Songs like Monolith by Thirty Seconds To Mars
Based on a tempo of (+/- 10%) and a similar genre
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Kings & Creatures
The Swarm Is Coming
75 bpm • G Maj • 02:45 • -9.5db
10% Popularity • 42% Danceability • 39% Energy • 22% Liveness
71% Instrumentalness • 19% Positiveness
10% Popularity • 42% Danceability • 39% Energy • 22% Liveness
71% Instrumentalness • 19% Positiveness
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AWOLNATION
Passion - HIGHSOCIETY Remix
75 bpm • C# Maj • 04:34 • -3.51db
20% Popularity • 53% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 53% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Mischa "Book" Chillak
Ready or Not
75 bpm • G min • 02:33 • -7.62db
46% Popularity • 46% Danceability • 72% Energy • 13% Liveness
62% Instrumentalness • 6% Positiveness
46% Popularity • 46% Danceability • 72% Energy • 13% Liveness
62% Instrumentalness • 6% Positiveness
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Klayton
Legion
75 bpm • C min • 01:48 • -10.39db
23% Popularity • 58% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
23% Popularity • 58% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Drawing North
Ars Amatoria
75 bpm • F# Maj • 03:01 • -5.6db
2% Popularity • 56% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
2% Popularity • 56% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Thirty Seconds To Mars
Monolith
75 bpm • C# Maj • 01:38 • -10.49db
36% Popularity • 38% Danceability • 79% Energy • 59% Liveness
83% Instrumentalness • 33% Positiveness
36% Popularity • 38% Danceability • 79% Energy • 59% Liveness
83% Instrumentalness • 33% Positiveness
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Glass Tides
Doomed (Acoustic)
73 bpm • F# min • 04:07 • -7.06db
30% Popularity • 47% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 47% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Otherwise
Once In My Dreams
77 bpm • D Maj • 03:30 • -7.55db
14% Popularity • 55% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 55% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Les Friction
Kashmir
73 bpm • D Maj • 03:23 • -8.8db
22% Popularity • 29% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
22% Popularity • 29% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Black Map
Invisible Worlds
77 bpm • C Maj • 03:25 • -4.64db
8% Popularity • 36% Danceability • 87% Energy • 6% Liveness
18% Instrumentalness • 53% Positiveness
8% Popularity • 36% Danceability • 87% Energy • 6% Liveness
18% Instrumentalness • 53% Positiveness
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The Spiritual Machines
Valentine
78 bpm • A min • 04:50 • -9.59db
13% Popularity • 15% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 15% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Bring Me The Horizon
A Devastating Liberation
78 bpm • F Maj • 04:40 • -9.43db
36% Popularity • 11% Danceability • 19% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 11% Danceability • 19% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Young Tribe
Kingdom
79 bpm • C# min • 03:31 • -6db
29% Popularity • 56% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 56% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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badXchannels
III. Dottedxlines
78 bpm • G min • 03:29 • -5.23db
17% Popularity • 23% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 23% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Les Friction
Your Voice
73 bpm • C Maj • 05:57 • -7.76db
20% Popularity • 16% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 16% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Tommee Profitt
Benevolence - Instrumental
71 bpm • D min • 02:29 • -9.89db
21% Popularity • 30% Danceability • 42% Energy • 8% Liveness
69% Instrumentalness • 7% Positiveness
21% Popularity • 30% Danceability • 42% Energy • 8% Liveness
69% Instrumentalness • 7% Positiveness
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Grey Daze
What's In The Eye
80 bpm • D min • 03:25 • -3.26db
36% Popularity • 49% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 49% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Mike Shinoda
Watching As I Fall - Remastered
80 bpm • F# Maj • 03:31 • -4.51db
36% Popularity • 52% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 52% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Thirty Seconds To Mars
L490
80 bpm • A min • 04:26 • -12.17db
25% Popularity • 44% Danceability • 47% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
25% Popularity • 44% Danceability • 47% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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The Phantoms
Dark Days
80 bpm • D Maj • 04:23 • -7db
14% Popularity • 47% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 47% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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VOLK
The Wolves
80 bpm • F# min • 03:26 • -10db
39% Popularity • 40% Danceability • 56% Energy • 33% Liveness
13% Instrumentalness • 4% Positiveness
39% Popularity • 40% Danceability • 56% Energy • 33% Liveness
13% Instrumentalness • 4% Positiveness
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Valerie Broussard
Deeper
70 bpm • E Maj • 03:05 • -6.03db
40% Popularity • 46% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 46% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Tommee Profitt
Gambling With Fate - Instrumental
80 bpm • C min • 02:59 • -7.05db
20% Popularity • 49% Danceability • 60% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
20% Popularity • 49% Danceability • 60% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
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Troy Baker
Window to the Abbey
82 bpm • C min • 04:27 • -8.39db
12% Popularity • 58% Danceability • 56% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
12% Popularity • 58% Danceability • 56% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
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Incubus
Glitterbomb
82 bpm • C# Maj • 04:45 • -3db
37% Popularity • 55% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 55% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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The Phantoms
This Is A War
82 bpm • A min • 05:07 • -7.78db
32% Popularity • 55% Danceability • 72% Energy • 5% Liveness
2% Instrumentalness • 26% Positiveness
32% Popularity • 55% Danceability • 72% Energy • 5% Liveness
2% Instrumentalness • 26% Positiveness
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Simple Creatures
Ether
82 bpm • D min • 03:32 • -6.57db
28% Popularity • 38% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 38% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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American Authors
Calm Me Down
83 bpm • G min • 03:32 • -4.81db
27% Popularity • 58% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 58% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Tommee Profitt
Rising Tombs - Instrumental
82 bpm • F# min • 02:49 • -7.6db
18% Popularity • 44% Danceability • 87% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
18% Popularity • 44% Danceability • 87% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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NOTHING MORE
Here's To The Heartache
83 bpm • F Maj • 04:17 • -5.32db
50% Popularity • 16% Danceability • 92% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 16% Danceability • 92% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
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Fall Out Boy
Church - nothing,nowhere. remix
84 bpm • F# min • 03:52 • -5.25db
31% Popularity • 54% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 54% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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AWOLNATION
Handyman
84 bpm • G Maj • 03:22 • -6.79db
41% Popularity • 49% Danceability • 72% Energy • 26% Liveness
16% Instrumentalness • 32% Positiveness
41% Popularity • 49% Danceability • 72% Energy • 26% Liveness
16% Instrumentalness • 32% Positiveness
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Story Of The Year
Wolves
85 bpm • C# Maj • 00:52 • -25.83db
18% Popularity • 33% Danceability • 40% Energy • 63% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 33% Danceability • 40% Energy • 63% Liveness
0% Instrumentalness • 23% Positiveness
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ill Factor
The Rooks
85 bpm • B min • 03:36 • -6.15db
27% Popularity • 47% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 47% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Crywolf
Quantum Immortality (Radio Edit)
85 bpm • B min • 03:51 • -4db
12% Popularity • 51% Danceability • 84% Energy • 72% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 51% Danceability • 84% Energy • 72% Liveness
0% Instrumentalness • 28% Positiveness
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Shallow Side
We Roll
85 bpm • A min • 03:06 • -4.34db
14% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Halestorm
Skulls
86 bpm • D min • 03:19 • -2.8db
35% Popularity • 60% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 60% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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RAIGN
Believe With Me
87 bpm • A min • 04:02 • -7.95db
19% Popularity • 45% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 45% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Lonely The Brave
Black Mire - Redux
87 bpm • C min • 04:33 • -6.64db
9% Popularity • 16% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 16% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
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Thirty Seconds To Mars
Dangerous Night
87 bpm • D Maj • 03:19 • -6.53db
52% Popularity • 30% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
52% Popularity • 30% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Universal Production Music
Into the Shadows
65 bpm • D Maj • 02:50 • -9db
29% Popularity • 16% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 16% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Otherwise
Bloody Knuckles, Broken Glass
87 bpm • C# Maj • 02:52 • -6.33db
13% Popularity • 63% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 63% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Celldweller
Mother's Arms
87 bpm • F Maj • 01:11 • -6.6db
17% Popularity • 29% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 29% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Smash Into Pieces
The Game (Womanizer)
87 bpm • C Maj • 03:04 • -5.83db
30% Popularity • 47% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 47% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Ben Hazlewood
Wanted
88 bpm • B min • 04:02 • -3.91db
11% Popularity • 30% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 30% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
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AWOLNATION
Handyman (Glades Remix)
88 bpm • G Maj • 02:43 • -3.59db
13% Popularity • 50% Danceability • 87% Energy • 15% Liveness
45% Instrumentalness • 33% Positiveness
13% Popularity • 50% Danceability • 87% Energy • 15% Liveness
45% Instrumentalness • 33% Positiveness
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The Red Jumpsuit Apparatus
Wake Me Up
88 bpm • E min • 03:28 • -6.13db
41% Popularity • 36% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 36% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Evans Blue
Graveyard Of Empires
88 bpm • C min • 02:49 • -11.71db
22% Popularity • 34% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
22% Popularity • 34% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Our Lady Peace
Falling into Place
89 bpm • C Maj • 03:24 • -6.79db
14% Popularity • 53% Danceability • 76% Energy • 27% Liveness
1% Instrumentalness • 33% Positiveness
14% Popularity • 53% Danceability • 76% Energy • 27% Liveness
1% Instrumentalness • 33% Positiveness
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P.O.D.
Rockin' With The Best
89 bpm • A# min • 02:42 • -5.82db
31% Popularity • 50% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 50% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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The Phantoms
Find You
89 bpm • C# min • 04:01 • -7db
27% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Hollywood Undead
Live Fast Die Young
90 bpm • G min • 03:41 • -4.01db
38% Popularity • 57% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 57% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Fort Hope
Say No
90 bpm • D min • 03:30 • -5.77db
13% Popularity • 53% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 53% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Rupert Gregson-Williams
The Black Manta
90 bpm • A# min • 02:49 • -19db
32% Popularity • 53% Danceability • 28% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
32% Popularity • 53% Danceability • 28% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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Thirty Seconds To Mars
Capricorn (A Brand New Name)
90 bpm • F min • 03:53 • -5.72db
46% Popularity • 47% Danceability • 80% Energy • 18% Liveness
2% Instrumentalness • 16% Positiveness
46% Popularity • 47% Danceability • 80% Energy • 18% Liveness
2% Instrumentalness • 16% Positiveness
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Fall Out Boy
HOLD ME TIGHT OR DON’T - VALNTN Remix
90 bpm • F# min • 03:17 • -8.63db
15% Popularity • 66% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 66% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Incubus
State Of The Art
91 bpm • A# min • 03:46 • -3.98db
43% Popularity • 47% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 47% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Andy Black
My Way
91 bpm • E Maj • 03:29 • -3.53db
32% Popularity • 29% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 29% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
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Audiomachine
Wars of Faith
91 bpm • C min • 03:51 • -13.13db
46% Popularity • 16% Danceability • 43% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
46% Popularity • 16% Danceability • 43% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Otherwise
Shapes of Metal
90 bpm • F min • 04:10 • -4.19db
10% Popularity • 56% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 56% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Thirty Seconds To Mars
The Fantasy
90 bpm • E Maj • 04:29 • -5.37db
43% Popularity • 54% Danceability • 87% Energy • 6% Liveness
32% Instrumentalness • 42% Positiveness
43% Popularity • 54% Danceability • 87% Energy • 6% Liveness
32% Instrumentalness • 42% Positiveness
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Fort Hope
The People Of The Lake
91 bpm • G# Maj • 02:25 • -7.22db
17% Popularity • 62% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 62% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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The All-American Rejects
Close Your Eyes
92 bpm • C# Maj • 04:27 • -7.67db
37% Popularity • 46% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 46% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Rezophonic
Mayday
92 bpm • F# min • 03:25 • -6.56db
16% Popularity • 43% Danceability • 72% Energy • 10% Liveness
2% Instrumentalness • 19% Positiveness
16% Popularity • 43% Danceability • 72% Energy • 10% Liveness
2% Instrumentalness • 19% Positiveness
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3 Doors Down
Let Me Go
92 bpm • C# min • 03:45 • -6.91db
30% Popularity • 60% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 60% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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The Goo Goo Dolls
30K Feet
92 bpm • G Maj • 03:56 • -4.97db
13% Popularity • 55% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 55% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Bring Me The Horizon
i don't know what to say
92 bpm • G min • 05:52 • -7db
50% Popularity • 50% Danceability • 73% Energy • 25% Liveness
10% Instrumentalness • 24% Positiveness
50% Popularity • 50% Danceability • 73% Energy • 25% Liveness
10% Instrumentalness • 24% Positiveness
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Otherwise
Stop, Drop and Roll (Doesn't Work in Hel...
92 bpm • G# min • 03:08 • -7.62db
14% Popularity • 59% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 59% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Three Days Grace
The Mountain
92 bpm • A# Maj • 03:18 • -5db
60% Popularity • 49% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 49% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Prime Circle
Keep Marching On
93 bpm • B Maj • 03:57 • -5.46db
16% Popularity • 57% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 57% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Motherless Bastards
Say Aye
93 bpm • B min • 04:20 • -8.29db
7% Popularity • 38% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 38% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Amy Lee
Lockdown
93 bpm • C Maj • 04:58 • -6.5db
35% Popularity • 52% Danceability • 86% Energy • 65% Liveness
21% Instrumentalness • 10% Positiveness
35% Popularity • 52% Danceability • 86% Energy • 65% Liveness
21% Instrumentalness • 10% Positiveness
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Thirty Seconds To Mars
One Track Mind
93 bpm • C Maj • 04:20 • -8db
45% Popularity • 36% Danceability • 46% Energy • 54% Liveness
0% Instrumentalness • 7% Positiveness
45% Popularity • 36% Danceability • 46% Energy • 54% Liveness
0% Instrumentalness • 7% Positiveness
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I WAS THE LION
Never Take Me Alive
94 bpm • G# Maj • 04:18 • -8.78db
31% Popularity • 48% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 9% Positiveness
31% Popularity • 48% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 9% Positiveness
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Otherwise
The Ballad of Ivan Patrick
94 bpm • D# min • 03:15 • -7.07db
11% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Mike Shinoda
Make It Up As I Go - Remastered
94 bpm • C# min • 03:29 • -5.37db
40% Popularity • 69% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 69% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Pop Evil
Be Legendary
94 bpm • E min • 03:23 • -3.11db
51% Popularity • 55% Danceability • 94% Energy • 20% Liveness
4% Instrumentalness • 37% Positiveness
51% Popularity • 55% Danceability • 94% Energy • 20% Liveness
4% Instrumentalness • 37% Positiveness
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Last Second Chance
You Are the One
95 bpm • D min • 03:49 • -6.56db
13% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 55% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Thirty Seconds To Mars
Oblivion
95 bpm • F min • 03:29 • -7.09db
44% Popularity • 41% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 41% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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ill Factor
Whitechapel
95 bpm • G min • 03:08 • -5.53db
8% Popularity • 67% Danceability • 60% Energy • 12% Liveness
26% Instrumentalness • 17% Positiveness
8% Popularity • 67% Danceability • 60% Energy • 12% Liveness
26% Instrumentalness • 17% Positiveness
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A Broken Silence
In the Beginning
95 bpm • A# min • 02:47 • -3.42db
15% Popularity • 60% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 60% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Justin Lassen
Exit Wounds - Justin Lassen Remix
95 bpm • A# Maj • 04:03 • -5.27db
9% Popularity • 56% Danceability • 94% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
9% Popularity • 56% Danceability • 94% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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P.O.D.
Always Southern California
95 bpm • C# Maj • 03:10 • -5db
45% Popularity • 47% Danceability • 87% Energy • 9% Liveness
16% Instrumentalness • 39% Positiveness
45% Popularity • 47% Danceability • 87% Energy • 9% Liveness
16% Instrumentalness • 39% Positiveness
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Roby Fayer
Loaded Gun
95 bpm • F# min • 03:47 • -6.16db
25% Popularity • 55% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 55% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Thirty Seconds To Mars
Northern Lights
95 bpm • C# Maj • 04:44 • -4.74db
36% Popularity • 54% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 54% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Rev Theory
We Own the Night - Eyota Remix
95 bpm • G# min • 04:22 • -4db
13% Popularity • 57% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 57% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Memory of a Melody
Skin Deep
95 bpm • D# min • 05:07 • -4.88db
30% Popularity • 50% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 50% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Otherwise
Won't Stop
95 bpm • C Maj • 03:56 • -5.37db
20% Popularity • 22% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 22% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Fall Out Boy
HOLD ME TIGHT OR DON’T - Sweater Beats...
96 bpm • C# min • 02:59 • -8.35db
21% Popularity • 68% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 68% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Story Of The Year
Miracle
96 bpm • D# min • 03:51 • -3db
44% Popularity • 50% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 50% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Thirty Seconds To Mars
The Mission
95 bpm • G# Maj • 04:04 • -4.27db
42% Popularity • 49% Danceability • 83% Energy • 20% Liveness
13% Instrumentalness • 15% Positiveness
42% Popularity • 49% Danceability • 83% Energy • 20% Liveness
13% Instrumentalness • 15% Positiveness
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Cellogram
All About Anna
96 bpm • A min • 03:46 • -7.69db
22% Popularity • 50% Danceability • 74% Energy • 16% Liveness
83% Instrumentalness • 38% Positiveness
22% Popularity • 50% Danceability • 74% Energy • 16% Liveness
83% Instrumentalness • 38% Positiveness
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Imagine Dragons
Mouth Of The River
96 bpm • G# Maj • 03:41 • -7.02db
58% Popularity • 48% Danceability • 91% Energy • 15% Liveness
5% Instrumentalness • 30% Positiveness
58% Popularity • 48% Danceability • 91% Energy • 15% Liveness
5% Instrumentalness • 30% Positiveness
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3 Doors Down
Citizen/Soldier
97 bpm • G# Maj • 03:31 • -5.4db
18% Popularity • 64% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 64% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Pop Evil
Nothing But Thieves
98 bpm • B min • 06:01 • -5.34db
19% Popularity • 59% Danceability • 81% Energy • 14% Liveness
5% Instrumentalness • 20% Positiveness
19% Popularity • 59% Danceability • 81% Energy • 14% Liveness
5% Instrumentalness • 20% Positiveness
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A Broken Silence
Build it Up
98 bpm • B Maj • 03:04 • -3.51db
12% Popularity • 67% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 67% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Thirty Seconds To Mars
End Of All Days
98 bpm • C min • 04:46 • -10db
38% Popularity • 55% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 55% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Matthew Mayfield
Turncoat
98 bpm • F Maj • 03:39 • -8.97db
12% Popularity • 37% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 37% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
