Songs like Missa O quam gloriosum: Kyrie by Tomás Luis de Victoria
Based on a tempo of (+/- 10%) and a similar genre
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Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
32% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
32% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Antonio Lotti
Crucifixus a 8
82 bpm • C min • 02:59 • -21.38db
9% Popularity • 14% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 4% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: III....
82 bpm • A min • 03:15 • -17.91db
13% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
13% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Giovanni Gabrieli
Cantate Domino a 6, C. 6
82 bpm • G# min • 01:32 • -23db
16% Popularity • 19% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 19% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Jacob Clemens non Papa
Clemens: Ego flos campi
82 bpm • G# Maj • 04:14 • -22.32db
8% Popularity • 13% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
8% Popularity • 13% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
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Antoine Brumel
Missa "Et ecce terrae motus" A 12 voce: ...
82 bpm • C Maj • 01:38 • -18db
20% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
20% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
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Jordi Savall
Cantica Beatae Virginis - Motet Salve Re...
82 bpm • F min • 10:33 • -20.73db
6% Popularity • 12% Danceability • 12% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
6% Popularity • 12% Danceability • 12% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Hear the Voice and Prayer
82 bpm • F# min • 03:02 • -27.52db
29% Popularity • 13% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
29% Popularity • 13% Danceability • 5% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
82 bpm • D min • 03:18 • -28.29db
15% Popularity • 18% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Giovanni de Macque
Io piango o filli, madrigal à 5
82 bpm • A min • 03:27 • -24.81db
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Gerda Blok-Wilson
O Little Rose, O Dark Rose
82 bpm • G Maj • 04:39 • -28.83db
9% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Jean Mouton
Mouton: Ave Maria, Virgo Serena - 1. Ave...
82 bpm • G Maj • 04:49 • -24db
10% Popularity • 12% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Cum erubuerint infelices (Antiphona)
82 bpm • E Maj • 02:17 • -25.96db
18% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
18% Popularity • 18% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Francesca Caccini
La liberazione di Ruggiero dall'isola d'...
82 bpm • G min • 00:52 • -23.54db
23% Popularity • 13% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 13% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
33% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
33% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: Kyrie
81 bpm • A min • 05:55 • -26db
14% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Missa O quam gloriosum: Kyrie
83 bpm • A# Maj • 02:19 • -28db
10% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 6% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 6% Positiveness
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Philippe Verdelot
Trist'Amarilli mia
83 bpm • F# min • 03:21 • -18.24db
11% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 22% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
83 bpm • D Maj • 04:18 • -28.45db
15% Popularity • 8% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
15% Popularity • 8% Danceability • 3% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
The Lord's Prayer
83 bpm • C Maj • 05:40 • -29.82db
26% Popularity • 16% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 4% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
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John Sheppard
Christ Our Paschal Lamb
81 bpm • F Maj • 01:57 • -34db
9% Popularity • 16% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
9% Popularity • 16% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
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Michael Haydn
In coena Domini, MH 276: Judas mercator ...
81 bpm • E min • 01:08 • -24.46db
24% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Tomás Luis de Victoria
Victoria: Requiem (Missa pro defunctis) ...
83 bpm • G Maj • 01:00 • -21.11db
16% Popularity • 18% Danceability • 6% Energy • 7% Liveness
95% Instrumentalness • 10% Positiveness
16% Popularity • 18% Danceability • 6% Energy • 7% Liveness
95% Instrumentalness • 10% Positiveness
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Giovanni Gabrieli
Surrexit Christus a 11 (C66)
81 bpm • F Maj • 03:27 • -21db
11% Popularity • 28% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 18% Positiveness
11% Popularity • 28% Danceability • 10% Energy • 11% Liveness
31% Instrumentalness • 18% Positiveness
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Lauri Mäntysaari
Pääsiäisstikiirat: No. 2, Nyt on meil...
81 bpm • E Maj • 04:26 • -23.54db
10% Popularity • 22% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 22% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Jacob Clemens non Papa
Magi veniunt ab oriente: I. Magi veniunt...
83 bpm • B min • 03:06 • -20.2db
12% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
12% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
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Charles Villiers Stanford
3 Latin Motets, Op. 38: III. Beati quoru...
83 bpm • G# Maj • 03:29 • -25.84db
27% Popularity • 8% Danceability • 7% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 7% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Ave Maria
81 bpm • E min • 03:06 • -36.03db
9% Popularity • 8% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Kim André Arnesen
There We Shall Rest
81 bpm • F Maj • 05:24 • -27db
20% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Ludwig Senfl
Ach Elslein, liebes Elselein mein
81 bpm • D Maj • 02:16 • -17db
12% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Jacques Arcadelt
O pulcherrima mulierum a 5
81 bpm • A# min • 02:34 • -22db
18% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
18% Popularity • 16% Danceability • 14% Energy • 12% Liveness
55% Instrumentalness • 16% Positiveness
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Filipe de Magalhães
Missa Veni Domine: IIb. Qui tollis pecca...
83 bpm • A min • 02:09 • -23.42db
15% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Jean L'héritier
Regnum mundi et omne ornatum, IJL 13
81 bpm • F Maj • 03:57 • -22.29db
13% Popularity • 17% Danceability • 10% Energy • 8% Liveness
67% Instrumentalness • 8% Positiveness
13% Popularity • 17% Danceability • 10% Energy • 8% Liveness
67% Instrumentalness • 8% Positiveness
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Tomás Luis de Victoria
Victoria: Requiem (Missa pro defunctis) ...
81 bpm • G Maj • 00:53 • -24.43db
13% Popularity • 21% Danceability • 5% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
13% Popularity • 21% Danceability • 5% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Ave Maria, Op. posth.
83 bpm • A Maj • 02:06 • -32db
13% Popularity • 12% Danceability • 3% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 3% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Cantores in Ecclesia
Recordare, Domine
83 bpm • A Maj • 02:57 • -17db
17% Popularity • 15% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 15% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Richard Farrant
Call to remembrance
81 bpm • F min • 01:55 • -23.99db
14% Popularity • 13% Danceability • 13% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 13% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
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Jan Campanus Vodnansky
Rorando coeli
83 bpm • A Maj • 02:14 • -27db
15% Popularity • 12% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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João IV of Portugal
Anonymous: Jesus Christ Is Risen Today
83 bpm • A# Maj • 02:16 • -27.54db
10% Popularity • 17% Danceability • 5% Energy • 14% Liveness
9% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 5% Energy • 14% Liveness
9% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
83 bpm • G Maj • 04:07 • -22.57db
12% Popularity • 9% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
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A5 Vocal Ensemble
Guerrero: Trahe me post te
84 bpm • G# min • 04:19 • -21.16db
11% Popularity • 18% Danceability • 12% Energy • 8% Liveness
28% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 12% Energy • 8% Liveness
28% Instrumentalness • 5% Positiveness
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Johannes Eccard
Maria wallt zum Heiligtum
81 bpm • C min • 03:21 • -18.84db
17% Popularity • 17% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 15% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Escolania de Montserrat
Cantique de Jean Racine
84 bpm • C# Maj • 05:17 • -21db
7% Popularity • 11% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
7% Popularity • 11% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Calmus Ensemble
Abendlied Op. 693
80 bpm • D# Maj • 02:32 • -20db
15% Popularity • 11% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 5% Positiveness
15% Popularity • 11% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 5% Positiveness
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University of King's College Chapel Choir
Alma Redemptoris
84 bpm • D# Maj • 04:05 • -21db
9% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Stabat mater: V. Sancta mater, istud aga...
80 bpm • A# Maj • 03:03 • -18.59db
10% Popularity • 13% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 15% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 08. Hosa...
80 bpm • D# Maj • 01:35 • -18db
23% Popularity • 12% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 12% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Tallis: O Lord, Give Thy Holy Spirit
80 bpm • A# min • 02:17 • -26.94db
31% Popularity • 19% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 9% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
80 bpm • D Maj • 03:13 • -19.54db
12% Popularity • 12% Danceability • 15% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 15% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Anton Bruckner
Ave Maria, WAB 6
84 bpm • F Maj • 03:38 • -29db
13% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
13% Popularity • 8% Danceability • 1% Energy • 6% Liveness
6% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: III. Eripe me
80 bpm • D Maj • 04:11 • -23.81db
8% Popularity • 15% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
20% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: I. Kyrie
80 bpm • E min • 05:16 • -23db
14% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Adoramus te Christe, SV 289
80 bpm • G Maj • 05:53 • -26.82db
11% Popularity • 8% Danceability • 6% Energy • 8% Liveness
50% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 6% Energy • 8% Liveness
50% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Requiem aeternam II
84 bpm • D Maj • 04:01 • -26db
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1c. K...
84 bpm • B Maj • 01:15 • -18.5db
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
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Lumen Valo
Ralph Vaughan Williams: Rest
80 bpm • D# Maj • 04:03 • -22.98db
14% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories, Feria quinta: I. ...
80 bpm • A min • 04:19 • -22.35db
14% Popularity • 9% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Tomás Luis de Victoria
Joâo IV of Portugal: Crux fidelis
80 bpm • C min • 04:53 • -25.37db
11% Popularity • 11% Danceability • 6% Energy • 7% Liveness
44% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 6% Energy • 7% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Dmitry Bortniansky
Sacred Concerto No. 27, "Hlasom moim ko ...
80 bpm • B min • 03:12 • -22.89db
7% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
► Preview
Jacobus Gallus
Ecce quomodo moritur justus
80 bpm • E Maj • 04:05 • -28db
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Francisco Guerrero
Virgo prudentissima
85 bpm • A min • 03:14 • -20db
16% Popularity • 25% Danceability • 15% Energy • 11% Liveness
60% Instrumentalness • 8% Positiveness
16% Popularity • 25% Danceability • 15% Energy • 11% Liveness
60% Instrumentalness • 8% Positiveness
► Preview
Johannes Ockeghem
Missa Prolationum: Kyrie
79 bpm • F# Maj • 03:48 • -28.06db
15% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
15% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Tomás Luis de Victoria
O quam gloriosum
80 bpm • D# Maj • 02:39 • -23.17db
9% Popularity • 16% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 16% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Heinrich Schütz
Herr, wenn ich nur dich habe, SWV 280
85 bpm • A min • 03:27 • -18db
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
24% Popularity • 23% Danceability • 11% Energy • 9% Liveness
51% Instrumentalness • 5% Positiveness
► Preview
Zuzanna Koziej
Stabat Mater: O quam tristis et afflicta
85 bpm • D# min • 02:02 • -25.34db
14% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Francesco Corteccia
Gloria patri
79 bpm • G Maj • 01:09 • -27.57db
30% Popularity • 18% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Giovanni Gabrieli
Deus, qui beatum Marcum a 10, C. 36
79 bpm • G# Maj • 02:32 • -19.08db
20% Popularity • 22% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
20% Popularity • 22% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
► Preview
Guillaume de Machaut
Messe de Notre Dame: Kyrie
79 bpm • D Maj • 06:31 • -19db
13% Popularity • 10% Danceability • 19% Energy • 20% Liveness
32% Instrumentalness • 11% Positiveness
13% Popularity • 10% Danceability • 19% Energy • 20% Liveness
32% Instrumentalness • 11% Positiveness
► Preview
Tomás Luis de Victoria
The Reproaches
84 bpm • D# Maj • 07:42 • -21.3db
14% Popularity • 11% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Hildegard von Bingen
Conductus flos in monte cernitur
79 bpm • C Maj • 02:51 • -21.9db
15% Popularity • 31% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 31% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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A5 Vocal Ensemble
Guerrero: Ave virgo sanctissima
85 bpm • G# min • 03:45 • -20.45db
11% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
O dolorosa gioia
79 bpm • G# Maj • 04:40 • -23.45db
11% Popularity • 8% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Orlando Gibbons
Pavan
79 bpm • F# Maj • 04:22 • -24db
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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Philippe de Monte
Miserere mei, Deus
85 bpm • F min • 03:38 • -21db
13% Popularity • 11% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 5% Positiveness
13% Popularity • 11% Danceability • 16% Energy • 11% Liveness
8% Instrumentalness • 5% Positiveness
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Tomás Luis de Victoria
Et Jesum
79 bpm • F# min • 01:57 • -28.02db
7% Popularity • 21% Danceability • 2% Energy • 8% Liveness
20% Instrumentalness • 9% Positiveness
7% Popularity • 21% Danceability • 2% Energy • 8% Liveness
20% Instrumentalness • 9% Positiveness
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Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
16% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: A New Commandment
79 bpm • C# min • 02:42 • -29db
28% Popularity • 9% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 10% Positiveness
28% Popularity • 9% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 10% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
85 bpm • B Maj • 01:01 • -26.52db
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
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Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
16% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Una hora non potuistis, ITV 143: No. 1, ...
85 bpm • G min • 02:54 • -23.43db
13% Popularity • 21% Danceability • 6% Energy • 6% Liveness
76% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 6% Energy • 6% Liveness
76% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Thomas Crecquillon
Crecquillon: Pater peccavi - 1. Pater pe...
79 bpm • G Maj • 04:24 • -20db
11% Popularity • 13% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 11. Agnu...
79 bpm • D# Maj • 01:37 • -20.72db
9% Popularity • 10% Danceability • 11% Energy • 10% Liveness
31% Instrumentalness • 9% Positiveness
9% Popularity • 10% Danceability • 11% Energy • 10% Liveness
31% Instrumentalness • 9% Positiveness
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Carlo Gesualdo
Tenebrae Responsories, Feria quinta: VI....
79 bpm • C Maj • 05:07 • -21.43db
8% Popularity • 9% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
D'un autre amer: D'ung aultre amer
86 bpm • D min • 03:07 • -22.11db
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Tomás Luis de Victoria
Victoria: Taedet animam meam - 1. Taedet...
79 bpm • B min • 00:41 • -25.45db
18% Popularity • 29% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 29% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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John Sheppard
Libera nos, salva nos I
78 bpm • F Maj • 03:59 • -19.18db
7% Popularity • 7% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
7% Popularity • 7% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Orlando Gibbons
Galliard
86 bpm • F# Maj • 02:56 • -25db
18% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
18% Popularity • 24% Danceability • 6% Energy • 29% Liveness
95% Instrumentalness • 33% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Frank Martin
Mass for Double Choir: Gloria
86 bpm • D min • 06:10 • -27db
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness