positiveness
13% Popularity • 51% Danceability • 88% Energy • 18% Liveness
10% Instrumentalness • 43% Positiveness
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Barcelona
Come Back When You Can
134 bpm • C Maj • 03:44 • -8.92db
39% Popularity • 49% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 49% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Jill Andrews
Rust or Gold
134 bpm • C# Maj • 04:33 • -13.78db
0% Popularity • 45% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 45% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Kari Kimmel
Nothing Left to Lose
134 bpm • D Maj • 03:38 • -15.68db
29% Popularity • 63% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
29% Popularity • 63% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Brandon Walker
Photograph
134 bpm • F Maj • 03:34 • -11db
15% Popularity • 57% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 57% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Duncan Sheik
Half-Life - Radio Edit
134 bpm • F Maj • 03:31 • -6.62db
11% Popularity • 50% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 50% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
