Songs like Moonlight Mystery by Alexandra Woodward
Based on a tempo of (+/- 10%) and a similar genre
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ANOMALOCARIS INC
Lost in the Rain (2024 Remaster)
180 bpm • G Maj • 03:59 • -8.63db
11% Popularity • 55% Danceability • 86% Energy • 8% Liveness
85% Instrumentalness • 42% Positiveness
11% Popularity • 55% Danceability • 86% Energy • 8% Liveness
85% Instrumentalness • 42% Positiveness
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Alexandra Woodward
Moonlight Mystery
180 bpm • C# min • 02:33 • -11.6db
3% Popularity • 60% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 38% Positiveness
3% Popularity • 60% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 38% Positiveness
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Martin Probst
Eberhofer Rag
180 bpm • A# min • 02:05 • -9.4db
8% Popularity • 68% Danceability • 47% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
8% Popularity • 68% Danceability • 47% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
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Coma-Media
Catch It
180 bpm • C# Maj • 01:28 • -8.27db
13% Popularity • 76% Danceability • 83% Energy • 9% Liveness
82% Instrumentalness • 83% Positiveness
13% Popularity • 76% Danceability • 83% Energy • 9% Liveness
82% Instrumentalness • 83% Positiveness
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Wir Bzw. Ihr
Instr.
180 bpm • B min • 01:36 • -11.21db
19% Popularity • 54% Danceability • 70% Energy • 13% Liveness
42% Instrumentalness • 52% Positiveness
19% Popularity • 54% Danceability • 70% Energy • 13% Liveness
42% Instrumentalness • 52% Positiveness
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Michael McMahon
Responsibility
180 bpm • G Maj • 01:04 • -14.42db
23% Popularity • 57% Danceability • 40% Energy • 11% Liveness
28% Instrumentalness • 51% Positiveness
23% Popularity • 57% Danceability • 40% Energy • 11% Liveness
28% Instrumentalness • 51% Positiveness
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Laurent Dury
Relaxed Morning
180 bpm • A# Maj • 02:11 • -15.76db
14% Popularity • 50% Danceability • 12% Energy • 11% Liveness
80% Instrumentalness • 20% Positiveness
14% Popularity • 50% Danceability • 12% Energy • 11% Liveness
80% Instrumentalness • 20% Positiveness
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Beast Philanthropy
Township
180 bpm • A# Maj • 01:28 • -16.83db
26% Popularity • 47% Danceability • 13% Energy • 8% Liveness
80% Instrumentalness • 40% Positiveness
26% Popularity • 47% Danceability • 13% Energy • 8% Liveness
80% Instrumentalness • 40% Positiveness
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Alexandra Woodward
Time to Strut
180 bpm • G Maj • 02:13 • -8.7db
6% Popularity • 73% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
6% Popularity • 73% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Yannis The Loner
Dawn Of Fall
180 bpm • B min • 03:46 • -12.25db
12% Popularity • 32% Danceability • 35% Energy • 31% Liveness
87% Instrumentalness • 52% Positiveness
12% Popularity • 32% Danceability • 35% Energy • 31% Liveness
87% Instrumentalness • 52% Positiveness
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Elegant Music Kitchen
Dynamite
180 bpm • C# Maj • 02:18 • -5.04db
29% Popularity • 67% Danceability • 76% Energy • 8% Liveness
97% Instrumentalness • 89% Positiveness
29% Popularity • 67% Danceability • 76% Energy • 8% Liveness
97% Instrumentalness • 89% Positiveness
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MONKYMAN
Then It Starts
183 bpm • B min • 04:39 • -15.37db
16% Popularity • 74% Danceability • 39% Energy • 10% Liveness
55% Instrumentalness • 36% Positiveness
16% Popularity • 74% Danceability • 39% Energy • 10% Liveness
55% Instrumentalness • 36% Positiveness
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Headphone Candy
Solitude Serenade
184 bpm • C min • 03:03 • -14.17db
19% Popularity • 55% Danceability • 36% Energy • 12% Liveness
54% Instrumentalness • 43% Positiveness
19% Popularity • 55% Danceability • 36% Energy • 12% Liveness
54% Instrumentalness • 43% Positiveness
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William Lovitt
All Life's Pleasures
176 bpm • F min • 02:55 • -6.22db
9% Popularity • 59% Danceability • 87% Energy • 11% Liveness
60% Instrumentalness • 76% Positiveness
9% Popularity • 59% Danceability • 87% Energy • 11% Liveness
60% Instrumentalness • 76% Positiveness
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DISCODOR
Orange
185 bpm • G Maj • 03:20 • -12.08db
29% Popularity • 59% Danceability • 33% Energy • 9% Liveness
93% Instrumentalness • 94% Positiveness
29% Popularity • 59% Danceability • 33% Energy • 9% Liveness
93% Instrumentalness • 94% Positiveness
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Wendy Marcini
Midnight Walker
175 bpm • A# min • 03:17 • -13.26db
10% Popularity • 50% Danceability • 64% Energy • 11% Liveness
92% Instrumentalness • 89% Positiveness
10% Popularity • 50% Danceability • 64% Energy • 11% Liveness
92% Instrumentalness • 89% Positiveness
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Selukiira
Tranquil Twilight
174 bpm • C# Maj • 02:26 • -4.48db
12% Popularity • 71% Danceability • 75% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
12% Popularity • 71% Danceability • 75% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
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Kyrsten Hussey
Sami
173 bpm • A min • 02:24 • -9.65db
19% Popularity • 67% Danceability • 43% Energy • 9% Liveness
42% Instrumentalness • 85% Positiveness
19% Popularity • 67% Danceability • 43% Energy • 9% Liveness
42% Instrumentalness • 85% Positiveness
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Alif Tree
Slo Sombrero
187 bpm • C# Maj • 01:34 • -9.25db
15% Popularity • 40% Danceability • 42% Energy • 12% Liveness
90% Instrumentalness • 52% Positiveness
15% Popularity • 40% Danceability • 42% Energy • 12% Liveness
90% Instrumentalness • 52% Positiveness
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Cem Tuncer
Aldatmak
172 bpm • E min • 02:06 • -13.88db
12% Popularity • 58% Danceability • 32% Energy • 19% Liveness
92% Instrumentalness • 26% Positiveness
12% Popularity • 58% Danceability • 32% Energy • 19% Liveness
92% Instrumentalness • 26% Positiveness
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J-Walk
A Shadow Of Doubt
172 bpm • C Maj • 02:39 • -8.7db
11% Popularity • 54% Danceability • 65% Energy • 10% Liveness
90% Instrumentalness • 78% Positiveness
11% Popularity • 54% Danceability • 65% Energy • 10% Liveness
90% Instrumentalness • 78% Positiveness
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Lucas Pittman
Dusty Blinds
172 bpm • D Maj • 04:06 • -9.67db
10% Popularity • 64% Danceability • 58% Energy • 32% Liveness
85% Instrumentalness • 48% Positiveness
10% Popularity • 64% Danceability • 58% Energy • 32% Liveness
85% Instrumentalness • 48% Positiveness
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Michael Hunter
Dragonfly
170 bpm • G# min • 02:22 • -6.94db
16% Popularity • 56% Danceability • 85% Energy • 14% Liveness
94% Instrumentalness • 88% Positiveness
16% Popularity • 56% Danceability • 85% Energy • 14% Liveness
94% Instrumentalness • 88% Positiveness
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13th Ward Social Club
Gate of the Sun
170 bpm • C min • 02:15 • -5.09db
19% Popularity • 72% Danceability • 79% Energy • 9% Liveness
80% Instrumentalness • 96% Positiveness
19% Popularity • 72% Danceability • 79% Energy • 9% Liveness
80% Instrumentalness • 96% Positiveness
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Laurent Dury
Quirky Life
170 bpm • A# min • 02:05 • -12.3db
22% Popularity • 69% Danceability • 61% Energy • 11% Liveness
88% Instrumentalness • 65% Positiveness
22% Popularity • 69% Danceability • 61% Energy • 11% Liveness
88% Instrumentalness • 65% Positiveness
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Upright T-Rex Music
Hidden Huts
170 bpm • C min • 01:59 • -13.48db
7% Popularity • 67% Danceability • 57% Energy • 13% Liveness
91% Instrumentalness • 84% Positiveness
7% Popularity • 67% Danceability • 57% Energy • 13% Liveness
91% Instrumentalness • 84% Positiveness
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Hamyai
Welcome to Jazz Club
170 bpm • C Maj • 01:30 • -10.82db
15% Popularity • 65% Danceability • 51% Energy • 11% Liveness
95% Instrumentalness • 78% Positiveness
15% Popularity • 65% Danceability • 51% Energy • 11% Liveness
95% Instrumentalness • 78% Positiveness
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Fay Lovsky
Nicely Does It
170 bpm • F Maj • 01:38 • -9.99db
13% Popularity • 84% Danceability • 63% Energy • 9% Liveness
84% Instrumentalness • 50% Positiveness
13% Popularity • 84% Danceability • 63% Energy • 9% Liveness
84% Instrumentalness • 50% Positiveness
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Scott Ruhs
Chillin' The Groove
170 bpm • G# Maj • 03:45 • -4.2db
24% Popularity • 58% Danceability • 81% Energy • 12% Liveness
82% Instrumentalness • 83% Positiveness
24% Popularity • 58% Danceability • 81% Energy • 12% Liveness
82% Instrumentalness • 83% Positiveness
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The Waiting World
Hanging Clover
170 bpm • D Maj • 01:57 • -6.86db
11% Popularity • 64% Danceability • 70% Energy • 12% Liveness
31% Instrumentalness • 86% Positiveness
11% Popularity • 64% Danceability • 70% Energy • 12% Liveness
31% Instrumentalness • 86% Positiveness
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Alexandra Woodward
Rabbit Feet
170 bpm • G min • 01:54 • -18.03db
11% Popularity • 37% Danceability • 9% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
11% Popularity • 37% Danceability • 9% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Ayacucho
The Dance of the Leaves
170 bpm • G Maj • 01:45 • -12.66db
15% Popularity • 67% Danceability • 35% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
15% Popularity • 67% Danceability • 35% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
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Pu Poo Platter
pbpbppbb
170 bpm • F# min • 03:03 • -6.87db
15% Popularity • 63% Danceability • 66% Energy • 8% Liveness
61% Instrumentalness • 81% Positiveness
15% Popularity • 63% Danceability • 66% Energy • 8% Liveness
61% Instrumentalness • 81% Positiveness
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Walt Adams
Against the Red Sky
170 bpm • C Maj • 01:45 • -10.05db
12% Popularity • 57% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 59% Positiveness
12% Popularity • 57% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 59% Positiveness
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Kevin Perjurer
Reino Novo
170 bpm • F# min • 04:02 • -10.49db
8% Popularity • 59% Danceability • 48% Energy • 9% Liveness
89% Instrumentalness • 83% Positiveness
8% Popularity • 59% Danceability • 48% Energy • 9% Liveness
89% Instrumentalness • 83% Positiveness
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רפאל מנשה rafael
dance and smile
170 bpm • F min • 07:39 • -13.41db
8% Popularity • 63% Danceability • 47% Energy • 10% Liveness
69% Instrumentalness • 69% Positiveness
8% Popularity • 63% Danceability • 47% Energy • 10% Liveness
69% Instrumentalness • 69% Positiveness
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Eva Kunt
Cherosene
192 bpm • A# min • 02:12 • -10.42db
13% Popularity • 76% Danceability • 76% Energy • 6% Liveness
79% Instrumentalness • 97% Positiveness
13% Popularity • 76% Danceability • 76% Energy • 6% Liveness
79% Instrumentalness • 97% Positiveness
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NumbDome
CANNĒT
191 bpm • F# Maj • 02:32 • -13.34db
8% Popularity • 50% Danceability • 57% Energy • 9% Liveness
74% Instrumentalness • 20% Positiveness
8% Popularity • 50% Danceability • 57% Energy • 9% Liveness
74% Instrumentalness • 20% Positiveness
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Skizzo Franick
Ruy Lopez
169 bpm • F min • 04:16 • -11.77db
9% Popularity • 79% Danceability • 63% Energy • 5% Liveness
66% Instrumentalness • 84% Positiveness
9% Popularity • 79% Danceability • 63% Energy • 5% Liveness
66% Instrumentalness • 84% Positiveness
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Pugface
Smoke
192 bpm • G# min • 01:02 • -13.75db
34% Popularity • 67% Danceability • 33% Energy • 11% Liveness
91% Instrumentalness • 97% Positiveness
34% Popularity • 67% Danceability • 33% Energy • 11% Liveness
91% Instrumentalness • 97% Positiveness
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Cajsa Larsson
Indulgence
192 bpm • B Maj • 01:26 • -15.64db
17% Popularity • 63% Danceability • 38% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
17% Popularity • 63% Danceability • 38% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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Bamwaves
Hoop to Hoop
168 bpm • B min • 01:43 • -10.47db
12% Popularity • 66% Danceability • 64% Energy • 10% Liveness
84% Instrumentalness • 71% Positiveness
12% Popularity • 66% Danceability • 64% Energy • 10% Liveness
84% Instrumentalness • 71% Positiveness
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Klas Johan Wahl
Go Time
168 bpm • G# Maj • 02:50 • -9.99db
8% Popularity • 50% Danceability • 63% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
8% Popularity • 50% Danceability • 63% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
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Lucas Pittman
Snake Hips
168 bpm • D Maj • 04:02 • -7.33db
9% Popularity • 54% Danceability • 94% Energy • 22% Liveness
95% Instrumentalness • 90% Positiveness
9% Popularity • 54% Danceability • 94% Energy • 22% Liveness
95% Instrumentalness • 90% Positiveness
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Vincent Artaud
The Fish
194 bpm • F# min • 02:00 • -7.59db
12% Popularity • 33% Danceability • 94% Energy • 8% Liveness
93% Instrumentalness • 91% Positiveness
12% Popularity • 33% Danceability • 94% Energy • 8% Liveness
93% Instrumentalness • 91% Positiveness
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Saxson
Silence
166 bpm • C# min • 02:17 • -11.8db
17% Popularity • 58% Danceability • 54% Energy • 19% Liveness
88% Instrumentalness • 44% Positiveness
17% Popularity • 58% Danceability • 54% Energy • 19% Liveness
88% Instrumentalness • 44% Positiveness
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The KBCS
Whistleblower
166 bpm • G# Maj • 04:59 • -6.91db
21% Popularity • 67% Danceability • 66% Energy • 6% Liveness
74% Instrumentalness • 90% Positiveness
21% Popularity • 67% Danceability • 66% Energy • 6% Liveness
74% Instrumentalness • 90% Positiveness
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Bamwaves
You Wanna
194 bpm • F# min • 01:30 • -9.78db
13% Popularity • 60% Danceability • 77% Energy • 8% Liveness
79% Instrumentalness • 66% Positiveness
13% Popularity • 60% Danceability • 77% Energy • 8% Liveness
79% Instrumentalness • 66% Positiveness
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Jerry Lacey
Martian
165 bpm • C# Maj • 02:06 • -13.06db
5% Popularity • 62% Danceability • 26% Energy • 13% Liveness
3% Instrumentalness • 10% Positiveness
5% Popularity • 62% Danceability • 26% Energy • 13% Liveness
3% Instrumentalness • 10% Positiveness
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Piero Umiliani
Lady Magnolia - Remastered 2023
164 bpm • C Maj • 03:23 • -13.07db
10% Popularity • 39% Danceability • 55% Energy • 10% Liveness
78% Instrumentalness • 67% Positiveness
10% Popularity • 39% Danceability • 55% Energy • 10% Liveness
78% Instrumentalness • 67% Positiveness
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Vincent Artaud
The new Cushion
193 bpm • G Maj • 01:45 • -7.76db
17% Popularity • 32% Danceability • 74% Energy • 14% Liveness
86% Instrumentalness • 20% Positiveness
17% Popularity • 32% Danceability • 74% Energy • 14% Liveness
86% Instrumentalness • 20% Positiveness
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Don Raimundo
una danza
163 bpm • G min • 02:00 • -6.46db
20% Popularity • 69% Danceability • 84% Energy • 9% Liveness
90% Instrumentalness • 89% Positiveness
20% Popularity • 69% Danceability • 84% Energy • 9% Liveness
90% Instrumentalness • 89% Positiveness
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Trio Leo
If Feelings Could Kill
162 bpm • E Maj • 01:50 • -12.09db
13% Popularity • 27% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 88% Positiveness
13% Popularity • 27% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 88% Positiveness
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Bulbitrobizarre
Retro Game Piano, Pt. 1
160 bpm • D min • 01:48 • -19.83db
33% Popularity • 64% Danceability • 63% Energy • 8% Liveness
87% Instrumentalness • 76% Positiveness
33% Popularity • 64% Danceability • 63% Energy • 8% Liveness
87% Instrumentalness • 76% Positiveness
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Jerry Lacey
Two Fixed Points
165 bpm • G# Maj • 01:49 • -14.97db
11% Popularity • 70% Danceability • 19% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
11% Popularity • 70% Danceability • 19% Energy • 7% Liveness
1% Instrumentalness • 38% Positiveness
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Ercan Saatci
Başlıyoruz
160 bpm • D Maj • 01:35 • -11.69db
18% Popularity • 73% Danceability • 51% Energy • 10% Liveness
74% Instrumentalness • 45% Positiveness
18% Popularity • 73% Danceability • 51% Energy • 10% Liveness
74% Instrumentalness • 45% Positiveness
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Hamyai
Music Corner
160 bpm • C Maj • 02:00 • -9.39db
12% Popularity • 77% Danceability • 64% Energy • 13% Liveness
45% Instrumentalness • 75% Positiveness
12% Popularity • 77% Danceability • 64% Energy • 13% Liveness
45% Instrumentalness • 75% Positiveness
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Bright Jolley
MAGICAL LoFi
160 bpm • F Maj • 01:37 • -12.41db
17% Popularity • 72% Danceability • 36% Energy • 11% Liveness
95% Instrumentalness • 90% Positiveness
17% Popularity • 72% Danceability • 36% Energy • 11% Liveness
95% Instrumentalness • 90% Positiveness
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QUEUEBEATS
The W.A.Y (Halleluyah)
160 bpm • F min • 03:15 • -9.24db
25% Popularity • 72% Danceability • 81% Energy • 12% Liveness
93% Instrumentalness • 98% Positiveness
25% Popularity • 72% Danceability • 81% Energy • 12% Liveness
93% Instrumentalness • 98% Positiveness
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Ernesto Ché
Latido
160 bpm • C Maj • 02:58 • -9.49db
9% Popularity • 73% Danceability • 86% Energy • 4% Liveness
82% Instrumentalness • 97% Positiveness
9% Popularity • 73% Danceability • 86% Energy • 4% Liveness
82% Instrumentalness • 97% Positiveness
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Alexandra Woodward
Walter
160 bpm • G Maj • 01:57 • -10.21db
6% Popularity • 69% Danceability • 54% Energy • 7% Liveness
82% Instrumentalness • 28% Positiveness
6% Popularity • 69% Danceability • 54% Energy • 7% Liveness
82% Instrumentalness • 28% Positiveness
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Assaf Spector
Wavy Feels
160 bpm • G Maj • 02:55 • -8.83db
29% Popularity • 64% Danceability • 56% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
29% Popularity • 64% Danceability • 56% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
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Redeemin'
Que Onda
160 bpm • F Maj • 02:07 • -11.74db
29% Popularity • 75% Danceability • 62% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
29% Popularity • 75% Danceability • 62% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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Los Monos Sensitivos
Don't Have Much Time
160 bpm • C Maj • 01:58 • -12.98db
10% Popularity • 78% Danceability • 40% Energy • 9% Liveness
85% Instrumentalness • 67% Positiveness
10% Popularity • 78% Danceability • 40% Energy • 9% Liveness
85% Instrumentalness • 67% Positiveness
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Otaam
Takk
160 bpm • D min • 03:46 • -9.39db
13% Popularity • 61% Danceability • 56% Energy • 3% Liveness
90% Instrumentalness • 88% Positiveness
13% Popularity • 61% Danceability • 56% Energy • 3% Liveness
90% Instrumentalness • 88% Positiveness
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Abreu Project
Shamburger
160 bpm • F Maj • 03:34 • -6.32db
9% Popularity • 60% Danceability • 69% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
9% Popularity • 60% Danceability • 69% Energy • 12% Liveness
88% Instrumentalness • 32% Positiveness
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Elevador
Garota Paulista
160 bpm • G Maj • 03:52 • -6.89db
10% Popularity • 80% Danceability • 65% Energy • 13% Liveness
91% Instrumentalness • 69% Positiveness
10% Popularity • 80% Danceability • 65% Energy • 13% Liveness
91% Instrumentalness • 69% Positiveness
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Josh Johnson
Jeanette
160 bpm • C# Maj • 04:41 • -10.33db
15% Popularity • 61% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 25% Positiveness
15% Popularity • 61% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 25% Positiveness
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Michele Braga
The Last Time You Had Sex?
160 bpm • C Maj • 01:12 • -14db
24% Popularity • 82% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 79% Positiveness
24% Popularity • 82% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 79% Positiveness
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Junior Lemos
Salsificando
157 bpm • G Maj • 02:14 • -7.22db
11% Popularity • 68% Danceability • 88% Energy • 8% Liveness
87% Instrumentalness • 79% Positiveness
11% Popularity • 68% Danceability • 88% Energy • 8% Liveness
87% Instrumentalness • 79% Positiveness
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Abner O'Connor
Divide
157 bpm • A# min • 02:31 • -9.27db
27% Popularity • 75% Danceability • 78% Energy • 10% Liveness
84% Instrumentalness • 88% Positiveness
27% Popularity • 75% Danceability • 78% Energy • 10% Liveness
84% Instrumentalness • 88% Positiveness
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Ernesto Ché
Capitán América
160 bpm • G min • 02:03 • -13db
9% Popularity • 33% Danceability • 70% Energy • 28% Liveness
93% Instrumentalness • 60% Positiveness
9% Popularity • 33% Danceability • 70% Energy • 28% Liveness
93% Instrumentalness • 60% Positiveness
