Songs like Misty Mountains (From "The Hobbit: An Unexpected Journey") by The City of Prague Philharmonic Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Czech Philharmonic
Wonderful Days Theme II - 오케스트�...
77 bpm • D min • 03:18 • -16.03db
29% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
29% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
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Jan A.P. Kaczmarek
Andrew and Natasha in Love
77 bpm • C Maj • 07:41 • -19.6db
21% Popularity • 7% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 5% Positiveness
21% Popularity • 7% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 5% Positiveness
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The City of Prague Philharmonic Orchestra
Jurassic Park Suite
77 bpm • A# Maj • 06:00 • -12db
27% Popularity • 19% Danceability • 25% Energy • 12% Liveness
56% Instrumentalness • 8% Positiveness
27% Popularity • 19% Danceability • 25% Energy • 12% Liveness
56% Instrumentalness • 8% Positiveness
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Howard Shore
Hope and Memory / Minas Tirith
77 bpm • D min • 02:38 • -11.7db
31% Popularity • 12% Danceability • 33% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
31% Popularity • 12% Danceability • 33% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Julián Fueyo
Lagoon of Forgotten Dreams (Laguna de lo...
77 bpm • D min • 02:22 • -30db
53% Popularity • 34% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 10% Positiveness
53% Popularity • 34% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 10% Positiveness
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Geoff Zanelli
Storybook
77 bpm • A min • 01:22 • -20.87db
50% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
50% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Academy of St. Martin in the Fields
The Four Seasons: Winter, I. Allegro non...
77 bpm • F min • 03:22 • -17.58db
31% Popularity • 50% Danceability • 20% Energy • 8% Liveness
73% Instrumentalness • 19% Positiveness
31% Popularity • 50% Danceability • 20% Energy • 8% Liveness
73% Instrumentalness • 19% Positiveness
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Angèle Dubeau
Suite Harry Potter: Lily’s Theme – H...
78 bpm • B min • 06:26 • -18.85db
33% Popularity • 9% Danceability • 16% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
33% Popularity • 9% Danceability • 16% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
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The City of Prague Philharmonic Orchestra
Hedwig's Theme
77 bpm • A min • 04:51 • -13db
32% Popularity • 22% Danceability • 21% Energy • 15% Liveness
62% Instrumentalness • 6% Positiveness
32% Popularity • 22% Danceability • 21% Energy • 15% Liveness
62% Instrumentalness • 6% Positiveness
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Craig Armstrong
Croissants In France
76 bpm • C Maj • 01:07 • -23.13db
55% Popularity • 22% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
55% Popularity • 22% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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John Williams
E.T
76 bpm • G Maj • 04:01 • -18.12db
9% Popularity • 23% Danceability • 31% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
9% Popularity • 23% Danceability • 31% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
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Julián Fueyo
Constellation of Future Memories (Conste...
78 bpm • D min • 03:35 • -21.27db
48% Popularity • 42% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
48% Popularity • 42% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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B.S.O. Varios
The Miracle of the Bread
76 bpm • F# min • 04:22 • -19.85db
18% Popularity • 7% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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The City of Prague Philharmonic Orchestra
Across the Stars
78 bpm • E min • 05:43 • -14.92db
21% Popularity • 11% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
21% Popularity • 11% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Randy Newman
The Natural
76 bpm • F Maj • 05:37 • -15.08db
19% Popularity • 7% Danceability • 21% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
19% Popularity • 7% Danceability • 21% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Howard Shore
The Shadow of the Past / A Knife in the ...
76 bpm • E min • 07:26 • -14.12db
26% Popularity • 11% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
26% Popularity • 11% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Basil Poledouris
End Titles
76 bpm • G# Maj • 04:24 • -11.44db
26% Popularity • 44% Danceability • 22% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
26% Popularity • 44% Danceability • 22% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
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Carlo Savina
Love Theme Of Ben-Hur
78 bpm • F Maj • 02:51 • -21.83db
7% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
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Alphonse Hasselmans
La Source, Op.44
76 bpm • F Maj • 04:27 • -20.56db
45% Popularity • 24% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
45% Popularity • 24% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
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The City of Prague Philharmonic Orchestra
Anakin's Theme
78 bpm • E Maj • 02:51 • -16.05db
25% Popularity • 7% Danceability • 22% Energy • 26% Liveness
97% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 22% Energy • 26% Liveness
97% Instrumentalness • 4% Positiveness
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Trevor Jones
Reunited
76 bpm • F min • 02:55 • -20.72db
21% Popularity • 14% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
78 bpm • D Maj • 03:22 • -13db
32% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
32% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
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Hans Zimmer
Gladiator
78 bpm • F# min • 08:13 • -17.35db
10% Popularity • 23% Danceability • 23% Energy • 6% Liveness
92% Instrumentalness • 9% Positiveness
10% Popularity • 23% Danceability • 23% Energy • 6% Liveness
92% Instrumentalness • 9% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Intermezzo (Godfat...
78 bpm • F Maj • 03:39 • -22.62db
28% Popularity • 13% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Dan Redfeld & Elizabeth Hedman
The Patriot: Main Theme
76 bpm • C Maj • 04:20 • -17db
24% Popularity • 20% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
24% Popularity • 20% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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The City of Prague Philharmonic Orchestra
The Red Tent
76 bpm • D Maj • 03:37 • -13.92db
21% Popularity • 11% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Armand Amar
Amar: Faces
76 bpm • E min • 04:12 • -14.1db
30% Popularity • 12% Danceability • 19% Energy • 11% Liveness
11% Instrumentalness • 7% Positiveness
30% Popularity • 12% Danceability • 19% Energy • 11% Liveness
11% Instrumentalness • 7% Positiveness
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Craig Armstrong
The Lake Scene
79 bpm • C Maj • 01:35 • -18db
46% Popularity • 17% Danceability • 8% Energy • 33% Liveness
96% Instrumentalness • 8% Positiveness
46% Popularity • 17% Danceability • 8% Energy • 33% Liveness
96% Instrumentalness • 8% Positiveness
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Hans Zimmer
I See Dead People in Boats
76 bpm • D min • 05:36 • -17.91db
16% Popularity • 12% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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An Eligible Quartet
Mr. Knightley Returns
75 bpm • G min • 01:52 • -16.99db
27% Popularity • 25% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
27% Popularity • 25% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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The City of Prague Philharmonic Orchestra
Gabriel's Oboe
75 bpm • D Maj • 02:21 • -19.93db
33% Popularity • 11% Danceability • 18% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
33% Popularity • 11% Danceability • 18% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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James Horner
End Credits
79 bpm • D Maj • 06:13 • -16.5db
31% Popularity • 10% Danceability • 18% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
31% Popularity • 10% Danceability • 18% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Craig Armstrong
Time Moves On
75 bpm • A Maj • 01:08 • -20.72db
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 5, A Crock of ...
75 bpm • E min • 01:21 • -22.6db
28% Popularity • 20% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
28% Popularity • 20% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Basil Poledouris
Main Title
75 bpm • A min • 05:06 • -22db
11% Popularity • 7% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
11% Popularity • 7% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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John Lunn
Gleam And Sparkle
79 bpm • A min • 02:48 • -16.7db
27% Popularity • 13% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
27% Popularity • 13% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
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Jim Parker
Foyle's War - Main Title
75 bpm • D min • 02:12 • -16db
23% Popularity • 25% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
23% Popularity • 25% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
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Andrew Lloyd Webber
All I Ask Of You
75 bpm • D min • 04:01 • -13db
22% Popularity • 7% Danceability • 27% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
22% Popularity • 7% Danceability • 27% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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The Chamber Orchestra Of London
Damaged
79 bpm • E min • 05:23 • -20.19db
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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John Corigliano
I. Cremona, Main Title
80 bpm • G# Maj • 02:42 • -26.12db
18% Popularity • 7% Danceability • 4% Energy • 61% Liveness
89% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 4% Energy • 61% Liveness
89% Instrumentalness • 3% Positiveness
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Johannes Brahms
Brahms: Symphony No. 2 in D Major, Op. 7...
80 bpm • C Maj • 06:02 • -28.64db
10% Popularity • 26% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 20% Positiveness
10% Popularity • 26% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 20% Positiveness
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Michael Kamen
Band Of Brothers Suite Two - Instrumenta...
80 bpm • D# Maj • 09:13 • -14.67db
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Craig Armstrong
Corn Exchange
74 bpm • G Maj • 01:26 • -18.43db
42% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
42% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
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Maurizio Malagnini
I Will Ruin You
80 bpm • G min • 01:18 • -20.74db
8% Popularity • 42% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 14% Positiveness
8% Popularity • 42% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 14% Positiveness
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David Buckley
Plaintiff's Partita
80 bpm • G min • 01:53 • -18.17db
11% Popularity • 68% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 73% Positiveness
11% Popularity • 68% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 73% Positiveness
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James Horner
End Credits
80 bpm • E min • 06:41 • -15.37db
25% Popularity • 15% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Howard Shore
The Prophecy
80 bpm • D min • 05:01 • -17.54db
28% Popularity • 9% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
28% Popularity • 9% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Penguin Cafe
Perpetuum Mobile
80 bpm • C Maj • 04:41 • -17.22db
38% Popularity • 43% Danceability • 40% Energy • 11% Liveness
84% Instrumentalness • 57% Positiveness
38% Popularity • 43% Danceability • 40% Energy • 11% Liveness
84% Instrumentalness • 57% Positiveness
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Isobel Waller-Bridge
Mr. Knightley
74 bpm • G Maj • 01:39 • -17.36db
45% Popularity • 21% Danceability • 13% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 21% Danceability • 13% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Cliff Eidelman
One True Thing
74 bpm • A Maj • 02:20 • -31db
32% Popularity • 8% Danceability • 2% Energy • 7% Liveness
98% Instrumentalness • 10% Positiveness
32% Popularity • 8% Danceability • 2% Energy • 7% Liveness
98% Instrumentalness • 10% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis (ex...
80 bpm • C min • 06:24 • -26.06db
29% Popularity • 8% Danceability • 5% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 5% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
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Carter Burwell
Plus Que Ma Prope Vie
74 bpm • C min • 04:15 • -15.35db
46% Popularity • 19% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
46% Popularity • 19% Danceability • 14% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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The Chamber Orchestra Of London
Preparation
80 bpm • A min • 03:27 • -14db
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
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Nino Rota
Love Theme
80 bpm • D# min • 02:42 • -9.78db
33% Popularity • 19% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 19% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Austenland Symphony: II. Romanze
74 bpm • G Maj • 06:04 • -17.84db
25% Popularity • 7% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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The Starlite Orchestra & Singers
The Patriot (Main Theme)
81 bpm • C Maj • 06:35 • -13.17db
20% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
20% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
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I Salonisti
Marguerite Waltz
81 bpm • A Maj • 02:34 • -16.31db
22% Popularity • 37% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 37% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Mark McKenzie
Dragon Heaven
73 bpm • C Maj • 01:21 • -32.67db
44% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Rachel Portman
Vianne Gazes at the River - Instrumental
73 bpm • C min • 01:06 • -25.06db
39% Popularity • 28% Danceability • 5% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
39% Popularity • 28% Danceability • 5% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
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Erich Wolfgang Korngold
Marian and Robin
81 bpm • G Maj • 04:09 • -18.41db
28% Popularity • 22% Danceability • 20% Energy • 13% Liveness
71% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 20% Energy • 13% Liveness
71% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
String Quartet in C-sharp minor, Op. 131...
81 bpm • G# min • 02:10 • -24.27db
25% Popularity • 15% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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John Lunn
Such Good Luck
73 bpm • G Maj • 02:52 • -16.81db
40% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
40% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
► Preview
The Chamber Orchestra Of London
Telegram
81 bpm • G# min • 01:44 • -12.98db
30% Popularity • 27% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
30% Popularity • 27% Danceability • 31% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
► Preview
Pietro Mascagni
Cavalleria Rusticana: Intermezzo
73 bpm • F Maj • 03:15 • -14.18db
39% Popularity • 13% Danceability • 24% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 13% Danceability • 24% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Emile Pandolfi
Music of the Night
81 bpm • C# Maj • 05:17 • -16.01db
18% Popularity • 13% Danceability • 8% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 8% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
The City of Prague Philharmonic Orchestra
Main Theme
73 bpm • G# Maj • 03:24 • -8.84db
33% Popularity • 22% Danceability • 55% Energy • 9% Liveness
21% Instrumentalness • 8% Positiveness
33% Popularity • 22% Danceability • 55% Energy • 9% Liveness
21% Instrumentalness • 8% Positiveness
► Preview
Rupert Gregson-Williams
Government
81 bpm • D min • 04:06 • -27.76db
32% Popularity • 32% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
32% Popularity • 32% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
John Lunn
One Hundred Years Of Downton
81 bpm • A min • 05:13 • -17db
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Epilogue ( Beethoven Piano Co...
81 bpm • B Maj • 03:57 • -29.33db
26% Popularity • 26% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Craig Armstrong
Oak Leaves
73 bpm • D min • 01:10 • -19.74db
45% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
45% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
► Preview
Nino Rota
Romeo And Juliet: Love Theme
81 bpm • G min • 03:20 • -19db
22% Popularity • 9% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
22% Popularity • 9% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
► Preview
Hans Zimmer
Chevaliers de Sangreal
81 bpm • F Maj • 04:07 • -11.8db
40% Popularity • 10% Danceability • 35% Energy • 13% Liveness
90% Instrumentalness • 8% Positiveness
40% Popularity • 10% Danceability • 35% Energy • 13% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Debbie Wiseman
Wilde
73 bpm • F# Maj • 05:39 • -23db
11% Popularity • 13% Danceability • 11% Energy • 78% Liveness
74% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 11% Energy • 78% Liveness
74% Instrumentalness • 4% Positiveness
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Klaus Badelt
Gourmet Valse Tartare
73 bpm • C Maj • 06:50 • -19.18db
20% Popularity • 16% Danceability • 16% Energy • 28% Liveness
90% Instrumentalness • 7% Positiveness
20% Popularity • 16% Danceability • 16% Energy • 28% Liveness
90% Instrumentalness • 7% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Craig Armstrong
Me Before You Orchestral
73 bpm • C Maj • 07:13 • -16db
46% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Kamen
Boy Eats Chocolate - Instrumental
72 bpm • C Maj • 01:16 • -24.15db
29% Popularity • 27% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 27% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Rachel Portman
The Story of Grandmere - Instrumental
72 bpm • G min • 04:08 • -23.62db
34% Popularity • 10% Danceability • 5% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 5% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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John Lunn
A Royal Command
82 bpm • A min • 04:49 • -16.24db
29% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
29% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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The City of Prague Philharmonic Orchestra
Airforce One
82 bpm • C Maj • 01:50 • -10.16db
28% Popularity • 16% Danceability • 50% Energy • 14% Liveness
66% Instrumentalness • 6% Positiveness
28% Popularity • 16% Danceability • 50% Energy • 14% Liveness
66% Instrumentalness • 6% Positiveness
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Craig Armstrong
Bathsheba and Oak Unite
82 bpm • G Maj • 01:35 • -17.66db
47% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
47% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
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Michael Kamen
Preparing For Patrol - Instrumental
72 bpm • F min • 02:29 • -25db
14% Popularity • 17% Danceability • 7% Energy • 16% Liveness
65% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 7% Energy • 16% Liveness
65% Instrumentalness • 3% Positiveness
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Andrea Guerra
Cross tempo
82 bpm • G# Maj • 01:55 • -36db
47% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
47% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Mark Isham
A River Runs Through It
82 bpm • G Maj • 02:23 • -16db
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
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The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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The City of Prague Philharmonic Orchestra
Boléro, M. 81
72 bpm • C Maj • 05:12 • -14.17db
21% Popularity • 41% Danceability • 22% Energy • 30% Liveness
88% Instrumentalness • 45% Positiveness
21% Popularity • 41% Danceability • 22% Energy • 30% Liveness
88% Instrumentalness • 45% Positiveness
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Hans Zimmer
Solomon
83 bpm • G Maj • 03:20 • -19.18db
26% Popularity • 18% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 3% Positiveness
26% Popularity • 18% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 3% Positiveness
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Zbigniew Preisner
Happily Ever After
83 bpm • E Maj • 02:25 • -15.66db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
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Armand Amar
Amar: The Storm
72 bpm • G min • 03:58 • -19.08db
28% Popularity • 22% Danceability • 7% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
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Nino Rota
The Godfather Waltz (Main Title)
83 bpm • C min • 03:05 • -19.12db
47% Popularity • 12% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 11% Positiveness
47% Popularity • 12% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 11% Positiveness
