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Missed Calls
Songs like
Missed Calls (feat. Hayley Kiyoko)
by
MAX
Based on a tempo of (+/- 10%) and a similar genre
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Zolita
Shut Up and Cry
146 bpm • B min • 03:15 • -3.79db
38% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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MAX
Missed Calls
146 bpm • C# Maj • 02:34 • -6.65db
29% Popularity • 69% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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John K
6 months
146 bpm • D# Maj • 03:37 • -6db
52% Popularity • 66% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Carlie Hanson
Stealing All My Friends
147 bpm • A Maj • 02:41 • -10.53db
23% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Sophie Cates
sucks 4 u
147 bpm • C Maj • 03:25 • -7.4db
31% Popularity • 72% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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88rising
Indigo
145 bpm • G Maj • 02:53 • -5.61db
61% Popularity • 82% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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laye
sicker
145 bpm • C Maj • 03:13 • -6db
25% Popularity • 36% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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MAX
Love Me Less
145 bpm • B min • 02:57 • -2.32db
38% Popularity • 74% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Emilee
High Hopes
145 bpm • G Maj • 02:52 • -13.69db
26% Popularity • 83% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Delaney Jane
Safe With You
145 bpm • A# min • 03:08 • -7db
33% Popularity • 63% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Sophie Cates
crowd
144 bpm • D Maj • 02:46 • -6.31db
32% Popularity • 47% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Chris LaRocca
In My Ends
148 bpm • F# min • 02:53 • -4.11db
12% Popularity • 65% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Trevi Moran
Now You Got Me
144 bpm • C Maj • 03:56 • -5.85db
12% Popularity • 51% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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MAX
Love Me Less
145 bpm • B min • 02:57 • -2.2db
49% Popularity • 73% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Cassette Tapes
Blame
144 bpm • G Maj • 02:46 • -10.09db
18% Popularity • 81% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Bailey Bryan
play w/ me
148 bpm • F# Maj • 03:03 • -7db
41% Popularity • 74% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Sophie Cates
boys r dumb! duh!
148 bpm • E Maj • 02:59 • -6db
28% Popularity • 66% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Audrey Mika
Excuses
144 bpm • A# Maj • 02:25 • -8.5db
39% Popularity • 79% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Tove Lo
sadder badder cooler
148 bpm • B Maj • 02:51 • -6.88db
43% Popularity • 69% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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MAX
Love Me Less - Ookay Remix
145 bpm • B min • 04:16 • -6.46db
21% Popularity • 72% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 67% Positiveness
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Carlie Hanson
Fires
144 bpm • G# Maj • 02:44 • -7db
24% Popularity • 76% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Delaney Jane
Circling The Cage
144 bpm • G Maj • 03:33 • -5db
14% Popularity • 65% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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FINNEAS
I Don't Miss You at All
148 bpm • C# min • 02:08 • -7.57db
56% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Alec Wigdahl
Misbehaving
144 bpm • C min • 03:23 • -7.93db
18% Popularity • 73% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Ruel
distance
149 bpm • D# min • 02:59 • -8.56db
53% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
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MAX
Love Me Less [Acoustic Version]
148 bpm • A# min • 03:03 • -6.87db
20% Popularity • 83% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Hey Violet
Clean
143 bpm • A# Maj • 03:00 • -4.21db
39% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Carlie Hanson
Daze Inn
149 bpm • C Maj • 02:38 • -5.33db
41% Popularity • 64% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Franny
Let Me Live
150 bpm • C# min • 03:15 • -8.21db
10% Popularity • 75% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Loren Gray
Cake
143 bpm • F min • 02:31 • -5.87db
30% Popularity • 79% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Lauv
Believed
150 bpm • B min • 02:49 • -8.09db
42% Popularity • 80% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
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MAX
SOS
144 bpm • F Maj • 02:41 • -5.44db
25% Popularity • 66% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Leah Sykes
Surprise
150 bpm • F# Maj • 02:47 • -7.81db
12% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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5 Seconds of Summer
Thin White Lies
150 bpm • A min • 03:02 • -3.12db
53% Popularity • 56% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Alec Wigdahl
Summer Is Over
150 bpm • D Maj • 02:40 • -6.16db
23% Popularity • 85% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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will hyde
easy for u.
150 bpm • F# min • 02:16 • -6db
25% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Alex Frew
Get Out Alive
150 bpm • C Maj • 03:11 • -5.78db
20% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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MAX
Blueberry Eyes
150 bpm • C min • 02:52 • -7.03db
60% Popularity • 75% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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League of Legends
Take Over (ford. Remix)
150 bpm • C Maj • 03:05 • -5.9db
32% Popularity • 64% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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salem ilese
Bad Word
150 bpm • C# Maj • 03:11 • -3.37db
23% Popularity • 68% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Kim Petras
Reminds Me
150 bpm • A Maj • 02:37 • -8.25db
34% Popularity • 71% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Bea Miller
making bad decisions
142 bpm • E min • 03:23 • -6.08db
38% Popularity • 65% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Ellie Goulding
Slow Grenade
142 bpm • A Maj • 03:37 • -6.5db
43% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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GUNNAR
Can't Say No
150 bpm • F# min • 03:13 • -6db
26% Popularity • 56% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Demi Lovato
I Love Me
150 bpm • B Maj • 03:23 • -7.03db
46% Popularity • 67% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Evie Irie
Stupid Things
142 bpm • F min • 03:28 • -5.7db
15% Popularity • 64% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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John The Blind
Bottle of Pills
142 bpm • F Maj • 03:22 • -4.81db
13% Popularity • 57% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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sad alex
wash your hands
142 bpm • C Maj • 02:32 • -4.23db
16% Popularity • 85% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Carlie Hanson
Back in My Arms
150 bpm • C# min • 03:15 • -4.85db
42% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Zolita
Come Home With Me
142 bpm • A min • 03:36 • -8.48db
32% Popularity • 51% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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mxmtoon
ok on your own
142 bpm • G min • 03:28 • -8.84db
40% Popularity • 77% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Bea Miller
it's not u it's me
151 bpm • C min • 03:14 • -6.42db
55% Popularity • 78% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Jay Alan
No Lie
151 bpm • B Maj • 03:12 • -4.58db
9% Popularity • 58% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Peach PRC
Colourblind
141 bpm • F Maj • 03:04 • -7.16db
39% Popularity • 69% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Alec Wigdahl
Cologne
141 bpm • F# min • 02:48 • -8.97db
34% Popularity • 73% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 62% Positiveness
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L Devine
Don't Say It
152 bpm • D Maj • 02:53 • -6db
20% Popularity • 46% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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MAX
Puppeteer
140 bpm • F# min • 03:18 • -6.96db
32% Popularity • 59% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Sophia Messa
Ice Cream & Cigarettes
152 bpm • B Maj • 02:46 • -7.07db
17% Popularity • 63% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Ashton Edminster
Deep
152 bpm • D Maj • 03:07 • -3.55db
24% Popularity • 56% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Carlie Hanson
Hazel
140 bpm • D Maj • 03:21 • -5.85db
32% Popularity • 64% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Emily Weisband
Mixed Emotions
140 bpm • F min • 02:40 • -6.67db
17% Popularity • 71% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Sasha Alex Sloan
Keep On
140 bpm • G# Maj • 03:00 • -8.82db
47% Popularity • 76% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jessica Universe
Swipe Right
140 bpm • F# Maj • 03:08 • -4db
10% Popularity • 93% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Sabrina Carpenter
I Can't Stop Me
140 bpm • A# min • 03:42 • -3.11db
47% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Lauv
Tell My Mama
140 bpm • C Maj • 02:46 • -7.02db
41% Popularity • 88% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Royalties Cast
Perfect Song
140 bpm • F# Maj • 04:03 • -5.7db
23% Popularity • 59% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Dylan Jordan
aliso
140 bpm • G Maj • 02:50 • -7.06db
22% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Jonny Glenn
All Fall Down
140 bpm • G# Maj • 02:58 • -5db
18% Popularity • 82% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Audrey Mika
Fake Heartbreak
140 bpm • G Maj • 03:24 • -5.05db
26% Popularity • 58% Danceability • 63% Energy • 48% Liveness
0% Instrumentalness • 30% Positiveness
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MAX
STUPID IN LOVE
153 bpm • G# min • 02:53 • -5.3db
74% Popularity • 66% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Sam Fischer
Everybody's Got Somebody
139 bpm • G Maj • 03:10 • -8db
24% Popularity • 57% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 41% Positiveness
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Hayley Kiyoko
Sleepover
153 bpm • C# Maj • 03:53 • -7.22db
48% Popularity • 54% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Noah Cyrus
fuckyounoah
139 bpm • G# min • 02:09 • -9db
38% Popularity • 74% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Great Good Fine Ok
2020
154 bpm • A# min • 02:39 • -6.31db
24% Popularity • 62% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Audrey Mika
Change Your Heart
154 bpm • F min • 03:35 • -8.78db
20% Popularity • 43% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 15% Positiveness
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MAX
The Other Side
154 bpm • D Maj • 03:30 • -5.62db
38% Popularity • 69% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Chelsea Collins
07 Britney
154 bpm • E Maj • 03:02 • -1.47db
41% Popularity • 48% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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John K
Rum n Tequila
155 bpm • A Maj • 02:17 • -5.18db
51% Popularity • 61% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Jonny Glenn
Woah
138 bpm • A Maj • 02:55 • -6.52db
30% Popularity • 83% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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JUJ
1-800-HELL-NO
155 bpm • F Maj • 02:35 • -7.2db
15% Popularity • 61% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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CXLOE
One and Lonely
155 bpm • B min • 03:04 • -6.73db
16% Popularity • 53% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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MAX
New Life
155 bpm • E min • 03:01 • -3.21db
35% Popularity • 64% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Elli Moore
Gateway
137 bpm • A Maj • 03:27 • -8db
17% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Hayley Kiyoko
chance
156 bpm • F# Maj • 03:19 • -6.07db
41% Popularity • 65% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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ROLE MODEL
for the people in the back
156 bpm • D# min • 02:34 • -4.43db
42% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Ant Saunders
Pedestrian
156 bpm • G min • 02:45 • -7.5db
21% Popularity • 76% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Nick Jonas
2Drunk
156 bpm • F# Maj • 03:12 • -6.09db
41% Popularity • 65% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Anne-Marie
To Be Young
156 bpm • G# Maj • 03:14 • -4.8db
49% Popularity • 52% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Ruel
say it over
156 bpm • D min • 03:58 • -10.94db
44% Popularity • 44% Danceability • 32% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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MADISON
Back Like I Never Left
136 bpm • G# Maj • 04:23 • -5.44db
13% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Good Scott
woozy
136 bpm • E Maj • 02:51 • -6.69db
16% Popularity • 78% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Ant Saunders
Effortless
156 bpm • G min • 02:41 • -5.98db
24% Popularity • 72% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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EMI
Say Dat
157 bpm • G# Maj • 03:03 • -4.54db
17% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Sabrina Carpenter
Sue Me
157 bpm • F# Maj • 02:59 • -5.42db
67% Popularity • 46% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Ruel
Younger
136 bpm • B min • 03:42 • -7.71db
56% Popularity • 74% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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salem ilese
(L)only Child
157 bpm • G# min • 02:24 • -5.93db
38% Popularity • 64% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Tori Kelly
Unbothered
135 bpm • F# Maj • 03:22 • -6.46db
34% Popularity • 83% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Mob Rich
friends*
135 bpm • A Maj • 02:42 • -7db
27% Popularity • 71% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Running on Everything
Come and Go
135 bpm • G# min • 02:34 • -6.97db
16% Popularity • 86% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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kennedi
apology
135 bpm • G# Maj • 03:02 • -10db
12% Popularity • 73% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Missed Calls