Songs like Missa Dei patris, ZWV 19, Credo: Et resurrexit (Soprano, Alto, Tenor, Bass, Chorus) by Jan Dismas Zelenka
Based on a tempo of (+/- 10%) and a similar genre
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Jean-Baptiste Lully
Dies irae, LWV 64/1: Liber scriptus prof...
87 bpm • F min • 00:55 • -13db
11% Popularity • 30% Danceability • 32% Energy • 34% Liveness
12% Instrumentalness • 12% Positiveness
11% Popularity • 30% Danceability • 32% Energy • 34% Liveness
12% Instrumentalness • 12% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
87 bpm • D Maj • 05:58 • -16.96db
9% Popularity • 19% Danceability • 30% Energy • 25% Liveness
97% Instrumentalness • 44% Positiveness
9% Popularity • 19% Danceability • 30% Energy • 25% Liveness
97% Instrumentalness • 44% Positiveness
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Jan Dismas Zelenka
6 Trio Sonatas, ZWV 181, No. 1 in F Majo...
87 bpm • C Maj • 02:27 • -20.13db
6% Popularity • 18% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
6% Popularity • 18% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
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George Frideric Handel
Dance Suite: I. Chaconne. Tanz der spani...
87 bpm • F# min • 01:18 • -11.47db
12% Popularity • 20% Danceability • 40% Energy • 14% Liveness
92% Instrumentalness • 84% Positiveness
12% Popularity • 20% Danceability • 40% Energy • 14% Liveness
92% Instrumentalness • 84% Positiveness
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Henri Desmarets
Te Deum "de Lyon": VII. Tu rex gloriæ, ...
87 bpm • G Maj • 01:49 • -23.9db
12% Popularity • 37% Danceability • 10% Energy • 15% Liveness
1% Instrumentalness • 42% Positiveness
12% Popularity • 37% Danceability • 10% Energy • 15% Liveness
1% Instrumentalness • 42% Positiveness
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William Croft
The Lord is a sun and a shield: No. 2, V...
87 bpm • C# min • 02:11 • -23.44db
10% Popularity • 9% Danceability • 13% Energy • 14% Liveness
17% Instrumentalness • 12% Positiveness
10% Popularity • 9% Danceability • 13% Energy • 14% Liveness
17% Instrumentalness • 12% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
86 bpm • A Maj • 01:19 • -15.06db
27% Popularity • 38% Danceability • 31% Energy • 13% Liveness
58% Instrumentalness • 80% Positiveness
27% Popularity • 38% Danceability • 31% Energy • 13% Liveness
58% Instrumentalness • 80% Positiveness
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Carl Philipp Emanuel Bach
Symphony in C Major, H. 659, Wq. 182/3: ...
87 bpm • F# Maj • 04:22 • -20.83db
14% Popularity • 44% Danceability • 11% Energy • 9% Liveness
22% Instrumentalness • 28% Positiveness
14% Popularity • 44% Danceability • 11% Energy • 9% Liveness
22% Instrumentalness • 28% Positiveness
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Jan Dismas Zelenka
Sonata for 2 Oboes, Bassoon and Basso Co...
88 bpm • F Maj • 02:38 • -16db
6% Popularity • 23% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 24% Positiveness
6% Popularity • 23% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 24% Positiveness
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![Tobit, Pt. II Scene 1: Air. In great Jehovah (Tobit) [arr. J.C. Smith for voice, choir and orchestra] cover art](https://i.scdn.co/image/ab67616d00001e0288285f99f633656fd8bb0a4b)
George Frideric Handel
Tobit, Pt. II Scene 1: Air. In great Jeh...
88 bpm • F# Maj • 01:25 • -26.63db
13% Popularity • 17% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 17% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Alessandro Scarlatti
Filen, mio caro bene, HanS 263: III. Chi...
88 bpm • D Maj • 06:19 • -20.16db
8% Popularity • 25% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 13% Positiveness
8% Popularity • 25% Danceability • 12% Energy • 20% Liveness
1% Instrumentalness • 13% Positiveness
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Carl Loewe
Das Sühnopfer des neuen Bundes, Pt. 1: ...
86 bpm • C min • 03:47 • -24.43db
15% Popularity • 12% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville: In exitu Israel: I. (b) Ch�...
88 bpm • F min • 01:14 • -21.05db
20% Popularity • 32% Danceability • 10% Energy • 19% Liveness
41% Instrumentalness • 25% Positiveness
20% Popularity • 32% Danceability • 10% Energy • 19% Liveness
41% Instrumentalness • 25% Positiveness
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Johann Sebastian Bach
Ich habe genug, BWV 82: I. Ich habe genu...
88 bpm • D# min • 06:59 • -11.56db
8% Popularity • 18% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 18% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Jan Dismas Zelenka
Requeim in C Minor, ZWV. 48: Kyrie - II
86 bpm • C# min • 01:46 • -18db
12% Popularity • 17% Danceability • 21% Energy • 12% Liveness
49% Instrumentalness • 26% Positiveness
12% Popularity • 17% Danceability • 21% Energy • 12% Liveness
49% Instrumentalness • 26% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: XIV. Sequentia: ...
86 bpm • F min • 01:52 • -24.83db
19% Popularity • 16% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
19% Popularity • 16% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
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George Frideric Handel
L'Allegro, il Penseroso ed il Moderato, ...
86 bpm • E min • 01:16 • -21.21db
12% Popularity • 20% Danceability • 13% Energy • 16% Liveness
80% Instrumentalness • 9% Positiveness
12% Popularity • 20% Danceability • 13% Energy • 16% Liveness
80% Instrumentalness • 9% Positiveness
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Dietrich Buxtehude
Ihr lieben Christen, freut euch nun, Bux...
85 bpm • D Maj • 00:59 • -22db
19% Popularity • 15% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
19% Popularity • 15% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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André Campra
Campra: Messe de Requiem: II. Kyrie elei...
86 bpm • D# min • 03:57 • -19.88db
7% Popularity • 14% Danceability • 14% Energy • 8% Liveness
46% Instrumentalness • 5% Positiveness
7% Popularity • 14% Danceability • 14% Energy • 8% Liveness
46% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, BWV 147...
85 bpm • D min • 04:49 • -16.64db
10% Popularity • 27% Danceability • 10% Energy • 24% Liveness
3% Instrumentalness • 33% Positiveness
10% Popularity • 27% Danceability • 10% Energy • 24% Liveness
3% Instrumentalness • 33% Positiveness
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Jan Dismas Zelenka
Litaniae Omnium Sanctorum, ZWV 153: Prop...
89 bpm • B min • 01:58 • -25.76db
20% Popularity • 16% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Antonio Caldara
Sinfonia Nо. 3 in fa minore (La morte d...
85 bpm • G# Maj • 01:21 • -18.3db
26% Popularity • 21% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
26% Popularity • 21% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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George Frideric Handel
Ode for the Birthday of Queen Anne, HWV ...
86 bpm • C# min • 04:58 • -20.38db
9% Popularity • 18% Danceability • 7% Energy • 12% Liveness
18% Instrumentalness • 9% Positiveness
9% Popularity • 18% Danceability • 7% Energy • 12% Liveness
18% Instrumentalness • 9% Positiveness
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František Tůma
Motetto de S. Joanne Baptista: I. Coro. ...
89 bpm • A Maj • 01:23 • -19.66db
14% Popularity • 37% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 16% Positiveness
14% Popularity • 37% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 16% Positiveness
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Marc-Antoine Charpentier
Charpentier : Concert pour 4 parties de ...
85 bpm • C# min • 01:50 • -26.87db
10% Popularity • 18% Danceability • 3% Energy • 16% Liveness
24% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 3% Energy • 16% Liveness
24% Instrumentalness • 5% Positiveness
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Johann Friedrich Fasch
Er heißet Wunderbar, Rat, Kraft, Held, ...
90 bpm • F# min • 01:34 • -17.88db
13% Popularity • 48% Danceability • 18% Energy • 20% Liveness
16% Instrumentalness • 32% Positiveness
13% Popularity • 48% Danceability • 18% Energy • 20% Liveness
16% Instrumentalness • 32% Positiveness
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Jan Dismas Zelenka
Miserere in C Minor Psalm 50, ZWV. 57
89 bpm • B Maj • 04:55 • -21.33db
15% Popularity • 12% Danceability • 16% Energy • 12% Liveness
66% Instrumentalness • 34% Positiveness
15% Popularity • 12% Danceability • 16% Energy • 12% Liveness
66% Instrumentalness • 34% Positiveness
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Henry Purcell
Hail! bright Cecilia, Z. 328: II. Hail! ...
84 bpm • C# min • 03:47 • -22.63db
9% Popularity • 21% Danceability • 9% Energy • 15% Liveness
14% Instrumentalness • 23% Positiveness
9% Popularity • 21% Danceability • 9% Energy • 15% Liveness
14% Instrumentalness • 23% Positiveness
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George Frideric Handel
Joseph and his Brethren HWV 59, Symphony...
85 bpm • D# min • 01:19 • -20.76db
20% Popularity • 16% Danceability • 7% Energy • 12% Liveness
75% Instrumentalness • 22% Positiveness
20% Popularity • 16% Danceability • 7% Energy • 12% Liveness
75% Instrumentalness • 22% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
84 bpm • B min • 06:28 • -22.04db
13% Popularity • 28% Danceability • 8% Energy • 32% Liveness
2% Instrumentalness • 10% Positiveness
13% Popularity • 28% Danceability • 8% Energy • 32% Liveness
2% Instrumentalness • 10% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: XII. Per singulos dies ...
90 bpm • A# Maj • 02:54 • -9.71db
14% Popularity • 26% Danceability • 52% Energy • 24% Liveness
4% Instrumentalness • 66% Positiveness
14% Popularity • 26% Danceability • 52% Energy • 24% Liveness
4% Instrumentalness • 66% Positiveness
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Francesco Geminiani
12 Concerti grossi After Corelli, No. 4 ...
84 bpm • C# min • 01:43 • -21.77db
5% Popularity • 11% Danceability • 7% Energy • 22% Liveness
1% Instrumentalness • 12% Positiveness
5% Popularity • 11% Danceability • 7% Energy • 22% Liveness
1% Instrumentalness • 12% Positiveness
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Jan Dismas Zelenka
Litaniae de Sancto Xaverio, ZWV 156: Vas...
85 bpm • C# min • 01:44 • -24.74db
3% Popularity • 37% Danceability • 10% Energy • 52% Liveness
0% Instrumentalness • 38% Positiveness
3% Popularity • 37% Danceability • 10% Energy • 52% Liveness
0% Instrumentalness • 38% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Ben...
91 bpm • C# min • 01:09 • -21db
25% Popularity • 19% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 19% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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George Frideric Handel
Theodora, HWV 68, Overture: Trio
89 bpm • D Maj • 01:37 • -25.86db
15% Popularity • 22% Danceability • 7% Energy • 21% Liveness
77% Instrumentalness • 14% Positiveness
15% Popularity • 22% Danceability • 7% Energy • 21% Liveness
77% Instrumentalness • 14% Positiveness
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Pier Giuseppe Sandoni
Organ Sonata in C Major
91 bpm • C Maj • 04:39 • -35.24db
9% Popularity • 24% Danceability • 1% Energy • 8% Liveness
57% Instrumentalness • 30% Positiveness
9% Popularity • 24% Danceability • 1% Energy • 8% Liveness
57% Instrumentalness • 30% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
83 bpm • A Maj • 01:25 • -15db
13% Popularity • 26% Danceability • 15% Energy • 14% Liveness
44% Instrumentalness • 17% Positiveness
13% Popularity • 26% Danceability • 15% Energy • 14% Liveness
44% Instrumentalness • 17% Positiveness
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Joseph-Nicolas-Pancrace Royer
Zaïde, reine de Grenade, Acte I Scène ...
91 bpm • C# Maj • 01:07 • -18.85db
11% Popularity • 55% Danceability • 20% Energy • 22% Liveness
21% Instrumentalness • 72% Positiveness
11% Popularity • 55% Danceability • 20% Energy • 22% Liveness
21% Instrumentalness • 72% Positiveness
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Jan Dismas Zelenka
Missa purificationis beatae virginis Mar...
89 bpm • A# min • 01:19 • -21.74db
1% Popularity • 16% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
1% Popularity • 16% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": V. A...
91 bpm • F# min • 01:32 • -19db
29% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
29% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
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George Frideric Handel
Theodora, HWV 68: Streams of Pleasure Ev...
91 bpm • G Maj • 05:32 • -24.99db
8% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Dietrich Buxtehude
Befiehl dem Engel, dass er komm' in A Mi...
83 bpm • A min • 05:42 • -19.78db
13% Popularity • 16% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
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Michel Richard Delalande
Dies iræ, S. 31: Quantus tremor est fut...
91 bpm • B min • 01:08 • -15.73db
12% Popularity • 30% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 30% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
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Antonio Caldara
Stabat Mater: XI. Christe, cum sit hinc ...
83 bpm • D Maj • 01:36 • -21.7db
28% Popularity • 12% Danceability • 4% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 4% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Gloria, ZWV 30: IV. Qui tollis
85 bpm • C# min • 02:46 • -26.87db
5% Popularity • 18% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
5% Popularity • 18% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Agostino Steffani
Stabat Mater: Stabat Mater dolorosa
82 bpm • F# min • 01:56 • -26db
15% Popularity • 15% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
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George Frideric Handel
Susanna HWV 66, Act I: Unmarked
92 bpm • G# min • 02:16 • -20.31db
12% Popularity • 17% Danceability • 9% Energy • 18% Liveness
25% Instrumentalness • 17% Positiveness
12% Popularity • 17% Danceability • 9% Energy • 18% Liveness
25% Instrumentalness • 17% Positiveness
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Orquesta de Cámara de Berlín
La Pasión según San Mateo, BWV 244: No...
92 bpm • B min • 05:19 • -18.69db
9% Popularity • 25% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 25% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
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Henri Desmarets
Te Deum "de Lyon": XI. Te ergo quæsumus...
92 bpm • G min • 02:03 • -20.18db
16% Popularity • 14% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
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Antonio Caldara
Missa Dolorosa: II. Gloria
82 bpm • G# min • 12:51 • -22.38db
10% Popularity • 20% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 20% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Jan Dismas Zelenka
Gloria, ZWV 30: V. Qui sedes
84 bpm • E Maj • 01:18 • -22.07db
18% Popularity • 21% Danceability • 7% Energy • 17% Liveness
80% Instrumentalness • 7% Positiveness
18% Popularity • 21% Danceability • 7% Energy • 17% Liveness
80% Instrumentalness • 7% Positiveness
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Leopold Mozart
Der Mensch, ein Gottesmörder: Wir sind ...
92 bpm • A# Maj • 01:47 • -20.46db
9% Popularity • 36% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 36% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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MartÍn Palmeri
Misa a Buenos Aires "Misatango": Agnus D...
82 bpm • C Maj • 09:05 • -20db
8% Popularity • 12% Danceability • 10% Energy • 7% Liveness
34% Instrumentalness • 5% Positiveness
8% Popularity • 12% Danceability • 10% Energy • 7% Liveness
34% Instrumentalness • 5% Positiveness
► Preview
Francesco Maria Veracini
Ouverture No. 2 in F Major (c 1715): VI....
82 bpm • E Maj • 01:01 • -18.75db
23% Popularity • 50% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 26% Positiveness
23% Popularity • 50% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 26% Positiveness
► Preview
Dietrich Buxtehude
Jesu, meine Freude, BuxWV 60: VII. Weich...
82 bpm • E min • 01:19 • -20db
19% Popularity • 12% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
19% Popularity • 12% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
► Preview
Antonio Caldara
Stabat Mater: III. Quis est home
82 bpm • F# min • 04:36 • -22.88db
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Jan Dismas Zelenka
Gaude laetare, ZWV 168: Recitativo. Hodi...
93 bpm • A# Maj • 00:46 • -19.02db
2% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
2% Popularity • 44% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Jean-Baptiste Lully
Te deum, LWV 55: II. Pleni sunt coeli et...
82 bpm • A# Maj • 03:08 • -9.97db
18% Popularity • 18% Danceability • 56% Energy • 14% Liveness
2% Instrumentalness • 52% Positiveness
18% Popularity • 18% Danceability • 56% Energy • 14% Liveness
2% Instrumentalness • 52% Positiveness
► Preview
Leonardo Leo
Beatus vir qui timet in F Major: VI. Glo...
93 bpm • E Maj • 01:05 • -26.92db
21% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 22% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Céphale et Procris, Prologue: Reprise d...
81 bpm • F Maj • 01:48 • -19.89db
10% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in E Major, Op. 5 No. 11 (...
81 bpm • A# min • 00:57 • -19.8db
30% Popularity • 23% Danceability • 6% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
30% Popularity • 23% Danceability • 6% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
► Preview
Jean-Philippe Rameau
Rameau : Les Indes galantes : Act 4 "Ré...
81 bpm • D Maj • 03:49 • -19.86db
8% Popularity • 27% Danceability • 18% Energy • 21% Liveness
12% Instrumentalness • 26% Positiveness
8% Popularity • 27% Danceability • 18% Energy • 21% Liveness
12% Instrumentalness • 26% Positiveness
► Preview
Jan Dismas Zelenka
De Profundis, ZWV 97: Si iniquitatis - A...
90 bpm • C# min • 02:25 • -23.74db
5% Popularity • 11% Danceability • 7% Energy • 22% Liveness
6% Instrumentalness • 7% Positiveness
5% Popularity • 11% Danceability • 7% Energy • 22% Liveness
6% Instrumentalness • 7% Positiveness
► Preview
George Frideric Handel
Laudate pueri, HWV 237: II. Sit nomen Do...
81 bpm • A# min • 02:33 • -24.32db
21% Popularity • 15% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
► Preview
Giuseppe Antonio Brescianello
Ouverture for Strings & Continuo in A Ma...
93 bpm • A Maj • 01:24 • -14.8db
14% Popularity • 33% Danceability • 21% Energy • 13% Liveness
31% Instrumentalness • 83% Positiveness
14% Popularity • 33% Danceability • 21% Energy • 13% Liveness
31% Instrumentalness • 83% Positiveness
► Preview
Joose Vähäsöyrinki
Aaria, Herrani, Oletko
93 bpm • C# min • 03:14 • -20.84db
8% Popularity • 22% Danceability • 12% Energy • 11% Liveness
56% Instrumentalness • 6% Positiveness
8% Popularity • 22% Danceability • 12% Energy • 11% Liveness
56% Instrumentalness • 6% Positiveness
► Preview
Alessandro Scarlatti
Recorder Concerto No. 9 in A Minor: I. A...
93 bpm • G# min • 01:54 • -20.43db
13% Popularity • 44% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 44% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Johann Sebastian Bach
Concerto for Violin and Oboe in C Minor,...
93 bpm • D Maj • 04:46 • -20db
13% Popularity • 12% Danceability • 8% Energy • 17% Liveness
35% Instrumentalness • 12% Positiveness
13% Popularity • 12% Danceability • 8% Energy • 17% Liveness
35% Instrumentalness • 12% Positiveness
► Preview
Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Gloria. Amen
90 bpm • C# Maj • 01:53 • -18.17db
9% Popularity • 23% Danceability • 28% Energy • 7% Liveness
89% Instrumentalness • 58% Positiveness
9% Popularity • 23% Danceability • 28% Energy • 7% Liveness
89% Instrumentalness • 58% Positiveness
► Preview
George Frideric Handel
Handel: Semele, HWV 58, Act 2: "Prepare,...
94 bpm • G# Maj • 02:16 • -17.55db
9% Popularity • 28% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 28% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Jean-Joseph Cassanéa De Mondonville
Trio Sonata No. 5 in D Major, Op. 2, Tri...
81 bpm • D# min • 03:14 • -18.65db
11% Popularity • 17% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 17% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Dietrich Buxtehude
Gott Hilf Mir, BuxWV 34: Sonata
81 bpm • C min • 01:45 • -22db
12% Popularity • 19% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 10% Positiveness
12% Popularity • 19% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 10% Positiveness
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Jean-Baptiste Quentin
Sonates à violon ou flûte seule avec b...
81 bpm • D# Maj • 01:49 • -21.69db
21% Popularity • 18% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 14% Positiveness
21% Popularity • 18% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 14% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: XII. Quando corpus ...
94 bpm • A min • 04:32 • -21.42db
13% Popularity • 16% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
91 bpm • E Maj • 07:55 • -23db
8% Popularity • 19% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 19% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Nicola Porpora
Il trionfo della divina Giustizia ne' to...
94 bpm • D# Maj • 04:15 • -19.8db
15% Popularity • 39% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 39% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Johann Stamitz
Symphony in E-Flat Major, Op. 3 No. 4, W...
81 bpm • B min • 02:30 • -23.82db
20% Popularity • 25% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
20% Popularity • 25% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Michelangelo Falvetti
Nabucco: Prologo / Siamo a riva
80 bpm • C Maj • 02:16 • -30.21db
17% Popularity • 33% Danceability • 7% Energy • 7% Liveness
60% Instrumentalness • 21% Positiveness
17% Popularity • 33% Danceability • 7% Energy • 7% Liveness
60% Instrumentalness • 21% Positiveness
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Francesco Bartolomeo Conti
Missa Sancti Pauli: No. 18, Crucifixus
94 bpm • D Maj • 01:29 • -22.45db
20% Popularity • 16% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
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George Frideric Handel
Belshazzar HWV 61, Act I: Air - O sacred...
80 bpm • D Maj • 04:46 • -21.59db
10% Popularity • 14% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 14% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jan Dismas Zelenka
Zelenka: Laetatus sum, ZWV 90: III. Roga...
83 bpm • A# min • 03:08 • -14db
18% Popularity • 19% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 19% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Dietrich Buxtehude
Trio Sonata in A Minor, BuxWV 254: V. La...
80 bpm • F# Maj • 01:04 • -19.53db
24% Popularity • 16% Danceability • 6% Energy • 20% Liveness
13% Instrumentalness • 8% Positiveness
24% Popularity • 16% Danceability • 6% Energy • 20% Liveness
13% Instrumentalness • 8% Positiveness
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Unico Wilhelm van Wassenaer
Concerto Armonico I: I. Grave
95 bpm • C# Maj • 01:45 • -20.6db
14% Popularity • 12% Danceability • 6% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 6% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Symphoniae sacrae II, Op. 10: No. 7, Ich...
95 bpm • C# Maj • 04:14 • -13.3db
21% Popularity • 37% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 37% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: IV. Quae...
95 bpm • D Maj • 02:15 • -23.74db
11% Popularity • 42% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 42% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: I. Te Deum
79 bpm • A# Maj • 05:39 • -9.92db
20% Popularity • 23% Danceability • 51% Energy • 24% Liveness
24% Instrumentalness • 46% Positiveness
20% Popularity • 23% Danceability • 51% Energy • 24% Liveness
24% Instrumentalness • 46% Positiveness
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Jan Dismas Zelenka
Missa purificationis beatae virginis Mar...
91 bpm • F# Maj • 02:23 • -18.75db
1% Popularity • 25% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 23% Positiveness
1% Popularity • 25% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 23% Positiveness
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Alonso Mudarra
Tres libros de musica en cifras para vih...
96 bpm • F# Maj • 01:34 • -22.59db
17% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
17% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
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Jean-Philippe Rameau
Rameau: Les Indes Galantes: Chaconne
79 bpm • C# Maj • 05:34 • -17.26db
8% Popularity • 22% Danceability • 21% Energy • 24% Liveness
87% Instrumentalness • 26% Positiveness
8% Popularity • 22% Danceability • 21% Energy • 24% Liveness
87% Instrumentalness • 26% Positiveness
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Antonio Caldara
Missa Dolorosa: III. Credo
96 bpm • F# Maj • 06:07 • -20.63db
11% Popularity • 23% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
11% Popularity • 23% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Céphale et Procris, Prologue: Ouverture
96 bpm • A# min • 03:44 • -17.58db
9% Popularity • 32% Danceability • 16% Energy • 14% Liveness
3% Instrumentalness • 15% Positiveness
9% Popularity • 32% Danceability • 16% Energy • 14% Liveness
3% Instrumentalness • 15% Positiveness
► Preview
Luigi Boccherini
Stabat Mater in F Minor, G. 532: IV. Qui...
79 bpm • F min • 01:23 • -25db
17% Popularity • 31% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 31% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jan Dismas Zelenka
Te Deum in D Major, ZWV 146: I. Te Deum ...
91 bpm • G# Maj • 05:37 • -18.35db
4% Popularity • 39% Danceability • 20% Energy • 14% Liveness
52% Instrumentalness • 30% Positiveness
4% Popularity • 39% Danceability • 20% Energy • 14% Liveness
52% Instrumentalness • 30% Positiveness
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Johann Sebastian Bach
Nach dir, Herr, verlanget mich, BWV 150:...
79 bpm • G# Maj • 01:30 • -13.98db
12% Popularity • 36% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 36% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Jean-Philippe Rameau
Les fêtes d'Hébé, RCT 41, Act I Scene...
96 bpm • F# min • 01:39 • -19.92db
17% Popularity • 25% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 25% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Antonio Caldara
Missa Dolorosa: I. Kyrie
96 bpm • D# min • 06:53 • -20.24db
13% Popularity • 19% Danceability • 8% Energy • 5% Liveness
2% Instrumentalness • 9% Positiveness
13% Popularity • 19% Danceability • 8% Energy • 5% Liveness
2% Instrumentalness • 9% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: II. Cuius animam ge...
96 bpm • G Maj • 02:11 • -17.8db
15% Popularity • 41% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 41% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Charles Avison
Concerto Grosso No. 3 in D Minor (after ...
96 bpm • C# Maj • 01:40 • -21.22db
15% Popularity • 18% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
