Songs like Moon Over Mombasa Part 2 by Paul Lipson
Based on a tempo of (+/- 10%) and a similar genre
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Halo
Moon Over Mombasa
100 bpm • F Maj • 01:57 • -8.5db
34% Popularity • 56% Danceability • 78% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
34% Popularity • 56% Danceability • 78% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Bill Brown
Raid In Progress
100 bpm • E min • 03:15 • -14.56db
23% Popularity • 60% Danceability • 65% Energy • 11% Liveness
85% Instrumentalness • 36% Positiveness
23% Popularity • 60% Danceability • 65% Energy • 11% Liveness
85% Instrumentalness • 36% Positiveness
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Justin E. Bell
Terraforming, One Bullet at a Time
100 bpm • G Maj • 01:49 • -12.68db
33% Popularity • 61% Danceability • 79% Energy • 13% Liveness
94% Instrumentalness • 46% Positiveness
33% Popularity • 61% Danceability • 79% Energy • 13% Liveness
94% Instrumentalness • 46% Positiveness
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Raison Varner
Oasis Ambience - Captain Scarlett and He...
100 bpm • F min • 03:41 • -22db
18% Popularity • 75% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 26% Positiveness
18% Popularity • 75% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 26% Positiveness
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Andreas Waldetoft
Dragon Breath
100 bpm • A# min • 06:38 • -12.17db
26% Popularity • 54% Danceability • 63% Energy • 10% Liveness
85% Instrumentalness • 33% Positiveness
26% Popularity • 54% Danceability • 63% Energy • 10% Liveness
85% Instrumentalness • 33% Positiveness
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Jeremy Soule
Tooth and Claw
100 bpm • G# Maj • 01:48 • -21.2db
48% Popularity • 42% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
48% Popularity • 42% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Alexander Roeder
The Batcave / Brother Eye
100 bpm • A# min • 03:24 • -14.19db
10% Popularity • 52% Danceability • 73% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
10% Popularity • 52% Danceability • 73% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
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Tim Wynn
New World Order
100 bpm • B min • 02:22 • -15.24db
21% Popularity • 46% Danceability • 63% Energy • 13% Liveness
81% Instrumentalness • 24% Positiveness
21% Popularity • 46% Danceability • 63% Energy • 13% Liveness
81% Instrumentalness • 24% Positiveness
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Ryan Amon
Undone by the Blood [The First Hunter]
100 bpm • G# Maj • 05:09 • -10db
30% Popularity • 37% Danceability • 44% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
30% Popularity • 37% Danceability • 44% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Knights Of The Sky
100 bpm • E min • 03:24 • -15db
31% Popularity • 44% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
31% Popularity • 44% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Sean Murray
Eagle Claw, Pt. 2
100 bpm • G Maj • 02:16 • -10.31db
25% Popularity • 42% Danceability • 67% Energy • 16% Liveness
90% Instrumentalness • 9% Positiveness
25% Popularity • 42% Danceability • 67% Energy • 16% Liveness
90% Instrumentalness • 9% Positiveness
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Tyler Bates
Madness of the Fury Queen
100 bpm • C# min • 02:33 • -9.7db
22% Popularity • 24% Danceability • 84% Energy • 25% Liveness
94% Instrumentalness • 24% Positiveness
22% Popularity • 24% Danceability • 84% Energy • 25% Liveness
94% Instrumentalness • 24% Positiveness
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Johan Skugge
Dunn's Down
100 bpm • F min • 04:52 • -12.12db
17% Popularity • 27% Danceability • 35% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 27% Danceability • 35% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Tim Wynn
Squad Loadout
100 bpm • G min • 02:23 • -12.44db
32% Popularity • 52% Danceability • 80% Energy • 15% Liveness
86% Instrumentalness • 56% Positiveness
32% Popularity • 52% Danceability • 80% Energy • 15% Liveness
86% Instrumentalness • 56% Positiveness
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Henry Jackman
Meet Me in Paradise
99 bpm • A# min • 02:05 • -9.73db
24% Popularity • 54% Danceability • 61% Energy • 34% Liveness
79% Instrumentalness • 20% Positiveness
24% Popularity • 54% Danceability • 61% Energy • 34% Liveness
79% Instrumentalness • 20% Positiveness
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Ilan Eshkeri
Lord Shimura
101 bpm • C min • 02:15 • -13db
34% Popularity • 47% Danceability • 40% Energy • 14% Liveness
85% Instrumentalness • 9% Positiveness
34% Popularity • 47% Danceability • 40% Energy • 14% Liveness
85% Instrumentalness • 9% Positiveness
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Zero Mostel
Anatevka
99 bpm • G Maj • 03:13 • -17.53db
5% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
5% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sam Hulick
The Fleets Arrive
101 bpm • C Maj • 01:43 • -10db
32% Popularity • 42% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
32% Popularity • 42% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Nick Arundel
Evening the Odds
102 bpm • E min • 03:40 • -21.63db
33% Popularity • 49% Danceability • 46% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
33% Popularity • 49% Danceability • 46% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Brian Tyler
Path of the Warrior
102 bpm • D Maj • 07:10 • -13.6db
15% Popularity • 37% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
15% Popularity • 37% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Wilbert Roget, II
Birds of Prey
102 bpm • D Maj • 02:56 • -10.31db
26% Popularity • 40% Danceability • 42% Energy • 27% Liveness
87% Instrumentalness • 23% Positiveness
26% Popularity • 40% Danceability • 42% Energy • 27% Liveness
87% Instrumentalness • 23% Positiveness
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Jason Hayes
The Keystone
102 bpm • A# min • 02:14 • -18.89db
19% Popularity • 41% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
19% Popularity • 41% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Hyperduck Soundworks
Boss Theme
98 bpm • F Maj • 01:38 • -13.08db
13% Popularity • 57% Danceability • 46% Energy • 8% Liveness
96% Instrumentalness • 34% Positiveness
13% Popularity • 57% Danceability • 46% Energy • 8% Liveness
96% Instrumentalness • 34% Positiveness
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Yuka Kitamura
Sister Friede
103 bpm • D# Maj • 04:29 • -13db
38% Popularity • 18% Danceability • 29% Energy • 26% Liveness
97% Instrumentalness • 9% Positiveness
38% Popularity • 18% Danceability • 29% Energy • 26% Liveness
97% Instrumentalness • 9% Positiveness
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Danny Cocke
1v5
104 bpm • F# min • 02:46 • -18.67db
16% Popularity • 43% Danceability • 41% Energy • 11% Liveness
80% Instrumentalness • 18% Positiveness
16% Popularity • 43% Danceability • 41% Energy • 11% Liveness
80% Instrumentalness • 18% Positiveness
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SIE Sound Team
The Hunter
97 bpm • C Maj • 03:25 • -11db
45% Popularity • 22% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
45% Popularity • 22% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Henry Jackman
The Twelve Towers
103 bpm • C# Maj • 03:59 • -11.02db
29% Popularity • 25% Danceability • 65% Energy • 36% Liveness
92% Instrumentalness • 7% Positiveness
29% Popularity • 25% Danceability • 65% Energy • 36% Liveness
92% Instrumentalness • 7% Positiveness
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Kevin Riepl
Ephyra Streets II
96 bpm • C# Maj • 01:39 • -13.81db
17% Popularity • 39% Danceability • 36% Energy • 23% Liveness
95% Instrumentalness • 28% Positiveness
17% Popularity • 39% Danceability • 36% Energy • 23% Liveness
95% Instrumentalness • 28% Positiveness
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Borislav Slavov
Dancing with the Source
104 bpm • F# min • 02:26 • -16.88db
37% Popularity • 70% Danceability • 55% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
37% Popularity • 70% Danceability • 55% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
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Ludvig Forssell
Kept You Waiting Huh?
104 bpm • C# Maj • 03:25 • -20.41db
19% Popularity • 52% Danceability • 35% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
19% Popularity • 52% Danceability • 35% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Hans Zimmer
Espirit de Corps
96 bpm • C# Maj • 03:07 • -15.96db
33% Popularity • 52% Danceability • 45% Energy • 14% Liveness
75% Instrumentalness • 10% Positiveness
33% Popularity • 52% Danceability • 45% Energy • 14% Liveness
75% Instrumentalness • 10% Positiveness
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Johan Söderqvist
Tortured Metal
104 bpm • F min • 03:52 • -14.06db
20% Popularity • 44% Danceability • 55% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
20% Popularity • 44% Danceability • 55% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Jason Hayes
Last Stand
104 bpm • C# Maj • 02:53 • -13.38db
21% Popularity • 33% Danceability • 31% Energy • 17% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 33% Danceability • 31% Energy • 17% Liveness
94% Instrumentalness • 4% Positiveness
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Tim Wynn
First Flight
96 bpm • G Maj • 01:22 • -13.27db
30% Popularity • 43% Danceability • 42% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
30% Popularity • 43% Danceability • 42% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Sean Murray
Beheaded
104 bpm • G Maj • 03:56 • -9.84db
19% Popularity • 33% Danceability • 59% Energy • 39% Liveness
53% Instrumentalness • 6% Positiveness
19% Popularity • 33% Danceability • 59% Energy • 39% Liveness
53% Instrumentalness • 6% Positiveness
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Raison Varner
The Hallowed Hollow - Holidays in the Bo...
105 bpm • F Maj • 03:12 • -24.08db
12% Popularity • 38% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 38% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Hans Zimmer
Code of Conduct
96 bpm • D Maj • 02:09 • -13db
40% Popularity • 47% Danceability • 65% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
40% Popularity • 47% Danceability • 65% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Paul Leonard-Morgan
Arrival of the Blood Ravens
105 bpm • C Maj • 03:58 • -17.48db
25% Popularity • 35% Danceability • 50% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
25% Popularity • 35% Danceability • 50% Energy • 12% Liveness
85% Instrumentalness • 12% Positiveness
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Justin Burnett
A Burning Escape
105 bpm • A Maj • 09:05 • -18.83db
17% Popularity • 21% Danceability • 46% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 46% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Brian Tyler
Scouting The Enemy
95 bpm • A Maj • 06:52 • -14.47db
22% Popularity • 31% Danceability • 42% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
22% Popularity • 31% Danceability • 42% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Sean Murray
Anvil - Remix
105 bpm • D Maj • 02:19 • -15.71db
29% Popularity • 55% Danceability • 46% Energy • 46% Liveness
69% Instrumentalness • 4% Positiveness
29% Popularity • 55% Danceability • 46% Energy • 46% Liveness
69% Instrumentalness • 4% Positiveness
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Jeremy Soule
One They Fear
105 bpm • B min • 03:14 • -11db
47% Popularity • 46% Danceability • 52% Energy • 23% Liveness
96% Instrumentalness • 25% Positiveness
47% Popularity • 46% Danceability • 52% Energy • 23% Liveness
96% Instrumentalness • 25% Positiveness
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Hans Zimmer
Onwards
96 bpm • D Maj • 02:27 • -10db
37% Popularity • 46% Danceability • 78% Energy • 10% Liveness
73% Instrumentalness • 31% Positiveness
37% Popularity • 46% Danceability • 78% Energy • 10% Liveness
73% Instrumentalness • 31% Positiveness
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Ilan Eshkeri
No Mercy
95 bpm • G# Maj • 04:10 • -13.27db
32% Popularity • 52% Danceability • 46% Energy • 28% Liveness
69% Instrumentalness • 23% Positiveness
32% Popularity • 52% Danceability • 46% Energy • 28% Liveness
69% Instrumentalness • 23% Positiveness
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Ludvig Forssell
Bloodstained Anthem
95 bpm • C Maj • 01:23 • -15.68db
30% Popularity • 39% Danceability • 58% Energy • 58% Liveness
82% Instrumentalness • 26% Positiveness
30% Popularity • 39% Danceability • 58% Energy • 58% Liveness
82% Instrumentalness • 26% Positiveness
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Tim Wynn
Infiltrator
95 bpm • G Maj • 02:16 • -12.78db
27% Popularity • 53% Danceability • 69% Energy • 9% Liveness
62% Instrumentalness • 31% Positiveness
27% Popularity • 53% Danceability • 69% Energy • 9% Liveness
62% Instrumentalness • 31% Positiveness
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Brian Tyler
Paris Siege
95 bpm • D min • 05:11 • -9.91db
25% Popularity • 25% Danceability • 68% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
25% Popularity • 25% Danceability • 68% Energy • 15% Liveness
91% Instrumentalness • 7% Positiveness
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Andreas Waldetoft
The Imperial Fleet Second Coming
95 bpm • E min • 06:52 • -17.32db
23% Popularity • 43% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
23% Popularity • 43% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
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Kevin Riepl
Jacinto Prison
95 bpm • D Maj • 02:48 • -23.9db
16% Popularity • 64% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
16% Popularity • 64% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Ilan Eshkeri
The Way of the Samurai
95 bpm • G min • 03:19 • -11.75db
37% Popularity • 55% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
37% Popularity • 55% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
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Christopher Drake
Arkham Origins Main Titles
106 bpm • G min • 02:52 • -11.43db
40% Popularity • 24% Danceability • 57% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 57% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Tim Wynn
Weapons of Choice
105 bpm • D Maj • 01:46 • -13.52db
25% Popularity • 35% Danceability • 57% Energy • 11% Liveness
78% Instrumentalness • 58% Positiveness
25% Popularity • 35% Danceability • 57% Energy • 11% Liveness
78% Instrumentalness • 58% Positiveness
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Jason Graves
Escape From The Planet Of The Red Marker
106 bpm • G Maj • 01:58 • -21.52db
8% Popularity • 15% Danceability • 17% Energy • 15% Liveness
87% Instrumentalness • 7% Positiveness
8% Popularity • 15% Danceability • 17% Energy • 15% Liveness
87% Instrumentalness • 7% Positiveness
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Andreas Waldetoft
The Imperial Fleet
95 bpm • E min • 05:27 • -16.65db
28% Popularity • 46% Danceability • 46% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
28% Popularity • 46% Danceability • 46% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
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SIE Sound Team
Penetrator
106 bpm • G# Maj • 02:29 • -9.89db
30% Popularity • 34% Danceability • 52% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
30% Popularity • 34% Danceability • 52% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Jason Hayes
The Death of the Overmind
106 bpm • F# Maj • 01:49 • -12.52db
26% Popularity • 20% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
26% Popularity • 20% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Christopher Drake
Arkham Origins End Titles
94 bpm • D Maj • 01:49 • -14db
26% Popularity • 19% Danceability • 49% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
26% Popularity • 19% Danceability • 49% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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Masami Ueda
Third Demise
94 bpm • A min • 04:13 • -14db
20% Popularity • 20% Danceability • 57% Energy • 23% Liveness
96% Instrumentalness • 16% Positiveness
20% Popularity • 20% Danceability • 57% Energy • 23% Liveness
96% Instrumentalness • 16% Positiveness
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Hans Zimmer
Deadline
93 bpm • A Maj • 03:55 • -14.36db
33% Popularity • 58% Danceability • 71% Energy • 9% Liveness
77% Instrumentalness • 23% Positiveness
33% Popularity • 58% Danceability • 71% Energy • 9% Liveness
77% Instrumentalness • 23% Positiveness
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Paul Lipson
Big Brembo
93 bpm • C Maj • 01:05 • -5.74db
3% Popularity • 51% Danceability • 92% Energy • 8% Liveness
95% Instrumentalness • 57% Positiveness
3% Popularity • 51% Danceability • 92% Energy • 8% Liveness
95% Instrumentalness • 57% Positiveness
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SIE Sound Team
Tower Knight
106 bpm • G min • 03:16 • -9.17db
30% Popularity • 20% Danceability • 61% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
30% Popularity • 20% Danceability • 61% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
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Michael McCann
Landing on Athenas
93 bpm • E min • 04:13 • -14db
24% Popularity • 50% Danceability • 55% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
24% Popularity • 50% Danceability • 55% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
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Johan Söderqvist
Glorifica
108 bpm • A min • 02:23 • -16db
35% Popularity • 23% Danceability • 22% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
35% Popularity • 23% Danceability • 22% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Chad Cannon
The Battle for Iki Island
108 bpm • C min • 04:16 • -13.66db
20% Popularity • 27% Danceability • 53% Energy • 13% Liveness
90% Instrumentalness • 17% Positiveness
20% Popularity • 27% Danceability • 53% Energy • 13% Liveness
90% Instrumentalness • 17% Positiveness
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Ludvig Forssell
OKB Zero
108 bpm • F min • 02:10 • -13db
21% Popularity • 44% Danceability • 95% Energy • 37% Liveness
85% Instrumentalness • 8% Positiveness
21% Popularity • 44% Danceability • 95% Energy • 37% Liveness
85% Instrumentalness • 8% Positiveness
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Hans Zimmer
Protocol
108 bpm • C# Maj • 03:47 • -15db
34% Popularity • 59% Danceability • 53% Energy • 11% Liveness
59% Instrumentalness • 10% Positiveness
34% Popularity • 59% Danceability • 53% Energy • 11% Liveness
59% Instrumentalness • 10% Positiveness
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SIE Sound Team
Old King Allant
106 bpm • G# Maj • 03:20 • -9.18db
31% Popularity • 20% Danceability • 65% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
31% Popularity • 20% Danceability • 65% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
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Michael McCann
Liberating Athenas
93 bpm • G Maj • 04:21 • -12.68db
20% Popularity • 48% Danceability • 68% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
20% Popularity • 48% Danceability • 68% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Curtis Schweitzer
Hymn to the Stars
109 bpm • C min • 04:37 • -20.61db
27% Popularity • 16% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Brian Tyler
Battle For New York
92 bpm • D Maj • 06:25 • -10db
28% Popularity • 22% Danceability • 79% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
28% Popularity • 22% Danceability • 79% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
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Stuart Chatwood
Battle in the Warrens
92 bpm • G Maj • 01:20 • -14.3db
41% Popularity • 50% Danceability • 62% Energy • 14% Liveness
88% Instrumentalness • 55% Positiveness
41% Popularity • 50% Danceability • 62% Energy • 14% Liveness
88% Instrumentalness • 55% Positiveness
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Sean Murray
Mac-V
92 bpm • D Maj • 02:17 • -12db
33% Popularity • 60% Danceability • 66% Energy • 9% Liveness
55% Instrumentalness • 8% Positiveness
33% Popularity • 60% Danceability • 66% Energy • 9% Liveness
55% Instrumentalness • 8% Positiveness
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SIE Sound Team
Dragon God
92 bpm • C min • 04:23 • -13.49db
22% Popularity • 39% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
22% Popularity • 39% Danceability • 40% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Yuka Kitamura
Sir Alonne
109 bpm • F min • 03:08 • -9.36db
33% Popularity • 36% Danceability • 58% Energy • 35% Liveness
59% Instrumentalness • 42% Positiveness
33% Popularity • 36% Danceability • 58% Energy • 35% Liveness
59% Instrumentalness • 42% Positiveness
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Ron Fish
A Monument to Your Failure
110 bpm • B min • 01:56 • -14.82db
28% Popularity • 33% Danceability • 45% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
28% Popularity • 33% Danceability • 45% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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Hyperduck Soundworks
The Glade
91 bpm • C min • 05:50 • -13.2db
9% Popularity • 38% Danceability • 58% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
9% Popularity • 38% Danceability • 58% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Bear McCreary
Stone Mason
110 bpm • A Maj • 03:48 • -14db
33% Popularity • 33% Danceability • 42% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
33% Popularity • 33% Danceability • 42% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
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Sean Murray
Flaming Dart
92 bpm • C Maj • 03:04 • -11db
25% Popularity • 40% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
25% Popularity • 40% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Daniel James
Metal Gear Online
110 bpm • F# Maj • 03:26 • -15.94db
18% Popularity • 27% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
18% Popularity • 27% Danceability • 50% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Yuka Kitamura
Dragonslayer Armour
110 bpm • C min • 04:20 • -9.51db
35% Popularity • 17% Danceability • 53% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
35% Popularity • 17% Danceability • 53% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
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Stuart Chatwood
The Cove Battle
110 bpm • D Maj • 04:34 • -13db
37% Popularity • 51% Danceability • 74% Energy • 13% Liveness
74% Instrumentalness • 12% Positiveness
37% Popularity • 51% Danceability • 74% Energy • 13% Liveness
74% Instrumentalness • 12% Positiveness
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Andreas Waldetoft
Assembling The Fleet
110 bpm • A min • 05:15 • -14.96db
26% Popularity • 57% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
26% Popularity • 57% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Jason Hayes
Khala's End
110 bpm • F# min • 03:06 • -15.1db
22% Popularity • 30% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Cris Velasco
Reaper Chase
110 bpm • C min • 02:04 • -8.63db
27% Popularity • 37% Danceability • 52% Energy • 20% Liveness
13% Instrumentalness • 7% Positiveness
27% Popularity • 37% Danceability • 52% Energy • 20% Liveness
13% Instrumentalness • 7% Positiveness
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Tim Wynn
Outpost
110 bpm • D Maj • 01:34 • -16.31db
28% Popularity • 58% Danceability • 55% Energy • 17% Liveness
92% Instrumentalness • 32% Positiveness
28% Popularity • 58% Danceability • 55% Energy • 17% Liveness
92% Instrumentalness • 32% Positiveness
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Yuka Kitamura
Uncle Gael [Slave Knight Gael]
110 bpm • A# min • 03:47 • -7.69db
32% Popularity • 37% Danceability • 81% Energy • 13% Liveness
45% Instrumentalness • 20% Positiveness
32% Popularity • 37% Danceability • 81% Energy • 13% Liveness
45% Instrumentalness • 20% Positiveness
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Nick Arundel
Predator
110 bpm • C# Maj • 02:22 • -19.63db
27% Popularity • 57% Danceability • 59% Energy • 10% Liveness
79% Instrumentalness • 40% Positiveness
27% Popularity • 57% Danceability • 59% Energy • 10% Liveness
79% Instrumentalness • 40% Positiveness
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Marcin Przybyłowicz
The Beast Of Beauclair
90 bpm • G Maj • 01:37 • -8.28db
39% Popularity • 37% Danceability • 90% Energy • 53% Liveness
86% Instrumentalness • 14% Positiveness
39% Popularity • 37% Danceability • 90% Energy • 53% Liveness
86% Instrumentalness • 14% Positiveness
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Jason Hayes
The Spear of Adun
110 bpm • F min • 01:46 • -14.46db
25% Popularity • 29% Danceability • 17% Energy • 8% Liveness
98% Instrumentalness • 12% Positiveness
25% Popularity • 29% Danceability • 17% Energy • 8% Liveness
98% Instrumentalness • 12% Positiveness
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Johan Söderqvist
Mud And Blood
90 bpm • A min • 03:04 • -19.2db
29% Popularity • 10% Danceability • 14% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
29% Popularity • 10% Danceability • 14% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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SIE Sound Team
Terror
90 bpm • F# Maj • 03:51 • -11db
38% Popularity • 36% Danceability • 43% Energy • 7% Liveness
74% Instrumentalness • 16% Positiveness
38% Popularity • 36% Danceability • 43% Energy • 7% Liveness
74% Instrumentalness • 16% Positiveness
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Tim Wynn
Retaliation
90 bpm • C Maj • 01:57 • -16.37db
27% Popularity • 46% Danceability • 50% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
27% Popularity • 46% Danceability • 50% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Bill Brown
Zero Hour Main Theme
90 bpm • E min • 03:10 • -14db
27% Popularity • 50% Danceability • 62% Energy • 11% Liveness
68% Instrumentalness • 55% Positiveness
27% Popularity • 50% Danceability • 62% Energy • 11% Liveness
68% Instrumentalness • 55% Positiveness
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Andreas Waldetoft
The Last Stand
90 bpm • D min • 02:49 • -17.58db
25% Popularity • 39% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
25% Popularity • 39% Danceability • 33% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Sean Murray
Melville
90 bpm • D Maj • 03:14 • -12db
29% Popularity • 56% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
29% Popularity • 56% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Raison Varner
Mines of Avarice Ambience - Tiny Tina's ...
90 bpm • F min • 03:39 • -19.46db
22% Popularity • 47% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
22% Popularity • 47% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Paradox Interactive
To The End Of The Galaxy - Additional T...
90 bpm • C min • 06:12 • -15db
33% Popularity • 47% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
33% Popularity • 47% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Tim Wynn
Ambush
90 bpm • D Maj • 04:56 • -17.65db
18% Popularity • 45% Danceability • 62% Energy • 11% Liveness
64% Instrumentalness • 23% Positiveness
18% Popularity • 45% Danceability • 62% Energy • 11% Liveness
64% Instrumentalness • 23% Positiveness
