Songs like Mistake by Middle Kids
Based on a tempo of (+/- 10%) and a similar genre
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Rolling Blackouts Coastal Fever
Cappuccino City
135 bpm • F# min • 02:54 • -7.6db
21% Popularity • 62% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 68% Positiveness
21% Popularity • 62% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 68% Positiveness
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The Jungle Giants
Bad Dream
135 bpm • E min • 04:31 • -6db
49% Popularity • 69% Danceability • 58% Energy • 7% Liveness
30% Instrumentalness • 32% Positiveness
49% Popularity • 69% Danceability • 58% Energy • 7% Liveness
30% Instrumentalness • 32% Positiveness
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Dan Sultan
Reaction
135 bpm • C Maj • 04:38 • -5.25db
28% Popularity • 55% Danceability • 93% Energy • 33% Liveness
5% Instrumentalness • 41% Positiveness
28% Popularity • 55% Danceability • 93% Energy • 33% Liveness
5% Instrumentalness • 41% Positiveness
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Gretta Ray
Unwind
135 bpm • F Maj • 03:58 • -8.3db
22% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 64% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Middle Kids
Mistake
135 bpm • D Maj • 03:32 • -2.83db
35% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Eliza & The Delusionals
Deep End
135 bpm • B min • 03:34 • -3.32db
13% Popularity • 46% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 46% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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IV League
Lose Me
135 bpm • C Maj • 03:43 • -6.16db
22% Popularity • 47% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 47% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Swimming Girls
Back of Your Car
136 bpm • D# Maj • 03:09 • -5.88db
22% Popularity • 56% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 56% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Tired Lion
Cinderella Dracula
134 bpm • G Maj • 02:49 • -5.83db
28% Popularity • 49% Danceability • 58% Energy • 19% Liveness
48% Instrumentalness • 36% Positiveness
28% Popularity • 49% Danceability • 58% Energy • 19% Liveness
48% Instrumentalness • 36% Positiveness
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Ruby Fields
The Unguarded Moment - triple j Like a V...
134 bpm • C Maj • 04:38 • -9.68db
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Middle Kids
So Long Farewell I'm Gone
135 bpm • D# Maj • 03:25 • -4.74db
17% Popularity • 30% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 30% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Eliza & The Delusionals
Cigarette
134 bpm • C min • 02:54 • -3.13db
15% Popularity • 58% Danceability • 78% Energy • 8% Liveness
3% Instrumentalness • 81% Positiveness
15% Popularity • 58% Danceability • 78% Energy • 8% Liveness
3% Instrumentalness • 81% Positiveness
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Waxahatchee
Silver
137 bpm • F Maj • 03:24 • -4.02db
35% Popularity • 42% Danceability • 93% Energy • 11% Liveness
6% Instrumentalness • 31% Positiveness
35% Popularity • 42% Danceability • 93% Energy • 11% Liveness
6% Instrumentalness • 31% Positiveness
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Gretta Ray
Radio Silence
136 bpm • A Maj • 04:18 • -10.12db
32% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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The Beths
Future Me Hates Me
137 bpm • E Maj • 04:05 • -7db
48% Popularity • 48% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 48% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Carla Geneve
Greg's Discount Chemist
133 bpm • G Maj • 03:29 • -5.41db
29% Popularity • 70% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 70% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Boy & Bear
Rocking Horse
138 bpm • B min • 03:39 • -6.93db
13% Popularity • 46% Danceability • 71% Energy • 7% Liveness
28% Instrumentalness • 56% Positiveness
13% Popularity • 46% Danceability • 71% Energy • 7% Liveness
28% Instrumentalness • 56% Positiveness
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Maddy Jane
Not Human At All
132 bpm • C# min • 03:15 • -5.31db
12% Popularity • 31% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 31% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Eliza & The Delusionals
Swimming Pool
138 bpm • C# min • 03:38 • -4.16db
25% Popularity • 36% Danceability • 74% Energy • 11% Liveness
79% Instrumentalness • 19% Positiveness
25% Popularity • 36% Danceability • 74% Energy • 11% Liveness
79% Instrumentalness • 19% Positiveness
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Tia Gostelow
State of Art
132 bpm • A min • 03:42 • -5.34db
16% Popularity • 53% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 53% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Stella Donnelly
Tricks
138 bpm • C Maj • 04:07 • -6.01db
34% Popularity • 64% Danceability • 81% Energy • 70% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 64% Danceability • 81% Energy • 70% Liveness
0% Instrumentalness • 47% Positiveness
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The New Pornographers
High Ticket Attractions
132 bpm • B Maj • 03:51 • -4db
33% Popularity • 61% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 61% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Tancred
Reviews
132 bpm • F Maj • 03:09 • -5.65db
18% Popularity • 59% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 59% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Maddy Jane
The Other Day
138 bpm • A min • 03:38 • -4.59db
8% Popularity • 55% Danceability • 84% Energy • 15% Liveness
3% Instrumentalness • 91% Positiveness
8% Popularity • 55% Danceability • 84% Energy • 15% Liveness
3% Instrumentalness • 91% Positiveness
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Eliza & The Delusionals
Salt
138 bpm • C# min • 02:45 • -3.16db
14% Popularity • 49% Danceability • 92% Energy • 9% Liveness
1% Instrumentalness • 53% Positiveness
14% Popularity • 49% Danceability • 92% Energy • 9% Liveness
1% Instrumentalness • 53% Positiveness
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Tia Gostelow
State of Art
132 bpm • A min • 03:41 • -6.72db
15% Popularity • 51% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 51% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Middle Kids
Summer Hill
132 bpm • B Maj • 04:21 • -6.51db
20% Popularity • 61% Danceability • 73% Energy • 10% Liveness
12% Instrumentalness • 15% Positiveness
20% Popularity • 61% Danceability • 73% Energy • 10% Liveness
12% Instrumentalness • 15% Positiveness
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Ruby Fields
Dingo
132 bpm • D min • 05:27 • -5.79db
31% Popularity • 55% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 55% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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QTY
Rodeo
132 bpm • C Maj • 02:33 • -2.72db
14% Popularity • 44% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 44% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Phantastic Ferniture
Bad Timing
139 bpm • E Maj • 03:52 • -6.63db
24% Popularity • 55% Danceability • 70% Energy • 17% Liveness
33% Instrumentalness • 64% Positiveness
24% Popularity • 55% Danceability • 70% Energy • 17% Liveness
33% Instrumentalness • 64% Positiveness
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Eliza & The Delusionals
Pull Apart Heart
132 bpm • B min • 03:22 • -4.48db
14% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Camp Cope
The Face of God
132 bpm • D Maj • 03:50 • -8.12db
21% Popularity • 62% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 62% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Gang of Youths
Let Me Down Easy
139 bpm • D Maj • 05:19 • -6.88db
57% Popularity • 67% Danceability • 90% Energy • 14% Liveness
30% Instrumentalness • 93% Positiveness
57% Popularity • 67% Danceability • 90% Energy • 14% Liveness
30% Instrumentalness • 93% Positiveness
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Middle Kids
Fire In Your Eyes
139 bpm • D Maj • 03:01 • -5.51db
24% Popularity • 59% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 59% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Tired Lion
Camp
131 bpm • D Maj • 02:49 • -6.15db
17% Popularity • 54% Danceability • 84% Energy • 19% Liveness
2% Instrumentalness • 48% Positiveness
17% Popularity • 54% Danceability • 84% Energy • 19% Liveness
2% Instrumentalness • 48% Positiveness
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Stars
One Day Left
131 bpm • A# Maj • 04:46 • -3.98db
11% Popularity • 54% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 54% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Eliza & The Delusionals
Falling Out
132 bpm • C# min • 03:34 • -2.18db
12% Popularity • 52% Danceability • 84% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
12% Popularity • 52% Danceability • 84% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
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Alex Lahey
Lotto In Reverse
131 bpm • A min • 04:00 • -4.97db
17% Popularity • 56% Danceability • 91% Energy • 17% Liveness
1% Instrumentalness • 51% Positiveness
17% Popularity • 56% Danceability • 91% Energy • 17% Liveness
1% Instrumentalness • 51% Positiveness
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Ruby Fields
I Want
131 bpm • E min • 04:03 • -4.43db
37% Popularity • 50% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 50% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Ali Barter
Light Them On Fire
131 bpm • E Maj • 04:17 • -5.63db
12% Popularity • 50% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 50% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Boy & Bear
Walk The Wire
139 bpm • F Maj • 02:59 • -5.02db
40% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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The Jezabels
Hurt Me
130 bpm • C min • 05:46 • -6.52db
36% Popularity • 49% Danceability • 91% Energy • 9% Liveness
12% Instrumentalness • 53% Positiveness
36% Popularity • 49% Danceability • 91% Energy • 9% Liveness
12% Instrumentalness • 53% Positiveness
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Polish Club
Divided
140 bpm • F Maj • 03:28 • -4.42db
26% Popularity • 26% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 26% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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Alex Lahey
Let’s Go Out
131 bpm • C Maj • 03:10 • -2.87db
25% Popularity • 54% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 54% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Eliza & The Delusionals
Half Empty Girl
140 bpm • C# min • 04:05 • -3.78db
16% Popularity • 37% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 37% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Tyne-James Organ
Watch You Go
130 bpm • G Maj • 04:06 • -8.78db
24% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Gang of Youths
Radioface
140 bpm • B Maj • 06:52 • -6.23db
26% Popularity • 42% Danceability • 86% Energy • 12% Liveness
9% Instrumentalness • 23% Positiveness
26% Popularity • 42% Danceability • 86% Energy • 12% Liveness
9% Instrumentalness • 23% Positiveness
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E^ST
TALK DEEP
130 bpm • E Maj • 03:27 • -6.71db
34% Popularity • 69% Danceability • 87% Energy • 12% Liveness
3% Instrumentalness • 55% Positiveness
34% Popularity • 69% Danceability • 87% Energy • 12% Liveness
3% Instrumentalness • 55% Positiveness
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Tired Lion
With Or Without
130 bpm • A# Maj • 03:30 • -5.12db
26% Popularity • 47% Danceability • 76% Energy • 14% Liveness
15% Instrumentalness • 33% Positiveness
26% Popularity • 47% Danceability • 76% Energy • 14% Liveness
15% Instrumentalness • 33% Positiveness
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Dan Croll
Bad Boy
130 bpm • A Maj • 03:28 • -7db
28% Popularity • 66% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 66% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Phantastic Ferniture
Fuckin 'n' Rollin
130 bpm • C Maj • 03:23 • -6.54db
41% Popularity • 55% Danceability • 61% Energy • 10% Liveness
51% Instrumentalness • 66% Positiveness
41% Popularity • 55% Danceability • 61% Energy • 10% Liveness
51% Instrumentalness • 66% Positiveness
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Methyl Ethel
Ubu
130 bpm • D# min • 05:02 • -8.87db
45% Popularity • 68% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 87% Positiveness
45% Popularity • 68% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 87% Positiveness
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Jenny Lewis
Red Bull & Hennessy
130 bpm • E min • 04:48 • -5.63db
36% Popularity • 51% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 51% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Tia Gostelow
That's What You Get
130 bpm • C Maj • 02:42 • -3db
32% Popularity • 62% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 62% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Ruby Fields
Clothes Line
130 bpm • G Maj • 03:22 • -5.13db
29% Popularity • 60% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 60% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Middle Kids
Please
130 bpm • A# Maj • 03:20 • -4.97db
20% Popularity • 50% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 50% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Cousin Tony's Brand New Firebird
Melbourne Bitter
140 bpm • G Maj • 03:53 • -7.26db
33% Popularity • 53% Danceability • 84% Energy • 32% Liveness
82% Instrumentalness • 62% Positiveness
33% Popularity • 53% Danceability • 84% Energy • 32% Liveness
82% Instrumentalness • 62% Positiveness
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Carla Geneve
Things Change
130 bpm • C# Maj • 03:21 • -9.59db
17% Popularity • 67% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 67% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Angie McMahon
Pasta
140 bpm • C Maj • 04:38 • -7.7db
41% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Phantastic Ferniture
Gap Year
141 bpm • F# min • 03:06 • -6.82db
23% Popularity • 50% Danceability • 65% Energy • 8% Liveness
5% Instrumentalness • 52% Positiveness
23% Popularity • 50% Danceability • 65% Energy • 8% Liveness
5% Instrumentalness • 52% Positiveness
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Boo Seeka
Does This Last
141 bpm • B Maj • 03:32 • -7.07db
36% Popularity • 45% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 45% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Middle Kids
Your Love
130 bpm • A Maj • 03:16 • -3.04db
29% Popularity • 52% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 52% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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The Jezabels
The Others
141 bpm • C# min • 04:21 • -8.07db
32% Popularity • 54% Danceability • 90% Energy • 15% Liveness
8% Instrumentalness • 47% Positiveness
32% Popularity • 54% Danceability • 90% Energy • 15% Liveness
8% Instrumentalness • 47% Positiveness
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The Jungle Giants
Domesticated Man
141 bpm • A# Maj • 03:07 • -4.33db
43% Popularity • 69% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 69% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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CLEWS
Museum
141 bpm • C Maj • 02:37 • -5.88db
21% Popularity • 36% Danceability • 90% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
21% Popularity • 36% Danceability • 90% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
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Jack River
Fields
129 bpm • A Maj • 04:01 • -6.68db
11% Popularity • 53% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 53% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Cousin Tony's Brand New Firebird
Transient
142 bpm • F# Maj • 03:34 • -6.92db
14% Popularity • 22% Danceability • 60% Energy • 23% Liveness
1% Instrumentalness • 14% Positiveness
14% Popularity • 22% Danceability • 60% Energy • 23% Liveness
1% Instrumentalness • 14% Positiveness
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Slowcoaching
Pillars Of Salt
142 bpm • F min • 03:53 • -5.34db
19% Popularity • 43% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 43% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Rowena Wise
F**ked Up Over You
142 bpm • F Maj • 03:22 • -5.68db
14% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 55% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Stella Donnelly
Mechanical Bull
128 bpm • C min • 02:41 • -6.67db
25% Popularity • 62% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 62% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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The Beaches
Money
142 bpm • B min • 03:16 • -5.89db
45% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Tyne-James Organ
Graceful
142 bpm • F Maj • 03:46 • -7db
29% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Alex Lahey
Let’s Call It A Day
128 bpm • F Maj • 04:19 • -4.57db
11% Popularity • 44% Danceability • 86% Energy • 17% Liveness
3% Instrumentalness • 50% Positiveness
11% Popularity • 44% Danceability • 86% Energy • 17% Liveness
3% Instrumentalness • 50% Positiveness
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Gang of Youths
Do Not Let Your Spirit Wane
128 bpm • D Maj • 07:33 • -6.94db
45% Popularity • 55% Danceability • 64% Energy • 12% Liveness
55% Instrumentalness • 28% Positiveness
45% Popularity • 55% Danceability • 64% Energy • 12% Liveness
55% Instrumentalness • 28% Positiveness
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Japanese Wallpaper
Fooling Around
128 bpm • B Maj • 04:05 • -4.53db
9% Popularity • 55% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 55% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Ruby Fields
Climate
143 bpm • D Maj • 03:09 • -4.88db
34% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
34% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Tia Gostelow
Hunger
127 bpm • B min • 04:07 • -5db
33% Popularity • 52% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 52% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The War On Drugs
Up All Night
127 bpm • D Maj • 06:23 • -5db
44% Popularity • 55% Danceability • 89% Energy • 7% Liveness
41% Instrumentalness • 18% Positiveness
44% Popularity • 55% Danceability • 89% Energy • 7% Liveness
41% Instrumentalness • 18% Positiveness
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Maddy Jane
Thank You and Sorry
127 bpm • C Maj • 03:11 • -6db
25% Popularity • 61% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 61% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Gang of Youths
Say Yes to Life
127 bpm • B min • 05:13 • -7.71db
37% Popularity • 34% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 34% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Middle Kids
Some People Stay In Our Hearts Forever
127 bpm • G# Maj • 03:06 • -4.72db
26% Popularity • 48% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 48% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Jess Locke
Better/Bitter
127 bpm • A Maj • 02:18 • -5.84db
14% Popularity • 50% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 50% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Tia Gostelow
Vague Utopia
127 bpm • F Maj • 03:28 • -3db
38% Popularity • 44% Danceability • 83% Energy • 18% Liveness
27% Instrumentalness • 28% Positiveness
38% Popularity • 44% Danceability • 83% Energy • 18% Liveness
27% Instrumentalness • 28% Positiveness
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Ali Barter
The Captain
127 bpm • A# min • 04:02 • -8db
15% Popularity • 52% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 52% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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DMA'S
In The Air
144 bpm • A Maj • 04:01 • -6.16db
39% Popularity • 42% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 42% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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HAIM
Nothing's Wrong
144 bpm • F Maj • 03:09 • -4.69db
36% Popularity • 55% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 55% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Alexander Biggs
Figure It Out
144 bpm • D Maj • 02:52 • -9.54db
17% Popularity • 66% Danceability • 58% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
17% Popularity • 66% Danceability • 58% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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Jack River
Dark Star
126 bpm • G Maj • 03:31 • -2.01db
22% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Methyl Ethel
Scream Whole
126 bpm • G# Maj • 04:12 • -7db
31% Popularity • 80% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 80% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Middle Kids
Highlands
145 bpm • F Maj • 03:31 • -3.95db
37% Popularity • 50% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 50% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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CLEWS
Crushed
126 bpm • F min • 03:40 • -5db
23% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Tokyo Police Club
Hang Your Heart
126 bpm • A# Maj • 04:43 • -8.22db
31% Popularity • 64% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
31% Popularity • 64% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Ruby Fields
Redneck Lullaby
145 bpm • G# Maj • 03:23 • -11db
30% Popularity • 30% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 30% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Maddy Jane
Drown It Out
145 bpm • E Maj • 03:36 • -5db
12% Popularity • 48% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 48% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Nancie Schipper
When You Get Home
126 bpm • A# Maj • 03:34 • -3db
10% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Middle Kids
Terrible News
126 bpm • C min • 02:52 • -3.11db
37% Popularity • 57% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 57% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Vallis Alps
New Slang - triple j Like A Version
125 bpm • C Maj • 03:53 • -9.71db
32% Popularity • 86% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 63% Positiveness
32% Popularity • 86% Danceability • 57% Energy • 8% Liveness
2% Instrumentalness • 63% Positiveness
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Hembree
Had It All
125 bpm • D Maj • 03:21 • -5.45db
24% Popularity • 76% Danceability • 74% Energy • 11% Liveness
12% Instrumentalness • 44% Positiveness
24% Popularity • 76% Danceability • 74% Energy • 11% Liveness
12% Instrumentalness • 44% Positiveness
