Songs like Mistakes of My Youth by Kwesi
Based on a tempo of (+/- 10%) and a similar genre
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Archer
Malibu
150 bpm • F min • 02:46 • -3.69db
37% Popularity • 65% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 65% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Jason Leech
Back In My Arms
150 bpm • D# min • 03:54 • -5db
31% Popularity • 59% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
31% Popularity • 59% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Max Reichert
Shaking
150 bpm • F Maj • 03:56 • -9.91db
28% Popularity • 56% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 56% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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DOUBLECAMP
Smoke and Mirrors
150 bpm • E Maj • 03:11 • -5.73db
52% Popularity • 74% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
52% Popularity • 74% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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CAL
So Cal
150 bpm • G Maj • 02:44 • -8.2db
33% Popularity • 82% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 82% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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PACIFICA
palm trees
150 bpm • D# Maj • 02:35 • -8.1db
28% Popularity • 64% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 64% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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ANDREWBATES
Emotion.
150 bpm • E min • 02:36 • -16db
22% Popularity • 54% Danceability • 29% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
22% Popularity • 54% Danceability • 29% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
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Sleeping Lion
How We Know
150 bpm • E Maj • 03:05 • -8.27db
29% Popularity • 65% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 65% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Grant
Where Will We Go
150 bpm • B Maj • 02:59 • -8.7db
38% Popularity • 52% Danceability • 50% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 52% Danceability • 50% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
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daydream Masi
Night Like This
150 bpm • F min • 03:03 • -8.37db
30% Popularity • 66% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 66% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Miles Away
Meant for Two
150 bpm • F Maj • 03:20 • -2.92db
29% Popularity • 54% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 54% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Bensbeendead.
Exoskeleton
150 bpm • A# Maj • 03:10 • -7.36db
24% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Kwesi
Mistakes of My Youth
150 bpm • C Maj • 02:43 • -7db
40% Popularity • 78% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 78% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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SZNS
Comin' Thru
150 bpm • C# Maj • 03:17 • -13db
33% Popularity • 46% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 46% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Andrey Azizov
More Than Friends
151 bpm • F min • 04:11 • -9.19db
40% Popularity • 73% Danceability • 47% Energy • 12% Liveness
2% Instrumentalness • 25% Positiveness
40% Popularity • 73% Danceability • 47% Energy • 12% Liveness
2% Instrumentalness • 25% Positiveness
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SEBASTIAN PAUL
LUST DRUNK
149 bpm • F Maj • 03:39 • -5.54db
47% Popularity • 42% Danceability • 64% Energy • 11% Liveness
6% Instrumentalness • 46% Positiveness
47% Popularity • 42% Danceability • 64% Energy • 11% Liveness
6% Instrumentalness • 46% Positiveness
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Phangs
Always Been U
150 bpm • D# Maj • 03:03 • -5.26db
34% Popularity • 51% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 51% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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ASL
Cinnamon Girl
152 bpm • C# min • 03:32 • -4.43db
38% Popularity • 48% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 48% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Kwesi
Calle De Silva 6
148 bpm • A min • 02:29 • -8.45db
8% Popularity • 61% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 61% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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NICOLOSI
Wasted Time
152 bpm • A Maj • 02:42 • -4.14db
37% Popularity • 74% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 74% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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.irg
new jersey
148 bpm • G# min • 03:43 • -11.02db
26% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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FRND
What If I Fall Apart
148 bpm • F Maj • 02:58 • -11db
28% Popularity • 49% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 49% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Cameo Club
Take Me
148 bpm • C# Maj • 03:21 • -7.08db
37% Popularity • 66% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 66% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 42% Positiveness
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Carter Reeves
Alone Time
152 bpm • E Maj • 03:26 • -5.33db
32% Popularity • 83% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 83% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Quinn XCII
My Wife & 2 Dogs
148 bpm • A# Maj • 02:18 • -5.13db
50% Popularity • 84% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 84% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Taska Black
Comedown
148 bpm • F# Maj • 02:48 • -5db
39% Popularity • 62% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 62% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Jude Barclay
Breaks My Soul
153 bpm • D Maj • 04:00 • -7.71db
26% Popularity • 40% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 40% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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SEBASTIAN PAUL
INDULGE
147 bpm • F min • 03:25 • -7.76db
47% Popularity • 61% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 61% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Cautious Clay
Joshua Tree
147 bpm • A Maj • 03:17 • -6.4db
44% Popularity • 53% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 53% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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The Astronomers
Please Don't
147 bpm • C# Maj • 03:09 • -10.15db
17% Popularity • 58% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 58% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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TeawhYB
Cabin
153 bpm • E Maj • 03:28 • -4.35db
34% Popularity • 57% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 57% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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TWINSICK
Jenny
154 bpm • A Maj • 03:16 • -6db
43% Popularity • 65% Danceability • 64% Energy • 77% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 65% Danceability • 64% Energy • 77% Liveness
0% Instrumentalness • 47% Positiveness
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Boon
i might like u
154 bpm • A# Maj • 02:15 • -7.4db
35% Popularity • 75% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 75% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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SEBASTIAN PAUL
BACK AND FORTH
154 bpm • D# Maj • 03:00 • -7.05db
50% Popularity • 58% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 58% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Manila Killa
Skin
154 bpm • C Maj • 03:13 • -5db
29% Popularity • 50% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 50% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Two Friends
Hell
146 bpm • C Maj • 03:27 • -3db
47% Popularity • 50% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 50% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Kwesi
Like the Love but Love the Pain
146 bpm • A min • 02:52 • -3.34db
36% Popularity • 63% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 63% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Pikoe
Love Some
146 bpm • B Maj • 04:06 • -6.73db
25% Popularity • 36% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 36% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Quinn XCII
Straightjacket - Shallou Remix
145 bpm • C min • 03:02 • -10db
33% Popularity • 42% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 42% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Max Leone
The Beach
155 bpm • A min • 02:45 • -6.55db
29% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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LALAKI
Catch Phrase
145 bpm • G Maj • 03:10 • -5.89db
17% Popularity • 71% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 71% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Ocean Park Standoff
Good Time
145 bpm • G# Maj • 02:52 • -5.9db
50% Popularity • 71% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 71% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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Midnight Cities
getting drunk without you
145 bpm • C Maj • 03:33 • -7db
16% Popularity • 54% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 54% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Said The Sky
All I Got
145 bpm • D Maj • 05:15 • -6.79db
50% Popularity • 33% Danceability • 58% Energy • 57% Liveness
0% Instrumentalness • 10% Positiveness
50% Popularity • 33% Danceability • 58% Energy • 57% Liveness
0% Instrumentalness • 10% Positiveness
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Jeremy Zucker
you were good to me - shallou remix
156 bpm • D Maj • 03:49 • -9.2db
42% Popularity • 36% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 36% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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ASL
Helium
156 bpm • D# min • 02:43 • -8db
28% Popularity • 76% Danceability • 53% Energy • 21% Liveness
7% Instrumentalness • 55% Positiveness
28% Popularity • 76% Danceability • 53% Energy • 21% Liveness
7% Instrumentalness • 55% Positiveness
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Lanta
Warmer
156 bpm • A min • 03:48 • -9.78db
11% Popularity • 42% Danceability • 67% Energy • 36% Liveness
14% Instrumentalness • 40% Positiveness
11% Popularity • 42% Danceability • 67% Energy • 36% Liveness
14% Instrumentalness • 40% Positiveness
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PALMR
Skinny Love
144 bpm • D Maj • 03:22 • -9.26db
28% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 59% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Kwesi
Permanent
144 bpm • E Maj • 03:23 • -7.73db
0% Popularity • 77% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 77% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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RedWillow
Stardumb
157 bpm • G min • 04:16 • -8.6db
21% Popularity • 52% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 52% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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TRØVES
States Away
144 bpm • C Maj • 04:01 • -9.56db
18% Popularity • 63% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
18% Popularity • 63% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Cody Lovaas
Talk Slow
158 bpm • G Maj • 02:44 • -7db
33% Popularity • 74% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 74% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Casper Jones
Ghost Town
158 bpm • G Maj • 02:52 • -5.81db
27% Popularity • 80% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 80% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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SEBASTIAN PAUL
IMPATIENT
142 bpm • C# Maj • 03:09 • -5.76db
50% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Local Natives
When Am I Gonna Lose You - Medasin Remix
142 bpm • G# min • 03:19 • -7.95db
37% Popularity • 48% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 48% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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j ember
Parallel
142 bpm • A# Maj • 04:18 • -8.4db
29% Popularity • 67% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 67% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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BAYEM
Thrill
141 bpm • F min • 02:29 • -6.76db
27% Popularity • 78% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 78% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Łaszewo
Up in Flames
141 bpm • D# min • 03:44 • -5.88db
50% Popularity • 79% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 79% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Lost Kings
Feather
141 bpm • D Maj • 03:31 • -6.6db
41% Popularity • 76% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 76% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Vincent
Same Page
160 bpm • C# Maj • 03:02 • -8db
35% Popularity • 54% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 54% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Harry Hudson
Let Me
160 bpm • D min • 02:11 • -6db
40% Popularity • 64% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 64% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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dabl
Off My Mind
160 bpm • G# Maj • 03:05 • -6.11db
24% Popularity • 68% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 68% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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NICOLOSI
The Money
160 bpm • A Maj • 02:39 • -4.12db
23% Popularity • 65% Danceability • 63% Energy • 18% Liveness
8% Instrumentalness • 83% Positiveness
23% Popularity • 65% Danceability • 63% Energy • 18% Liveness
8% Instrumentalness • 83% Positiveness
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SRFR
Lie 2 Me
160 bpm • C Maj • 02:45 • -4.78db
25% Popularity • 66% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 66% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Forester
Lost
160 bpm • A# Maj • 03:48 • -8.36db
45% Popularity • 58% Danceability • 56% Energy • 10% Liveness
57% Instrumentalness • 33% Positiveness
45% Popularity • 58% Danceability • 56% Energy • 10% Liveness
57% Instrumentalness • 33% Positiveness
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Sensi Sye
Longest Road
140 bpm • F min • 03:39 • -13.25db
35% Popularity • 41% Danceability • 33% Energy • 6% Liveness
1% Instrumentalness • 9% Positiveness
35% Popularity • 41% Danceability • 33% Energy • 6% Liveness
1% Instrumentalness • 9% Positiveness
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Evan Crommett
Thin Mints
140 bpm • C min • 02:41 • -9db
44% Popularity • 65% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 65% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Alex Jordahl
Kids Don't Fall in Love
140 bpm • F Maj • 04:04 • -8db
33% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Rosemary Joaquin
Bad Song
140 bpm • E min • 04:00 • -9.61db
28% Popularity • 67% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 67% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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Penny and Sparrow
Eloise - UTAH Remix
140 bpm • F Maj • 04:35 • -8db
33% Popularity • 73% Danceability • 60% Energy • 61% Liveness
4% Instrumentalness • 37% Positiveness
33% Popularity • 73% Danceability • 60% Energy • 61% Liveness
4% Instrumentalness • 37% Positiveness
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Big Wild
Awaken (Feel Alive)
140 bpm • D Maj • 03:00 • -6.49db
44% Popularity • 40% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 40% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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Manila Killa
Dark Places - Shadient Remix
140 bpm • F# min • 04:25 • -5.06db
5% Popularity • 57% Danceability • 99% Energy • 61% Liveness
71% Instrumentalness • 13% Positiveness
5% Popularity • 57% Danceability • 99% Energy • 61% Liveness
71% Instrumentalness • 13% Positiveness
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Benji Lewis
Peaceful
140 bpm • C# Maj • 03:02 • -7.94db
31% Popularity • 77% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 77% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Julia Wolf
Chlorine
140 bpm • D# Maj • 01:52 • -7db
37% Popularity • 72% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 72% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Couros
Cracks
140 bpm • C# Maj • 03:11 • -11db
30% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Jefferson Clay
Do I Go Down Smooth?
140 bpm • F# Maj • 02:43 • -10.83db
11% Popularity • 70% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 70% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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6058
Come With Me
140 bpm • G min • 03:42 • -7.2db
29% Popularity • 55% Danceability • 82% Energy • 14% Liveness
11% Instrumentalness • 8% Positiveness
29% Popularity • 55% Danceability • 82% Energy • 14% Liveness
11% Instrumentalness • 8% Positiveness
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Nate Traveller
Airport
140 bpm • E min • 02:35 • -7db
38% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Brent de la Cruz
In the Future
140 bpm • C Maj • 02:34 • -5.14db
30% Popularity • 76% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 76% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Julia Wolf
Play It Safe
140 bpm • C min • 02:53 • -10.06db
32% Popularity • 72% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 72% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Jake Knox
Changes
140 bpm • G Maj • 02:58 • -8.06db
35% Popularity • 65% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 65% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Dekleyn
Bite (Original)
140 bpm • D Maj • 03:41 • -6.81db
21% Popularity • 60% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 43% Positiveness
21% Popularity • 60% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 43% Positiveness
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Tim Schaufert
in a different light
139 bpm • D# Maj • 02:53 • -15.78db
28% Popularity • 69% Danceability • 36% Energy • 13% Liveness
31% Instrumentalness • 16% Positiveness
28% Popularity • 69% Danceability • 36% Energy • 13% Liveness
31% Instrumentalness • 16% Positiveness
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Jae Luna
What You Came Here For
139 bpm • C min • 03:34 • -9.65db
25% Popularity • 43% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 43% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Beyond The Sun
Be My Queen
162 bpm • D min • 04:10 • -6.24db
17% Popularity • 65% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 65% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Marius
Breeze
138 bpm • C# min • 03:33 • -7.99db
32% Popularity • 86% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 86% Danceability • 50% Energy • 55% Liveness
0% Instrumentalness • 67% Positiveness
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Jay Ham
Summer Soulstice
162 bpm • F Maj • 03:09 • -6.3db
35% Popularity • 65% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 65% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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JTM
Listening to Sade
138 bpm • D Maj • 03:07 • -8.21db
30% Popularity • 85% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 85% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Rence
Endless
164 bpm • G Maj • 03:26 • -6.18db
40% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 58% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Holz
Thoughts
164 bpm • B min • 03:13 • -15.83db
24% Popularity • 82% Danceability • 36% Energy • 10% Liveness
25% Instrumentalness • 67% Positiveness
24% Popularity • 82% Danceability • 36% Energy • 10% Liveness
25% Instrumentalness • 67% Positiveness
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Dutch Melrose
White Wine
164 bpm • C# min • 03:02 • -5.92db
31% Popularity • 54% Danceability • 75% Energy • 8% Liveness
4% Instrumentalness • 26% Positiveness
31% Popularity • 54% Danceability • 75% Energy • 8% Liveness
4% Instrumentalness • 26% Positiveness
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Kwesi
All That’s Left
137 bpm • C Maj • 03:18 • -7.96db
3% Popularity • 60% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
3% Popularity • 60% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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PUBLIC
Honey In The Summer - COASTR. Remix
137 bpm • B Maj • 03:45 • -8db
31% Popularity • 57% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 57% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Ken Loi
Hurricanes
165 bpm • B Maj • 03:09 • -7.42db
32% Popularity • 49% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 49% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Bronze Whale
Never
165 bpm • G# min • 03:37 • -2.85db
33% Popularity • 66% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
33% Popularity • 66% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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TWO LANES
Back to You
136 bpm • D Maj • 02:39 • -7.63db
40% Popularity • 63% Danceability • 50% Energy • 21% Liveness
4% Instrumentalness • 22% Positiveness
40% Popularity • 63% Danceability • 50% Energy • 21% Liveness
4% Instrumentalness • 22% Positiveness
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Gordon Snyder
Outta PA
168 bpm • D Maj • 03:14 • -9db
24% Popularity • 58% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 58% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Kwesi
Still Nice
137 bpm • F Maj • 03:03 • -6.86db
1% Popularity • 41% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
1% Popularity • 41% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
