Songs like More Of Your Love by The Derailers
Based on a tempo of (+/- 10%) and a similar genre
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Tom T. Hall
Country Is
145 bpm • C Maj • 02:09 • -13.4db
51% Popularity • 55% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 55% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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James Hand
Little Bitty Slip
145 bpm • G Maj • 03:04 • -8db
16% Popularity • 64% Danceability • 81% Energy • 48% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 64% Danceability • 81% Energy • 48% Liveness
0% Instrumentalness • 95% Positiveness
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The Tractors
I've Had Enough
145 bpm • D# Maj • 03:10 • -6.59db
19% Popularity • 77% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 77% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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The Derailers
More Of Your Love
145 bpm • G Maj • 03:01 • -5.91db
28% Popularity • 60% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 60% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Lee Roy Parnell
South By Southwest
145 bpm • D Maj • 03:34 • -6.63db
11% Popularity • 59% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 59% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Lacy J. Dalton
16th Avenue
144 bpm • G Maj • 03:09 • -13db
43% Popularity • 54% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 54% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Tom T. Hall
Ravishing Ruby - Single Version
145 bpm • C# Maj • 02:29 • -16db
42% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Henson Cargill
Skip a Rope
146 bpm • F# min • 02:40 • -13db
46% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Ellie Greenwich, Jeff Barry
The She Kissed Me
146 bpm • G# Maj • 02:40 • -5.99db
19% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Derailers
Together Again
144 bpm • C Maj • 03:00 • -8.88db
8% Popularity • 45% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 45% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Gail Davies
Singing the Blues
146 bpm • C Maj • 02:07 • -8.73db
11% Popularity • 62% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 62% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Malpass Brothers
Sleep When the Party's Over
144 bpm • A Maj • 02:46 • -8.37db
15% Popularity • 72% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 72% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Bush
Green Snakes (On the Ceiling)
146 bpm • E Maj • 02:11 • -5.73db
25% Popularity • 51% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 51% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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Jason James
We’re Gonna Honky Tonk Tonight
146 bpm • C Maj • 02:57 • -8.7db
24% Popularity • 65% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 65% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Moe Bandy
Here I Am, I'm Drunk Again
146 bpm • A Maj • 02:33 • -11.22db
30% Popularity • 57% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 57% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Becky Hobbs
Jones On The Jukebox
146 bpm • C# Maj • 02:58 • -13.93db
23% Popularity • 65% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 65% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Jann Browne
Excuse Me (I Think Ive Got A Heartache)
144 bpm • D Maj • 02:29 • -5.35db
14% Popularity • 64% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 64% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Robbie Fulks
Rock Bottom, Pop. 1
146 bpm • A Maj • 02:40 • -8.93db
25% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 61% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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Raul Malo
Lonely Hearts
143 bpm • G Maj • 03:17 • -4db
31% Popularity • 67% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 67% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Gary P. Nunn
Why Don't You Meet Me Down In Corpus
143 bpm • D Maj • 03:21 • -14db
22% Popularity • 63% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 63% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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The Derailers
This Big City
147 bpm • G Maj • 03:20 • -9.83db
20% Popularity • 58% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 58% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Southern Pacific
Thing About You
147 bpm • A Maj • 03:51 • -5.85db
25% Popularity • 68% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 68% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Billy Hill
Too Much Month at the End of the Money
147 bpm • G Maj • 02:20 • -8db
15% Popularity • 48% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 48% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
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Heather Myles
Nashville's Gone Hollywood
143 bpm • G# Maj • 02:57 • -5.69db
32% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 68% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Gail Davies
Waiting Here For You
147 bpm • E Maj • 02:08 • -7db
22% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 68% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Jerry Kilgore
Lonesome Love List
148 bpm • A# Maj • 02:20 • -5.21db
22% Popularity • 57% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 57% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Danni Leigh
Longnecks, Cigarettes
148 bpm • G Maj • 02:37 • -5.23db
13% Popularity • 42% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 42% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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The Derailers
Under Your Spell
148 bpm • G Maj • 03:24 • -7.6db
6% Popularity • 58% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
6% Popularity • 58% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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The Tractors
Linda Lou
148 bpm • F Maj • 03:31 • -7db
23% Popularity • 71% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 71% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Joe Shaver
The Devil Made Me Do It the First Time
142 bpm • A Maj • 02:13 • -13db
38% Popularity • 76% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 76% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Bill Carter
The Right Place
148 bpm • E Maj • 03:12 • -5.5db
23% Popularity • 52% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 52% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Becky Hobbs
Talk Back Tremblin' Lips
148 bpm • E Maj • 02:56 • -5db
21% Popularity • 63% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 63% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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Bill Kirchen
Rockabilly Funeral
148 bpm • A Maj • 04:16 • -9db
16% Popularity • 61% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
16% Popularity • 61% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 87% Positiveness
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The Derailers
Boomerang Heart
142 bpm • E Maj • 02:05 • -6.44db
9% Popularity • 66% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 66% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Chris Hillman
Save The Last Dance For Me
142 bpm • G Maj • 02:49 • -8.68db
8% Popularity • 65% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 65% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Moe Bandy
Hank Williams, You Wrote My Life
142 bpm • D Maj • 03:10 • -13db
30% Popularity • 60% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 60% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Danni Leigh
Ol' Lonesome
148 bpm • C Maj • 02:35 • -5db
27% Popularity • 56% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 56% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Norma Jean
Let's Go All the Way
142 bpm • A Maj • 02:46 • -14db
28% Popularity • 49% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 49% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Johnny Lee
Country Party
141 bpm • D Maj • 03:18 • -11.85db
29% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Derailers
The Way To My Heart
148 bpm • C# Maj • 02:45 • -7.27db
5% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
5% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Holly Dunn
There Goes My Heart Again
149 bpm • C# Maj • 02:37 • -9.43db
35% Popularity • 66% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 66% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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The Country Side Of Harmonica Sam
I'll Leave the Front Door Open
141 bpm • F# Maj • 02:43 • -9.12db
13% Popularity • 70% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 70% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Mel Tillis
Stateside
141 bpm • G Maj • 02:14 • -12.94db
31% Popularity • 63% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
31% Popularity • 63% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
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Highway 101
Walkin', Talkin', Cryin', Barely Beatin'...
141 bpm • D# Maj • 02:35 • -12.25db
32% Popularity • 67% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 67% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Kenny Vaughan
Country Music Got A Hold On Me
150 bpm • A Maj • 02:26 • -5.57db
28% Popularity • 52% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 52% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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The Derailers
Take It Back
149 bpm • C Maj • 02:03 • -5.44db
8% Popularity • 61% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 61% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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Chely Wright
Sea Of Cowboy Hats
150 bpm • B Maj • 03:36 • -9db
21% Popularity • 54% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 54% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Raul Malo
Superstar
140 bpm • A Maj • 03:11 • -5.51db
13% Popularity • 68% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 68% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Johnny Bush
If I Say I Love You (Consider Me Drunk)
140 bpm • C Maj • 03:15 • -6db
22% Popularity • 72% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 72% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Texas Tornados
Who's to Blame, Senorita?
140 bpm • G Maj • 02:56 • -10.23db
21% Popularity • 71% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 71% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Dallas Wayne
Crank the Hank
150 bpm • D Maj • 02:55 • -5.06db
12% Popularity • 55% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 55% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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The Derailers
Jackpot
150 bpm • G Maj • 02:50 • -9.36db
13% Popularity • 53% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 53% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Amber Digby
Close Up The Honky Tonks
140 bpm • E Maj • 02:41 • -5.69db
19% Popularity • 59% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 59% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Suzy Bogguss
My Sweet Love Ain't Around
140 bpm • G Maj • 03:14 • -15.46db
20% Popularity • 59% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 59% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Bastard Sons of Johnny Cash
Austin Night
140 bpm • E Maj • 03:36 • -7.72db
16% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Sons of the Pioneers
Wine Me Up
140 bpm • A Maj • 02:24 • -16.95db
34% Popularity • 54% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 54% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Warner Mack
The Bridge Washed Out
151 bpm • G Maj • 02:18 • -13.12db
28% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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The Derailers
Under The Influence Of Love
150 bpm • F# Maj • 02:22 • -6.7db
7% Popularity • 62% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
7% Popularity • 62% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Tony Booth
The Keys In the Mailbox
139 bpm • A Maj • 02:18 • -7.78db
21% Popularity • 56% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 56% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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The Desert Rose Band
She Don't Love Nobody
139 bpm • G Maj • 02:59 • -12.5db
26% Popularity • 60% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 60% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Johnny Bush
Jones On Thejukebox
139 bpm • E Maj • 03:07 • -5.31db
16% Popularity • 62% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 62% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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The Notorious Cherry Bombs
Wait A Minute
139 bpm • E Maj • 02:46 • -4db
39% Popularity • 72% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 72% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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George Ducas
Hello Cruel World
139 bpm • A Maj • 03:29 • -7.49db
19% Popularity • 60% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 60% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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The Derailers
Lies, Lies, Lies
140 bpm • G Maj • 03:45 • -10.42db
12% Popularity • 58% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 58% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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BR549
That's What I Get
151 bpm • D Maj • 03:24 • -6.47db
25% Popularity • 61% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 61% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Danni Leigh
Little Things
152 bpm • F Maj • 02:38 • -6.31db
9% Popularity • 54% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 54% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Joy Lynn White
Little Tears
139 bpm • C Maj • 02:24 • -9.77db
19% Popularity • 58% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 58% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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The Country Side Of Harmonica Sam
A Drink After Midnight
139 bpm • A Maj • 02:47 • -7.73db
28% Popularity • 52% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 52% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Joe Ely
Hard Livin'
152 bpm • E Maj • 02:25 • -11db
24% Popularity • 56% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 56% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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The Derailers
Hey, Valerie!
151 bpm • C Maj • 02:21 • -4.09db
8% Popularity • 55% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 55% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Raul Malo
San Antonio Baby
152 bpm • C Maj • 03:56 • -5.05db
17% Popularity • 63% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 63% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Hoyt Axton
Boney Fingers
152 bpm • A Maj • 03:08 • -8.9db
31% Popularity • 64% Danceability • 75% Energy • 7% Liveness
4% Instrumentalness • 62% Positiveness
31% Popularity • 64% Danceability • 75% Energy • 7% Liveness
4% Instrumentalness • 62% Positiveness
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Buck Owens & The Buckaroos
Under Your Spell Again - Mono Single Ver...
152 bpm • A Maj • 02:44 • -5.83db
42% Popularity • 55% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 55% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Rosie Flores
Crying over You
138 bpm • D Maj • 03:50 • -8db
10% Popularity • 72% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 72% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Eddie Rabbitt
Plain as the Pain on My Face - 2008 Vers...
138 bpm • C# min • 02:23 • -8.86db
33% Popularity • 73% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 73% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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The Derailers
Genuine
139 bpm • E Maj • 03:03 • -5.61db
6% Popularity • 59% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
6% Popularity • 59% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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The Tractors
Good Old Days
153 bpm • G Maj • 03:05 • -7db
25% Popularity • 54% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 54% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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The Country Side Of Harmonica Sam
I've Been Draggin' Since You've Gone
138 bpm • G# Maj • 02:41 • -10.54db
22% Popularity • 61% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 61% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Kelly Willis
Whatever Way The Wind Blows
153 bpm • E Maj • 03:22 • -9.58db
18% Popularity • 63% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 63% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Marcia Ball
Thibodaux, Louisiana
153 bpm • D Maj • 03:30 • -7db
30% Popularity • 52% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 52% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Justin Trevino
Texas Honky Tonk
138 bpm • E Maj • 03:31 • -5.14db
17% Popularity • 64% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 64% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Johnny Bush
Whiskey River
138 bpm • D Maj • 02:29 • -6.09db
23% Popularity • 48% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 48% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Lee
'Til the Bars Burn Down
138 bpm • B Maj • 03:15 • -14.77db
12% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Texas Tornados
Clinging to You
138 bpm • E Maj • 02:58 • -6.34db
23% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Pirates Of The Mississippi
Honky Tonk Blues
154 bpm • D Maj • 03:03 • -8.6db
42% Popularity • 62% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 62% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Joe Ely
Dallas
137 bpm • E Maj • 03:30 • -12.36db
27% Popularity • 65% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 65% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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The Kendalls
Heaven's Just A Sin Away
154 bpm • F# Maj • 02:25 • -6db
42% Popularity • 56% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 56% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Bush
Ol' What's Her Name
136 bpm • A Maj • 03:21 • -4.6db
12% Popularity • 55% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 55% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Tony Booth
Lonesome 7-7203
136 bpm • G Maj • 02:21 • -8.34db
22% Popularity • 58% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 58% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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Texas Tornados
Is Anybody Goin' to San Antone
137 bpm • A Maj • 03:03 • -7.78db
35% Popularity • 63% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 63% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Jerry Jaye
Honky Tonk Women Love Red Neck Men
136 bpm • C# min • 02:35 • -7.9db
20% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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Dawn Sears
Half As Much
136 bpm • A Maj • 02:54 • -11.72db
33% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 66% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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The Derailers
Leave A Message, Juanita
136 bpm • E Maj • 02:57 • -6.92db
16% Popularity • 72% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 72% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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James Intveld
All The Way From Memphis
136 bpm • G Maj • 04:22 • -7db
21% Popularity • 59% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 59% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Joshua Hedley
Mr. Jukebox
136 bpm • A Maj • 03:16 • -5.26db
31% Popularity • 64% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 64% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Jason James
Cry On THe Bayou
155 bpm • B Maj • 02:45 • -7.73db
26% Popularity • 59% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
26% Popularity • 59% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Danni Leigh
Quarter over You
155 bpm • C# Maj • 02:44 • -4.58db
16% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Bill Kirchen
Hammer of the Honky-tonk Gods
155 bpm • A Maj • 02:27 • -8db
25% Popularity • 60% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 60% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness