Songs like Missa in honorem Sancti Dominici, Op. 66, "St. Dominic Mass": IV. Sanctus by Edmund Rubbra
Based on a tempo of (+/- 10%) and a similar genre
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Hugo Alfvén
Uti vår hage
85 bpm • F min • 02:34 • -31.99db
8% Popularity • 20% Danceability • 4% Energy • 9% Liveness
24% Instrumentalness • 9% Positiveness
8% Popularity • 20% Danceability • 4% Energy • 9% Liveness
24% Instrumentalness • 9% Positiveness
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Frank Martin
Golgotha, Première Partie: I. Chœur d'...
85 bpm • F min • 07:45 • -18.82db
9% Popularity • 9% Danceability • 15% Energy • 32% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 15% Energy • 32% Liveness
92% Instrumentalness • 3% Positiveness
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Zuzanna Koziej
Stabat Mater: O quam tristis et afflicta
85 bpm • D# min • 02:02 • -25.34db
9% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Claude Debussy
Dieu, qu'il l'a fait bon regarder
85 bpm • G# min • 02:15 • -36db
14% Popularity • 9% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Edmund Rubbra
Symphony No. 10, Op. 145, "Sinfonia da C...
85 bpm • G Maj • 03:49 • -21.52db
0% Popularity • 18% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
0% Popularity • 18% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Thomas Weelkes
O Lord, Grant the King a Long Life
85 bpm • D# Maj • 02:27 • -28.12db
8% Popularity • 12% Danceability • 10% Energy • 7% Liveness
20% Instrumentalness • 23% Positiveness
8% Popularity • 12% Danceability • 10% Energy • 7% Liveness
20% Instrumentalness • 23% Positiveness
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Antonín Dvořák
Mass in D major, Op. 86: 5. Benedictus
85 bpm • G Maj • 06:45 • -24.36db
8% Popularity • 9% Danceability • 4% Energy • 13% Liveness
36% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 4% Energy • 13% Liveness
36% Instrumentalness • 3% Positiveness
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Kenneth Leighton
An Easter Sequence
85 bpm • G Maj • 00:58 • -18.52db
12% Popularity • 20% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Edward Elgar
2 Choral songs, Op. 73: No. 2. Serenade
86 bpm • D# Maj • 02:04 • -31.21db
12% Popularity • 20% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
84 bpm • G min • 03:14 • -24.32db
8% Popularity • 22% Danceability • 5% Energy • 15% Liveness
9% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 15% Liveness
9% Instrumentalness • 9% Positiveness
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Edmund Rubbra
Cradle Song, Op. 8 No. 1
85 bpm • A min • 01:16 • -29.8db
0% Popularity • 31% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 31% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Fount of Life: Mercy
86 bpm • A min • 01:30 • -25db
15% Popularity • 16% Danceability • 7% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 16% Danceability • 7% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
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Maurice Duruflé
Requiem, Op. 9: II. Kyrie eléison
86 bpm • F Maj • 03:32 • -16.44db
11% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Beckenhorst Singers
Stay With Us
84 bpm • C# Maj • 03:10 • -22.36db
7% Popularity • 23% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 23% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Edward Elgar
From the Bavarian Highlands, Op. 27 (Ver...
86 bpm • F Maj • 03:40 • -28db
13% Popularity • 17% Danceability • 4% Energy • 9% Liveness
41% Instrumentalness • 6% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 9% Liveness
41% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Glory to God in the Hig...
86 bpm • E Maj • 02:47 • -32db
7% Popularity • 9% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
7% Popularity • 9% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Edmund Rubbra
Symphony No. 5 in B flat Op. 63 (1997 Di...
86 bpm • G# Maj • 10:00 • -19.82db
0% Popularity • 9% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
0% Popularity • 9% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Canticles & Prayers, Having Beheld a Str...
84 bpm • G# min • 01:01 • -38.77db
14% Popularity • 25% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 3% Positiveness
14% Popularity • 25% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 3% Positiveness
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Anton Bruckner
Ave Maria, WAB 6
84 bpm • F Maj • 03:38 • -29db
12% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
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William Walton
Coronation Te Deum (Arr. Rutter)
84 bpm • A Maj • 08:53 • -20.73db
13% Popularity • 24% Danceability • 19% Energy • 10% Liveness
51% Instrumentalness • 6% Positiveness
13% Popularity • 24% Danceability • 19% Energy • 10% Liveness
51% Instrumentalness • 6% Positiveness
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Einojuhani Rautavaara
Lorca Suite, Op.72: I. Canción de jinet...
86 bpm • F Maj • 01:10 • -22db
9% Popularity • 44% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 44% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Cantio Laudis -kuoro
Kuoro, Te Kalastajat Vetten Syvien
86 bpm • G min • 01:25 • -26.29db
17% Popularity • 12% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Stellan Sagvik
Missa Maria Magdalena: Agnus Dei
86 bpm • D Maj • 04:21 • -22.89db
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Requiem, Op. 9: II. Kyrie
84 bpm • F Maj • 04:05 • -24.42db
13% Popularity • 11% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Anton Bruckner
Tantum ergo, WAB 32
86 bpm • D Maj • 03:07 • -26.68db
18% Popularity • 14% Danceability • 7% Energy • 8% Liveness
42% Instrumentalness • 8% Positiveness
18% Popularity • 14% Danceability • 7% Energy • 8% Liveness
42% Instrumentalness • 8% Positiveness
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George Lloyd
Requiem for counter-tenor, choir & organ...
86 bpm • C# Maj • 03:30 • -16.55db
7% Popularity • 27% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 5% Positiveness
7% Popularity • 27% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 5% Positiveness
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University of King's College Chapel Choir
Alma Redemptoris
84 bpm • D# Maj • 04:05 • -21db
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
86 bpm • C# Maj • 08:48 • -27.77db
9% Popularity • 15% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Alfred Momotenko
3 Sacred Hymns: No. 1, Ave Maria
84 bpm • G Maj • 03:39 • -29.32db
10% Popularity • 9% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
10% Popularity • 9% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Lorenzo Perosi
Missa Pontificalis: Gloria
86 bpm • D Maj • 06:10 • -24.49db
11% Popularity • 11% Danceability • 3% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 3% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Fanfare for the Opening of the National ...
86 bpm • C Maj • 02:23 • -16.79db
11% Popularity • 66% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
11% Popularity • 66% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
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Frederick Delius
Hassan, DCW 8, Act 5 Scene 2: Closing Sc...
87 bpm • G min • 10:16 • -26.95db
20% Popularity • 13% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
20% Popularity • 13% Danceability • 2% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Die deutsche Liturgie: Heilig, heilig is...
87 bpm • D Maj • 02:00 • -24db
10% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: Sanctus - Benedictus
87 bpm • G min • 03:03 • -21db
8% Popularity • 11% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Messa di Gloria: VI. Domine Deus
83 bpm • F Maj • 00:57 • -28.41db
14% Popularity • 8% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Songs of the Fleet, Op. 117: III. The Mi...
83 bpm • G Maj • 07:42 • -29db
7% Popularity • 13% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
7% Popularity • 13% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Filipe de Magalhães
Missa Veni Domine: IIb. Qui tollis pecca...
83 bpm • A min • 02:09 • -23.42db
14% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
87 bpm • A Maj • 01:46 • -23.83db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Timothy A. Helisek
Sancte Michael
87 bpm • C min • 04:11 • -15.74db
9% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 32% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: Introit
87 bpm • F Maj • 03:35 • -24.75db
9% Popularity • 9% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
83 bpm • G min • 03:31 • -23.49db
7% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
7% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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Edmund Rubbra
Symphony No. 10, Op. 145, "Sinfonia da C...
87 bpm • E min • 05:29 • -24.25db
0% Popularity • 11% Danceability • 6% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 6% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for unaccompanied double choir: V. ...
83 bpm • E min • 05:09 • -28.39db
12% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
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Paul Hellmuth
Dypt heller året
87 bpm • G# Maj • 03:08 • -28.56db
8% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Frank La Rocca
Mass of the Americas: V. Sanctus - Bened...
87 bpm • D min • 03:33 • -20.09db
3% Popularity • 11% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
3% Popularity • 11% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Requiem, Op. 9: IX. In paradisum
87 bpm • F# Maj • 02:59 • -22.38db
8% Popularity • 9% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Robert Schumann
Romanzen, Book 1, Op. 69: No. 6. Die Kap...
87 bpm • F Maj • 03:29 • -34.86db
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
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Niccolò Jommelli
Requiem in D Minor, K. 626 (Paris 1804 V...
88 bpm • E min • 02:37 • -33db
21% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
83 bpm • D min • 05:28 • -22.65db
16% Popularity • 10% Danceability • 7% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
16% Popularity • 10% Danceability • 7% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Elias, Op. 70, MWV A25: Elijah, Op. 70, ...
83 bpm • D Maj • 02:15 • -26db
11% Popularity • 14% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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Edmund Rubbra
Tenebrae Motets, Op. 72: Third Nocturn: ...
82 bpm • G min • 02:52 • -29db
0% Popularity • 9% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 9% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Maurice Duruflé
Maurice Duruflé: Ubi caritas
87 bpm • D# Maj • 02:26 • -29db
29% Popularity • 14% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 14% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: I. Kyrie
88 bpm • D min • 04:26 • -31.37db
9% Popularity • 10% Danceability • 3% Energy • 9% Liveness
73% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 3% Energy • 9% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
The Music Makers, Op. 69: III. With wond...
88 bpm • C min • 01:51 • -16.35db
12% Popularity • 18% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
12% Popularity • 18% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Sirkka Rautakoski
Aaria, Sairasten Parantaja (Myrskyn Kesk...
88 bpm • D# Maj • 04:26 • -24.83db
10% Popularity • 11% Danceability • 7% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 7% Energy • 20% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Jonathan Dove
The Passing of the Year: No. 6. Adieu! f...
82 bpm • A# min • 06:02 • -23.39db
8% Popularity • 11% Danceability • 4% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 4% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Romanzen und Balladen, Book 2, Op. 75: N...
82 bpm • G min • 03:22 • -35.35db
14% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Paul Hindemith
6 Chansons: No. 2. Un cygne
82 bpm • E min • 02:04 • -26db
17% Popularity • 19% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
All-Night Vigil, Op. 37: No. 6, Rejoice,...
88 bpm • F Maj • 03:06 • -28.3db
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Edmund Rubbra
Symphony No. 2, Op. 45: III. Adagio tran...
88 bpm • C Maj • 10:07 • -24.48db
0% Popularity • 10% Danceability • 5% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 5% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: III....
82 bpm • A min • 03:15 • -17.91db
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Anton Bruckner
Ecce sacerdos magnus, WAB 13
88 bpm • A min • 06:04 • -21.47db
10% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 11% Energy • 25% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
In Windsor Forest: No. 4, Wedding Chorus
82 bpm • F min • 05:02 • -22.79db
9% Popularity • 8% Danceability • 12% Energy • 13% Liveness
54% Instrumentalness • 6% Positiveness
9% Popularity • 8% Danceability • 12% Energy • 13% Liveness
54% Instrumentalness • 6% Positiveness
► Preview
Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
88 bpm • A Maj • 01:44 • -34.72db
18% Popularity • 12% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
18% Popularity • 12% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
► Preview
Matthew Coleridge
And There Was Light
82 bpm • C Maj • 03:10 • -31.41db
14% Popularity • 8% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Edmund Rubbra
Symphony No. 9, Op. 140, "Sinfonia Sacra...
88 bpm • A min • 03:17 • -27.2db
0% Popularity • 9% Danceability • 2% Energy • 9% Liveness
45% Instrumentalness • 3% Positiveness
0% Popularity • 9% Danceability • 2% Energy • 9% Liveness
45% Instrumentalness • 3% Positiveness
► Preview
Amy Beach
3 Shakespeare Choruses, Op. 39: No. 2. C...
82 bpm • A# Maj • 02:10 • -25.92db
11% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Girl Choristers
アヴェマリア(エルガー) 作品2...
82 bpm • A# Maj • 02:41 • -29db
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Valiant for Truth
82 bpm • E min • 06:06 • -26.69db
9% Popularity • 9% Danceability • 4% Energy • 4% Liveness
1% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 4% Energy • 4% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
KNOXVILLETRACKZ
HFTEPB
82 bpm • D min • 01:04 • -43.12db
13% Popularity • 21% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
13% Popularity • 21% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Kheruvimskaya pesnya (Cherubic Hymn)
82 bpm • E min • 04:58 • -27.07db
19% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
19% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Matthew Coleridge
Requiem: Offertory
81 bpm • C Maj • 06:35 • -31.16db
8% Popularity • 9% Danceability • 1% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 1% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
► Preview
Monks Of The Abbey Of Notre Dame
In Your Presence
81 bpm • D Maj • 05:07 • -21.02db
15% Popularity • 17% Danceability • 10% Energy • 12% Liveness
12% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 10% Energy • 12% Liveness
12% Instrumentalness • 3% Positiveness
► Preview
Frank Martin
Mass for Double Choir: Kyrie
81 bpm • A min • 05:55 • -26db
15% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Jehova, quam multi sunt hostes mei, Z. 1...
89 bpm • A min • 06:25 • -24.42db
8% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
8% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): VIII. ...
81 bpm • D Maj • 04:27 • -33.27db
11% Popularity • 13% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 13% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
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Neil Cox
Keep Me as the Apple of an Eye
81 bpm • A# Maj • 03:17 • -23.84db
13% Popularity • 19% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Claude Debussy
3 Chansons de Charles d'Orleans: Trois C...
89 bpm • B Maj • 02:17 • -31db
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Edmund Rubbra
Symphony No. 8, Op. 132, "Hommage à Tei...
81 bpm • E min • 08:54 • -19.72db
0% Popularity • 9% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
0% Popularity • 9% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Michael Haydn
In coena Domini, MH 276: Judas mercator ...
81 bpm • E min • 01:08 • -24.46db
26% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Orlande de Lassus
In monte Oliveti II
81 bpm • B min • 03:20 • -24.19db
8% Popularity • 25% Danceability • 10% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
8% Popularity • 25% Danceability • 10% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
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Chamber Choir Of Europe
Weltliche A-Cappella-Gesänge, Secular A...
81 bpm • G Maj • 01:50 • -18db
8% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
8% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Vespers (All-Night Vigil), Op. 37: V. No...
81 bpm • A# min • 04:03 • -30.34db
11% Popularity • 16% Danceability • 3% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
89 bpm • G min • 04:25 • -24.47db
8% Popularity • 16% Danceability • 10% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
8% Popularity • 16% Danceability • 10% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
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Edmund Rubbra
Tenebrae Motets, Op. 72: First Nocturn: ...
89 bpm • D# Maj • 03:42 • -26.33db
0% Popularity • 14% Danceability • 2% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 2% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
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KNOXVILLETRACKZ
HFTEPG
89 bpm • D min • 01:04 • -41.14db
12% Popularity • 33% Danceability • 1% Energy • 13% Liveness
97% Instrumentalness • 22% Positiveness
12% Popularity • 33% Danceability • 1% Energy • 13% Liveness
97% Instrumentalness • 22% Positiveness
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Kastalski Mixed Choir
Triptych 07: Divine Spirit
81 bpm • C Maj • 03:19 • -28.35db
9% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Edward Elgar
2 Partsongs, Op. 26: No. 1, The Snow
81 bpm • E min • 04:31 • -19.46db
10% Popularity • 18% Danceability • 11% Energy • 26% Liveness
34% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 11% Energy • 26% Liveness
34% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for unaccompanied double choir: IV....
81 bpm • D Maj • 04:28 • -24db
12% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Three Shakespeare Songs: II. The Cloud-c...
81 bpm • G min • 02:29 • -37db
13% Popularity • 17% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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Edmund Rubbra
Symphony No. 3, Op. 49: III. Molto adagi...
81 bpm • G Maj • 09:05 • -17.98db
0% Popularity • 13% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
0% Popularity • 13% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Andrew Smith
An Old Irish Blessing
89 bpm • C# Maj • 02:44 • -23.17db
16% Popularity • 20% Danceability • 16% Energy • 36% Liveness
89% Instrumentalness • 11% Positiveness
16% Popularity • 20% Danceability • 16% Energy • 36% Liveness
89% Instrumentalness • 11% Positiveness
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Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
23% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
23% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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Lumen Valo
Pjotr Tsaikovski: Legend (op. 54/5)
81 bpm • E min • 03:04 • -22.64db
14% Popularity • 20% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Gustav Mahler
Rückert Lieder: V. Ich bin der Welt abh...
81 bpm • D# Maj • 07:25 • -31.78db
9% Popularity • 8% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Kenneth Tay
Ave Regina caelorum
80 bpm • A Maj • 03:19 • -23.95db
18% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 1. Bogoroditse devo,...
80 bpm • C min • 01:51 • -38.83db
16% Popularity • 22% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Edmund Rubbra
Symphony No. 3, Op. 49: I. Moderato
80 bpm • F# min • 09:16 • -18.75db
0% Popularity • 11% Danceability • 16% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
0% Popularity • 11% Danceability • 16% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
