Songs like Missa Ego flos campi: Gloria by Juan Gutiérrez de Padilla
Based on a tempo of (+/- 10%) and a similar genre
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Henry Purcell
Jehova, quam multi sunt hostes mei, Z. 1...
89 bpm • A min • 06:25 • -24.42db
7% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
7% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
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Max Reger
Der Mensch lebt und bestehet nur eine kl...
89 bpm • A min • 02:45 • -26.31db
24% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Carissimi
Exulta, gaude, filia Sion
89 bpm • F Maj • 03:54 • -21.39db
16% Popularity • 29% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 29% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: III. Quomodo sed...
89 bpm • F# min • 01:11 • -17.64db
22% Popularity • 33% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
22% Popularity • 33% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
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Adam de la Halle
Mout me fu grief li departir / Robin m'a...
89 bpm • G Maj • 01:01 • -19db
21% Popularity • 18% Danceability • 16% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 18% Danceability • 16% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 2c. Et ex Patr...
89 bpm • G Maj • 00:58 • -18.64db
11% Popularity • 11% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
11% Popularity • 11% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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Thomas Fabri
Ach Vlaendere vrie
89 bpm • A# Maj • 02:58 • -22.01db
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
88 bpm • C# min • 01:19 • -19.86db
8% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Gilles Binchois
Binchois: Amours mercy de trespout non p...
88 bpm • C# min • 03:55 • -23db
10% Popularity • 13% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 13% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 01. Glor...
88 bpm • D# Maj • 05:32 • -21db
9% Popularity • 14% Danceability • 13% Energy • 21% Liveness
14% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 13% Energy • 21% Liveness
14% Instrumentalness • 4% Positiveness
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Juan Gutiérrez de Padilla
Missa Ego flos campi: Gloria
90 bpm • G Maj • 03:25 • -21.18db
5% Popularity • 21% Danceability • 9% Energy • 13% Liveness
4% Instrumentalness • 13% Positiveness
5% Popularity • 21% Danceability • 9% Energy • 13% Liveness
4% Instrumentalness • 13% Positiveness
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Francisco de la Torre
Cancionero Musical de la Colombina: No. ...
91 bpm • D min • 01:08 • -29.07db
18% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
91 bpm • A# Maj • 01:11 • -19.29db
20% Popularity • 22% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 22% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: IX. Viae Sion lu...
91 bpm • F# Maj • 01:59 • -17.82db
13% Popularity • 13% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 13% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
Three Elizabethan Partsongs: I. Sweet Da...
91 bpm • E min • 02:01 • -30db
10% Popularity • 15% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
10% Popularity • 15% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
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Giorgio Mainerio
Ballo francese
87 bpm • C Maj • 01:45 • -22db
10% Popularity • 27% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 27% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Andrés Barea
Miserere mei Deus (psaume L) – à 8, a...
87 bpm • E min • 09:32 • -20db
8% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Owain Park
O Send Out Thy Light
91 bpm • B Maj • 02:33 • -24.18db
18% Popularity • 17% Danceability • 4% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 4% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
87 bpm • A# Maj • 01:18 • -19.39db
9% Popularity • 15% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Sacrarum cantionum quinque vocibus, Libe...
91 bpm • D# min • 03:43 • -21.5db
7% Popularity • 19% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
7% Popularity • 19% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Jheronimus Vinders
O mors inevitabili
91 bpm • G Maj • 02:44 • -18.84db
8% Popularity • 18% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Juan Gutiérrez de Padilla
Missa Ego flos campi: Kyrie
91 bpm • F Maj • 01:48 • -16.84db
0% Popularity • 19% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 22% Positiveness
0% Popularity • 19% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 22% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 4a. Benedictus
91 bpm • G Maj • 00:54 • -20.69db
16% Popularity • 22% Danceability • 12% Energy • 12% Liveness
57% Instrumentalness • 9% Positiveness
16% Popularity • 22% Danceability • 12% Energy • 12% Liveness
57% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Die deutsche Liturgie: Heilig, heilig is...
87 bpm • D Maj • 02:00 • -24db
10% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
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Adrian Willaert
Infelix ego: I. Infelix ego
86 bpm • D Maj • 04:30 • -19.93db
7% Popularity • 9% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
7% Popularity • 9% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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Heinrich Schütz
Johannes-Passion, SWV 481: I. Introitus
86 bpm • A# min • 01:39 • -18.45db
10% Popularity • 17% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 17% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Christopher Tye
In Nomine No. 14, 'Reporte'
86 bpm • C# min • 02:15 • -28db
17% Popularity • 19% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
17% Popularity • 19% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Vincenzo Ruffo
La Gamba in Basso e Soprano
86 bpm • D# min • 01:24 • -36.45db
23% Popularity • 27% Danceability • 0% Energy • 12% Liveness
58% Instrumentalness • 50% Positiveness
23% Popularity • 27% Danceability • 0% Energy • 12% Liveness
58% Instrumentalness • 50% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 1a. Gloria in ...
87 bpm • G Maj • 01:27 • -22.06db
14% Popularity • 20% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 20% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Feast...
86 bpm • G Maj • 01:32 • -16db
10% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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John Dowland
Lachrimae or Seven Tears: VIII. Mr Nicho...
92 bpm • G# min • 01:46 • -18.54db
11% Popularity • 23% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
11% Popularity • 23% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Kyrye III
92 bpm • C# min • 01:03 • -25.36db
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
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Antonio de Salazar
O sácrum convívium
92 bpm • G# Maj • 02:04 • -17.94db
9% Popularity • 15% Danceability • 25% Energy • 12% Liveness
6% Instrumentalness • 11% Positiveness
9% Popularity • 15% Danceability • 25% Energy • 12% Liveness
6% Instrumentalness • 11% Positiveness
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Michael Haydn
Missa pro Quadragesima, MH 551: Credo: E...
92 bpm • E Maj • 02:41 • -18.72db
15% Popularity • 28% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 28% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Jacques Arcadelt
Il bianco e dolce cigno
86 bpm • E Maj • 02:59 • -24.42db
7% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), II. Ave Mari...
92 bpm • A min • 01:55 • -25.64db
11% Popularity • 15% Danceability • 5% Energy • 17% Liveness
82% Instrumentalness • 8% Positiveness
11% Popularity • 15% Danceability • 5% Energy • 17% Liveness
82% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245 / Part Two: Ch...
86 bpm • C# Maj • 00:52 • -24.16db
8% Popularity • 21% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Vincenzo Ruffo
Missa Quarti Toni: Gloria
92 bpm • C Maj • 03:30 • -16db
7% Popularity • 18% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 18% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Heinrich Schütz
Matthaus-Passion, SWV 479: Introitus
86 bpm • C Maj • 01:00 • -21.16db
22% Popularity • 14% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Victoria: Amicus Meus - 1. Amicus Meus
92 bpm • F min • 01:08 • -18.12db
17% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Luca Marenzio
La Favolla d'Apollo: 17. O mille volte a...
92 bpm • G Maj • 02:07 • -13.15db
8% Popularity • 34% Danceability • 35% Energy • 8% Liveness
8% Instrumentalness • 32% Positiveness
8% Popularity • 34% Danceability • 35% Energy • 8% Liveness
8% Instrumentalness • 32% Positiveness
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Juan Gutiérrez de Padilla
Missa Ego flos campi: Kirie
86 bpm • G Maj • 02:10 • -20db
6% Popularity • 17% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 18% Positiveness
6% Popularity • 17% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 18% Positiveness
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Johannes Ockeghem
D'un autre amer: D'ung aultre amer
86 bpm • D min • 03:07 • -22.11db
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Alonso Lobo
Lamentations Ieremiae Prophetae: Ierusal...
92 bpm • B min • 03:13 • -30db
11% Popularity • 18% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Frank La Rocca
Mass of the Americas: VII. Ave verum cor...
86 bpm • G min • 05:36 • -21.52db
3% Popularity • 15% Danceability • 20% Energy • 26% Liveness
31% Instrumentalness • 3% Positiveness
3% Popularity • 15% Danceability • 20% Energy • 26% Liveness
31% Instrumentalness • 3% Positiveness
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Jacob Clemens non Papa
Magi veniunt ab oriente: II. Magi vident...
86 bpm • B min • 03:39 • -19.78db
10% Popularity • 10% Danceability • 13% Energy • 8% Liveness
48% Instrumentalness • 6% Positiveness
10% Popularity • 10% Danceability • 13% Energy • 8% Liveness
48% Instrumentalness • 6% Positiveness
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Gregorio Allegri
Miserere: VII. Redde mihi laetitiam ; Do...
86 bpm • B min • 01:04 • -22.54db
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Juan Gutiérrez de Padilla
Gloria
86 bpm • G min • 03:58 • -16.74db
0% Popularity • 28% Danceability • 26% Energy • 78% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 28% Danceability • 26% Energy • 78% Liveness
0% Instrumentalness • 18% Positiveness
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markpowell
Christ Has Risen (2)
93 bpm • A min • 01:19 • -17.31db
15% Popularity • 15% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 15% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Adrian Willaert
Huc me sidereo
93 bpm • A min • 09:24 • -22db
12% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
12% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
85 bpm • B Maj • 01:01 • -26.52db
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Befiehl dem Engel, daß er komm, BuxWV 1...
85 bpm • A min • 05:07 • -21.11db
14% Popularity • 24% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 24% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Samuel Scheidt
Battle Suite: III. Gailliard Battaglia
93 bpm • G Maj • 01:39 • -16.27db
13% Popularity • 44% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
13% Popularity • 44% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
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Annibale Padovano
Missa Domine a lingua dolosa: Vb. Agnus ...
85 bpm • G# Maj • 02:21 • -20.77db
20% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Salomone Rossi
Psalm 128: Shir hamma'alot, Ashrei kol y...
93 bpm • F# Maj • 02:32 • -20.05db
9% Popularity • 18% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
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Claudio Monteverdi
Messa a quattro voci, SV 190: V. Benedic...
85 bpm • E min • 01:23 • -23.7db
13% Popularity • 20% Danceability • 13% Energy • 11% Liveness
20% Instrumentalness • 9% Positiveness
13% Popularity • 20% Danceability • 13% Energy • 11% Liveness
20% Instrumentalness • 9% Positiveness
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Juan Gutiérrez de Padilla
Missa Ego flos campi: Sanctus
85 bpm • F Maj • 01:31 • -17.65db
0% Popularity • 32% Danceability • 11% Energy • 13% Liveness
29% Instrumentalness • 39% Positiveness
0% Popularity • 32% Danceability • 11% Energy • 13% Liveness
29% Instrumentalness • 39% Positiveness
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Michael Haydn
Missa pro Quadragesima, MH 551: Credo
85 bpm • E Maj • 01:31 • -20.77db
19% Popularity • 34% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 34% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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The Tallis Scholars
Palestrina: Missa Assumpta Est Maria - 1...
85 bpm • A# Maj • 01:40 • -22.61db
24% Popularity • 11% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 11% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Jacob Obrecht
Parce Domine
93 bpm • G min • 02:01 • -23db
10% Popularity • 23% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
10% Popularity • 23% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Cipriano de Rore
Rore: Descendi in hortum meum - 2. Rever...
94 bpm • F Maj • 01:45 • -21db
14% Popularity • 23% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
14% Popularity • 23% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
► Preview
Gregorio Allegri
Miserere: I. Miserere mei Dei ; Et secun...
85 bpm • B min • 00:55 • -24.56db
19% Popularity • 19% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
John Sheppard
Sheppard: Gaude, gaude, gaude Maria - 15...
84 bpm • G Maj • 00:59 • -17.94db
8% Popularity • 25% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 25% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Kryštof Harant
Qui confidunt
84 bpm • A min • 03:11 • -17.2db
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
84 bpm • G# Maj • 01:08 • -21.89db
9% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
Heinrich Isaac
Innsbruck, ich muss dich lassen
94 bpm • F Maj • 04:46 • -24.89db
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
► Preview
Juan Gutiérrez de Padilla
Missa Ego flos campi: Sanctus
94 bpm • G Maj • 01:34 • -20.27db
3% Popularity • 26% Danceability • 8% Energy • 14% Liveness
3% Instrumentalness • 35% Positiveness
3% Popularity • 26% Danceability • 8% Energy • 14% Liveness
3% Instrumentalness • 35% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IIId. Ad m...
84 bpm • F# min • 01:31 • -24.34db
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 18% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Claudio Merulo
Missa Virginis Mariae: VIII. Ite, missa ...
84 bpm • D min • 01:30 • -16.51db
10% Popularity • 21% Danceability • 7% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
10% Popularity • 21% Danceability • 7% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
► Preview
Arvo Pärt
Passio: Haec cum dixisset Jesus
84 bpm • A min • 05:29 • -23.91db
8% Popularity • 14% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 9% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
84 bpm • G# min • 03:31 • -32.54db
7% Popularity • 24% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 24% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Sergei Rachmaninoff
To Thee, O Victorious Leader
84 bpm • C Maj • 01:46 • -20db
8% Popularity • 14% Danceability • 21% Energy • 7% Liveness
5% Instrumentalness • 12% Positiveness
8% Popularity • 14% Danceability • 21% Energy • 7% Liveness
5% Instrumentalness • 12% Positiveness
► Preview
Maddalena Casulana
Maddalena Casulana : O notte o ciel o ma...
84 bpm • C Maj • 01:30 • -22.34db
14% Popularity • 34% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 34% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
84 bpm • A# Maj • 01:26 • -20.48db
17% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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John Sheppard
Sheppard: Jesu salvator saeculi, redempt...
95 bpm • C# Maj • 01:13 • -21.64db
12% Popularity • 17% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 17% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Anónimo
Pasión: Humiliávit. Bajo Solo.
95 bpm • E Maj • 03:00 • -19.69db
10% Popularity • 43% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
10% Popularity • 43% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
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Alessandro Striggio
All'imperio d'Amore: 9. O Giovenil ardir...
95 bpm • G Maj • 02:16 • -16db
12% Popularity • 31% Danceability • 12% Energy • 14% Liveness
20% Instrumentalness • 10% Positiveness
12% Popularity • 31% Danceability • 12% Energy • 14% Liveness
20% Instrumentalness • 10% Positiveness
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Jacob Clemens non Papa
Magi veniunt ab oriente: I. Magi veniunt...
83 bpm • B min • 03:06 • -20.2db
11% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
11% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
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Johannes Brahms
Drei motetten, Op. 110: I. Ich aber bin ...
83 bpm • G Maj • 03:37 • -20.57db
8% Popularity • 10% Danceability • 20% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 20% Energy • 7% Liveness
56% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
37% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
37% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Juan Gutiérrez de Padilla
Missa Ego flos campi: Credo
95 bpm • G Maj • 05:56 • -20.84db
4% Popularity • 30% Danceability • 8% Energy • 28% Liveness
11% Instrumentalness • 20% Positiveness
4% Popularity • 30% Danceability • 8% Energy • 28% Liveness
11% Instrumentalness • 20% Positiveness
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Philippe Verdelot
Divini occhi sereni
83 bpm • C# min • 01:30 • -19.41db
12% Popularity • 25% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 25% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Frank Martin
Mass for unaccompanied double choir: V. ...
83 bpm • E min • 05:09 • -28.39db
12% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Brumel: Mater Patris - 2. Audi Nostra Su...
83 bpm • D min • 01:04 • -26.01db
15% Popularity • 20% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 20% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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The Hilliard Ensemble
de Missa "Mille Regretz": Agnus Dei III ...
83 bpm • G# min • 02:13 • -23.33db
8% Popularity • 16% Danceability • 15% Energy • 20% Liveness
40% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 15% Energy • 20% Liveness
40% Instrumentalness • 4% Positiveness
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Jacob Obrecht
Largire nunc mitissime
95 bpm • C Maj • 01:23 • -18db
34% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Juan Gutiérrez de Padilla
Deus in adiutorium
83 bpm • A# Maj • 02:34 • -19.48db
1% Popularity • 20% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
1% Popularity • 20% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Philippe Verdelot
Trist'Amarilli mia
83 bpm • F# min • 03:21 • -18.24db
10% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Gerda Blok-Wilson
O Little Rose, O Dark Rose
82 bpm • G Maj • 04:39 • -28.83db
7% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Undine Smith Moore
We Shall Walk Through The Valley (arr. U...
82 bpm • D# Maj • 02:53 • -27.64db
7% Popularity • 11% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 11% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
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Pierre de la Rue
Myn hert altyt heeft verlanghen I
96 bpm • G min • 02:22 • -19db
24% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Orazio Benevoli
Missa Tu es Petrus: V, Agnus Dei
96 bpm • G Maj • 02:11 • -19.59db
10% Popularity • 16% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
10% Popularity • 16% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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Jacob Clemens non Papa
Clemens: Ego flos campi
82 bpm • G# Maj • 04:14 • -22.32db
8% Popularity • 13% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
8% Popularity • 13% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
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Francis Poulenc
Quatre petites prières de Saint Franço...
96 bpm • G# Maj • 01:32 • -26.66db
9% Popularity • 19% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 19% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Giovanni Gabrieli
Cantate Domino a 6, C. 6
82 bpm • G# min • 01:32 • -23db
18% Popularity • 19% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 19% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Antonio Lotti
Crucifixus a 8
82 bpm • C min • 02:59 • -21.38db
8% Popularity • 14% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
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Gregorian Chants
A Thousand Regrets
82 bpm • B Maj • 03:01 • -17.22db
11% Popularity • 13% Danceability • 28% Energy • 16% Liveness
30% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 28% Energy • 16% Liveness
30% Instrumentalness • 4% Positiveness
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Eleonora d'Este
Sicut lilium inter spinas
82 bpm • F Maj • 01:49 • -22.48db
30% Popularity • 10% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 10% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
