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Momentum
Songs like
Momentum
by
Alex Sipiagin
Based on a tempo of (+/- 10%) and a similar genre
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Cheryl Ann Spencer
Love Theme from "Cinema Paradiso"
122 bpm • G min • 07:04 • -14.64db
0% Popularity • 52% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 30% Positiveness
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Connie Han
Morning Star
122 bpm • C min • 05:46 • -13.33db
11% Popularity • 53% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 38% Positiveness
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Simon Spang-Hanssen
Dakar Paris
122 bpm • C# min • 06:15 • -8.66db
9% Popularity • 44% Danceability • 47% Energy • 8% Liveness
53% Instrumentalness • 50% Positiveness
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Orlando Madrid
From This Moment Forward
122 bpm • B min • 08:26 • -11.94db
8% Popularity • 44% Danceability • 31% Energy • 10% Liveness
10% Instrumentalness • 23% Positiveness
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Diego Rivera
Machete
122 bpm • F min • 04:53 • -10.22db
15% Popularity • 48% Danceability • 62% Energy • 16% Liveness
89% Instrumentalness • 75% Positiveness
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Dan Tepfer
Rygabag
122 bpm • D# Maj • 01:59 • -13.77db
12% Popularity • 51% Danceability • 19% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
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Olegario Diaz
Grolnick
121 bpm • F Maj • 08:27 • -6.75db
0% Popularity • 49% Danceability • 97% Energy • 12% Liveness
84% Instrumentalness • 59% Positiveness
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John Nilsson
Som något annat
123 bpm • G Maj • 05:24 • -12.12db
13% Popularity • 47% Danceability • 54% Energy • 8% Liveness
67% Instrumentalness • 58% Positiveness
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Alex Brown
24-7
121 bpm • G min • 05:29 • -11.33db
9% Popularity • 48% Danceability • 63% Energy • 10% Liveness
82% Instrumentalness • 47% Positiveness
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Gretchen Parlato
Majique - Studio
121 bpm • C Maj • 04:03 • -12db
1% Popularity • 70% Danceability • 35% Energy • 22% Liveness
91% Instrumentalness • 50% Positiveness
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Diego Rivera
Lovely
121 bpm • F Maj • 03:56 • -7.75db
9% Popularity • 61% Danceability • 53% Energy • 8% Liveness
78% Instrumentalness • 82% Positiveness
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Peter Hermesdorf Quartet
Chasse
121 bpm • C Maj • 05:20 • -9.04db
14% Popularity • 49% Danceability • 53% Energy • 11% Liveness
81% Instrumentalness • 64% Positiveness
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Mike Clark
In the House
123 bpm • A min • 06:01 • -9.84db
19% Popularity • 47% Danceability • 57% Energy • 38% Liveness
11% Instrumentalness • 57% Positiveness
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Cheryl Ann Spencer
Calling for Peace (Extended Version)
123 bpm • A min • 09:02 • -12.5db
0% Popularity • 42% Danceability • 21% Energy • 8% Liveness
52% Instrumentalness • 18% Positiveness
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Flash Pig
Age of Bloom
123 bpm • E min • 03:14 • -14.78db
12% Popularity • 42% Danceability • 42% Energy • 10% Liveness
75% Instrumentalness • 52% Positiveness
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Ricardo Pinheiro
When You Wish Upon a Star
123 bpm • C Maj • 04:44 • -13.55db
9% Popularity • 52% Danceability • 26% Energy • 10% Liveness
68% Instrumentalness • 29% Positiveness
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Joel Haynes
There And Back
124 bpm • A Maj • 06:35 • -13.37db
9% Popularity • 49% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 32% Positiveness
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Art Hirahara
The More Things Change
121 bpm • B min • 05:34 • -11.46db
7% Popularity • 59% Danceability • 36% Energy • 25% Liveness
77% Instrumentalness • 27% Positiveness
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Mike Clark
Morning Become Electra
123 bpm • F min • 07:06 • -11.34db
10% Popularity • 47% Danceability • 52% Energy • 5% Liveness
4% Instrumentalness • 54% Positiveness
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Alex Sipiagin
Black Out
120 bpm • C# Maj • 05:37 • -14.33db
0% Popularity • 48% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 63% Positiveness
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Kaira
In Memory of KG
120 bpm • A min • 05:01 • -13.72db
14% Popularity • 60% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 47% Positiveness
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Pancho Molina
Bedstuy Facilities
124 bpm • A min • 05:28 • -15.28db
9% Popularity • 66% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
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Morten Haxholm
Whirl
120 bpm • C# Maj • 05:28 • -12.16db
18% Popularity • 40% Danceability • 34% Energy • 12% Liveness
16% Instrumentalness • 37% Positiveness
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Takuya Kuroda
ソング・フォー・マイ・ファ�...
124 bpm • F min • 05:16 • -9.32db
14% Popularity • 49% Danceability • 60% Energy • 9% Liveness
73% Instrumentalness • 50% Positiveness
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Marshall Gilkes
Sugar Rush
120 bpm • F min • 06:45 • -9.26db
11% Popularity • 50% Danceability • 54% Energy • 10% Liveness
67% Instrumentalness • 67% Positiveness
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Alex Sipiagin
Echo Canyon
120 bpm • F min • 05:30 • -14.66db
2% Popularity • 43% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Anna Lundqvist
Ashes to Fire
124 bpm • G# min • 03:40 • -10.21db
10% Popularity • 48% Danceability • 46% Energy • 11% Liveness
54% Instrumentalness • 41% Positiveness
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Taylor Eigsti
Argument
120 bpm • G# min • 04:32 • -14.85db
9% Popularity • 40% Danceability • 38% Energy • 7% Liveness
92% Instrumentalness • 54% Positiveness
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Marco Vezzoso
A Me Me Piace O Blues
120 bpm • D min • 03:57 • -11.18db
27% Popularity • 70% Danceability • 23% Energy • 6% Liveness
86% Instrumentalness • 31% Positiveness
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Lawrence Fields
Vision
124 bpm • F Maj • 06:38 • -12.43db
12% Popularity • 42% Danceability • 44% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Peter Holmes
Beautiful Mistake
120 bpm • G min • 05:14 • -7.77db
7% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Erlend Skomsvoll Trio
Ambivertilismer
124 bpm • F min • 06:19 • -19.1db
10% Popularity • 75% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 73% Positiveness
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David Whitman
Strapped
124 bpm • G# Maj • 04:11 • -7.3db
19% Popularity • 52% Danceability • 56% Energy • 9% Liveness
92% Instrumentalness • 57% Positiveness
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Linda May Han Oh
Firedancer
120 bpm • C Maj • 03:44 • -15.34db
21% Popularity • 61% Danceability • 30% Energy • 10% Liveness
83% Instrumentalness • 80% Positiveness
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Joe Locascio
Salience
120 bpm • F min • 04:42 • -15.03db
17% Popularity • 45% Danceability • 33% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Charles Chen
Peter and the Big Bad Wolf
125 bpm • E min • 05:59 • -8.48db
9% Popularity • 60% Danceability • 50% Energy • 6% Liveness
71% Instrumentalness • 52% Positiveness
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Monne Verschaeve
Ahsoka's Theme
119 bpm • F Maj • 05:12 • -16.15db
10% Popularity • 56% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Benjamin Koppel
The World of Security
119 bpm • G min • 09:37 • -11.6db
10% Popularity • 37% Danceability • 30% Energy • 9% Liveness
38% Instrumentalness • 14% Positiveness
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Alex Sipiagin
Tempest in A Tea Cup
119 bpm • C# min • 11:52 • -12.32db
1% Popularity • 44% Danceability • 39% Energy • 32% Liveness
33% Instrumentalness • 33% Positiveness
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Riccardo Fassi Tankio Band
Uncle Meat
125 bpm • C# Maj • 07:02 • -7.04db
0% Popularity • 59% Danceability • 73% Energy • 6% Liveness
48% Instrumentalness • 82% Positiveness
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Gustav Lundgren Quartet
Once a Year
125 bpm • F min • 03:51 • -14.7db
16% Popularity • 53% Danceability • 43% Energy • 11% Liveness
90% Instrumentalness • 59% Positiveness
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Kaira
Driven
119 bpm • C# Maj • 06:57 • -8.14db
15% Popularity • 52% Danceability • 71% Energy • 20% Liveness
79% Instrumentalness • 52% Positiveness
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David Whitman
Nees Plees
119 bpm • D# Maj • 05:37 • -6.58db
15% Popularity • 47% Danceability • 62% Energy • 16% Liveness
85% Instrumentalness • 64% Positiveness
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Hans Lüdemann's Rooms
Blaue Kreise (Reprise)
119 bpm • C# min • 06:20 • -7.23db
7% Popularity • 40% Danceability • 71% Energy • 18% Liveness
2% Instrumentalness • 51% Positiveness
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Alex Sipiagin
Monte Del Cerro
125 bpm • F# min • 03:56 • -19.31db
0% Popularity • 43% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 9% Positiveness
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John Nilsson
Lurendrejeri
118 bpm • F Maj • 07:21 • -12.14db
11% Popularity • 50% Danceability • 35% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
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Lluc Casares
Ugh? Nuek?
126 bpm • C# min • 05:32 • -8.52db
14% Popularity • 54% Danceability • 48% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
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The Jim Kelly Quartet
Feel No Paine
118 bpm • G# Maj • 07:02 • -21.1db
13% Popularity • 61% Danceability • 8% Energy • 10% Liveness
77% Instrumentalness • 13% Positiveness
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Charlier/Sourisse
Le chat et la souris
126 bpm • D Maj • 06:50 • -8.72db
5% Popularity • 72% Danceability • 55% Energy • 8% Liveness
74% Instrumentalness • 66% Positiveness
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Chema Peñalver
Trobadours et ménestrels
118 bpm • C Maj • 05:33 • -4.77db
7% Popularity • 51% Danceability • 78% Energy • 18% Liveness
6% Instrumentalness • 60% Positiveness
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SFJAZZ Collective
Ritual
118 bpm • A Maj • 06:29 • -12.68db
9% Popularity • 39% Danceability • 32% Energy • 11% Liveness
79% Instrumentalness • 20% Positiveness
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TwoTwo
Crossing Borders
118 bpm • C min • 07:35 • -9.91db
8% Popularity • 46% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Evolution Quartet
Yet Not I but Through Christ in Me
126 bpm • C Maj • 05:41 • -15.97db
1% Popularity • 43% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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Lunaria
Sheer Despair (Interlude)
126 bpm • A# Maj • 01:06 • -17.26db
26% Popularity • 47% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
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Diego Maroto
Ambipligio
118 bpm • C Maj • 06:14 • -13.25db
7% Popularity • 53% Danceability • 37% Energy • 9% Liveness
93% Instrumentalness • 34% Positiveness
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Peter Martin
Generation S
127 bpm • F min • 05:12 • -11.04db
19% Popularity • 43% Danceability • 49% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Ellister van der Molen
Funky Burger
126 bpm • C# Maj • 03:50 • -7.84db
19% Popularity • 54% Danceability • 49% Energy • 6% Liveness
60% Instrumentalness • 47% Positiveness
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Peter Beets
Etude No 12
118 bpm • F# Maj • 03:45 • -13.6db
12% Popularity • 52% Danceability • 50% Energy • 20% Liveness
40% Instrumentalness • 59% Positiveness
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Kevin Yosua
Brown Sugar
127 bpm • A min • 06:08 • -8.7db
0% Popularity • 44% Danceability • 57% Energy • 14% Liveness
94% Instrumentalness • 52% Positiveness
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Melissa Aldana
A Story
118 bpm • C# Maj • 06:08 • -16.64db
37% Popularity • 54% Danceability • 17% Energy • 10% Liveness
79% Instrumentalness • 26% Positiveness
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Håkan Broström
Time After Time
127 bpm • G# Maj • 03:22 • -14.17db
16% Popularity • 45% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Holger Marjamaa
Holger's Tune
127 bpm • D# Maj • 03:35 • -10.45db
11% Popularity • 39% Danceability • 63% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
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Henrik Hallberg
The First and the Last Tango
117 bpm • A Maj • 07:48 • -21.53db
18% Popularity • 60% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 29% Positiveness
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Jeremy Pelt
Earl J
127 bpm • A min • 05:49 • -9.15db
30% Popularity • 39% Danceability • 74% Energy • 23% Liveness
34% Instrumentalness • 54% Positiveness
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Trio.Fonix
Mad at Minor
117 bpm • F min • 07:16 • -12.66db
9% Popularity • 59% Danceability • 20% Energy • 14% Liveness
92% Instrumentalness • 48% Positiveness
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Triogram
Angular Descent
117 bpm • D# min • 06:35 • -12.39db
26% Popularity • 47% Danceability • 42% Energy • 19% Liveness
74% Instrumentalness • 42% Positiveness
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Alex Sipiagin
No Doubts
127 bpm • D Maj • 05:54 • -9.81db
0% Popularity • 46% Danceability • 53% Energy • 18% Liveness
51% Instrumentalness • 39% Positiveness
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Mike Moreno
Laura
117 bpm • G Maj • 08:16 • -12.38db
7% Popularity • 38% Danceability • 38% Energy • 34% Liveness
89% Instrumentalness • 14% Positiveness
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Cheryl Ann Spencer
Serendipity in Venice
127 bpm • F min • 08:43 • -10.51db
0% Popularity • 53% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 50% Positiveness
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Duma
Red Land
117 bpm • F Maj • 05:52 • -12.15db
11% Popularity • 54% Danceability • 38% Energy • 10% Liveness
21% Instrumentalness • 21% Positiveness
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Tim Chernikoff
Hung Jury
127 bpm • F# min • 06:45 • -13.58db
7% Popularity • 46% Danceability • 36% Energy • 14% Liveness
76% Instrumentalness • 41% Positiveness
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Sadao Watanabe
ホワイル・ユーアー・アウェ�...
117 bpm • A# min • 04:40 • -10.63db
13% Popularity • 45% Danceability • 43% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
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Niclas Knudsen Trio
Reformation
117 bpm • F Maj • 03:38 • -14.48db
17% Popularity • 64% Danceability • 42% Energy • 10% Liveness
68% Instrumentalness • 68% Positiveness
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Mathias Højgaard Jensen
Off-Set
127 bpm • C# Maj • 06:13 • -14.89db
3% Popularity • 52% Danceability • 33% Energy • 9% Liveness
71% Instrumentalness • 34% Positiveness
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Félix Zurstrassen
Syatco
127 bpm • A# min • 02:11 • -9.94db
12% Popularity • 43% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 51% Positiveness
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Gathering in Jazz
Spanish Breeze
128 bpm • A Maj • 03:58 • -12.35db
19% Popularity • 46% Danceability • 36% Energy • 9% Liveness
59% Instrumentalness • 23% Positiveness
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Alex Sipiagin
Rain
128 bpm • C# Maj • 07:10 • -15.42db
0% Popularity • 50% Danceability • 22% Energy • 7% Liveness
87% Instrumentalness • 13% Positiveness
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Andreas Theobald
Double Espresso
128 bpm • C Maj • 04:19 • -8.99db
8% Popularity • 55% Danceability • 63% Energy • 8% Liveness
78% Instrumentalness • 46% Positiveness
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Francesca Tandoi
You and the Lake and the Moon
117 bpm • F# Maj • 05:59 • -16.61db
9% Popularity • 46% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 17% Positiveness
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Ben Allison
She Insists
116 bpm • E min • 04:54 • -16.8db
16% Popularity • 66% Danceability • 13% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
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John Ellis Quartet
Toreador
116 bpm • F Maj • 06:34 • -11.76db
10% Popularity • 60% Danceability • 35% Energy • 12% Liveness
36% Instrumentalness • 62% Positiveness
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Ulysses Owens Jr.
Soulful
128 bpm • F# min • 08:13 • -10.78db
13% Popularity • 41% Danceability • 56% Energy • 70% Liveness
39% Instrumentalness • 34% Positiveness
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Doctor 3
Il tempo di morire
116 bpm • C min • 03:26 • -12.82db
20% Popularity • 55% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
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Hector Tejedo
This is For Me
116 bpm • B Maj • 08:05 • -9.72db
11% Popularity • 47% Danceability • 46% Energy • 18% Liveness
82% Instrumentalness • 34% Positiveness
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Alexander Claffy
Brother
116 bpm • D# min • 10:06 • -12.39db
26% Popularity • 46% Danceability • 25% Energy • 11% Liveness
15% Instrumentalness • 19% Positiveness
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Lage Lund
Vashkar
128 bpm • B Maj • 04:15 • -14.85db
17% Popularity • 54% Danceability • 40% Energy • 13% Liveness
74% Instrumentalness • 50% Positiveness
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Itamar Borochov
Truth
128 bpm • G# Maj • 04:54 • -16.43db
7% Popularity • 53% Danceability • 31% Energy • 19% Liveness
89% Instrumentalness • 51% Positiveness
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Nick Rousseau
Rest/Unrest
128 bpm • A Maj • 04:19 • -17.38db
0% Popularity • 29% Danceability • 29% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
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Helen Sung
A Grand Night for Swinging - Intermissio...
116 bpm • G# Maj • 01:08 • -12.46db
18% Popularity • 55% Danceability • 46% Energy • 35% Liveness
35% Instrumentalness • 59% Positiveness
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Alex Sipiagin
Echoes of Toughts (Live)
116 bpm • D Maj • 10:08 • -13.49db
1% Popularity • 44% Danceability • 40% Energy • 34% Liveness
77% Instrumentalness • 26% Positiveness
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TuneTown
Entering Utopia
129 bpm • E min • 04:53 • -10.43db
8% Popularity • 42% Danceability • 25% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
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Tim Garland
Two to Go
129 bpm • F Maj • 07:18 • -12.03db
11% Popularity • 48% Danceability • 30% Energy • 10% Liveness
88% Instrumentalness • 37% Positiveness
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Gerard Presencer
Unfold And Fly
129 bpm • D# Maj • 02:10 • -13.59db
16% Popularity • 47% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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David Whitman
Ode To Joe
116 bpm • D# Maj • 03:59 • -5.31db
12% Popularity • 51% Danceability • 73% Energy • 19% Liveness
44% Instrumentalness • 44% Positiveness
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Douglas Brown
The Last Thing I Heard Was a Bb
116 bpm • F min • 05:06 • -14.42db
11% Popularity • 46% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 64% Positiveness
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Charlier/Sourisse
Aboriginal Reel
129 bpm • G min • 08:28 • -10.19db
0% Popularity • 42% Danceability • 55% Energy • 5% Liveness
74% Instrumentalness • 29% Positiveness
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Diego Rivera
Song Of The Underground Railroad
129 bpm • B min • 05:16 • -9.69db
12% Popularity • 38% Danceability • 77% Energy • 13% Liveness
51% Instrumentalness • 71% Positiveness
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Jacob Roved Quintet
A Short Moment
115 bpm • F min • 08:21 • -14db
8% Popularity • 52% Danceability • 31% Energy • 11% Liveness
96% Instrumentalness • 22% Positiveness
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Kari Antila
Wild Rooster
129 bpm • G min • 06:20 • -12.21db
13% Popularity • 52% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Evolution Quartet
My Papa
115 bpm • D Maj • 04:33 • -17.77db
0% Popularity • 60% Danceability • 10% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
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Momentum