Songs like Moharajo by Sahana Bajpaie
Based on a tempo of (+/- 10%) and a similar genre
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Lopamudra Mitra
Leelabali
140 bpm • G Maj • 04:26 • -8.83db
35% Popularity • 80% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 80% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Sahana Bajpaie
Maharaj Eki Saje
140 bpm • G Maj • 04:36 • -10.98db
21% Popularity • 50% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 50% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Ishan Mitra
Bethar Shohor
140 bpm • G min • 02:33 • -10.54db
36% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Prithibi
Classroom
140 bpm • F# Maj • 05:53 • -5.57db
35% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 50% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Neel Dutt
Aami Ashbo Phirey
140 bpm • E min • 05:03 • -10.16db
30% Popularity • 59% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 59% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Timir Biswas
Noyono Tomare
140 bpm • D Maj • 05:26 • -11.48db
26% Popularity • 51% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 51% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Subhamita
Bhalobasi Bhalobasi
140 bpm • E Maj • 02:57 • -13.41db
27% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sahana Bajpaie
Moharajo
140 bpm • G Maj • 04:38 • -10.87db
29% Popularity • 49% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 49% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Debolina Nandy
Tumi Robe Nirobe
140 bpm • C Maj • 04:20 • -6.57db
24% Popularity • 49% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 49% Danceability • 63% Energy • 45% Liveness
0% Instrumentalness • 19% Positiveness
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Ikkshita Mukherjee
Esho Esho Amar Ghore Esho
140 bpm • G Maj • 04:17 • -14.08db
22% Popularity • 52% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 52% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Anupam Roy
Ekbar Bol
140 bpm • A Maj • 04:58 • -10.11db
44% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Arnob
Majhe Majhe Tabo Dekha Pai
140 bpm • D# Maj • 06:04 • -8.81db
37% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Sahana
Ekta Chhele
140 bpm • G Maj • 03:37 • -9.41db
34% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Sahana Bajpaie
Ki Gabo Aami Ki Shonabo
140 bpm • D min • 05:10 • -13.98db
11% Popularity • 37% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 37% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Rupankar
Shetai Satyi
140 bpm • G Maj • 04:22 • -10.24db
26% Popularity • 45% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 45% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Srabani Sen
Amar Mukti Aloy Aloy
140 bpm • G# Maj • 04:18 • -8.69db
19% Popularity • 51% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 51% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Lagnajita Chakraborty
Behaya
140 bpm • C Maj • 03:30 • -12.67db
46% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Arnob
Bhalobasha Tarpor
140 bpm • C Maj • 04:39 • -7.11db
41% Popularity • 61% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 61% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Paloma Majumder
Lokkhiti, Pt. 1
140 bpm • C min • 03:45 • -9.61db
29% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Anupam Roy
Gobhire Jao (Male Version)
140 bpm • F# Maj • 04:55 • -9.98db
36% Popularity • 48% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 48% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Sahana Bajpaie
Shikawr
140 bpm • B min • 05:07 • -8.88db
4% Popularity • 34% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
4% Popularity • 34% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Somlata
Sokhi Bhabona Kahare Bole
140 bpm • B Maj • 04:03 • -10.94db
32% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Piu Mukherjee
Tomake Bhalobeshe
140 bpm • F Maj • 04:44 • -7.87db
25% Popularity • 46% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 46% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Lopamudra Mitra
Bhenge Mor Gharer Chabi
140 bpm • A Maj • 03:29 • -7.99db
24% Popularity • 63% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 63% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Anjan Dutt
Ogo Bideshini
141 bpm • A Maj • 03:57 • -14.99db
40% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Shamik Guha Roy
Amar Praner Manush - Ektara
141 bpm • G# Maj • 03:30 • -8.66db
17% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 73% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Chandrabindoo
Jodi Bolo Hya
139 bpm • D Maj • 05:52 • -6.63db
25% Popularity • 54% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 54% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Rupam Islam
Ekla Ghor
138 bpm • A min • 06:27 • -10.85db
47% Popularity • 66% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 66% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Srikanta Acharya
Prem Esechhilo Nishabda
139 bpm • E min • 01:56 • -14.5db
29% Popularity • 26% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 26% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Subhamita
Megheder Minare Digante
142 bpm • D Maj • 05:12 • -12.6db
23% Popularity • 59% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 59% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Chakropani Dev
Raikamal
138 bpm • C Maj • 03:27 • -8.09db
34% Popularity • 58% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 58% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Chanchal Chowdhury
Shorboto Mongolo Radhe
138 bpm • F min • 03:38 • -9.51db
30% Popularity • 80% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 80% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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James
Baba
142 bpm • D# Maj • 05:05 • -6.77db
34% Popularity • 62% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 62% Danceability • 55% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
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Sahana Bajpaie
Moloyo Batashe
142 bpm • C Maj • 05:32 • -10.44db
26% Popularity • 50% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 50% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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JOler gaan
Bokul Phool
138 bpm • D Maj • 05:25 • -8db
26% Popularity • 60% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 60% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Arijit Singh
Ei Bhalo Ei Kharap
138 bpm • E Maj • 04:22 • -6.22db
46% Popularity • 62% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 62% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Lopamudra Mitra
Phagun Hawaye Hawaye - Ananda - The Ecst...
138 bpm • A# Maj • 06:56 • -4.87db
25% Popularity • 75% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 75% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Gorer Math
Dhandar Theke Jotil Tumi
138 bpm • F Maj • 03:43 • -12.98db
30% Popularity • 64% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 64% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Pousali Banerjee
Brindabono Bilashini
143 bpm • C Maj • 04:46 • -8.63db
30% Popularity • 67% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 67% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Rupam Islam
Aaro Ekbar
137 bpm • G# Maj • 06:44 • -12.25db
49% Popularity • 39% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 39% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 16% Positiveness
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Taalpatar Shepai
O Doyal Bichar Koro
137 bpm • D Maj • 03:32 • -14.74db
33% Popularity • 78% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 78% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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JOler gaan
Emon Jodi Hoto
144 bpm • E Maj • 04:29 • -10.93db
36% Popularity • 58% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 58% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Lopamudra Mitra
Hridmajhare Rakhbo
138 bpm • D min • 05:25 • -10.67db
39% Popularity • 73% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 73% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Arijit Singh
Mon Majhi Re
144 bpm • E min • 05:08 • -5.45db
46% Popularity • 50% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 50% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Dev Arijit
O Je Mane Na Mana
144 bpm • D Maj • 04:07 • -11.4db
35% Popularity • 42% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 42% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Rupam Islam
Bishakto Manush
137 bpm • F min • 04:27 • -10.67db
45% Popularity • 39% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 39% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 34% Positiveness
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Nahid Hasan
Tomar Pichu Charbo Na
144 bpm • A Maj • 04:59 • -5db
46% Popularity • 72% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 72% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Madhubanti Bagchi
Tomake Chai Female Version
144 bpm • G Maj • 04:06 • -14.72db
38% Popularity • 36% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 36% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Lopamudra Mitra
Eki Labonye Purno Prano
144 bpm • G min • 04:58 • -8.4db
25% Popularity • 50% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 50% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Abhijeet
Elo Je Maa
136 bpm • B Maj • 05:07 • -5.3db
26% Popularity • 71% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 71% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Anirban Bhattacharya
Bibagi Phone
136 bpm • D Maj • 03:45 • -11.58db
33% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Arindom
Megh Boleche Jabo Jabo
144 bpm • B min • 03:50 • -9.34db
36% Popularity • 61% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 61% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Sahana Bajpaie
O Je Mane Na Mana
144 bpm • A Maj • 04:18 • -11.06db
28% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Pousali Banerjee
Bhalobese Sokhi
136 bpm • C# min • 04:49 • -7.21db
25% Popularity • 49% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 49% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Prashmita Paul
Majhe Majhe Tobo
144 bpm • C Maj • 07:07 • -6.56db
39% Popularity • 46% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 46% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Debraj Bhattacharya
Notun Premer Gaan
145 bpm • D Maj • 03:49 • -13.84db
37% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Taalpatar Shepai
Ogochhalo Mon
145 bpm • G Maj • 03:16 • -12.1db
41% Popularity • 67% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 67% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Borno Chakroborty
Fagun Haway Haway
135 bpm • D Maj • 03:04 • -12.3db
47% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Sahana Bajpaie
Ogo Shono Ke Bajay
145 bpm • G Maj • 04:49 • -8.19db
20% Popularity • 60% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 60% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Tahsan
Chhuye Dile Mon - Duet
145 bpm • E min • 04:43 • -7.55db
33% Popularity • 43% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 43% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Mahtim Shakib
Tomay Hrid Majhare Rakhbo
135 bpm • E Maj • 03:36 • -9.34db
39% Popularity • 72% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 72% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Rupankar Bagchi
Priyyotamaa
135 bpm • D Maj • 04:27 • -10.34db
32% Popularity • 63% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 63% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Benny Dayal
Oh Madhu
135 bpm • A min • 04:08 • -4.12db
39% Popularity • 79% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 79% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Mohit Chauhan
Eshechi Toke Niye
135 bpm • G Maj • 04:03 • -5.29db
39% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Sahana Bajpaie
Purano Sei Diner Kotha
145 bpm • C Maj • 03:56 • -9.84db
12% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 65% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Prosen
Tor Jonnyo
135 bpm • D Maj • 04:01 • -9.72db
26% Popularity • 62% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 62% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Aabir
Aguner Poroshmoni
135 bpm • A Maj • 05:30 • -9.22db
30% Popularity • 53% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 53% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Anupam Roy
Je Kawta Din
135 bpm • D Maj • 04:04 • -9.1db
37% Popularity • 62% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 62% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Lopamudra Mitra
Bhalobashi Bhalobashi
145 bpm • C Maj • 02:30 • -6.5db
28% Popularity • 30% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 30% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Sudipto Chowdhury
Tor Sathe
146 bpm • C Maj • 04:00 • -7.32db
30% Popularity • 51% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 51% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Humane Sagar
Dhima Dhima Akhi-Haye To Prema
146 bpm • A# Maj • 02:30 • -4.95db
35% Popularity • 60% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 60% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Rupankar
Khelaghor Baandhte Legechhi
146 bpm • B Maj • 04:06 • -7db
14% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Bappa Mazumder
Bhalobeshe Shokhi
146 bpm • D# Maj • 04:12 • -9.26db
38% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Kunal Ganjawala
Mon Bebagi
134 bpm • A min • 04:12 • -6.5db
41% Popularity • 73% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 73% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Lagnajita Chakraborty
O je mane na mana
146 bpm • A Maj • 01:29 • -7.4db
41% Popularity • 48% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 48% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Ash King
Dekhte Bou Bou
134 bpm • A Maj • 03:11 • -6.73db
35% Popularity • 69% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 69% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Arindom
Bhalobeshe Kono Bhool
134 bpm • C# Maj • 04:33 • -5db
45% Popularity • 62% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 62% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Zubeen Garg
Mon Mane Na
134 bpm • B min • 04:42 • -4.55db
41% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Somlata Acharyya Chowdhury
O Je Mane Na Mana
146 bpm • A Maj • 04:54 • -16.38db
46% Popularity • 44% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 44% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Shunno
Sritir Chera Pata
134 bpm • E Maj • 04:01 • -7.93db
39% Popularity • 68% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 68% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Sahana Bajpaie
Tomarei Koriachhi Jiboner Dhrubotara
134 bpm • G Maj • 04:52 • -11.4db
25% Popularity • 50% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 50% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Mohit Chauhan
Mon Hariye Beghorey
134 bpm • B min • 04:30 • -6.56db
40% Popularity • 66% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 66% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Rana Mazumder
Dui Prithibi
134 bpm • F Maj • 05:33 • -6.57db
39% Popularity • 54% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 54% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Rupankar
Jonaki
147 bpm • D Maj • 03:20 • -8.65db
21% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Anupam Roy
Aaloshyo
134 bpm • D Maj • 05:17 • -8db
25% Popularity • 36% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 36% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Lopamudra Mitra
Chhata Dharo
147 bpm • B min • 04:09 • -9.25db
34% Popularity • 75% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 75% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Sahana Bajpaie
Sokatore Oi
134 bpm • C Maj • 04:28 • -12.74db
26% Popularity • 47% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 47% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Rupam Islam
Hansnuhana
133 bpm • E Maj • 04:54 • -12.3db
47% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 53% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Arijit Singh
Bojhena Shey Bojhena (Male)
133 bpm • C Maj • 07:09 • -5.99db
51% Popularity • 34% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 34% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Srikanta Acharya
Brishti Jhare Madhur
147 bpm • C# min • 03:51 • -10.68db
28% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Swagatalakshmi Dasgupta
Kotobaro Bhebechinu
148 bpm • C Maj • 03:41 • -7.5db
27% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Lagnajita Chakraborty
Megh Boleche Jabo Jabo
148 bpm • A Maj • 03:56 • -12.14db
25% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 38% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Sahana Bajpaie
Arshinagar
147 bpm • A Maj • 08:11 • -9.63db
18% Popularity • 50% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 50% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Arunita Kanjilal
Jodi Takey Chai
148 bpm • G Maj • 04:09 • -11.38db
21% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Rupam Islam
Ei Srabon
133 bpm • G Maj • 03:42 • -8.46db
45% Popularity • 72% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 72% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Lopamudra Mitra
Ami Tomari Nam Gai
148 bpm • B Maj • 05:11 • -8.83db
24% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jeet Gannguli
Khujechi Toke Raat Berate
132 bpm • B min • 04:43 • -4.79db
38% Popularity • 78% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 78% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Ishan Mitra
Shondhye Namar Aagey
132 bpm • D Maj • 04:13 • -11.43db
41% Popularity • 65% Danceability • 36% Energy • 44% Liveness
0% Instrumentalness • 11% Positiveness
41% Popularity • 65% Danceability • 36% Energy • 44% Liveness
0% Instrumentalness • 11% Positiveness
