Songs like Moon River - From "Breakfast at Tiffany's" by The New 101 Strings Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Ballroom Dance Orchestra
The Last Waltz
100 bpm • C Maj • 03:19 • -16.18db
34% Popularity • 62% Danceability • 21% Energy • 8% Liveness
88% Instrumentalness • 39% Positiveness
34% Popularity • 62% Danceability • 21% Energy • 8% Liveness
88% Instrumentalness • 39% Positiveness
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Nikos Ignatiadis
The Beginning
100 bpm • D Maj • 03:33 • -15db
44% Popularity • 25% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
44% Popularity • 25% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Caravelli
Moulin Rouge
100 bpm • G Maj • 02:48 • -15.46db
19% Popularity • 22% Danceability • 24% Energy • 35% Liveness
15% Instrumentalness • 18% Positiveness
19% Popularity • 22% Danceability • 24% Energy • 35% Liveness
15% Instrumentalness • 18% Positiveness
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Émile Waldteufel
Estudiantina, Waltz, Op. 191
99 bpm • D Maj • 06:46 • -15.28db
22% Popularity • 37% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 56% Positiveness
22% Popularity • 37% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 56% Positiveness
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Violines Magicos
Tarantela
99 bpm • A min • 02:10 • -10db
27% Popularity • 32% Danceability • 36% Energy • 10% Liveness
64% Instrumentalness • 50% Positiveness
27% Popularity • 32% Danceability • 36% Energy • 10% Liveness
64% Instrumentalness • 50% Positiveness
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Franz Lehár
Ballsirenen: Walzer
101 bpm • G Maj • 07:14 • -14.53db
12% Popularity • 26% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
12% Popularity • 26% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
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Klaus Wunderlich
English-Waltz-Medley - Fascination / Tru...
101 bpm • G# Maj • 04:53 • -14.98db
11% Popularity • 65% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
11% Popularity • 65% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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The Manhattan Pops
L'Estudiantina
99 bpm • D Maj • 02:46 • -12.76db
10% Popularity • 32% Danceability • 31% Energy • 31% Liveness
88% Instrumentalness • 55% Positiveness
10% Popularity • 32% Danceability • 31% Energy • 31% Liveness
88% Instrumentalness • 55% Positiveness
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Ballroom Dance Orchestra
Sail Along Silvery Moon
99 bpm • F Maj • 02:05 • -11.61db
39% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
39% Popularity • 48% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 84% Positiveness
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Alfred Hause
Ungarischer Tanz Nr. 4
101 bpm • E min • 03:00 • -14.31db
19% Popularity • 27% Danceability • 24% Energy • 5% Liveness
61% Instrumentalness • 26% Positiveness
19% Popularity • 27% Danceability • 24% Energy • 5% Liveness
61% Instrumentalness • 26% Positiveness
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Hugo Winterhalter
Raindrops Keep Fallin' On My Head - Orig...
101 bpm • F Maj • 03:12 • -13.91db
20% Popularity • 41% Danceability • 37% Energy • 16% Liveness
73% Instrumentalness • 38% Positiveness
20% Popularity • 41% Danceability • 37% Energy • 16% Liveness
73% Instrumentalness • 38% Positiveness
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Franz Lehár
The Merry Widow (Die lustige Witwe) / Ac...
99 bpm • G Maj • 02:03 • -11db
21% Popularity • 24% Danceability • 29% Energy • 35% Liveness
91% Instrumentalness • 48% Positiveness
21% Popularity • 24% Danceability • 29% Energy • 35% Liveness
91% Instrumentalness • 48% Positiveness
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Orquesta de Concierto
Vals de las Flores
101 bpm • D Maj • 02:43 • -8.42db
24% Popularity • 54% Danceability • 43% Energy • 11% Liveness
70% Instrumentalness • 60% Positiveness
24% Popularity • 54% Danceability • 43% Energy • 11% Liveness
70% Instrumentalness • 60% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Voices of Spring Waltz, Op. 410
99 bpm • C min • 06:57 • -22.38db
38% Popularity • 28% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
38% Popularity • 28% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
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Ballroom Dance Orchestra
That Old Devil Called Love
101 bpm • G# Maj • 03:08 • -12.46db
26% Popularity • 55% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 38% Positiveness
26% Popularity • 55% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 38% Positiveness
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50 Guitars of Tommy Garrett
South of the Border
98 bpm • E min • 02:59 • -13db
23% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Italian Mandolin Torna A Surriento
Musetta's Waltz
98 bpm • F Maj • 03:05 • -11db
40% Popularity • 49% Danceability • 44% Energy • 18% Liveness
10% Instrumentalness • 24% Positiveness
40% Popularity • 49% Danceability • 44% Energy • 18% Liveness
10% Instrumentalness • 24% Positiveness
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Alfred Hause
A Little Night Music (Serenade No. 13 Fo...
102 bpm • D Maj • 02:48 • -15db
30% Popularity • 64% Danceability • 34% Energy • 44% Liveness
6% Instrumentalness • 81% Positiveness
30% Popularity • 64% Danceability • 34% Energy • 44% Liveness
6% Instrumentalness • 81% Positiveness
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Orquesta de Concierto
Cuentos de Los Bosques de Viena
98 bpm • A# Maj • 02:56 • -7.38db
22% Popularity • 48% Danceability • 51% Energy • 9% Liveness
93% Instrumentalness • 78% Positiveness
22% Popularity • 48% Danceability • 51% Energy • 9% Liveness
93% Instrumentalness • 78% Positiveness
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Carmen Cavallaro
Nocturne in E Flat Major Op.9 No.2
102 bpm • A# Maj • 02:59 • -11.84db
24% Popularity • 42% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
24% Popularity • 42% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
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Horst Jankowski
A Walk In Bavaria
102 bpm • A# Maj • 02:09 • -9db
31% Popularity • 63% Danceability • 50% Energy • 20% Liveness
18% Instrumentalness • 78% Positiveness
31% Popularity • 63% Danceability • 50% Energy • 20% Liveness
18% Instrumentalness • 78% Positiveness
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The Manhattan Pops
Die Fledermaus
97 bpm • F Maj • 02:44 • -11db
9% Popularity • 36% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 64% Positiveness
9% Popularity • 36% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 64% Positiveness
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Francis Dupont
Theme From 'Elvira Madigan'
98 bpm • F Maj • 03:35 • -19db
23% Popularity • 37% Danceability • 9% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
23% Popularity • 37% Danceability • 9% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
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Sergio Golwarz
Rapsodia Sueca
103 bpm • D Maj • 02:51 • -5.46db
16% Popularity • 70% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 87% Positiveness
16% Popularity • 70% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 87% Positiveness
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Vienna Volksoper Orchestra
Les patineurs, Op. 183 (Los Patinadores)
103 bpm • A Maj • 02:44 • -12.04db
16% Popularity • 51% Danceability • 33% Energy • 15% Liveness
30% Instrumentalness • 67% Positiveness
16% Popularity • 51% Danceability • 33% Energy • 15% Liveness
30% Instrumentalness • 67% Positiveness
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Carmen Cavallaro
Nocturne in E Flat Major Op.9 No.2 (Alte...
98 bpm • A# Maj • 03:47 • -13.03db
15% Popularity • 39% Danceability • 20% Energy • 28% Liveness
80% Instrumentalness • 26% Positiveness
15% Popularity • 39% Danceability • 20% Energy • 28% Liveness
80% Instrumentalness • 26% Positiveness
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Norman Candler
Samson and Delilah - Remastered
103 bpm • A Maj • 03:21 • -7db
26% Popularity • 42% Danceability • 60% Energy • 13% Liveness
79% Instrumentalness • 55% Positiveness
26% Popularity • 42% Danceability • 60% Energy • 13% Liveness
79% Instrumentalness • 55% Positiveness
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Ricci Ferra
Kaiserwalzer, Op.437 (Emperor Waltz / Va...
97 bpm • C Maj • 04:23 • -15.51db
16% Popularity • 34% Danceability • 22% Energy • 14% Liveness
88% Instrumentalness • 38% Positiveness
16% Popularity • 34% Danceability • 22% Energy • 14% Liveness
88% Instrumentalness • 38% Positiveness
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Moscow Symphony Orchestra
Ballroom Waltz
97 bpm • F Maj • 01:05 • -16.07db
33% Popularity • 24% Danceability • 21% Energy • 12% Liveness
97% Instrumentalness • 24% Positiveness
33% Popularity • 24% Danceability • 21% Energy • 12% Liveness
97% Instrumentalness • 24% Positiveness
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Gran Orquesta Vienesa
Vino, Mujeres y Canciones Op. 333
103 bpm • D# Maj • 04:47 • -9.73db
12% Popularity • 42% Danceability • 43% Energy • 38% Liveness
90% Instrumentalness • 46% Positiveness
12% Popularity • 42% Danceability • 43% Energy • 38% Liveness
90% Instrumentalness • 46% Positiveness
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Orquesta de Concierto
Vino, Mujeres y Canto
103 bpm • G# Maj • 02:54 • -6.43db
13% Popularity • 58% Danceability • 52% Energy • 14% Liveness
91% Instrumentalness • 68% Positiveness
13% Popularity • 58% Danceability • 52% Energy • 14% Liveness
91% Instrumentalness • 68% Positiveness
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Frank Mills
Plaisir D'Amour
103 bpm • G Maj • 03:30 • -29.23db
24% Popularity • 28% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
24% Popularity • 28% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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The Percy Faith Strings
Theme from Gone with the Wind
97 bpm • G Maj • 03:41 • -14.72db
26% Popularity • 20% Danceability • 26% Energy • 15% Liveness
86% Instrumentalness • 7% Positiveness
26% Popularity • 20% Danceability • 26% Energy • 15% Liveness
86% Instrumentalness • 7% Positiveness
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Richard Abel
Les Amours lointaines
97 bpm • D# Maj • 03:36 • -10.71db
22% Popularity • 35% Danceability • 36% Energy • 35% Liveness
1% Instrumentalness • 33% Positiveness
22% Popularity • 35% Danceability • 36% Energy • 35% Liveness
1% Instrumentalness • 33% Positiveness
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Italian Mandolin Torna A Surriento
Santa Lucia
104 bpm • G Maj • 01:06 • -12.28db
47% Popularity • 46% Danceability • 36% Energy • 12% Liveness
84% Instrumentalness • 24% Positiveness
47% Popularity • 46% Danceability • 36% Energy • 12% Liveness
84% Instrumentalness • 24% Positiveness
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Living Strings
Faraway Places
96 bpm • A# Maj • 09:02 • -19db
22% Popularity • 14% Danceability • 23% Energy • 39% Liveness
80% Instrumentalness • 8% Positiveness
22% Popularity • 14% Danceability • 23% Energy • 39% Liveness
80% Instrumentalness • 8% Positiveness
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Orquesta de Concierto
Marcha Triunfal de Aida
103 bpm • G# min • 02:14 • -5.78db
28% Popularity • 60% Danceability • 46% Energy • 8% Liveness
41% Instrumentalness • 60% Positiveness
28% Popularity • 60% Danceability • 46% Energy • 8% Liveness
41% Instrumentalness • 60% Positiveness
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Frank Chacksfield & His Orchestra
This Is My Song
96 bpm • F Maj • 02:47 • -14.11db
21% Popularity • 20% Danceability • 37% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
21% Popularity • 20% Danceability • 37% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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Kai Warner
So In Love
96 bpm • G# Maj • 02:34 • -12db
28% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
28% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
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Alfred Hause
Wine Woman And Song, Waltz op. 333 - Aim...
96 bpm • A# Maj • 02:40 • -12.91db
33% Popularity • 51% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
33% Popularity • 51% Danceability • 29% Energy • 10% Liveness
62% Instrumentalness • 55% Positiveness
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The New 101 Strings Orchestra
La Media Vuelta
104 bpm • G Maj • 02:48 • -6.44db
0% Popularity • 35% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 35% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Charles Williams and his Concert Orchestra
A Quiet Stroll
96 bpm • G Maj • 02:52 • -12.1db
14% Popularity • 62% Danceability • 23% Energy • 10% Liveness
51% Instrumentalness • 72% Positiveness
14% Popularity • 62% Danceability • 23% Energy • 10% Liveness
51% Instrumentalness • 72% Positiveness
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Orquesta de Concierto
Rosas del Sur
104 bpm • G min • 03:06 • -7.26db
13% Popularity • 51% Danceability • 58% Energy • 36% Liveness
94% Instrumentalness • 84% Positiveness
13% Popularity • 51% Danceability • 58% Energy • 36% Liveness
94% Instrumentalness • 84% Positiveness
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Das Orchester Claudius Alzner
Torna a Surriento
96 bpm • A Maj • 02:22 • -10db
30% Popularity • 36% Danceability • 43% Energy • 24% Liveness
9% Instrumentalness • 41% Positiveness
30% Popularity • 36% Danceability • 43% Energy • 24% Liveness
9% Instrumentalness • 41% Positiveness
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Francis Dupont
Il Silencio
96 bpm • A# Maj • 02:59 • -12db
33% Popularity • 45% Danceability • 27% Energy • 18% Liveness
93% Instrumentalness • 31% Positiveness
33% Popularity • 45% Danceability • 27% Energy • 18% Liveness
93% Instrumentalness • 31% Positiveness
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London Pops Orchestra, Royal Philharmonic Orchestra London, London Philharmonic Orchestra
When I Need You
104 bpm • C min • 02:53 • -14.87db
27% Popularity • 45% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
27% Popularity • 45% Danceability • 19% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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The New 101 Strings Orchestra
Irene at the Mambo Club
96 bpm • C Maj • 02:50 • -10.35db
0% Popularity • 66% Danceability • 35% Energy • 46% Liveness
24% Instrumentalness • 84% Positiveness
0% Popularity • 66% Danceability • 35% Energy • 46% Liveness
24% Instrumentalness • 84% Positiveness
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Lennart Axelsson
Sprich Zu Mir Von Liebe, Mariu
96 bpm • G Maj • 03:26 • -13db
17% Popularity • 17% Danceability • 30% Energy • 36% Liveness
84% Instrumentalness • 21% Positiveness
17% Popularity • 17% Danceability • 30% Energy • 36% Liveness
84% Instrumentalness • 21% Positiveness
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Orquesta de Concierto
Vals Emperador
104 bpm • C Maj • 03:02 • -6.75db
22% Popularity • 34% Danceability • 47% Energy • 14% Liveness
42% Instrumentalness • 56% Positiveness
22% Popularity • 34% Danceability • 47% Energy • 14% Liveness
42% Instrumentalness • 56% Positiveness
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Ricci Ferra
Die Wut Über Den Verlorenen Groschen (R...
105 bpm • G Maj • 03:08 • -14.4db
17% Popularity • 68% Danceability • 39% Energy • 12% Liveness
48% Instrumentalness • 75% Positiveness
17% Popularity • 68% Danceability • 39% Energy • 12% Liveness
48% Instrumentalness • 75% Positiveness
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Lester Lanin
Fascination - Slow Waltz
105 bpm • C Maj • 01:58 • -12db
33% Popularity • 31% Danceability • 22% Energy • 18% Liveness
49% Instrumentalness • 34% Positiveness
33% Popularity • 31% Danceability • 22% Energy • 18% Liveness
49% Instrumentalness • 34% Positiveness
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Living Strings
I Have Confidence
96 bpm • G Maj • 02:30 • -12.52db
34% Popularity • 45% Danceability • 34% Energy • 7% Liveness
71% Instrumentalness • 52% Positiveness
34% Popularity • 45% Danceability • 34% Energy • 7% Liveness
71% Instrumentalness • 52% Positiveness
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The Manhattan Pops
The Gold and Silver Waltz
95 bpm • C Maj • 02:55 • -12db
10% Popularity • 39% Danceability • 30% Energy • 37% Liveness
86% Instrumentalness • 38% Positiveness
10% Popularity • 39% Danceability • 30% Energy • 37% Liveness
86% Instrumentalness • 38% Positiveness
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Andre Kostelanetz
Waltz From "Die Fledermaus"
105 bpm • F Maj • 03:31 • -11.79db
12% Popularity • 34% Danceability • 40% Energy • 23% Liveness
85% Instrumentalness • 42% Positiveness
12% Popularity • 34% Danceability • 40% Energy • 23% Liveness
85% Instrumentalness • 42% Positiveness
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Bernhard Fliess
Schlafe Mein Prinz Schlaf Ein - Wiegenli...
95 bpm • F Maj • 02:52 • -13db
14% Popularity • 31% Danceability • 40% Energy • 42% Liveness
30% Instrumentalness • 36% Positiveness
14% Popularity • 31% Danceability • 40% Energy • 42% Liveness
30% Instrumentalness • 36% Positiveness
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Ricci Ferra
La Playa
95 bpm • D min • 03:08 • -18.72db
31% Popularity • 54% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
31% Popularity • 54% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
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The Percy Faith Strings
Autumn Leaves
95 bpm • G min • 03:19 • -16.03db
25% Popularity • 20% Danceability • 27% Energy • 29% Liveness
88% Instrumentalness • 7% Positiveness
25% Popularity • 20% Danceability • 27% Energy • 29% Liveness
88% Instrumentalness • 7% Positiveness
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Horst Jankowski
Rhine River Boat - Remastered
105 bpm • C Maj • 02:40 • -7.84db
29% Popularity • 64% Danceability • 66% Energy • 10% Liveness
93% Instrumentalness • 65% Positiveness
29% Popularity • 64% Danceability • 66% Energy • 10% Liveness
93% Instrumentalness • 65% Positiveness
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Charlie Shaffer
Sentimental Me - A Very Precious Love
105 bpm • C Maj • 02:41 • -19db
32% Popularity • 64% Danceability • 15% Energy • 13% Liveness
85% Instrumentalness • 39% Positiveness
32% Popularity • 64% Danceability • 15% Energy • 13% Liveness
85% Instrumentalness • 39% Positiveness
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Ion Ivanovici
The Danube Waves: Donauwellen, Walzer
95 bpm • C Maj • 05:26 • -18db
28% Popularity • 34% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 41% Positiveness
28% Popularity • 34% Danceability • 18% Energy • 11% Liveness
74% Instrumentalness • 41% Positiveness
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Tango Ballroom Orchestra Alfred Hause
La Paloma (Tango) - New Recording
105 bpm • D Maj • 02:47 • -17.86db
10% Popularity • 31% Danceability • 17% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
10% Popularity • 31% Danceability • 17% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
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Ricci Ferra
Margarethe - Faustwalzer
105 bpm • D Maj • 03:41 • -12db
20% Popularity • 46% Danceability • 40% Energy • 22% Liveness
72% Instrumentalness • 59% Positiveness
20% Popularity • 46% Danceability • 40% Energy • 22% Liveness
72% Instrumentalness • 59% Positiveness
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The Manhattan Pops
The Blue Danube
95 bpm • D Maj • 03:06 • -12db
22% Popularity • 34% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 35% Positiveness
22% Popularity • 34% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 35% Positiveness
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Alfred Hause
Mattinata
95 bpm • C Maj • 03:48 • -12db
35% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
35% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
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Michel Legrand
Kiss of Fire
105 bpm • A min • 02:39 • -17.96db
23% Popularity • 59% Danceability • 23% Energy • 17% Liveness
89% Instrumentalness • 65% Positiveness
23% Popularity • 59% Danceability • 23% Energy • 17% Liveness
89% Instrumentalness • 65% Positiveness
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Francis Dupont
New York, New York
106 bpm • F Maj • 03:20 • -14.15db
21% Popularity • 29% Danceability • 28% Energy • 35% Liveness
2% Instrumentalness • 37% Positiveness
21% Popularity • 29% Danceability • 28% Energy • 35% Liveness
2% Instrumentalness • 37% Positiveness
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Carmen Cavallaro
Manhattan
94 bpm • G min • 04:45 • -16.5db
33% Popularity • 52% Danceability • 12% Energy • 25% Liveness
81% Instrumentalness • 45% Positiveness
33% Popularity • 52% Danceability • 12% Energy • 25% Liveness
81% Instrumentalness • 45% Positiveness
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Ricci Ferra
Frühlingsstimmen-Walzer Op.410 (Voices ...
95 bpm • A# Maj • 03:57 • -12.99db
17% Popularity • 42% Danceability • 26% Energy • 9% Liveness
37% Instrumentalness • 35% Positiveness
17% Popularity • 42% Danceability • 26% Energy • 9% Liveness
37% Instrumentalness • 35% Positiveness
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Al Caiola
Moon River
106 bpm • D Maj • 02:35 • -10db
34% Popularity • 56% Danceability • 47% Energy • 36% Liveness
43% Instrumentalness • 76% Positiveness
34% Popularity • 56% Danceability • 47% Energy • 36% Liveness
43% Instrumentalness • 76% Positiveness
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Gaston Croisset & Orquesta Roger Toussiant
Save The Last Dande For Me
106 bpm • E Maj • 03:02 • -8db
26% Popularity • 63% Danceability • 53% Energy • 36% Liveness
94% Instrumentalness • 52% Positiveness
26% Popularity • 63% Danceability • 53% Energy • 36% Liveness
94% Instrumentalness • 52% Positiveness
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Gheorghe Zamfir
The Art Of The Violin
107 bpm • A Maj • 03:02 • -12.68db
9% Popularity • 67% Danceability • 23% Energy • 16% Liveness
34% Instrumentalness • 53% Positiveness
9% Popularity • 67% Danceability • 23% Energy • 16% Liveness
34% Instrumentalness • 53% Positiveness
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Caravelli
Theme From Love Story
94 bpm • A min • 04:09 • -7db
31% Popularity • 23% Danceability • 41% Energy • 15% Liveness
12% Instrumentalness • 9% Positiveness
31% Popularity • 23% Danceability • 41% Energy • 15% Liveness
12% Instrumentalness • 9% Positiveness
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Johnny Pearson Y Su Orquesta
Matandome suavemente (Con su cancion)
93 bpm • F min • 03:53 • -16.22db
35% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
35% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
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Ricci Ferra
And Der Schönen Blauen Donau, Op.314 (T...
94 bpm • D Maj • 03:54 • -14db
28% Popularity • 45% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 39% Positiveness
28% Popularity • 45% Danceability • 26% Energy • 10% Liveness
12% Instrumentalness • 39% Positiveness
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Living Strings
Jamaican Rumba
107 bpm • G Maj • 06:24 • -21db
19% Popularity • 38% Danceability • 18% Energy • 93% Liveness
81% Instrumentalness • 30% Positiveness
19% Popularity • 38% Danceability • 18% Energy • 93% Liveness
81% Instrumentalness • 30% Positiveness
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Gran Orquesta Vienesa
Aceleraciones
107 bpm • G Maj • 03:11 • -7.2db
9% Popularity • 38% Danceability • 47% Energy • 24% Liveness
79% Instrumentalness • 63% Positiveness
9% Popularity • 38% Danceability • 47% Energy • 24% Liveness
79% Instrumentalness • 63% Positiveness
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Walzer Orchestra
Wiener BlutWiener Blut
93 bpm • F Maj • 03:29 • -15.06db
9% Popularity • 38% Danceability • 35% Energy • 30% Liveness
54% Instrumentalness • 61% Positiveness
9% Popularity • 38% Danceability • 35% Energy • 30% Liveness
54% Instrumentalness • 61% Positiveness
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The Romantic Sound Orchestra
Spanish Romance (Burgalesa)
108 bpm • E min • 03:10 • -15.98db
22% Popularity • 21% Danceability • 19% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
22% Popularity • 21% Danceability • 19% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Ballroom Dance Orchestra
A Fine Romance
108 bpm • C Maj • 02:52 • -12.99db
30% Popularity • 25% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 39% Positiveness
30% Popularity • 25% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 39% Positiveness
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Ricci Ferra
Annenpolka Op.117
93 bpm • D Maj • 02:35 • -12db
13% Popularity • 71% Danceability • 45% Energy • 4% Liveness
94% Instrumentalness • 89% Positiveness
13% Popularity • 71% Danceability • 45% Energy • 4% Liveness
94% Instrumentalness • 89% Positiveness
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Alfred Hause
Danube Waves Waltz - Waves Of The Danube...
93 bpm • A min • 03:14 • -12.41db
33% Popularity • 35% Danceability • 33% Energy • 9% Liveness
86% Instrumentalness • 39% Positiveness
33% Popularity • 35% Danceability • 33% Energy • 9% Liveness
86% Instrumentalness • 39% Positiveness
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Gran Orquesta Vienesa
El Barón Gitano
108 bpm • C Maj • 03:04 • -7.83db
12% Popularity • 36% Danceability • 43% Energy • 36% Liveness
76% Instrumentalness • 56% Positiveness
12% Popularity • 36% Danceability • 43% Energy • 36% Liveness
76% Instrumentalness • 56% Positiveness
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Cedar Lane Studio Orchestra
So This Is Love
93 bpm • E min • 03:15 • -14.32db
7% Popularity • 11% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
7% Popularity • 11% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
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Eugen Doga
Stagecoach
108 bpm • F min • 01:26 • -10db
31% Popularity • 40% Danceability • 18% Energy • 13% Liveness
89% Instrumentalness • 28% Positiveness
31% Popularity • 40% Danceability • 18% Energy • 13% Liveness
89% Instrumentalness • 28% Positiveness
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Jean Paques
O Mein Papa
108 bpm • A# Maj • 01:53 • -16db
34% Popularity • 82% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 65% Positiveness
34% Popularity • 82% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 65% Positiveness
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Francis Dupont
Strangers in the night
93 bpm • F Maj • 02:38 • -12.82db
34% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
34% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
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Victor Silvester
The Song From “Moulin Rouge” (Waltz)
93 bpm • D Maj • 02:26 • -19.44db
40% Popularity • 23% Danceability • 23% Energy • 9% Liveness
67% Instrumentalness • 40% Positiveness
40% Popularity • 23% Danceability • 23% Energy • 9% Liveness
67% Instrumentalness • 40% Positiveness
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Frank Davis Orchestra
Cheek to Cheek
108 bpm • C Maj • 03:11 • -8.69db
13% Popularity • 58% Danceability • 54% Energy • 9% Liveness
65% Instrumentalness • 23% Positiveness
13% Popularity • 58% Danceability • 54% Energy • 9% Liveness
65% Instrumentalness • 23% Positiveness
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The Manhattan Pops
Acceleration Waltz
92 bpm • G Maj • 03:18 • -13.75db
8% Popularity • 31% Danceability • 30% Energy • 25% Liveness
95% Instrumentalness • 42% Positiveness
8% Popularity • 31% Danceability • 30% Energy • 25% Liveness
95% Instrumentalness • 42% Positiveness
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The Columbia Ballroom Orchestra
Besame Mucho
108 bpm • D min • 03:17 • -16.97db
13% Popularity • 59% Danceability • 27% Energy • 17% Liveness
70% Instrumentalness • 58% Positiveness
13% Popularity • 59% Danceability • 27% Energy • 17% Liveness
70% Instrumentalness • 58% Positiveness
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Norman Candler
Beautiful Dreamer - Remastered
92 bpm • C Maj • 02:40 • -8db
28% Popularity • 23% Danceability • 47% Energy • 32% Liveness
56% Instrumentalness • 40% Positiveness
28% Popularity • 23% Danceability • 47% Energy • 32% Liveness
56% Instrumentalness • 40% Positiveness
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Gran Orquesta Vienesa
Vals de las Flores (De la Suite "El Casc...
92 bpm • D Maj • 07:05 • -11.78db
24% Popularity • 22% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
24% Popularity • 22% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Enrique Chia
Bella Cubana
92 bpm • C min • 02:42 • -12.61db
32% Popularity • 23% Danceability • 20% Energy • 14% Liveness
74% Instrumentalness • 22% Positiveness
32% Popularity • 23% Danceability • 20% Energy • 14% Liveness
74% Instrumentalness • 22% Positiveness
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Miguel Nacel
Cerezo Rosa (Inolvidable Primavera)
108 bpm • C Maj • 01:39 • -12db
41% Popularity • 76% Danceability • 37% Energy • 22% Liveness
87% Instrumentalness • 41% Positiveness
41% Popularity • 76% Danceability • 37% Energy • 22% Liveness
87% Instrumentalness • 41% Positiveness
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Alessio Busanel And His Orchestra
Core N Grato
92 bpm • D# Maj • 05:20 • -20.76db
16% Popularity • 13% Danceability • 11% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
16% Popularity • 13% Danceability • 11% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
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Orquesta Concierto de Viena
Rosas del Sur
92 bpm • A# Maj • 02:28 • -13db
39% Popularity • 32% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 52% Positiveness
39% Popularity • 32% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 52% Positiveness
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Alfred Hause
Blue Gipsy Eyes
92 bpm • D min • 03:04 • -13db
34% Popularity • 28% Danceability • 32% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
34% Popularity • 28% Danceability • 32% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
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Günter Noris
This Is Love (English Waltz)
92 bpm • D# Maj • 02:56 • -9.7db
17% Popularity • 40% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
17% Popularity • 40% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
