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Modern History of Japan
Songs like
Modern History of Japan
by
Love Tentacle Drip Society
Based on a tempo of (+/- 10%) and a similar genre
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Love Tentacle Drip Society
Modern History of Japan
173 bpm • F# Maj • 02:38 • -7.89db
0% Popularity • 26% Danceability • 28% Energy • 12% Liveness
63% Instrumentalness • 16% Positiveness
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ANOHNI
Violent Men
173 bpm • A# min • 02:10 • -12.47db
20% Popularity • 32% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Uzi Navon Legacy
עבדים היינו
173 bpm • D Maj • 01:26 • -17.78db
11% Popularity • 29% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 21% Positiveness
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Jon Batiste
MOVEMENT 18’ (Heroes)
173 bpm • A Maj • 04:35 • -7.57db
37% Popularity • 32% Danceability • 51% Energy • 14% Liveness
81% Instrumentalness • 28% Positiveness
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Anders Osborne
Brush Up Against Me
174 bpm • C Maj • 02:36 • -11.16db
10% Popularity • 28% Danceability • 71% Energy • 67% Liveness
87% Instrumentalness • 27% Positiveness
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Martin Kahnberg
Oor - Highlighted 2023 Lonestar
172 bpm • B min • 03:23 • -11db
9% Popularity • 53% Danceability • 66% Energy • 25% Liveness
89% Instrumentalness • 5% Positiveness
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Ryan Moore
Monophonic Symphonic Anomaly
175 bpm • D Maj • 03:35 • -8.13db
19% Popularity • 15% Danceability • 24% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
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Vaqo
Shelocva
175 bpm • D# Maj • 03:04 • -7.17db
17% Popularity • 19% Danceability • 57% Energy • 18% Liveness
53% Instrumentalness • 42% Positiveness
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Saul Williams
Binary Stars
171 bpm • C min • 03:17 • -16.17db
10% Popularity • 24% Danceability • 48% Energy • 33% Liveness
92% Instrumentalness • 35% Positiveness
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Public Image Ltd.
Flowers Of Romance - Remastered 2011
171 bpm • C Maj • 02:49 • -12db
26% Popularity • 51% Danceability • 60% Energy • 32% Liveness
4% Instrumentalness • 81% Positiveness
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Kenta Dedachi
Rocket Science
176 bpm • B min • 01:10 • -13.49db
10% Popularity • 30% Danceability • 36% Energy • 8% Liveness
5% Instrumentalness • 6% Positiveness
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Michael Seyer
Xanax Blues
177 bpm • A min • 02:50 • -10.07db
21% Popularity • 55% Danceability • 44% Energy • 14% Liveness
88% Instrumentalness • 32% Positiveness
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Cavalier
Magic Interlude
176 bpm • C# Maj • 01:17 • -14.67db
16% Popularity • 23% Danceability • 44% Energy • 71% Liveness
65% Instrumentalness • 52% Positiveness
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Kurt Vile
(bottle back)
169 bpm • C Maj • 01:38 • -10.22db
25% Popularity • 57% Danceability • 64% Energy • 17% Liveness
16% Instrumentalness • 50% Positiveness
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Mother Falcon
Blue and Gold
169 bpm • G Maj • 04:24 • -9.59db
15% Popularity • 28% Danceability • 26% Energy • 9% Liveness
51% Instrumentalness • 18% Positiveness
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Love Tentacle Drip Society
Tom Baker
177 bpm • B min • 02:17 • -4.61db
0% Popularity • 16% Danceability • 94% Energy • 16% Liveness
47% Instrumentalness • 13% Positiveness
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Low
Hatchet (Optimimi Version)
169 bpm • E min • 03:13 • -10.28db
10% Popularity • 48% Danceability • 51% Energy • 16% Liveness
92% Instrumentalness • 30% Positiveness
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Barbarian Twins
House of Ill Fame
169 bpm • G Maj • 02:24 • -13.87db
20% Popularity • 20% Danceability • 78% Energy • 42% Liveness
91% Instrumentalness • 3% Positiveness
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Mark Lanegan
Can't Come Down
178 bpm • A Maj • 03:37 • -5.13db
23% Popularity • 12% Danceability • 97% Energy • 66% Liveness
15% Instrumentalness • 11% Positiveness
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DuncanC
Playing From My Heart - Remastered
167 bpm • C Maj • 02:28 • -5.7db
17% Popularity • 33% Danceability • 52% Energy • 15% Liveness
90% Instrumentalness • 27% Positiveness
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Animal Collective
College
179 bpm • F min • 00:53 • -11.04db
44% Popularity • 17% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
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Love Tentacle Drip Society
Faisel
178 bpm • C Maj • 05:18 • -7.91db
0% Popularity • 37% Danceability • 79% Energy • 9% Liveness
87% Instrumentalness • 64% Positiveness
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Death In June
The Guilty Have No Pride
180 bpm • A Maj • 02:31 • -6.62db
12% Popularity • 41% Danceability • 45% Energy • 11% Liveness
81% Instrumentalness • 62% Positiveness
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Dog Faced Hermans
Wings
166 bpm • G Maj • 04:17 • -8.24db
12% Popularity • 35% Danceability • 89% Energy • 7% Liveness
33% Instrumentalness • 77% Positiveness
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Hiroshi Takaki
Minamotoke
180 bpm • A min • 01:33 • -8.16db
13% Popularity • 53% Danceability • 40% Energy • 6% Liveness
35% Instrumentalness • 14% Positiveness
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User2222
Summit
180 bpm • G# Maj • 02:18 • -15db
18% Popularity • 51% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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Burundi Steiphenson Black
Burundi Black - Rusty Egan First Remix
166 bpm • B min • 07:09 • -11db
23% Popularity • 65% Danceability • 64% Energy • 7% Liveness
82% Instrumentalness • 61% Positiveness
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De Ambassade
Vlees Bloed
165 bpm • C# Maj • 03:40 • -10.35db
10% Popularity • 28% Danceability • 87% Energy • 17% Liveness
87% Instrumentalness • 48% Positiveness
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Whispering Walls of Wonder
Whispers of Ancient Gods
165 bpm • A Maj • 01:10 • -9.93db
11% Popularity • 24% Danceability • 69% Energy • 31% Liveness
3% Instrumentalness • 19% Positiveness
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V/Z
Nail Jar
183 bpm • C Maj • 02:48 • -6.37db
20% Popularity • 15% Danceability • 73% Energy • 7% Liveness
77% Instrumentalness • 4% Positiveness
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Xiu Xiu
I Broke Up
181 bpm • C Maj • 02:20 • -7.84db
23% Popularity • 46% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Jonathan Wilson
Bonamossa
163 bpm • C Maj • 04:27 • -10.07db
16% Popularity • 37% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Darknights
Shadow vs. Zulu
184 bpm • G min • 08:06 • -10.33db
8% Popularity • 17% Danceability • 59% Energy • 20% Liveness
49% Instrumentalness • 16% Positiveness
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Yura Yura Teikoku
学校へ行ってきます
185 bpm • A Maj • 04:03 • -5.91db
23% Popularity • 19% Danceability • 60% Energy • 7% Liveness
54% Instrumentalness • 59% Positiveness
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Tonstartssbandht
Walken With Jesus
163 bpm • D# Maj • 03:08 • -10.71db
21% Popularity • 33% Danceability • 92% Energy • 22% Liveness
98% Instrumentalness • 6% Positiveness
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Radiohead
Sit Down. Stand Up
161 bpm • F min • 04:19 • -7.43db
50% Popularity • 48% Danceability • 56% Energy • 6% Liveness
50% Instrumentalness • 52% Positiveness
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Nomad
Tracking
186 bpm • A# min • 05:56 • -12.57db
11% Popularity • 54% Danceability • 53% Energy • 5% Liveness
3% Instrumentalness • 71% Positiveness
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Primal Scream
Darklands
161 bpm • F Maj • 06:10 • -8.5db
9% Popularity • 22% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
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The Fall
Birthday Song
160 bpm • D Maj • 03:38 • -15.62db
9% Popularity • 46% Danceability • 32% Energy • 37% Liveness
80% Instrumentalness • 36% Positiveness
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gorse panshawe
curl your toes, clench your fists
160 bpm • A Maj • 07:14 • -13.54db
13% Popularity • 40% Danceability • 51% Energy • 15% Liveness
84% Instrumentalness • 37% Positiveness
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Mapuche
Erlebnis
160 bpm • G# Maj • 04:53 • -8.76db
22% Popularity • 62% Danceability • 47% Energy • 6% Liveness
2% Instrumentalness • 56% Positiveness
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The Paper Chase
The Sinking Ship The Grand Applause
159 bpm • C# Maj • 04:14 • -9.88db
15% Popularity • 37% Danceability • 47% Energy • 51% Liveness
4% Instrumentalness • 25% Positiveness
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ZAQUEL
Jesus Da Ordem Ao Inesistente
188 bpm • B Maj • 02:04 • -16.11db
11% Popularity • 45% Danceability • 35% Energy • 20% Liveness
19% Instrumentalness • 76% Positiveness
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ムクワジュ・アンサンブル
Angwora Steps
159 bpm • D Maj • 06:43 • -9.57db
7% Popularity • 55% Danceability • 89% Energy • 22% Liveness
6% Instrumentalness • 76% Positiveness
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Amigo the Devil
Barrel and Staghorn
159 bpm • G min • 02:33 • -18.66db
40% Popularity • 37% Danceability • 30% Energy • 15% Liveness
92% Instrumentalness • 55% Positiveness
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Love Tentacle Drip Society
Country Song
158 bpm • D min • 02:45 • -6.71db
0% Popularity • 48% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Haiku Salut
Things Were Happening And They Were Stra...
157 bpm • A# Maj • 03:07 • -8.57db
13% Popularity • 28% Danceability • 64% Energy • 12% Liveness
94% Instrumentalness • 43% Positiveness
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Nastii Lofii
Retarded
156 bpm • A Maj • 01:00 • -14.38db
17% Popularity • 55% Danceability • 34% Energy • 16% Liveness
92% Instrumentalness • 61% Positiveness
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Paul Jacobs
Half Rich Loner
155 bpm • E Maj • 03:20 • -6.55db
17% Popularity • 62% Danceability • 76% Energy • 19% Liveness
74% Instrumentalness • 53% Positiveness
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Xiu Xiu
Brian the Vampire
155 bpm • C Maj • 02:38 • -3.07db
23% Popularity • 18% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Blake Mills
Under the Underground
154 bpm • G Maj • 03:42 • -6.36db
16% Popularity • 51% Danceability • 92% Energy • 8% Liveness
51% Instrumentalness • 46% Positiveness
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Dan Deacon
When I Was Done Dying
195 bpm • F# Maj • 04:18 • -7.57db
50% Popularity • 43% Danceability • 82% Energy • 10% Liveness
3% Instrumentalness • 30% Positiveness
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Mephistofeles
Tombstone Boogie
152 bpm • B min • 03:50 • -10.17db
8% Popularity • 32% Danceability • 52% Energy • 16% Liveness
97% Instrumentalness • 33% Positiveness
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LEE.
PORTLAND
153 bpm • F# Maj • 01:40 • -12.3db
10% Popularity • 48% Danceability • 38% Energy • 14% Liveness
3% Instrumentalness • 63% Positiveness
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safrial mudlofi
Hero One
199 bpm • A min • 01:02 • -9.22db
15% Popularity • 56% Danceability • 43% Energy • 32% Liveness
86% Instrumentalness • 92% Positiveness
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Marie et les garçons
Attitudes - Remastered
150 bpm • C# min • 02:22 • -6.51db
10% Popularity • 44% Danceability • 92% Energy • 35% Liveness
81% Instrumentalness • 69% Positiveness
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The Goin' Nowheres
Hot Moonlight Song
150 bpm • F# min • 01:20 • -10.52db
16% Popularity • 71% Danceability • 44% Energy • 53% Liveness
97% Instrumentalness • 54% Positiveness
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Radiohead
Bloom
150 bpm • C min • 05:13 • -7.6db
49% Popularity • 52% Danceability • 96% Energy • 8% Liveness
89% Instrumentalness • 34% Positiveness
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The Residents
Weight-Lifting Lulu
149 bpm • A# Maj • 03:12 • -15db
10% Popularity • 43% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
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Dean Blunt
Y3
148 bpm • G# min • 01:31 • -11.78db
30% Popularity • 15% Danceability • 42% Energy • 16% Liveness
91% Instrumentalness • 7% Positiveness
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Brian Eno
Mother Of Violence
148 bpm • C# Maj • 03:04 • -8.97db
9% Popularity • 18% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Coyote Coleman
Hide the Soul
147 bpm • C# min • 01:21 • -8.93db
43% Popularity • 55% Danceability • 79% Energy • 72% Liveness
62% Instrumentalness • 74% Positiveness
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Cícero
Fuga N°4
147 bpm • D Maj • 03:18 • -11.82db
19% Popularity • 63% Danceability • 55% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Modern History of Japan