Songs like Montage, Part 2: Nothing by Natalie Cortez
Based on a tempo of (+/- 10%) and a similar genre
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Rose
Everything's Coming Up Roses
75 bpm • A# Maj • 02:51 • -4db
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Alice Ripley
Make up Your Mind / Catch Me I'm Falling
75 bpm • F# Maj • 03:58 • -10.01db
33% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Josh Groban
Pierre & Anatole
75 bpm • C# min • 03:56 • -7.22db
33% Popularity • 74% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 74% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Megan Hilty and Ensemble
Backwoods Barbie
74 bpm • B Maj • 02:27 • -9db
29% Popularity • 44% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 44% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Cast Recording
All Grown Up
76 bpm • C# min • 04:11 • -11.46db
28% Popularity • 41% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 41% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Erika Henningsen
More Is Better
74 bpm • C Maj • 03:20 • -8.07db
47% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Stephanie D'Abruzzo
Mix Tape
74 bpm • A Maj • 03:35 • -14.86db
9% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
31% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Stephen Schwartz
A Sentimental Man
74 bpm • B Maj • 01:16 • -15db
33% Popularity • 35% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 35% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Original Cast of Amélie
A Better Haircut
76 bpm • D Maj • 04:35 • -7.51db
21% Popularity • 49% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 49% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Anna Kendrick
I Can Do Better Than That
77 bpm • D Maj • 04:57 • -7.42db
41% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Danny Burstein
If I Were a Rich Man
77 bpm • C# Maj • 04:39 • -8db
28% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 53% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Faith Prince
Entr'acte / Take Back Your Mink
77 bpm • C min • 05:20 • -15.45db
25% Popularity • 42% Danceability • 24% Energy • 61% Liveness
2% Instrumentalness • 53% Positiveness
25% Popularity • 42% Danceability • 24% Energy • 61% Liveness
2% Instrumentalness • 53% Positiveness
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Audra McDonald
Your Daddy's Son
77 bpm • G# min • 03:42 • -12.81db
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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David Byrne & Fatboy Slim
Just Ask Flowers
73 bpm • B Maj • 04:24 • -7.52db
13% Popularity • 54% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 54% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Stephanie J. Block
Get Out And Stay Out
77 bpm • C# Maj • 04:19 • -8.6db
40% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Stephen Lee Anderson
Heaven Help Me
77 bpm • A Maj • 01:51 • -12.58db
29% Popularity • 53% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 53% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Mindi Dickstein
Small Umbrella in the Rain
77 bpm • G Maj • 04:22 • -12.13db
26% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Jeanine Tesori
Changing My Major
77 bpm • A# Maj • 04:22 • -11.02db
32% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Unfortunate Erection (Chip's Lament)
78 bpm • C# Maj • 02:38 • -8db
35% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Christy Altomare
Do Me a Favor
78 bpm • G Maj • 03:18 • -6.37db
33% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Mel Brooks
The King of Broadway
78 bpm • C# Maj • 05:09 • -11.4db
10% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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John Tartaglia
There's a Fine, Fine Line (Reprise) / Wh...
78 bpm • A min • 01:43 • -16.92db
8% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Felicia Finley
A Note from Linda
72 bpm • A Maj • 01:59 • -8.45db
10% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Andy Karl and Allison Janney
Let Love Grow
78 bpm • D# Maj • 02:38 • -12.08db
24% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Ron Rifkin
Married
72 bpm • G# Maj • 03:39 • -17.06db
25% Popularity • 32% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 32% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Hunter Parrish
Tower of Babble
79 bpm • A Maj • 04:30 • -12.59db
29% Popularity • 50% Danceability • 30% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 50% Danceability • 30% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
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Jared Gertner
One by One by One
79 bpm • D Maj • 03:34 • -12.32db
24% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Ann Harada
The More You Ruv Someone
79 bpm • G# Maj • 02:23 • -7.55db
9% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Mindi Dickstein
An Operatic Tragedy
79 bpm • G Maj • 01:57 • -8.06db
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Marin Mazzie
Carrie - Reprise
79 bpm • D# Maj • 01:25 • -18db
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Kate Baldwin
Ribbons Down My Back
71 bpm • D min • 03:08 • -14db
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Santino Fontana
I Won't Let You Down
71 bpm • E Maj • 03:03 • -10.87db
11% Popularity • 31% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 31% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Al Calderon
Hey Kendra
80 bpm • C Maj • 03:09 • -7.51db
24% Popularity • 54% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 54% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Jordan Donica
On the Street Where You Live
80 bpm • C Maj • 03:53 • -8db
26% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Margo Seibert
I'm Done - Rocky Broadway Cast Recording
80 bpm • A Maj • 01:58 • -7.87db
26% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Jeanna de Waal
The World According to Chris
80 bpm • G# Maj • 04:40 • -6.02db
39% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Aaron Tveit
There's a World
80 bpm • A# Maj • 01:34 • -19.08db
32% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sheila Hancock
Here Within These Walls
80 bpm • G# Maj • 04:04 • -9.25db
29% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Nicholas Barasch
Somewhere
81 bpm • D# Maj • 06:49 • -16db
23% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Lindsay Mendez
Pretty Funny
70 bpm • G Maj • 04:49 • -10db
39% Popularity • 44% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 44% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Christy Altomare
Once You See
80 bpm • E Maj • 01:32 • -12db
28% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Stephanie J. Block
Holding to the Ground
81 bpm • B Maj • 02:34 • -10db
36% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Solea Pfeiffer
I'm Not Afraid of Anything
81 bpm • D Maj • 04:49 • -9.13db
32% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Katie Rowley Jones
The Life I Never Led - Reprise
81 bpm • D Maj • 01:09 • -6.87db
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
The Book Report
81 bpm • D# Maj • 05:10 • -13db
29% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
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Lynn Ahrens
All For You - Original Broadway Cast Rec...
69 bpm • F Maj • 03:37 • -13.12db
31% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Jennifer Damiano
Everything Else
69 bpm • C Maj • 01:49 • -12db
38% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 61% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Kelli O'Hara
The Beauty Is
69 bpm • C# Maj • 03:07 • -15db
29% Popularity • 28% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 28% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Sherie Rene Scott as Ursula
I Want the Good Times Back
82 bpm • G Maj • 04:57 • -14.85db
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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'Come From Away' Company
Darkness And Trees
82 bpm • E min • 03:08 • -12.61db
40% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Gary Beach
Keep It Gay
82 bpm • C# Maj • 05:07 • -13.2db
33% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
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Burke Moses
Me
82 bpm • F# min • 02:48 • -17.3db
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Janine LaManna
The One Feather Tail Of Miss Gertrude Mc...
82 bpm • C Maj • 01:16 • -16.14db
35% Popularity • 38% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 38% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
36% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Sean Palmer as Prince Eric
One Step Closer
83 bpm • D Maj • 04:22 • -20.5db
32% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Alice Ripley
Just Another Day
83 bpm • E min • 03:49 • -7.52db
36% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Miss Saigon Original Cast
You Will Not Touch Him - Live
83 bpm • F# Maj • 03:34 • -7.87db
37% Popularity • 26% Danceability • 56% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 26% Danceability • 56% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
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Kathy Fitzgerald and Ensemble
Heart To Hart
83 bpm • E Maj • 04:17 • -9.02db
28% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Hugh Jackman
People Will Say We're in Love (Reprise)
84 bpm • D Maj • 01:32 • -9.97db
30% Popularity • 33% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 33% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Mindi Dickstein
Some Things Are Meant to Be
84 bpm • G Maj • 04:25 • -10.6db
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Marin Mazzie
And Eve Was Weak
83 bpm • F min • 03:16 • -5db
35% Popularity • 51% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 51% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Dee Hoty
Can You Find It in Your Heart?
84 bpm • C# Maj • 02:28 • -19.73db
27% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Danny Burstein
I Am Aldolpho
84 bpm • E min • 02:34 • -9.04db
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Ramin Karimloo
Still
84 bpm • F min • 02:36 • -10.59db
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Terrence Mann
If I Can't Love Her (Reprise)
84 bpm • D Maj • 01:34 • -26.39db
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Olga Merediz
Paciencia Y Fe
84 bpm • D Maj • 04:55 • -8.16db
40% Popularity • 54% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 54% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Kelli Barrett
When the Music Played
84 bpm • F Maj • 04:54 • -14.73db
16% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Jimmy Roberts
Single Man Drought
67 bpm • A# Maj • 04:09 • -10db
17% Popularity • 57% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 57% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Christy Altomare
Epilogue
84 bpm • E Maj • 02:29 • -11db
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Kenita R. Miller
A Part of Us
84 bpm • E Maj • 02:56 • -13.65db
22% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
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Lesli Margherita
Loud
84 bpm • A Maj • 04:01 • -8db
35% Popularity • 44% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 44% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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Ensemble
The Happiest Town In Town
85 bpm • D Maj • 02:53 • -8.89db
23% Popularity • 52% Danceability • 37% Energy • 75% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 52% Danceability • 37% Energy • 75% Liveness
0% Instrumentalness • 41% Positiveness
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Alice Ripley
Touch-A-Touch-A-Touch Me
85 bpm • G Maj • 02:29 • -9db
24% Popularity • 62% Danceability • 45% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 62% Danceability • 45% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Michele Pawk
Mayzie In Palm Beach - Original Broadway...
66 bpm • A# Maj • 02:16 • -14db
28% Popularity • 60% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 60% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Nancy Opel
Why Did I Listen to That Man?
85 bpm • G min • 03:08 • -10.17db
29% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
29% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Nick Cordero
You Will Still Be Mine
86 bpm • D# Maj • 02:18 • -9.05db
45% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Letters
86 bpm • A Maj • 06:27 • -7.36db
38% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thinking Of Him
86 bpm • C# Maj • 01:49 • -20db
26% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Dee Hoty
Learning to Be Silent
65 bpm • F min • 02:36 • -16db
30% Popularity • 41% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 41% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Friend, the Dictionary
87 bpm • F Maj • 02:45 • -10.23db
32% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Dakin Matthews
Take It from an Old Man
87 bpm • C# min • 02:37 • -10.89db
41% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Mindi Dickstein
The Weekly Volcano Press
87 bpm • D Maj • 07:47 • -9.2db
26% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Kevin Chamberlin
Horton Hears A Who - Original Broadway C...
87 bpm • A Maj • 02:37 • -16db
35% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Laura Benanti
Will He Like Me?
87 bpm • C# Maj • 03:36 • -10db
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 37% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Molly Ranson
Evening Prayers
87 bpm • F Maj • 04:23 • -7.12db
29% Popularity • 36% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 36% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
