Songs like Money Never Runs Out by Cannon's Jug Stompers
Based on a tempo of (+/- 10%) and a similar genre
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Mance Lipscomb
When Death Come Creeping in Your Room (R...
171 bpm • D# Maj • 02:57 • -20db
20% Popularity • 55% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 55% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Johnny Shines
Ramblin'
169 bpm • D# Maj • 02:34 • -15db
25% Popularity • 44% Danceability • 26% Energy • 10% Liveness
33% Instrumentalness • 62% Positiveness
25% Popularity • 44% Danceability • 26% Energy • 10% Liveness
33% Instrumentalness • 62% Positiveness
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Son House
Preachin' Blues
171 bpm • B min • 05:43 • -11.8db
18% Popularity • 62% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 62% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Dock Boggs
Mistreated Mama Blues
171 bpm • C# min • 01:54 • -15db
17% Popularity • 59% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 59% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Lonnie Johnson
St. Louis Blues
168 bpm • G Maj • 03:05 • -17.17db
30% Popularity • 53% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 53% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Sleepy John Estes
Milk Cow Blues
172 bpm • C Maj • 03:02 • -11db
14% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Kid Bailey
Mississippi Bottom Blues
168 bpm • C Maj • 02:49 • -17db
11% Popularity • 62% Danceability • 19% Energy • 13% Liveness
12% Instrumentalness • 78% Positiveness
11% Popularity • 62% Danceability • 19% Energy • 13% Liveness
12% Instrumentalness • 78% Positiveness
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Cannon's Jug Stompers
Money Never Runs Out
168 bpm • F Maj • 02:48 • -10.38db
1% Popularity • 43% Danceability • 42% Energy • 28% Liveness
30% Instrumentalness • 77% Positiveness
1% Popularity • 43% Danceability • 42% Energy • 28% Liveness
30% Instrumentalness • 77% Positiveness
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Blind Willie Johnson
God Don't Never Change
168 bpm • C Maj • 02:56 • -16db
16% Popularity • 56% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 56% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Dock Boggs
My Old Horse Died
172 bpm • G# min • 01:48 • -10db
18% Popularity • 64% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 64% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Sonny Boy Williamson I
Got The Bottle Up And Gone
172 bpm • A Maj • 02:33 • -15.36db
32% Popularity • 61% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 61% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Pinetop Smith
Pinetop's Boogie Woogie - Remaster
167 bpm • C Maj • 03:24 • -21db
22% Popularity • 38% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 38% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Memphis Minnie
Bumble Bee
174 bpm • A# Maj • 02:49 • -7db
13% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Skip James
Crow Jane
166 bpm • C Maj • 02:58 • -17.52db
27% Popularity • 54% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 54% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Mississippi Joe Callicott
Fare Thee Well Blues
174 bpm • G# Maj • 03:10 • -13.07db
9% Popularity • 49% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 49% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Cannon's Jug Stompers
Springdale Blues
174 bpm • C Maj • 03:08 • -11.06db
1% Popularity • 44% Danceability • 30% Energy • 22% Liveness
2% Instrumentalness • 62% Positiveness
1% Popularity • 44% Danceability • 30% Energy • 22% Liveness
2% Instrumentalness • 62% Positiveness
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Blind Willie Johnson
Let Your Light Shine on Me
166 bpm • G Maj • 03:08 • -16db
28% Popularity • 44% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 44% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Houston Stackhouse
Cool Drink Of Water
175 bpm • F Maj • 03:16 • -18db
24% Popularity • 54% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 54% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Sonny Boy Williamson II
Pontiac Blues
165 bpm • F Maj • 02:42 • -8.44db
14% Popularity • 50% Danceability • 60% Energy • 14% Liveness
85% Instrumentalness • 83% Positiveness
14% Popularity • 50% Danceability • 60% Energy • 14% Liveness
85% Instrumentalness • 83% Positiveness
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Charlie Poole
Old and Only In the Way
176 bpm • F Maj • 03:29 • -10.71db
8% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Frank Stokes
Downtown Blues
163 bpm • B Maj • 03:17 • -14.38db
25% Popularity • 54% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 54% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Pink Anderson
That's No Way To Do
164 bpm • F Maj • 02:23 • -24.62db
14% Popularity • 60% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 60% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Blind Willie Johnson
If I Had My Way I'd Tear the Building Do...
165 bpm • F Maj • 03:07 • -14.44db
21% Popularity • 48% Danceability • 32% Energy • 22% Liveness
2% Instrumentalness • 72% Positiveness
21% Popularity • 48% Danceability • 32% Energy • 22% Liveness
2% Instrumentalness • 72% Positiveness
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Cannon's Jug Stompers
Money Never Runs Out
163 bpm • F Maj • 02:47 • -16.04db
1% Popularity • 43% Danceability • 25% Energy • 31% Liveness
73% Instrumentalness • 83% Positiveness
1% Popularity • 43% Danceability • 25% Energy • 31% Liveness
73% Instrumentalness • 83% Positiveness
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Tampa Red
Let Me Play with Your Poodle
163 bpm • G Maj • 02:39 • -10.25db
15% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Robert Nighthawk
The Moon Is Rising
178 bpm • D# Maj • 02:44 • -6db
22% Popularity • 49% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 49% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Robert Wilkins
I'll Go with Her
162 bpm • D# Maj • 03:06 • -12.24db
8% Popularity • 53% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 53% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Kokomo Arnold
Sagefield Woman Blues
178 bpm • G# Maj • 03:04 • -12db
10% Popularity • 60% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 60% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Casey Bill Weldon
You Just as Well Let Her Go
178 bpm • G Maj • 03:09 • -11db
10% Popularity • 65% Danceability • 41% Energy • 11% Liveness
11% Instrumentalness • 88% Positiveness
10% Popularity • 65% Danceability • 41% Energy • 11% Liveness
11% Instrumentalness • 88% Positiveness
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Blind Boy Fuller
I Want Some of Your Pie
162 bpm • F Maj • 02:46 • -10.68db
10% Popularity • 57% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 57% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Tampa Red
You Can't Get That Stuff No More
160 bpm • C min • 02:52 • -12.98db
14% Popularity • 65% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 65% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Blind Lemon Jefferson
See That My Grave's Kept Clean
180 bpm • C Maj • 02:53 • -10.02db
9% Popularity • 44% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 44% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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William Brown
Ragged And Dirty
180 bpm • G Maj • 04:50 • -15.32db
8% Popularity • 51% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 70% Positiveness
8% Popularity • 51% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 70% Positiveness
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Blind Willie Johnson
You'll Need Somebody on Your Bond
159 bpm • G# Maj • 03:05 • -14.08db
7% Popularity • 56% Danceability • 23% Energy • 12% Liveness
29% Instrumentalness • 56% Positiveness
7% Popularity • 56% Danceability • 23% Energy • 12% Liveness
29% Instrumentalness • 56% Positiveness
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Tommy Johnson
Bye-Bye Blues
182 bpm • F# min • 03:04 • -15.02db
11% Popularity • 45% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 45% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Blind Boy Fuller
Truckin' My Blues Away
181 bpm • G min • 03:08 • -12db
27% Popularity • 62% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 62% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Kokomo Arnold
Mean Old Twister
182 bpm • A min • 02:59 • -14.51db
10% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Sleepy John Estes
The Girl I Love, She Got Long Curly Hair
182 bpm • G Maj • 02:56 • -11.42db
12% Popularity • 46% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 62% Positiveness
12% Popularity • 46% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 62% Positiveness
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Bukka White
When Can I Change My Clothes?
182 bpm • F# Maj • 02:59 • -11.7db
13% Popularity • 51% Danceability • 24% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
13% Popularity • 51% Danceability • 24% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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Blind Lemon Jefferson
See That My Grave's Kept Clean
182 bpm • D min • 02:54 • -18.86db
20% Popularity • 34% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 34% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Blind Blake
Diddie Wah Diddie
182 bpm • C Maj • 02:59 • -13.72db
9% Popularity • 60% Danceability • 18% Energy • 12% Liveness
4% Instrumentalness • 90% Positiveness
9% Popularity • 60% Danceability • 18% Energy • 12% Liveness
4% Instrumentalness • 90% Positiveness
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Cannon's Jug Stompers
Hollywood Rag
182 bpm • F Maj • 03:05 • -12.92db
1% Popularity • 48% Danceability • 46% Energy • 28% Liveness
85% Instrumentalness • 86% Positiveness
1% Popularity • 48% Danceability • 46% Energy • 28% Liveness
85% Instrumentalness • 86% Positiveness
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Frank Stokes
How Long
185 bpm • D# Maj • 03:18 • -15.62db
9% Popularity • 44% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 44% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Sleepy John Estes
Drop Down Mama
157 bpm • B Maj • 03:11 • -9.72db
15% Popularity • 45% Danceability • 32% Energy • 18% Liveness
2% Instrumentalness • 60% Positiveness
15% Popularity • 45% Danceability • 32% Energy • 18% Liveness
2% Instrumentalness • 60% Positiveness
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Papa Charlie Jackson
I'm Looking for a Woman Who Knows How to...
156 bpm • C# Maj • 03:08 • -11.81db
10% Popularity • 65% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 65% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Robert Petway
Catfish Blues
184 bpm • C# Maj • 02:55 • -12.86db
26% Popularity • 60% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 85% Positiveness
26% Popularity • 60% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 85% Positiveness
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Blind Blake
He's In The Jailhouse Now
186 bpm • A# min • 02:46 • -13.11db
2% Popularity • 53% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 53% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 59% Positiveness
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Cannon's Jug Stompers
Bring It With You When You Come
183 bpm • G Maj • 02:45 • -9db
9% Popularity • 48% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 48% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Frank Stokes
Memphis Rounders Blues
186 bpm • D# Maj • 02:51 • -12.89db
14% Popularity • 46% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 46% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Blind Blake
Diddie Wa Diddie
186 bpm • C Maj • 03:00 • -13.84db
23% Popularity • 52% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 91% Positiveness
23% Popularity • 52% Danceability • 28% Energy • 16% Liveness
2% Instrumentalness • 91% Positiveness
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Memphis Jug Band
Stealin' Stealin'
155 bpm • G Maj • 02:56 • -10.77db
14% Popularity • 49% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 49% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Arthur "Big Boy" Crudup
Mean Old Frisco Blues
187 bpm • F min • 02:38 • -14db
24% Popularity • 58% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 59% Positiveness
24% Popularity • 58% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 59% Positiveness
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Josh White
John Henry
154 bpm • G Maj • 03:09 • -17.64db
7% Popularity • 56% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 56% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Cannon's Jug Stompers
Cairo Rag
188 bpm • G Maj • 03:02 • -10.75db
2% Popularity • 34% Danceability • 40% Energy • 36% Liveness
68% Instrumentalness • 92% Positiveness
2% Popularity • 34% Danceability • 40% Energy • 36% Liveness
68% Instrumentalness • 92% Positiveness
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Blind Willie Johnson
God Moves On the Water
188 bpm • F# Maj • 02:59 • -14.96db
27% Popularity • 56% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 56% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Blind Blake
Poker Woman Blues
187 bpm • C Maj • 02:43 • -13.82db
5% Popularity • 43% Danceability • 34% Energy • 22% Liveness
42% Instrumentalness • 84% Positiveness
5% Popularity • 43% Danceability • 34% Energy • 22% Liveness
42% Instrumentalness • 84% Positiveness
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Memphis Jug Band
On The Road Again
154 bpm • C Maj • 02:48 • -10.24db
17% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Lottie Kimbrough
Lost Lover Blues
154 bpm • G Maj • 03:08 • -8db
9% Popularity • 39% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 39% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Tampa Red
You Can't Get That Stuff No More
153 bpm • C Maj • 02:56 • -13.03db
13% Popularity • 67% Danceability • 20% Energy • 10% Liveness
8% Instrumentalness • 72% Positiveness
13% Popularity • 67% Danceability • 20% Energy • 10% Liveness
8% Instrumentalness • 72% Positiveness
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Papa Charlie Jackson
Butter And Egg Man Blues
153 bpm • E min • 02:59 • -13.51db
11% Popularity • 60% Danceability • 22% Energy • 15% Liveness
8% Instrumentalness • 77% Positiveness
11% Popularity • 60% Danceability • 22% Energy • 15% Liveness
8% Instrumentalness • 77% Positiveness
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Memphis Minnie
Black Rat Swing
189 bpm • C Maj • 02:52 • -11.91db
7% Popularity • 62% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 62% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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The Doc Watson Family
That Train That Carried My Girl from Tow...
152 bpm • D# Maj • 02:20 • -12.74db
19% Popularity • 39% Danceability • 45% Energy • 32% Liveness
3% Instrumentalness • 75% Positiveness
19% Popularity • 39% Danceability • 45% Energy • 32% Liveness
3% Instrumentalness • 75% Positiveness
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Lonnie Johnson
Long Road to Travel
152 bpm • D min • 02:22 • -16db
24% Popularity • 60% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 60% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Blind Blake
Come on Boys, Let's Do That Messin' Arou...
191 bpm • F# Maj • 02:43 • -7.58db
26% Popularity • 43% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 43% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Reverend Gary Davis
Hesitation
151 bpm • C# Maj • 03:18 • -13.63db
13% Popularity • 51% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 87% Positiveness
13% Popularity • 51% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 87% Positiveness
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Mance Lipscomb
Charlie James
150 bpm • F Maj • 03:36 • -17.59db
7% Popularity • 56% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 56% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Cannon's Jug Stompers
Heart Breakin' Blues
151 bpm • B Maj • 03:06 • -10.57db
1% Popularity • 47% Danceability • 33% Energy • 15% Liveness
12% Instrumentalness • 67% Positiveness
1% Popularity • 47% Danceability • 33% Energy • 15% Liveness
12% Instrumentalness • 67% Positiveness
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Blind Willie Johnson
Keep Your Lamp Trimmed And Burning
149 bpm • D Maj • 03:02 • -16db
19% Popularity • 52% Danceability • 14% Energy • 22% Liveness
4% Instrumentalness • 46% Positiveness
19% Popularity • 52% Danceability • 14% Energy • 22% Liveness
4% Instrumentalness • 46% Positiveness
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Dick Justice
Henry Lee
147 bpm • G Maj • 03:25 • -11.14db
8% Popularity • 51% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 51% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Blind Blake
Wabash Rag
197 bpm • F# Maj • 02:50 • -10.11db
5% Popularity • 57% Danceability • 36% Energy • 12% Liveness
16% Instrumentalness • 70% Positiveness
5% Popularity • 57% Danceability • 36% Energy • 12% Liveness
16% Instrumentalness • 70% Positiveness
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Skip James
Look Down The Road
147 bpm • F Maj • 03:16 • -22.64db
8% Popularity • 55% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 55% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Henry Thomas
The Fox and the Hounds
146 bpm • G# Maj • 02:36 • -9.81db
11% Popularity • 57% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 37% Positiveness
11% Popularity • 57% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 37% Positiveness
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Cannon's Jug Stompers
Heart Breakin' Blues
149 bpm • B Maj • 03:05 • -15.7db
0% Popularity • 46% Danceability • 19% Energy • 14% Liveness
27% Instrumentalness • 68% Positiveness
0% Popularity • 46% Danceability • 19% Energy • 14% Liveness
27% Instrumentalness • 68% Positiveness
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Blind Willie Johnson
Church, I'm Fully Saved Today
196 bpm • F Maj • 03:06 • -12.03db
18% Popularity • 49% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 49% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Memphis Minnie & Kansas Joe
Evil Devil Woman Blues
145 bpm • A Maj • 03:14 • -16.24db
20% Popularity • 48% Danceability • 7% Energy • 15% Liveness
1% Instrumentalness • 50% Positiveness
20% Popularity • 48% Danceability • 7% Energy • 15% Liveness
1% Instrumentalness • 50% Positiveness
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Clarence Ashley
The House Carpenter - 2020 Remaster
146 bpm • F# Maj • 03:18 • -12.77db
20% Popularity • 52% Danceability • 31% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 52% Danceability • 31% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Charley Patton
Going to Move to Alabama
145 bpm • F Maj • 03:03 • -11.73db
8% Popularity • 50% Danceability • 36% Energy • 32% Liveness
58% Instrumentalness • 70% Positiveness
8% Popularity • 50% Danceability • 36% Energy • 32% Liveness
58% Instrumentalness • 70% Positiveness
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Blind Lemon Jefferson
Black Snake Moan
145 bpm • B Maj • 02:50 • -11db
28% Popularity • 58% Danceability • 25% Energy • 14% Liveness
3% Instrumentalness • 44% Positiveness
28% Popularity • 58% Danceability • 25% Energy • 14% Liveness
3% Instrumentalness • 44% Positiveness
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Cannon's Jug Stompers
Prison Wall Blues
145 bpm • C Maj • 02:36 • -12.64db
1% Popularity • 52% Danceability • 29% Energy • 13% Liveness
7% Instrumentalness • 86% Positiveness
1% Popularity • 52% Danceability • 29% Energy • 13% Liveness
7% Instrumentalness • 86% Positiveness
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Mance Lipscomb
Long Tall Girl Got Stuck on Me
200 bpm • D# Maj • 02:43 • -15.25db
10% Popularity • 47% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 47% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Skip James
I'm so Glad
145 bpm • G# Maj • 02:49 • -11.83db
8% Popularity • 43% Danceability • 52% Energy • 38% Liveness
52% Instrumentalness • 48% Positiveness
8% Popularity • 43% Danceability • 52% Energy • 38% Liveness
52% Instrumentalness • 48% Positiveness
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Tampa Red
It's Tight Like That
200 bpm • A# Maj • 03:04 • -18.43db
15% Popularity • 53% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 83% Positiveness
15% Popularity • 53% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 83% Positiveness
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Charley Patton
A Spoonful Blues
200 bpm • F# Maj • 03:12 • -12.88db
26% Popularity • 46% Danceability • 32% Energy • 13% Liveness
89% Instrumentalness • 67% Positiveness
26% Popularity • 46% Danceability • 32% Energy • 13% Liveness
89% Instrumentalness • 67% Positiveness
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Bukka White
Shake 'Em On Down
201 bpm • A Maj • 03:00 • -11.87db
15% Popularity • 52% Danceability • 26% Energy • 12% Liveness
39% Instrumentalness • 75% Positiveness
15% Popularity • 52% Danceability • 26% Energy • 12% Liveness
39% Instrumentalness • 75% Positiveness
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Blind Lemon Jefferson
Bad Luck Blues
145 bpm • A Maj • 02:52 • -20.56db
24% Popularity • 60% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 60% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Blind Blake
West Coast Blues
203 bpm • D Maj • 03:08 • -11.81db
18% Popularity • 55% Danceability • 43% Energy • 12% Liveness
76% Instrumentalness • 88% Positiveness
18% Popularity • 55% Danceability • 43% Energy • 12% Liveness
76% Instrumentalness • 88% Positiveness
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Willie Brown
Future Blues
201 bpm • G# Maj • 03:01 • -11.71db
20% Popularity • 47% Danceability • 41% Energy • 13% Liveness
83% Instrumentalness • 74% Positiveness
20% Popularity • 47% Danceability • 41% Energy • 13% Liveness
83% Instrumentalness • 74% Positiveness
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Tampa Red
It's Tight Like That
203 bpm • A min • 02:49 • -15.01db
19% Popularity • 43% Danceability • 39% Energy • 20% Liveness
94% Instrumentalness • 76% Positiveness
19% Popularity • 43% Danceability • 39% Energy • 20% Liveness
94% Instrumentalness • 76% Positiveness
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Son House
County Farm Blues
204 bpm • G# Maj • 02:12 • -18.69db
23% Popularity • 58% Danceability • 13% Energy • 11% Liveness
76% Instrumentalness • 65% Positiveness
23% Popularity • 58% Danceability • 13% Energy • 11% Liveness
76% Instrumentalness • 65% Positiveness
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Bukka White
Sic 'Em Dogs On
207 bpm • E Maj • 02:27 • -11.76db
13% Popularity • 37% Danceability • 36% Energy • 28% Liveness
63% Instrumentalness • 58% Positiveness
13% Popularity • 37% Danceability • 36% Energy • 28% Liveness
63% Instrumentalness • 58% Positiveness
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Edward L. Crain
Bandit Cole Younger
208 bpm • C Maj • 02:53 • -15.96db
11% Popularity • 58% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 58% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Scrapper Blackwell
Kokomo Blues
209 bpm • F Maj • 03:06 • -12.36db
13% Popularity • 50% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 50% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
