Songs like Moods, Impressions and Reminiscences, Op. 41, Book 4: No. 14. Poeme (arr. E. Koskimies) by Zdeněk Fibich
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Fauré
Berceuse, Op. 16
92 bpm • D Maj • 04:28 • -31db
24% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
24% Popularity • 14% Danceability • 4% Energy • 8% Liveness
82% Instrumentalness • 8% Positiveness
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Zdeněk Fibich
Poeme, Op. 39
92 bpm • D Maj • 03:24 • -29.18db
4% Popularity • 12% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
4% Popularity • 12% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Robert Fuchs
Jugendklange, Op. 32: No. 14. Lieb' Schw...
92 bpm • B Maj • 01:16 • -33db
29% Popularity • 39% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 37% Positiveness
29% Popularity • 39% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 37% Positiveness
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Antonín Dvořák
Humoresques, Op. 101, B. 187: VII. Poco ...
92 bpm • F# Maj • 03:13 • -20.88db
22% Popularity • 46% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
22% Popularity • 46% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: II. All...
92 bpm • G# Maj • 06:25 • -25.69db
27% Popularity • 24% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
27% Popularity • 24% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
92 bpm • D Maj • 02:34 • -25.19db
0% Popularity • 11% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Capriccio brillant, Op. 22: Andante
91 bpm • B Maj • 02:30 • -30.47db
54% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
54% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Pinchas Zukerman
3 Violin Duets (1996 Digital Remaster): ...
91 bpm • B min • 02:20 • -24db
26% Popularity • 12% Danceability • 11% Energy • 14% Liveness
75% Instrumentalness • 12% Positiveness
26% Popularity • 12% Danceability • 11% Energy • 14% Liveness
75% Instrumentalness • 12% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
91 bpm • G Maj • 07:43 • -21.41db
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380 (L. 23)
93 bpm • E Maj • 05:18 • -28.37db
17% Popularity • 42% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
17% Popularity • 42% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
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Cécile Chaminade
Thème varié in A Major, Op. 89
91 bpm • A Maj • 04:19 • -23.46db
12% Popularity • 30% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
12% Popularity • 30% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Zdeněk Fibich
Piano Trio in F Minor: II. Adagio ma non...
93 bpm • G# Maj • 02:38 • -27.29db
0% Popularity • 14% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
94 bpm • E min • 06:54 • -37.06db
7% Popularity • 41% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
7% Popularity • 41% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
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Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
90 bpm • G min • 05:08 • -35db
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Fauré: Élégie, Op. 24
90 bpm • G# Maj • 06:46 • -26db
21% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
21% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Claude Debussy
Suite bergamasque, L. 75: IV. Passepied
94 bpm • F# min • 03:55 • -31.13db
24% Popularity • 36% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
24% Popularity • 36% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: Le Cygn...
90 bpm • G Maj • 03:10 • -32.49db
31% Popularity • 11% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Zdeněk Fibich
Piano Quartet in E Minor, Op. 11: II. Th...
93 bpm • A Maj • 09:38 • -29.08db
1% Popularity • 24% Danceability • 3% Energy • 10% Liveness
65% Instrumentalness • 7% Positiveness
1% Popularity • 24% Danceability • 3% Energy • 10% Liveness
65% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Five Pieces for 2 Violins and Piano: No....
94 bpm • B min • 02:11 • -16db
9% Popularity • 17% Danceability • 18% Energy • 9% Liveness
78% Instrumentalness • 9% Positiveness
9% Popularity • 17% Danceability • 18% Energy • 9% Liveness
78% Instrumentalness • 9% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
34% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
95 bpm • C Maj • 01:06 • -26db
56% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
56% Popularity • 42% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 57% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 2 in G ...
94 bpm • G min • 10:14 • -17.97db
29% Popularity • 27% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
29% Popularity • 27% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Zdeněk Fibich
Poème for Violin and Piano, Op. 41 No. ...
90 bpm • C# Maj • 01:53 • -18.01db
23% Popularity • 27% Danceability • 10% Energy • 10% Liveness
68% Instrumentalness • 7% Positiveness
23% Popularity • 27% Danceability • 10% Energy • 10% Liveness
68% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 62: No. 6 Allegre...
95 bpm • A Maj • 02:08 • -31db
33% Popularity • 38% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
33% Popularity • 38% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 60% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: III. Elegie
89 bpm • D Maj • 09:05 • -21.19db
41% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
41% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Morceaux de fantaisie, Op. 3: No. 2. Pre...
89 bpm • F# min • 04:47 • -20.42db
26% Popularity • 43% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
26% Popularity • 43% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 19% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 2 In E Major, BWV 10...
96 bpm • E Maj • 07:49 • -12db
31% Popularity • 47% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 47% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
91 bpm • A Maj • 01:34 • -26.22db
0% Popularity • 40% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 34% Positiveness
0% Popularity • 40% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 34% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 1 in E Ma...
89 bpm • B Maj • 03:08 • -28db
38% Popularity • 24% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
38% Popularity • 24% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Ludwig van Beethoven
Violin Concerto in D Major, Op. 61: II. ...
96 bpm • G Maj • 08:06 • -27.18db
26% Popularity • 21% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
26% Popularity • 21% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
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Maria Theresia von Paradis
Paradis: Sicilienne
88 bpm • D# Maj • 02:54 • -20.45db
19% Popularity • 25% Danceability • 15% Energy • 14% Liveness
4% Instrumentalness • 12% Positiveness
19% Popularity • 25% Danceability • 15% Energy • 14% Liveness
4% Instrumentalness • 12% Positiveness
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Antonín Dvořák
Songs My Mother Taught Me, Op. 55 No. 4
96 bpm • D Maj • 02:14 • -30.66db
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
93 bpm • F Maj • 01:24 • -20.36db
0% Popularity • 46% Danceability • 12% Energy • 17% Liveness
82% Instrumentalness • 47% Positiveness
0% Popularity • 46% Danceability • 12% Energy • 17% Liveness
82% Instrumentalness • 47% Positiveness
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Slovak Philharmonic
Romance No. 2 In F Major, Op. 50
88 bpm • F Maj • 09:50 • -23db
38% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
38% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
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Valentina Lisitsa
Etude Op. 10 no. 1 in C Major
88 bpm • C Maj • 01:55 • -22.63db
45% Popularity • 23% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
45% Popularity • 23% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Cécile Chaminade
3 Romances sans paroles : No. 1, Souvena...
87 bpm • B min • 01:59 • -30db
35% Popularity • 35% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
35% Popularity • 35% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 in C Minor, Op. 13 "P...
97 bpm • G# Maj • 05:20 • -35db
40% Popularity • 36% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
40% Popularity • 36% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Antonín Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: VI. June, "Barcaro...
87 bpm • G min • 04:31 • -27.95db
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
46% Popularity • 31% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 18% Positiveness
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Zdeněk Fibich
Poem
89 bpm • C# Maj • 04:23 • -22.9db
4% Popularity • 11% Danceability • 9% Energy • 8% Liveness
43% Instrumentalness • 10% Positiveness
4% Popularity • 11% Danceability • 9% Energy • 8% Liveness
43% Instrumentalness • 10% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 - For Piano Duet: 15....
87 bpm • A Maj • 01:36 • -25.77db
36% Popularity • 48% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
36% Popularity • 48% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Moritz Moszkowski
Piano Concerto in E, Op. 59: II. Andante
87 bpm • C# min • 08:25 • -28db
23% Popularity • 18% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Benjamin Frith
Nocturne No. 18 In E Major, 'Midi'
97 bpm • E Maj • 06:14 • -30db
18% Popularity • 33% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
18% Popularity • 33% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
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Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
95 bpm • A Maj • 04:04 • -34.99db
0% Popularity • 32% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
0% Popularity • 32% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
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Edward MacDowell
Woodland Sketches, Op. 51: No. 1: To a W...
87 bpm • A Maj • 01:31 • -38.57db
34% Popularity • 36% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
34% Popularity • 36% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
87 bpm • D# Maj • 08:32 • -21.36db
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
27% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Henning Kraggerud
Hjertets melodier (Melodies of the Heart...
86 bpm • A min • 01:38 • -29db
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
49% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Zdeněk Fibich
Moods, Impressions, and Souvenirs, Op. 4...
89 bpm • D Maj • 01:21 • -18.48db
2% Popularity • 16% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 6% Positiveness
2% Popularity • 16% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 6% Positiveness
► Preview
Edward MacDowell
Woodland Sketches, Op. 51: No. 3: At an ...
98 bpm • C# Maj • 01:35 • -36db
19% Popularity • 41% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
19% Popularity • 41% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
99 bpm • D# Maj • 08:21 • -16.9db
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
► Preview
Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Romance No. 2 in F Major, Op....
99 bpm • F Maj • 07:53 • -24.74db
24% Popularity • 25% Danceability • 4% Energy • 8% Liveness
7% Instrumentalness • 12% Positiveness
24% Popularity • 25% Danceability • 4% Energy • 8% Liveness
7% Instrumentalness • 12% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
► Preview
Zdeněk Fibich
Šárka, Act I, Scene 4: With Grieving H...
88 bpm • A# min • 01:56 • -22.55db
0% Popularity • 24% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 24% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 14 in E-Flat Mi...
86 bpm • B Maj • 01:15 • -17db
54% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
54% Popularity • 26% Danceability • 44% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Anonymous
Moods, Impressions and Reminiscences, Op...
86 bpm • G Maj • 02:43 • -26.38db
1% Popularity • 19% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
1% Popularity • 19% Danceability • 6% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
► Preview
Sergei Prokofiev
Prokofiev: 10 Pieces from Romeo & Juliet...
99 bpm • A min • 03:58 • -19db
31% Popularity • 36% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
31% Popularity • 36% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Gabriel Fauré
Les berceaux, Op. 23, No. 1
85 bpm • C min • 03:07 • -24db
37% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Zdeněk Fibich
Piano Quartet in E Minor, Op. 11: I. All...
87 bpm • E min • 11:50 • -22.96db
1% Popularity • 20% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 8% Positiveness
1% Popularity • 20% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Fritz Kreisler
Liebesfreud
99 bpm • F Maj • 03:46 • -16.76db
30% Popularity • 45% Danceability • 11% Energy • 5% Liveness
43% Instrumentalness • 35% Positiveness
30% Popularity • 45% Danceability • 11% Energy • 5% Liveness
43% Instrumentalness • 35% Positiveness
► Preview
Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
99 bpm • D Maj • 06:51 • -23.37db
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
49% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
49% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
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Clara Schumann
3 Preludes and Fugues, Op. 16: No. 2. Pr...
100 bpm • A# Maj • 03:43 • -33db
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
43% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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Friedrich Burgmüller
18 Études, Op. 109: No. 7, Berceuse
85 bpm • F Maj • 01:26 • -30db
49% Popularity • 36% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
49% Popularity • 36% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
97 bpm • F Maj • 04:40 • -29.63db
0% Popularity • 34% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 34% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Mikhail Glinka
Tarantella in A Minor
100 bpm • A min • 01:01 • -23.54db
45% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
45% Popularity • 47% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Fantasia No. 3 in D Minor, K. 397
85 bpm • D Maj • 05:46 • -22.64db
24% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
24% Popularity • 32% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Moritz Moszkowski
Le maître et l'élève, Op. 96: No. 2, ...
100 bpm • F min • 01:20 • -30db
37% Popularity • 43% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 45% Positiveness
37% Popularity • 43% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 45% Positiveness
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Adolf von Henselt
12 Études caractéristiques, Op. 2: No....
100 bpm • F# Maj • 02:04 • -24.15db
33% Popularity • 26% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
33% Popularity • 26% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
85 bpm • G Maj • 02:44 • -26.75db
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Zdeněk Fibich
Šárka, Act I, Scene 6: Welcome, Mighty...
85 bpm • A# Maj • 07:28 • -18.16db
0% Popularity • 29% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
0% Popularity • 29% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 22% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Chanson triste, Op. 40: No. 2
101 bpm • G min • 02:58 • -33db
30% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
30% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Moritz Moszkowski
Piano Concerto in E Major, Op. 59: IV. A...
84 bpm • E Maj • 09:35 • -21db
30% Popularity • 29% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
30% Popularity • 29% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
► Preview
Johann Sebastian Bach
Hunting Cantata, BWV 208: No. 9. Sheep M...
101 bpm • A# Maj • 04:50 • -20.67db
40% Popularity • 63% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 20% Positiveness
40% Popularity • 63% Danceability • 8% Energy • 13% Liveness
92% Instrumentalness • 20% Positiveness
► Preview
Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
100 bpm • C Maj • 02:30 • -22.63db
0% Popularity • 39% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
0% Popularity • 39% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Edvard Grieg
Lyric Pieces, Book 3, Op. 43: Little Bir...
84 bpm • A# Maj • 01:43 • -30db
23% Popularity • 44% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 29% Positiveness
23% Popularity • 44% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 29% Positiveness
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Gabriel Fauré
Dolly Suite, Op. 56: IV. Kitty-Valse
101 bpm • D# Maj • 02:42 • -31db
28% Popularity • 44% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
28% Popularity • 44% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Claude Debussy
Debussy: Piano Trio in G Major, CD 5, L....
84 bpm • C Maj • 03:47 • -21.94db
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 17% Liveness
67% Instrumentalness • 13% Positiveness
► Preview
Ludwig van Beethoven
Piano Sonata No. 17 In D Minor, Op. 31 N...
84 bpm • D min • 06:04 • -23.09db
25% Popularity • 12% Danceability • 22% Energy • 6% Liveness
85% Instrumentalness • 28% Positiveness
25% Popularity • 12% Danceability • 22% Energy • 6% Liveness
85% Instrumentalness • 28% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
► Preview
Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
84 bpm • G min • 02:12 • -34.66db
0% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
0% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
► Preview
Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice", Wq. 30...
102 bpm • D min • 03:23 • -25db
26% Popularity • 21% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 7% Positiveness
26% Popularity • 21% Danceability • 5% Energy • 10% Liveness
13% Instrumentalness • 7% Positiveness
