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Modern Warfare Main Theme
Songs like
Modern Warfare Main Theme
by
Sarah Schachner
Based on a tempo of (+/- 10%) and a similar genre
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David Vanacore
Tip Toes
100 bpm • F# Maj • 01:09 • -17.18db
1% Popularity • 70% Danceability • 38% Energy • 8% Liveness
70% Instrumentalness • 33% Positiveness
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Joris de Man
The World on Her Shoulders
100 bpm • D Maj • 03:40 • -16db
36% Popularity • 50% Danceability • 50% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Sarah Schachner
Into the Furnace
100 bpm • D min • 03:16 • -10db
34% Popularity • 20% Danceability • 53% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Brian Tuey
Ignition
100 bpm • C# Maj • 03:45 • -12.98db
35% Popularity • 52% Danceability • 56% Energy • 8% Liveness
75% Instrumentalness • 3% Positiveness
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Walter Mair
Game Changer
100 bpm • D Maj • 03:09 • -12.54db
20% Popularity • 27% Danceability • 63% Energy • 11% Liveness
71% Instrumentalness • 5% Positiveness
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Steve Jablonsky
You're Going To The Navy
100 bpm • A Maj • 01:03 • -11.95db
44% Popularity • 60% Danceability • 87% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Godzilla!
100 bpm • D Maj • 02:08 • -11.87db
37% Popularity • 42% Danceability • 41% Energy • 7% Liveness
83% Instrumentalness • 5% Positiveness
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Kevin Kiner
Bad Batch Theme
100 bpm • C# Maj • 02:00 • -17.43db
41% Popularity • 48% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Sarah Schachner
Modern Warfare Main Theme
100 bpm • A Maj • 03:26 • -12.9db
44% Popularity • 20% Danceability • 38% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Natalie Holt
Catch Up
100 bpm • G min • 01:37 • -10.34db
35% Popularity • 31% Danceability • 48% Energy • 26% Liveness
31% Instrumentalness • 6% Positiveness
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Christopher Drake
Injustice 2 (Main Theme)
99 bpm • F# min • 03:08 • -13.09db
24% Popularity • 18% Danceability • 42% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Daniel Pemberton
Shoulder Touch
99 bpm • D min • 02:33 • -11.66db
39% Popularity • 14% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Hi-Finesse
Dystopia
101 bpm • F# min • 02:47 • -10.06db
45% Popularity • 45% Danceability • 54% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Nathan Whitehead
Finding NERO
101 bpm • D Maj • 02:58 • -19.16db
23% Popularity • 42% Danceability • 27% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Sarah Schachner
Highway
100 bpm • E Maj • 06:37 • -12.47db
27% Popularity • 40% Danceability • 70% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Harry Gregson-Williams
Advanced Soldier Overture
99 bpm • D Maj • 03:26 • -10db
28% Popularity • 16% Danceability • 66% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Christopher Drake
The Dark Knight Triumphant / End Titles
101 bpm • A Maj • 05:09 • -14.41db
32% Popularity • 24% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Nick Arundel
Evening the Odds
102 bpm • E min • 03:40 • -21.63db
33% Popularity • 49% Danceability • 46% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Brian Tyler
Far Cry 3
102 bpm • A min • 05:34 • -12.92db
44% Popularity • 56% Danceability • 30% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Ramin Djawadi
Warcraft
102 bpm • F min • 01:58 • -11.46db
46% Popularity • 64% Danceability • 55% Energy • 12% Liveness
94% Instrumentalness • 64% Positiveness
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Sarah Schachner
Welcome to Las Almas
100 bpm • D Maj • 02:34 • -19.45db
27% Popularity • 16% Danceability • 15% Energy • 12% Liveness
81% Instrumentalness • 3% Positiveness
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Walter Mair
Six In The Blind
98 bpm • G Maj • 02:11 • -14.05db
25% Popularity • 31% Danceability • 55% Energy • 12% Liveness
95% Instrumentalness • 17% Positiveness
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Harry Gregson-Williams
Power Changes Everything
98 bpm • G Maj • 01:19 • -18.07db
31% Popularity • 57% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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Wilbert Roget, II
Birds of Prey
102 bpm • D Maj • 02:56 • -10.31db
27% Popularity • 40% Danceability • 42% Energy • 27% Liveness
87% Instrumentalness • 23% Positiveness
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Brian Tyler
Call Of Duty: MW3
98 bpm • A# Maj • 02:10 • -13db
49% Popularity • 44% Danceability • 39% Energy • 10% Liveness
80% Instrumentalness • 26% Positiveness
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Nima Fakhrara
Hostage - Connor
98 bpm • A# min • 02:52 • -15db
43% Popularity • 70% Danceability • 67% Energy • 19% Liveness
91% Instrumentalness • 40% Positiveness
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Sarah Schachner
Anthropic Universe
100 bpm • A min • 04:22 • -21.51db
34% Popularity • 35% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Pedro Bromfman
Libertad
98 bpm • A min • 01:52 • -12.15db
37% Popularity • 36% Danceability • 54% Energy • 15% Liveness
76% Instrumentalness • 37% Positiveness
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Stephen Barton
Cosmology
102 bpm • C# min • 01:54 • -13.58db
36% Popularity • 36% Danceability • 23% Energy • 23% Liveness
90% Instrumentalness • 8% Positiveness
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Tyler Bates
Big Wick Energy
102 bpm • B min • 01:47 • -20.96db
30% Popularity • 48% Danceability • 19% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
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Christophe Beck
Find Me When You Wake Up
103 bpm • C# Maj • 02:05 • -17db
28% Popularity • 27% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Christopher Drake
A Good Life...Good Enough / End Titles
103 bpm • G min • 05:51 • -13.9db
21% Popularity • 23% Danceability • 34% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Sarah Schachner
Assassin's Creed Valhalla Main Theme
101 bpm • G Maj • 03:15 • -12.89db
49% Popularity • 19% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Thomas Wander
Dogfight
97 bpm • D# Maj • 02:29 • -14.83db
18% Popularity • 38% Danceability • 74% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Oleksa Lozowchuk
Whatever Comes
96 bpm • G min • 03:09 • -16.66db
41% Popularity • 15% Danceability • 48% Energy • 24% Liveness
65% Instrumentalness • 8% Positiveness
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Jon Ekstrand
A Long Way Back
104 bpm • C# Maj • 02:39 • -14db
28% Popularity • 45% Danceability • 32% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
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Pianistec
Duel of the Fates x Like a Dog Chasing C...
96 bpm • A min • 05:06 • -13db
32% Popularity • 15% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Sean Murray
Anvil - Remix
105 bpm • D Maj • 02:19 • -15.71db
28% Popularity • 55% Danceability • 46% Energy • 46% Liveness
69% Instrumentalness • 4% Positiveness
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Sarah Schachner
Piccadilly Circus
105 bpm • G# Maj • 05:16 • -12.32db
39% Popularity • 32% Danceability • 42% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Woody Jackson
Mrs. Sadie Adler, Widow
95 bpm • F Maj • 04:24 • -14db
40% Popularity • 44% Danceability • 48% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Paul Leonard-Morgan
Arrival of the Blood Ravens
105 bpm • C Maj • 03:58 • -17.48db
24% Popularity • 35% Danceability • 50% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
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John Paesano
The Golden Age
105 bpm • E min • 03:06 • -14db
37% Popularity • 44% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Vitalii Suzdin
Beyond the Mind
105 bpm • C# min • 02:00 • -12.03db
19% Popularity • 40% Danceability • 57% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Doug Bossi
Pressurized Danger
105 bpm • A Maj • 01:36 • -24.48db
6% Popularity • 55% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Rok Nardin
The Mad King
105 bpm • D Maj • 03:37 • -11.85db
38% Popularity • 25% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Keith Power
This Is What You Are
105 bpm • C Maj • 06:14 • -12.09db
44% Popularity • 18% Danceability • 48% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Long Live the Empire
105 bpm • F Maj • 04:05 • -15.97db
28% Popularity • 22% Danceability • 30% Energy • 19% Liveness
91% Instrumentalness • 3% Positiveness
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John Paesano
City of Hope
105 bpm • C Maj • 01:42 • -12db
36% Popularity • 38% Danceability • 46% Energy • 32% Liveness
88% Instrumentalness • 25% Positiveness
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Ramin Djawadi
Category 5
105 bpm • C# Maj • 02:17 • -13.13db
31% Popularity • 29% Danceability • 53% Energy • 10% Liveness
77% Instrumentalness • 9% Positiveness
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Sarah Schachner
Trespass
95 bpm • C# Maj • 00:55 • -20.01db
24% Popularity • 42% Danceability • 38% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
The Way of the Samurai
95 bpm • G min • 03:19 • -11.75db
37% Popularity • 55% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
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Blake Neely
Setting Up the Lair - Main Theme from �...
95 bpm • G min • 02:27 • -15db
34% Popularity • 62% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
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Volker Bertelmann
Tanks
95 bpm • C# Maj • 01:46 • -15.71db
36% Popularity • 50% Danceability • 35% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Brian Tyler
Paris Siege
95 bpm • D min • 05:11 • -9.91db
25% Popularity • 25% Danceability • 68% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
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Mikhail Lesogorov
Battle of the Heroes - Battlefront 2 Tra...
95 bpm • D# min • 03:00 • -9.61db
24% Popularity • 43% Danceability • 78% Energy • 16% Liveness
91% Instrumentalness • 18% Positiveness
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Sarah Schachner
Captive
95 bpm • D Maj • 05:43 • -11.61db
21% Popularity • 38% Danceability • 37% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Nick Arundel
Arkham City Main Theme
95 bpm • C# Maj • 02:47 • -13.86db
50% Popularity • 22% Danceability • 54% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
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Ludwig Göransson
A Friend
105 bpm • C# min • 03:52 • -14.9db
37% Popularity • 32% Danceability • 19% Energy • 15% Liveness
62% Instrumentalness • 3% Positiveness
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Christopher Drake
Bane
95 bpm • C# Maj • 02:29 • -12.29db
25% Popularity • 28% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
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Steve Jablonsky
Hunted
106 bpm • D min • 05:57 • -13.17db
44% Popularity • 28% Danceability • 53% Energy • 11% Liveness
73% Instrumentalness • 13% Positiveness
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Tyler Bates
Black Tears
95 bpm • A min • 02:43 • -10.51db
43% Popularity • 26% Danceability • 56% Energy • 3% Liveness
71% Instrumentalness • 20% Positiveness
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Sarah Schachner
Bayek of Siwa
95 bpm • F Maj • 02:35 • -11db
39% Popularity • 45% Danceability • 81% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
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Jesse Harlin
As Good a Place as Any to Start
94 bpm • D min • 04:32 • -10db
27% Popularity • 35% Danceability • 41% Energy • 6% Liveness
81% Instrumentalness • 22% Positiveness
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Jesper Kyd
The Madam
106 bpm • A min • 01:04 • -22.96db
45% Popularity • 22% Danceability • 2% Energy • 6% Liveness
99% Instrumentalness • 13% Positiveness
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Christopher Drake
Arkham Origins Main Titles
106 bpm • G min • 02:52 • -11.43db
40% Popularity • 24% Danceability • 57% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Neal Acree
Arthas, My Son (Cinematic Intro)
93 bpm • F# min • 03:12 • -15.01db
46% Popularity • 14% Danceability • 42% Energy • 20% Liveness
92% Instrumentalness • 10% Positiveness
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Hesham Nazih
Moon Knight
93 bpm • C Maj • 02:10 • -12.11db
43% Popularity • 33% Danceability • 54% Energy • 29% Liveness
6% Instrumentalness • 9% Positiveness
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Mikhail Lesogorov
Battlefront 2 - Battle of Geonosis - Epi...
93 bpm • C# Maj • 01:09 • -7.23db
25% Popularity • 52% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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John Paesano
End Credits
108 bpm • C# Maj • 01:06 • -13.11db
34% Popularity • 52% Danceability • 63% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Natalie Holt
TVA
108 bpm • C# Maj • 02:28 • -11.58db
48% Popularity • 49% Danceability • 50% Energy • 77% Liveness
72% Instrumentalness • 11% Positiveness
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Christopher Drake
Arkham Origins End Titles
94 bpm • D Maj • 01:49 • -14db
25% Popularity • 19% Danceability • 49% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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Sarah Schachner
Danger Close
93 bpm • D Maj • 04:47 • -10db
26% Popularity • 28% Danceability • 63% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Danny Cocke
Before the War – SI 2022 Main Theme
93 bpm • C# min • 04:34 • -10.16db
15% Popularity • 40% Danceability • 58% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
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William Ross
Overcoming the Past
109 bpm • D# Maj • 04:28 • -16db
31% Popularity • 16% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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John Paesano
Main Title
108 bpm • G# Maj • 01:04 • -12.07db
50% Popularity • 61% Danceability • 54% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
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Brian Tyler
Battle For New York
92 bpm • D Maj • 06:25 • -10db
28% Popularity • 22% Danceability • 79% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
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Ramin Djawadi
The Shatterdome
92 bpm • G# Maj • 02:31 • -17.58db
34% Popularity • 61% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Edgar Hopp
One Last Battle
109 bpm • A Maj • 02:23 • -7.26db
23% Popularity • 23% Danceability • 88% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Danny Cocke
The Program
92 bpm • C# Maj • 02:24 • -13.24db
16% Popularity • 49% Danceability • 61% Energy • 13% Liveness
74% Instrumentalness • 17% Positiveness
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Jesper Kyd
Immortal Imperium
92 bpm • G Maj • 03:54 • -10db
45% Popularity • 65% Danceability • 68% Energy • 14% Liveness
51% Instrumentalness • 18% Positiveness
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Thomas Wander
Bombing Six
92 bpm • C min • 03:38 • -16.22db
21% Popularity • 28% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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John Paesano
The Great Hunter
109 bpm • A# Maj • 03:55 • -14.11db
41% Popularity • 22% Danceability • 25% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
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Sean Murray
Mac-V
92 bpm • D Maj • 02:17 • -12db
33% Popularity • 60% Danceability • 66% Energy • 9% Liveness
55% Instrumentalness • 8% Positiveness
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Mac Quayle
Eye for an Eye
92 bpm • A Maj • 02:37 • -19.74db
40% Popularity • 51% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Mark Petrie
Mechanize This
109 bpm • F Maj • 03:44 • -13.58db
14% Popularity • 20% Danceability • 55% Energy • 12% Liveness
84% Instrumentalness • 8% Positiveness
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Luis Humanoide
Trust Only in the Force
91 bpm • G Maj • 01:15 • -15.82db
40% Popularity • 21% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
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Audiomachine
So Say We All
91 bpm • A# Maj • 03:19 • -8.94db
47% Popularity • 41% Danceability • 74% Energy • 6% Liveness
84% Instrumentalness • 16% Positiveness
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Jo Wandrini
I Will Be Your Knight
110 bpm • C# Maj • 03:51 • -16.25db
18% Popularity • 20% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Jesper Kyd
Kingdom of Wessex
110 bpm • A# min • 03:41 • -14db
39% Popularity • 38% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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Jack Wall
Bell's Theme
110 bpm • F# min • 04:40 • -15db
33% Popularity • 20% Danceability • 19% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Sarah Schachner
Rising Threat
110 bpm • A# min • 05:28 • -16.24db
18% Popularity • 54% Danceability • 48% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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Elitsa Alexandrova
I Am Shay Patrick Cormac
110 bpm • D min • 01:49 • -19db
30% Popularity • 38% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Hampus Naeselius
Close Quarters
110 bpm • G Maj • 03:14 • -15.64db
20% Popularity • 63% Danceability • 52% Energy • 11% Liveness
73% Instrumentalness • 7% Positiveness
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Jo Blankenburg
The Magellan Matrix
110 bpm • C# Maj • 04:08 • -10.12db
32% Popularity • 54% Danceability • 73% Energy • 10% Liveness
73% Instrumentalness • 7% Positiveness
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Elephant Music
Für Elise - Für Elise (As Featured in ...
110 bpm • A Maj • 02:24 • -16.19db
40% Popularity • 55% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 3% Positiveness
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Chris Tilton
Unity
110 bpm • A min • 03:58 • -17.59db
36% Popularity • 43% Danceability • 40% Energy • 9% Liveness
79% Instrumentalness • 8% Positiveness
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Sarah Schachner
Modern Warfare II
110 bpm • D min • 02:50 • -14db
46% Popularity • 40% Danceability • 38% Energy • 9% Liveness
33% Instrumentalness • 10% Positiveness
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Two Steps from Hell
None Shall Live
110 bpm • D min • 02:19 • -6.16db
55% Popularity • 46% Danceability • 88% Energy • 31% Liveness
83% Instrumentalness • 17% Positiveness
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Ian Livingstone
A New Dawn
110 bpm • G min • 04:15 • -12.52db
33% Popularity • 44% Danceability • 70% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
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Gerard Marino
God of War III Overture
91 bpm • D Maj • 03:36 • -9.21db
44% Popularity • 35% Danceability • 61% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
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Modern Warfare Main Theme