Songs like Monster by Chris Russell
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Can't Say No
Friday the 13th
110 bpm • A Maj • 04:28 • -10db
14% Popularity • 58% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 58% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Saldex
Gilded Cage
110 bpm • E min • 04:58 • -11.59db
18% Popularity • 56% Danceability • 56% Energy • 11% Liveness
52% Instrumentalness • 69% Positiveness
18% Popularity • 56% Danceability • 56% Energy • 11% Liveness
52% Instrumentalness • 69% Positiveness
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Chris Russell
Monster
110 bpm • G Maj • 03:51 • -5.29db
0% Popularity • 57% Danceability • 93% Energy • 30% Liveness
76% Instrumentalness • 82% Positiveness
0% Popularity • 57% Danceability • 93% Energy • 30% Liveness
76% Instrumentalness • 82% Positiveness
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What Stuck to the Wall
Just Playin' with Myself
110 bpm • A Maj • 02:55 • -8.12db
35% Popularity • 58% Danceability • 76% Energy • 26% Liveness
4% Instrumentalness • 40% Positiveness
35% Popularity • 58% Danceability • 76% Energy • 26% Liveness
4% Instrumentalness • 40% Positiveness
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SUGAR JUNKIES
Wake On Up
110 bpm • B min • 03:03 • -12db
16% Popularity • 80% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 80% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Two Hour Window
Ex (2023 Remaster)
110 bpm • D Maj • 04:22 • -5.79db
12% Popularity • 60% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 60% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Can't Say No
Bagpipes
110 bpm • C# min • 07:32 • -10db
14% Popularity • 46% Danceability • 0% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 46% Danceability • 0% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Fritzel Hymen and the schnitzel chefs
Lamb Chop the lesbian lamb
110 bpm • A# min • 02:02 • -10.93db
10% Popularity • 75% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
10% Popularity • 75% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Brad Erickson
Legacy Attic
110 bpm • E min • 04:27 • -8.37db
10% Popularity • 60% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 60% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Danger Line
The One
110 bpm • G Maj • 04:04 • -10.79db
21% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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SUGAR JUNKIES
Only What You Love
110 bpm • C# min • 04:09 • -10db
16% Popularity • 57% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
16% Popularity • 57% Danceability • 58% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Grunge Norris & the Slackers
Crackhead Blues
110 bpm • C Maj • 04:22 • -6.05db
18% Popularity • 52% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 52% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Copperstone
Partner in Crime
110 bpm • G Maj • 02:45 • -8db
15% Popularity • 46% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 46% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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The War in Burton
Walking, talking, stalking
110 bpm • F Maj • 02:36 • -2.8db
7% Popularity • 68% Danceability • 83% Energy • 10% Liveness
71% Instrumentalness • 89% Positiveness
7% Popularity • 68% Danceability • 83% Energy • 10% Liveness
71% Instrumentalness • 89% Positiveness
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Brent Newbold
Today Becomes Tomorrow
110 bpm • A Maj • 04:15 • -7.9db
9% Popularity • 39% Danceability • 77% Energy • 47% Liveness
60% Instrumentalness • 46% Positiveness
9% Popularity • 39% Danceability • 77% Energy • 47% Liveness
60% Instrumentalness • 46% Positiveness
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Heavy America
Pretender
111 bpm • C# Maj • 03:30 • -7.53db
25% Popularity • 46% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 46% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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SUGAR JUNKIES
Working Man
110 bpm • D Maj • 03:37 • -11db
16% Popularity • 65% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 65% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Denver Meatpacking Company
Everything is Garbage
111 bpm • A Maj • 02:53 • -9.13db
15% Popularity • 33% Danceability • 65% Energy • 10% Liveness
11% Instrumentalness • 50% Positiveness
15% Popularity • 33% Danceability • 65% Energy • 10% Liveness
11% Instrumentalness • 50% Positiveness
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Shane Rickerson
Will Advise
109 bpm • A# Maj • 03:58 • -8.45db
11% Popularity • 40% Danceability • 77% Energy • 12% Liveness
71% Instrumentalness • 54% Positiveness
11% Popularity • 40% Danceability • 77% Energy • 12% Liveness
71% Instrumentalness • 54% Positiveness
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Princess Irish Goodbye
And You
109 bpm • F Maj • 01:43 • -7.49db
21% Popularity • 70% Danceability • 64% Energy • 7% Liveness
11% Instrumentalness • 85% Positiveness
21% Popularity • 70% Danceability • 64% Energy • 7% Liveness
11% Instrumentalness • 85% Positiveness
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C.Hanson
The Vultures Shadow
111 bpm • D Maj • 03:39 • -10.96db
23% Popularity • 52% Danceability • 95% Energy • 44% Liveness
34% Instrumentalness • 34% Positiveness
23% Popularity • 52% Danceability • 95% Energy • 44% Liveness
34% Instrumentalness • 34% Positiveness
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Heavy America
Under Glass
111 bpm • A# Maj • 04:57 • -6.26db
8% Popularity • 56% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 56% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Mourning Moon
Spirit Animal
111 bpm • D Maj • 04:16 • -7.48db
37% Popularity • 39% Danceability • 81% Energy • 17% Liveness
50% Instrumentalness • 58% Positiveness
37% Popularity • 39% Danceability • 81% Energy • 17% Liveness
50% Instrumentalness • 58% Positiveness
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Electric Peace
Shoot Me
109 bpm • B min • 03:11 • -2.46db
15% Popularity • 38% Danceability • 81% Energy • 19% Liveness
18% Instrumentalness • 45% Positiveness
15% Popularity • 38% Danceability • 81% Energy • 19% Liveness
18% Instrumentalness • 45% Positiveness
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Peirce band
Feeling You
109 bpm • D min • 04:03 • -7.66db
23% Popularity • 43% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 43% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Futile Entombment
Out of Darkness
108 bpm • B min • 05:39 • -8.84db
11% Popularity • 53% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
11% Popularity • 53% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
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Brink Of Oblivion
Envy (Demo)
108 bpm • G Maj • 05:12 • -7.62db
13% Popularity • 26% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 26% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Ed Eagle
#StopPayola
108 bpm • B Maj • 02:38 • -7.51db
34% Popularity • 61% Danceability • 81% Energy • 49% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 61% Danceability • 81% Energy • 49% Liveness
0% Instrumentalness • 56% Positiveness
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The JMC
I'll Write Your Constellation
112 bpm • A Maj • 04:05 • -8.82db
12% Popularity • 58% Danceability • 61% Energy • 8% Liveness
7% Instrumentalness • 31% Positiveness
12% Popularity • 58% Danceability • 61% Energy • 8% Liveness
7% Instrumentalness • 31% Positiveness
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The Dan Gootner Band
Monteverde
108 bpm • F# min • 03:59 • -8.49db
31% Popularity • 56% Danceability • 83% Energy • 14% Liveness
72% Instrumentalness • 64% Positiveness
31% Popularity • 56% Danceability • 83% Energy • 14% Liveness
72% Instrumentalness • 64% Positiveness
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What Stuck to the Wall
Abandoned Hospital
108 bpm • G Maj • 03:11 • -9.27db
34% Popularity • 57% Danceability • 50% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
34% Popularity • 57% Danceability • 50% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
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Can't Say No
Masquerade
108 bpm • D Maj • 03:41 • -11.3db
14% Popularity • 54% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 54% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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The Not So 90s
What Can I Do? (The Nonsense Song)
112 bpm • A Maj • 04:21 • -7.33db
10% Popularity • 76% Danceability • 66% Energy • 33% Liveness
1% Instrumentalness • 81% Positiveness
10% Popularity • 76% Danceability • 66% Energy • 33% Liveness
1% Instrumentalness • 81% Positiveness
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Afonso
Rise Up
112 bpm • F Maj • 04:21 • -2db
21% Popularity • 44% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 44% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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Alder Adventure
Shipwreck
108 bpm • D min • 05:05 • -12.04db
8% Popularity • 30% Danceability • 56% Energy • 17% Liveness
42% Instrumentalness • 47% Positiveness
8% Popularity • 30% Danceability • 56% Energy • 17% Liveness
42% Instrumentalness • 47% Positiveness
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The Kollaborators
A Hole in the Sky
108 bpm • A Maj • 01:52 • -10.33db
13% Popularity • 56% Danceability • 71% Energy • 38% Liveness
4% Instrumentalness • 60% Positiveness
13% Popularity • 56% Danceability • 71% Energy • 38% Liveness
4% Instrumentalness • 60% Positiveness
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Ren Ashfield and the Magicians
Cincinnati
107 bpm • C# Maj • 03:24 • -7.55db
27% Popularity • 63% Danceability • 75% Energy • 30% Liveness
5% Instrumentalness • 46% Positiveness
27% Popularity • 63% Danceability • 75% Energy • 30% Liveness
5% Instrumentalness • 46% Positiveness
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Basil Daniel
The World You Entered
113 bpm • A# min • 03:38 • -8.57db
24% Popularity • 47% Danceability • 54% Energy • 18% Liveness
38% Instrumentalness • 48% Positiveness
24% Popularity • 47% Danceability • 54% Energy • 18% Liveness
38% Instrumentalness • 48% Positiveness
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Lewis Tivey
Ozone
112 bpm • G# Maj • 04:10 • -6.73db
21% Popularity • 23% Danceability • 74% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
21% Popularity • 23% Danceability • 74% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
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Jason Randall
Believe
114 bpm • F Maj • 04:34 • -6.8db
23% Popularity • 29% Danceability • 83% Energy • 9% Liveness
25% Instrumentalness • 27% Positiveness
23% Popularity • 29% Danceability • 83% Energy • 9% Liveness
25% Instrumentalness • 27% Positiveness
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Two Hour Window
Old Dirty Rag
114 bpm • D# min • 03:30 • -7.03db
12% Popularity • 86% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 86% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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EchoSol
Ready To Score
114 bpm • A Maj • 01:51 • -6.99db
16% Popularity • 56% Danceability • 93% Energy • 27% Liveness
73% Instrumentalness • 74% Positiveness
16% Popularity • 56% Danceability • 93% Energy • 27% Liveness
73% Instrumentalness • 74% Positiveness
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Pretty Hate Apache
Hey Say
114 bpm • D Maj • 02:51 • -10.82db
11% Popularity • 49% Danceability • 79% Energy • 9% Liveness
71% Instrumentalness • 45% Positiveness
11% Popularity • 49% Danceability • 79% Energy • 9% Liveness
71% Instrumentalness • 45% Positiveness
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Aton O'Cat
Tonight is perfect
114 bpm • F# min • 03:26 • -8.22db
17% Popularity • 59% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 59% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Upwood Avenue
Just Give Me A Call
106 bpm • G Maj • 05:20 • -7.99db
26% Popularity • 42% Danceability • 64% Energy • 32% Liveness
6% Instrumentalness • 70% Positiveness
26% Popularity • 42% Danceability • 64% Energy • 32% Liveness
6% Instrumentalness • 70% Positiveness
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Without Worry
Now and Forever
106 bpm • A Maj • 06:02 • -13.44db
8% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Sanguine
Song For The Hanged Man - 2023 Remaster
115 bpm • A min • 02:41 • -6.89db
23% Popularity • 30% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 30% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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SIDIKI
Cosmic Symphony
115 bpm • C# Maj • 04:50 • -7.04db
14% Popularity • 37% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 37% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Call Me T
S.A.D
115 bpm • G Maj • 03:25 • -11.14db
14% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Delay
Amanda Joy
115 bpm • E Maj • 04:26 • -10.42db
33% Popularity • 63% Danceability • 72% Energy • 15% Liveness
52% Instrumentalness • 68% Positiveness
33% Popularity • 63% Danceability • 72% Energy • 15% Liveness
52% Instrumentalness • 68% Positiveness
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Michael Ballantyne
Falling Alone #7
115 bpm • C Maj • 02:35 • -6.16db
14% Popularity • 82% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 82% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Broken Star
Every Beat of my Heart
115 bpm • D Maj • 03:50 • -7.37db
10% Popularity • 56% Danceability • 78% Energy • 7% Liveness
2% Instrumentalness • 46% Positiveness
10% Popularity • 56% Danceability • 78% Energy • 7% Liveness
2% Instrumentalness • 46% Positiveness
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Basil Daniel
The Electroschock
115 bpm • G# min • 04:24 • -7.06db
24% Popularity • 41% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 41% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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SIDIKI
Biba and the Gobo Cat
115 bpm • G# Maj • 04:39 • -9db
13% Popularity • 56% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 56% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Jyri Kannisto
Bait of fate
115 bpm • C Maj • 02:42 • -12.41db
24% Popularity • 61% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 61% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Stefski & Hutch
Something Good
105 bpm • C Maj • 05:05 • -7.95db
12% Popularity • 69% Danceability • 82% Energy • 18% Liveness
1% Instrumentalness • 72% Positiveness
12% Popularity • 69% Danceability • 82% Energy • 18% Liveness
1% Instrumentalness • 72% Positiveness
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Michael Ballantyne
Isn't This The Day
115 bpm • A Maj • 03:07 • -4.6db
15% Popularity • 56% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 56% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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2 Odd Dogs
Make My Day
105 bpm • A Maj • 03:37 • -8.83db
33% Popularity • 58% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 58% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Scott Ruhs
Midnight Flight
105 bpm • G# Maj • 02:58 • -4.62db
21% Popularity • 61% Danceability • 96% Energy • 11% Liveness
90% Instrumentalness • 85% Positiveness
21% Popularity • 61% Danceability • 96% Energy • 11% Liveness
90% Instrumentalness • 85% Positiveness
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SIDIKI
African Heart
105 bpm • G Maj • 04:50 • -9.13db
13% Popularity • 63% Danceability • 55% Energy • 9% Liveness
60% Instrumentalness • 37% Positiveness
13% Popularity • 63% Danceability • 55% Energy • 9% Liveness
60% Instrumentalness • 37% Positiveness
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Willy Zayus
Stormy times
105 bpm • G Maj • 03:33 • -6.36db
6% Popularity • 60% Danceability • 87% Energy • 35% Liveness
44% Instrumentalness • 66% Positiveness
6% Popularity • 60% Danceability • 87% Energy • 35% Liveness
44% Instrumentalness • 66% Positiveness
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Undisclosed Addictions
My Heart Bleeds...
105 bpm • A# min • 05:42 • -11.34db
22% Popularity • 32% Danceability • 40% Energy • 8% Liveness
23% Instrumentalness • 36% Positiveness
22% Popularity • 32% Danceability • 40% Energy • 8% Liveness
23% Instrumentalness • 36% Positiveness
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Brink Of Oblivion
Motion
116 bpm • A min • 04:41 • -8.82db
13% Popularity • 71% Danceability • 49% Energy • 29% Liveness
91% Instrumentalness • 16% Positiveness
13% Popularity • 71% Danceability • 49% Energy • 29% Liveness
91% Instrumentalness • 16% Positiveness
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Spare Bricks
Remember the Sky
105 bpm • G min • 04:43 • -10.3db
12% Popularity • 71% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 71% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Lush Lullaby
I Will Go Forever
116 bpm • F# Maj • 03:05 • -6.45db
11% Popularity • 78% Danceability • 67% Energy • 9% Liveness
12% Instrumentalness • 62% Positiveness
11% Popularity • 78% Danceability • 67% Energy • 9% Liveness
12% Instrumentalness • 62% Positiveness
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Two Hour Window
Complications
116 bpm • D Maj • 03:41 • -5.79db
12% Popularity • 67% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 67% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Willy Zayus
Africa is The Future
116 bpm • B min • 02:54 • -6.91db
23% Popularity • 74% Danceability • 65% Energy • 58% Liveness
16% Instrumentalness • 72% Positiveness
23% Popularity • 74% Danceability • 65% Energy • 58% Liveness
16% Instrumentalness • 72% Positiveness
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Fourth Son South
Positive
116 bpm • B min • 03:39 • -8.6db
16% Popularity • 73% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 73% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Audible Communiqué
Bad Karma
116 bpm • F Maj • 02:18 • -9db
8% Popularity • 88% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 88% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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KOJI The Planet Stoned Plus
Rock Oyster Crash
116 bpm • D Maj • 02:13 • -3db
19% Popularity • 75% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 75% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Reckless Deriver
So
104 bpm • G Maj • 04:33 • -6db
10% Popularity • 30% Danceability • 82% Energy • 10% Liveness
56% Instrumentalness • 50% Positiveness
10% Popularity • 30% Danceability • 82% Energy • 10% Liveness
56% Instrumentalness • 50% Positiveness
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4160volts
Push my buttons
116 bpm • B min • 02:02 • -5.84db
36% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Two Hour Window
Shakin' the Ground
104 bpm • G Maj • 03:53 • -6.06db
12% Popularity • 75% Danceability • 93% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 75% Danceability • 93% Energy • 42% Liveness
0% Instrumentalness • 74% Positiveness
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Men In The Box
Smells Like Teen Spirit
116 bpm • F min • 05:00 • -7.76db
9% Popularity • 46% Danceability • 91% Energy • 30% Liveness
28% Instrumentalness • 69% Positiveness
9% Popularity • 46% Danceability • 91% Energy • 30% Liveness
28% Instrumentalness • 69% Positiveness
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Crimson Disc
Stupid Me, Stupid You
104 bpm • G Maj • 03:35 • -11.31db
20% Popularity • 64% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 64% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Planet of Rhythm
Ever and Ever
104 bpm • D Maj • 04:19 • -6.12db
11% Popularity • 70% Danceability • 46% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
11% Popularity • 70% Danceability • 46% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Bad Witch
Mister Pseudostar
104 bpm • B Maj • 03:34 • -6.19db
23% Popularity • 53% Danceability • 96% Energy • 24% Liveness
88% Instrumentalness • 11% Positiveness
23% Popularity • 53% Danceability • 96% Energy • 24% Liveness
88% Instrumentalness • 11% Positiveness
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Stockyard Parade
Alligator
104 bpm • A Maj • 03:52 • -13db
12% Popularity • 59% Danceability • 55% Energy • 85% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 59% Danceability • 55% Energy • 85% Liveness
0% Instrumentalness • 86% Positiveness
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Ron E Shelton
Heat Of The Night
104 bpm • A Maj • 04:21 • -14.92db
19% Popularity • 31% Danceability • 51% Energy • 18% Liveness
34% Instrumentalness • 34% Positiveness
19% Popularity • 31% Danceability • 51% Energy • 18% Liveness
34% Instrumentalness • 34% Positiveness
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Perfect Lies
Inside Of Me
103 bpm • G Maj • 03:27 • -7db
22% Popularity • 48% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 48% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Basil Daniel
Dancing On Chair
117 bpm • A Maj • 03:29 • -6.84db
24% Popularity • 48% Danceability • 60% Energy • 18% Liveness
44% Instrumentalness • 55% Positiveness
24% Popularity • 48% Danceability • 60% Energy • 18% Liveness
44% Instrumentalness • 55% Positiveness
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Odeh
Kissing Ground
103 bpm • D Maj • 04:22 • -8.65db
9% Popularity • 44% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 44% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Porter
Oh Oh
103 bpm • D Maj • 03:09 • -4.99db
26% Popularity • 57% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 57% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Bill Mandara
I Got Old
103 bpm • B min • 03:15 • -5.53db
14% Popularity • 59% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 59% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Willy Zayus
My Autotune
103 bpm • B min • 03:22 • -7.08db
17% Popularity • 69% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 69% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Robbie Warden
Pissy
118 bpm • E Maj • 02:58 • -10.96db
19% Popularity • 60% Danceability • 57% Energy • 21% Liveness
2% Instrumentalness • 45% Positiveness
19% Popularity • 60% Danceability • 57% Energy • 21% Liveness
2% Instrumentalness • 45% Positiveness
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Greg Llatse
Maybe
118 bpm • A# Maj • 02:31 • -7.07db
15% Popularity • 67% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 67% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 4% Positiveness
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Teddy Head
Just Look What They Do To You
118 bpm • D Maj • 03:28 • -7.55db
33% Popularity • 66% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 66% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Adirondack
Into The Fray
118 bpm • F# min • 03:40 • -11.07db
19% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Goatee Man
I Don't Care You Can Stroke My
118 bpm • G# min • 01:09 • -11.89db
26% Popularity • 85% Danceability • 45% Energy • 11% Liveness
5% Instrumentalness • 75% Positiveness
26% Popularity • 85% Danceability • 45% Energy • 11% Liveness
5% Instrumentalness • 75% Positiveness
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L.Hardy
My Girl
102 bpm • A min • 04:19 • -4.5db
12% Popularity • 56% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 56% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Two Hour Window
Up Down
102 bpm • A Maj • 03:58 • -6.45db
12% Popularity • 63% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 63% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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SCATTERED ASHES
Kingdom
102 bpm • D Maj • 04:18 • -5.8db
13% Popularity • 57% Danceability • 90% Energy • 56% Liveness
4% Instrumentalness • 44% Positiveness
13% Popularity • 57% Danceability • 90% Energy • 56% Liveness
4% Instrumentalness • 44% Positiveness
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Paul J Rogers
I've Got This
102 bpm • E Maj • 05:02 • -8.11db
18% Popularity • 82% Danceability • 58% Energy • 13% Liveness
29% Instrumentalness • 52% Positiveness
18% Popularity • 82% Danceability • 58% Energy • 13% Liveness
29% Instrumentalness • 52% Positiveness
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Trampoline
Children of the Hill
102 bpm • C# min • 03:30 • -3.97db
20% Popularity • 61% Danceability • 85% Energy • 46% Liveness
1% Instrumentalness • 58% Positiveness
20% Popularity • 61% Danceability • 85% Energy • 46% Liveness
1% Instrumentalness • 58% Positiveness
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Smokin' Cola
Good First Impression
120 bpm • D min • 01:05 • -9.75db
21% Popularity • 57% Danceability • 67% Energy • 22% Liveness
1% Instrumentalness • 69% Positiveness
21% Popularity • 57% Danceability • 67% Energy • 22% Liveness
1% Instrumentalness • 69% Positiveness
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Earth Cadet
Parapets
120 bpm • C min • 03:50 • -4.97db
18% Popularity • 39% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 39% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Reckless Deriver
Know Me
120 bpm • A Maj • 03:31 • -7db
10% Popularity • 30% Danceability • 74% Energy • 13% Liveness
6% Instrumentalness • 49% Positiveness
10% Popularity • 30% Danceability • 74% Energy • 13% Liveness
6% Instrumentalness • 49% Positiveness
