Songs like Missing London by Lostboycrow
Based on a tempo of (+/- 10%) and a similar genre
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Charlotte Lawrence
Seventeen
100 bpm • C# Maj • 04:00 • -9.13db
23% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Clara Mae
I Forgot
100 bpm • F# Maj • 03:04 • -7db
32% Popularity • 72% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 72% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Jeremy Shayne
Care
100 bpm • C# Maj • 03:10 • -5.94db
14% Popularity • 65% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 65% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Clueless Kit
Passenger Seat
100 bpm • G min • 03:34 • -9.3db
33% Popularity • 70% Danceability • 48% Energy • 28% Liveness
6% Instrumentalness • 32% Positiveness
33% Popularity • 70% Danceability • 48% Energy • 28% Liveness
6% Instrumentalness • 32% Positiveness
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Louis Mattrs
Don’t Lose Your Cool
100 bpm • G# min • 03:35 • -5.34db
32% Popularity • 64% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 64% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Lostboycrow
Orange Juice
100 bpm • G Maj • 03:47 • -7.74db
38% Popularity • 70% Danceability • 69% Energy • 58% Liveness
21% Instrumentalness • 62% Positiveness
38% Popularity • 70% Danceability • 69% Energy • 58% Liveness
21% Instrumentalness • 62% Positiveness
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Cameron Sanderson
Oh Love
100 bpm • D Maj • 03:55 • -9.43db
10% Popularity • 60% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 60% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Joseph Tilley
Feelings
100 bpm • E min • 02:43 • -7.72db
8% Popularity • 75% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 75% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Erik Sing
Barely Holding On
100 bpm • G# min • 03:33 • -10.79db
9% Popularity • 77% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 77% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Lui Peng
What to Say
100 bpm • C# min • 03:33 • -12.51db
8% Popularity • 79% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 79% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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XYLØ
Pretty Sad
100 bpm • G# Maj • 03:19 • -6.64db
27% Popularity • 58% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 58% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Lostboycrow
Say You Want Me
100 bpm • C# Maj • 03:39 • -6.21db
22% Popularity • 75% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 75% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Call Me Karizma
Black & Blue
100 bpm • F Maj • 03:47 • -9.34db
23% Popularity • 81% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 81% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Hoodie Allen
Wasting All My Time
100 bpm • G Maj • 03:04 • -7db
27% Popularity • 80% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 80% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Charlotte Lawrence
Young and Reckless
100 bpm • E min • 02:26 • -6.72db
32% Popularity • 69% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 69% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Thomston
Headspace
100 bpm • E min • 03:50 • -9db
17% Popularity • 70% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 70% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Phil Good
Sleeping In
100 bpm • B min • 02:37 • -5.98db
25% Popularity • 74% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 74% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Lostboycrow
Thursday
100 bpm • G Maj • 03:05 • -5.5db
22% Popularity • 66% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 66% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Jack & Jack
Closure
100 bpm • G# min • 03:01 • -10db
37% Popularity • 60% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 60% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Preston Hutto
2am in Allston
101 bpm • C# min • 02:40 • -9db
16% Popularity • 33% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 33% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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JT Roach
Wasted Roses
99 bpm • D# min • 03:21 • -6db
27% Popularity • 69% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 69% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Thomston
Rocketfuel
101 bpm • G Maj • 03:41 • -6.54db
3% Popularity • 69% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 69% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Sweet Talker
In a Heartbeat
99 bpm • F# Maj • 03:04 • -9db
15% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Lostboycrow
River of Forgetfulness
100 bpm • G Maj • 04:37 • -8.66db
7% Popularity • 55% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 55% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Bea Miller
repercussions
101 bpm • G Maj • 03:27 • -6.16db
34% Popularity • 67% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 67% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Charlotte Lawrence
Stole Your Car
101 bpm • G min • 03:35 • -5.61db
41% Popularity • 66% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 66% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
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Lights
Until the Light
101 bpm • A min • 03:26 • -8db
25% Popularity • 65% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 65% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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FRENSHIP
Remind You - Edit
101 bpm • E min • 03:48 • -5db
26% Popularity • 71% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 71% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Saint Claire
Medication
102 bpm • B min • 03:20 • -7.13db
9% Popularity • 40% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 40% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Lostboycrow
Missing London
100 bpm • D Maj • 03:14 • -7db
25% Popularity • 53% Danceability • 66% Energy • 54% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 53% Danceability • 66% Energy • 54% Liveness
0% Instrumentalness • 44% Positiveness
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Dylan Jordan
Like Me
98 bpm • A# min • 03:20 • -5.45db
17% Popularity • 76% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 76% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Charlotte Lawrence
Wait Up
101 bpm • A min • 03:04 • -2.94db
29% Popularity • 63% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 63% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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flor
still standing still
98 bpm • G# Maj • 04:07 • -5.97db
26% Popularity • 74% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 74% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Betty Who
Ignore Me
102 bpm • A Maj • 03:15 • -7.98db
33% Popularity • 83% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 83% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Vice
Obsession (25/7)
102 bpm • A# Maj • 04:00 • -8.04db
29% Popularity • 76% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 76% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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shy martin
Bad In Common
102 bpm • F min • 02:59 • -6.79db
31% Popularity • 49% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 49% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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John K
Runnin'
102 bpm • D Maj • 03:07 • -7.03db
21% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Happy Sometimes
Love for the Weekend
102 bpm • C Maj • 03:22 • -2.85db
16% Popularity • 57% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 57% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Ansel Elgort
You Can Count On Me
98 bpm • C Maj • 04:06 • -5.26db
37% Popularity • 65% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 65% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Lostboycrow
Missing London - Holz Remix
98 bpm • D Maj • 03:41 • -9.44db
6% Popularity • 73% Danceability • 77% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
6% Popularity • 73% Danceability • 77% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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Vice
Obsession - Acoustic
102 bpm • A# Maj • 03:31 • -5.83db
27% Popularity • 67% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 67% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Cody Lovaas
Prove It
102 bpm • A# min • 03:07 • -6.61db
29% Popularity • 70% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 70% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 65% Positiveness
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Viceroy
Caught Me a Rhythm
98 bpm • C# Maj • 03:18 • -3.51db
24% Popularity • 71% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 71% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ghosted
Feel On Me
102 bpm • B min • 02:54 • -6db
20% Popularity • 49% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 49% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Ansel Elgort
All I Think About Is You
98 bpm • C# Maj • 03:08 • -5db
44% Popularity • 46% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 46% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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morgxn
alone/forever
98 bpm • C Maj • 03:54 • -8.32db
15% Popularity • 63% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 63% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Denny White
Carried Away
97 bpm • C# Maj • 03:29 • -7db
24% Popularity • 82% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 82% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Liam Horne
Black and White
97 bpm • A min • 04:09 • -3db
15% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Harry Hudson
Gone
97 bpm • G Maj • 03:46 • -8db
32% Popularity • 57% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 57% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Gill Chang
Overnight
97 bpm • F# Maj • 03:22 • -3.02db
8% Popularity • 90% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 90% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Katelyn Tarver
LY4L
97 bpm • G min • 03:40 • -4.87db
16% Popularity • 73% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 73% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Ivy Adara
Rebels
104 bpm • F# Maj • 02:56 • -6.09db
41% Popularity • 69% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 69% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Christian Hudson
Good Times
96 bpm • C min • 03:32 • -6.7db
16% Popularity • 64% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
16% Popularity • 64% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Quinn Lewis
In Between
104 bpm • G Maj • 03:00 • -7db
14% Popularity • 83% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 83% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Lostboycrow
Scorpio
104 bpm • A min • 03:50 • -5.36db
16% Popularity • 69% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 69% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Lost Kings
Don't Call
104 bpm • F min • 03:16 • -6.78db
35% Popularity • 70% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 70% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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asking for a friend
Dream Boat
104 bpm • B Maj • 02:31 • -10.89db
13% Popularity • 69% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 69% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Preston Hutto
Brain
96 bpm • D min • 03:03 • -7.2db
23% Popularity • 57% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 57% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Feki
Don't Doubt
96 bpm • C# Maj • 03:34 • -5.57db
26% Popularity • 62% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 62% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Andy Grammer
This Ain't Love
96 bpm • G Maj • 03:25 • -6.83db
8% Popularity • 65% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 65% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Phil Good
Growing Up
96 bpm • E min • 02:45 • -7.19db
26% Popularity • 74% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 74% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Quinn Lewis
Slipping
96 bpm • E min • 03:25 • -8.94db
18% Popularity • 69% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 69% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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asking for a friend
I See A Bird
96 bpm • A# min • 02:38 • -10.02db
14% Popularity • 53% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 53% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Dylan Matthew
Take You Home
96 bpm • A# Maj • 03:55 • -6.14db
18% Popularity • 54% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 54% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 28% Positiveness
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HARIZ
Ovrbrd
96 bpm • C Maj • 03:06 • -6.62db
9% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 58% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Emily Warren
Something To Hold On To
105 bpm • D# Maj • 03:38 • -7.55db
22% Popularity • 36% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 36% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Rubén Crown
Too Much to Bear
105 bpm • G min • 04:21 • -10.69db
10% Popularity • 69% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 69% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Good Scott
Dive In
105 bpm • G# Maj • 03:20 • -8db
31% Popularity • 71% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
31% Popularity • 71% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Lostboycrow
HiyHiy
105 bpm • B Maj • 03:36 • -7.05db
18% Popularity • 74% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 74% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Loote
IDK Single
105 bpm • E Maj • 02:45 • -6.77db
29% Popularity • 86% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 86% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Prince Fox
Fake It
95 bpm • A# Maj • 03:09 • -4.9db
14% Popularity • 69% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 69% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
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Whole Doubts
Leave
95 bpm • A# Maj • 03:20 • -8.61db
27% Popularity • 70% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 70% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Christian French
Done from the Start
95 bpm • G Maj • 03:58 • -4.26db
34% Popularity • 73% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 73% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Cailee Rae
It's on You
95 bpm • F# min • 02:56 • -11db
14% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 61% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Lostboycrow
Hiy Hiy (Milkman Remix)
105 bpm • B Maj • 03:45 • -6db
32% Popularity • 70% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 70% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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People Watching People
Wet Dreams
95 bpm • F# min • 03:35 • -6.36db
1% Popularity • 64% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
1% Popularity • 64% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Glades
Skylines
95 bpm • B Maj • 03:26 • -5.34db
32% Popularity • 63% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 63% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Jack & Jack
Beg - Prince Fox Remix
95 bpm • F min • 03:43 • -5.15db
12% Popularity • 77% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 77% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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JST FRNDS
All Night Long
95 bpm • D# Maj • 03:35 • -7.96db
33% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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AFTRHOURS
She Kind of Looks Like You
95 bpm • F# Maj • 03:24 • -13db
19% Popularity • 90% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 90% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Lostboycrow
November Sleep
105 bpm • D Maj • 03:56 • -6.99db
22% Popularity • 56% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 56% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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culpriit
Driveway
95 bpm • G# min • 03:28 • -6.59db
24% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Kyan Palmer
Poetry in Motion
106 bpm • F Maj • 04:06 • -6.77db
9% Popularity • 56% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 56% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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val
Be Here
95 bpm • G min • 03:22 • -6.3db
27% Popularity • 44% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 44% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Hope Waidley
Drunk On You
106 bpm • A min • 05:07 • -13db
16% Popularity • 84% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 84% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Phil Good
Be Somebody
106 bpm • A Maj • 03:06 • -11.3db
36% Popularity • 92% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 92% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Lostboycrow
C'est La Vie
95 bpm • B min • 03:36 • -9.31db
9% Popularity • 60% Danceability • 77% Energy • 8% Liveness
4% Instrumentalness • 82% Positiveness
9% Popularity • 60% Danceability • 77% Energy • 8% Liveness
4% Instrumentalness • 82% Positiveness
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Harry Hudson
Cry For Love
94 bpm • B min • 03:09 • -6.51db
32% Popularity • 60% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 60% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Ivy Adara
Famous
94 bpm • A Maj • 03:43 • -5.49db
40% Popularity • 61% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 61% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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LUMiN
iDWF
94 bpm • F# Maj • 03:19 • -6.99db
12% Popularity • 74% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 74% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Carly Paige
Babe
94 bpm • C Maj • 03:21 • -6.83db
8% Popularity • 72% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 72% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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REGN
WATR
94 bpm • C# Maj • 02:56 • -7db
12% Popularity • 74% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 74% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Lostboycrow
Orange Juice - Summer Squeeze Mix
106 bpm • G Maj • 02:49 • -8.31db
15% Popularity • 74% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 74% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Greyson Chance
Twenty One
94 bpm • F min • 03:12 • -8db
31% Popularity • 73% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 73% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 43% Positiveness
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FRENSHIP
GOODMORNING, Goodbye
107 bpm • C# Maj • 04:26 • -7.74db
37% Popularity • 69% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
37% Popularity • 69% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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ayokay
Too Young
94 bpm • F# Maj • 03:23 • -9.19db
36% Popularity • 65% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 65% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Glades
Do Right
107 bpm • D# Maj • 03:17 • -6db
34% Popularity • 75% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 75% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Emily Vaughn
Over That
107 bpm • F# Maj • 03:25 • -7.42db
31% Popularity • 80% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 80% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
