Songs like more than love by Trevor Hall
Based on a tempo of (+/- 10%) and a similar genre
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Trevor Hall
more than love
120 bpm • D# min • 04:20 • -7.15db
40% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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KOLIDESCOPES
Foundations
120 bpm • C Maj • 03:51 • -9.08db
47% Popularity • 77% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 77% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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SŸDE
Her Touch
120 bpm • G Maj • 03:05 • -7.25db
25% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Yaima
Rebirth
120 bpm • F# min • 04:56 • -14db
45% Popularity • 66% Danceability • 42% Energy • 12% Liveness
79% Instrumentalness • 24% Positiveness
45% Popularity • 66% Danceability • 42% Energy • 12% Liveness
79% Instrumentalness • 24% Positiveness
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Fia
Leaving It All Behind
120 bpm • G min • 04:03 • -16db
35% Popularity • 66% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 66% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Dirtwire
Strength in One
120 bpm • G Maj • 04:00 • -12.12db
44% Popularity • 56% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 56% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Trevor Hall
more than love - Sofi Tukker remix
120 bpm • F# Maj • 05:33 • -10.42db
40% Popularity • 68% Danceability • 65% Energy • 38% Liveness
3% Instrumentalness • 19% Positiveness
40% Popularity • 68% Danceability • 65% Energy • 38% Liveness
3% Instrumentalness • 19% Positiveness
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Kai Straw
My Soul Is Lemonade
120 bpm • D# Maj • 03:10 • -7db
36% Popularity • 82% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 82% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Mogli
Outro
120 bpm • C# Maj • 03:14 • -17.88db
32% Popularity • 50% Danceability • 20% Energy • 2% Liveness
82% Instrumentalness • 3% Positiveness
32% Popularity • 50% Danceability • 20% Energy • 2% Liveness
82% Instrumentalness • 3% Positiveness
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Saint Sinner
Skeletons
120 bpm • G min • 03:31 • -12.96db
21% Popularity • 74% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 74% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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St. Finnikin
Footprint
120 bpm • A Maj • 02:39 • -9.76db
29% Popularity • 51% Danceability • 76% Energy • 16% Liveness
90% Instrumentalness • 14% Positiveness
29% Popularity • 51% Danceability • 76% Energy • 16% Liveness
90% Instrumentalness • 14% Positiveness
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Taylor Swift
Who’s Afraid of Little Old Me?
120 bpm • C Maj • 05:34 • -10.49db
83% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
83% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Trevor Hall
You Got My Love
120 bpm • B min • 04:57 • -10.17db
27% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 76% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Joy Oladokun
look up
120 bpm • C Maj • 03:33 • -9.71db
59% Popularity • 45% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 45% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Richard Parka
Lost in Your Love
120 bpm • C# min • 03:44 • -9.75db
33% Popularity • 70% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 70% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Donavon Frankenreiter
Shine
119 bpm • G Maj • 03:14 • -6.81db
51% Popularity • 85% Danceability • 73% Energy • 56% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 85% Danceability • 73% Energy • 56% Liveness
0% Instrumentalness • 55% Positiveness
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Alivan Blu
Wild Eyes
119 bpm • G Maj • 04:46 • -12.08db
43% Popularity • 65% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 65% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
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Garrett Kato
Holding on to You
121 bpm • C# Maj • 03:33 • -9.91db
37% Popularity • 68% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 68% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:17 • -9db
49% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 62% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Luke Marzec
Feel
121 bpm • G# Maj • 05:54 • -11.34db
37% Popularity • 53% Danceability • 38% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
37% Popularity • 53% Danceability • 38% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
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Frances Cone
Wide Awake
121 bpm • G Maj • 03:37 • -8.57db
30% Popularity • 39% Danceability • 28% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
30% Popularity • 39% Danceability • 28% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
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Amber Lily
Allen
121 bpm • B Maj • 05:52 • -10.17db
12% Popularity • 52% Danceability • 25% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 52% Danceability • 25% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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Deepend
Woke up in Bangkok - Acoustic Version
118 bpm • F# Maj • 02:40 • -12.93db
54% Popularity • 79% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 79% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Moontricks
Currents
122 bpm • F Maj • 04:43 • -11.91db
30% Popularity • 66% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 66% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
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Juke Ross
Burned By The Love - James Carter Remix
122 bpm • G# Maj • 03:03 • -7db
36% Popularity • 54% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 54% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Patric Johnston
Gold
122 bpm • C Maj • 03:20 • -8.26db
27% Popularity • 58% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 58% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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John Splithoff
Night Drive
122 bpm • D Maj • 03:47 • -9.12db
41% Popularity • 74% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 55% Positiveness
41% Popularity • 74% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 55% Positiveness
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Gone Gone Beyond
Another Earth
118 bpm • A min • 03:33 • -11.31db
42% Popularity • 53% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 32% Positiveness
42% Popularity • 53% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 32% Positiveness
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Reuben And The Dark
Hold Me Like A Fire
122 bpm • C Maj • 03:12 • -11.25db
33% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 56% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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HIRIE
Good Vibration
118 bpm • G# Maj • 04:19 • -8.62db
41% Popularity • 60% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 60% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Golden Vessel
Hesitate
123 bpm • D Maj • 04:11 • -10db
54% Popularity • 41% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
54% Popularity • 41% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Ryan Harris
Same Sun
117 bpm • C# min • 03:05 • -14.19db
43% Popularity • 71% Danceability • 32% Energy • 11% Liveness
20% Instrumentalness • 26% Positiveness
43% Popularity • 71% Danceability • 32% Energy • 11% Liveness
20% Instrumentalness • 26% Positiveness
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Caamp
Strawberries
117 bpm • D# Maj • 03:39 • -19db
60% Popularity • 55% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
60% Popularity • 55% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Harrison Storm
Breathe Again - Acoustic
123 bpm • A# min • 03:18 • -8db
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
57% Popularity • 65% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Slumberkins
Take A Deep Breath
117 bpm • A# Maj • 02:46 • -13.65db
33% Popularity • 61% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 61% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Kidnap
Grow
117 bpm • F Maj • 03:36 • -8.03db
45% Popularity • 71% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
45% Popularity • 71% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
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Trevor Hall
Arrows
117 bpm • E Maj • 03:18 • -7.55db
43% Popularity • 66% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 66% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Moontricks
Wood For The Trees
117 bpm • G Maj • 04:31 • -10.17db
35% Popularity • 67% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 67% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Juke Ross
Amazing
124 bpm • D min • 03:59 • -10.16db
32% Popularity • 44% Danceability • 46% Energy • 20% Liveness
2% Instrumentalness • 29% Positiveness
32% Popularity • 44% Danceability • 46% Energy • 20% Liveness
2% Instrumentalness • 29% Positiveness
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Ava Camille
Patagonia Sunrise
124 bpm • G# min • 04:12 • -11.7db
27% Popularity • 53% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 53% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Felipe Baldomir
We Take so Much
124 bpm • E Maj • 03:10 • -9.09db
32% Popularity • 65% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 65% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Matthew Pinder
Golden Hour
124 bpm • D Maj • 03:36 • -12.17db
32% Popularity • 49% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
32% Popularity • 49% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
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Jamie Rose
Agnes Water
124 bpm • G# Maj • 02:14 • -12.53db
41% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
41% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Roaman
What We Need Is Love
116 bpm • F Maj • 03:40 • -5.32db
22% Popularity • 92% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 92% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Trevor Hall
monsoon cloud
116 bpm • E Maj • 03:28 • -12.7db
42% Popularity • 53% Danceability • 43% Energy • 11% Liveness
11% Instrumentalness • 7% Positiveness
42% Popularity • 53% Danceability • 43% Energy • 11% Liveness
11% Instrumentalness • 7% Positiveness
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Elephant Revival
Home in Your Heart
116 bpm • D Maj • 04:16 • -13.16db
30% Popularity • 40% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
30% Popularity • 40% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Elderbrook
Feels Like a Sunday
124 bpm • G Maj • 02:28 • -12.12db
57% Popularity • 83% Danceability • 23% Energy • 12% Liveness
4% Instrumentalness • 29% Positiveness
57% Popularity • 83% Danceability • 23% Energy • 12% Liveness
4% Instrumentalness • 29% Positiveness
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Rising Appalachia
Keep Going
116 bpm • G Maj • 02:53 • -17db
42% Popularity • 67% Danceability • 43% Energy • 10% Liveness
21% Instrumentalness • 58% Positiveness
42% Popularity • 67% Danceability • 43% Energy • 10% Liveness
21% Instrumentalness • 58% Positiveness
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The Revivalists
Otherside Of Paradise
124 bpm • G min • 03:57 • -8.27db
47% Popularity • 43% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 43% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Allan Rayman
Road Warrior
125 bpm • C# Maj • 03:12 • -8.03db
40% Popularity • 79% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 79% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Judah & the Lion
Soak up the Sun - Unplugged
116 bpm • A Maj • 04:11 • -5.68db
40% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 59% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Trevor Hall
The Lime Tree
125 bpm • B Maj • 03:20 • -8.66db
53% Popularity • 59% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 59% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Hayden Calnin
Mountain Steeps
125 bpm • G# Maj • 04:03 • -13.18db
36% Popularity • 62% Danceability • 26% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
36% Popularity • 62% Danceability • 26% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
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Fia
Rising in Love
125 bpm • D# Maj • 03:29 • -12db
39% Popularity • 83% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 83% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Wilderado
Surefire - Piano
125 bpm • B Maj • 04:01 • -8db
49% Popularity • 77% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 77% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Mishka
This Love - Radio Edit
115 bpm • C# Maj • 03:38 • -7db
24% Popularity • 78% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 78% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Cyrene
Time to Pretend - The Lost Voice Remix
115 bpm • D Maj • 03:21 • -9.46db
27% Popularity • 76% Danceability • 56% Energy • 14% Liveness
2% Instrumentalness • 24% Positiveness
27% Popularity • 76% Danceability • 56% Energy • 14% Liveness
2% Instrumentalness • 24% Positiveness
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Trevor Hall
We Call
115 bpm • D Maj • 05:02 • -14.96db
26% Popularity • 56% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
26% Popularity • 56% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Appleby
Enough
115 bpm • F# Maj • 04:03 • -6.4db
44% Popularity • 67% Danceability • 66% Energy • 80% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 67% Danceability • 66% Energy • 80% Liveness
0% Instrumentalness • 46% Positiveness
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Ocie Elliott
Forest Floor
115 bpm • E Maj • 03:42 • -11.34db
60% Popularity • 70% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
60% Popularity • 70% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Shook Twins
Stay Wild
115 bpm • G# Maj • 04:57 • -10.12db
28% Popularity • 57% Danceability • 59% Energy • 13% Liveness
43% Instrumentalness • 42% Positiveness
28% Popularity • 57% Danceability • 59% Energy • 13% Liveness
43% Instrumentalness • 42% Positiveness
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Craig Stickland
Starlit Afternoon
126 bpm • G# Maj • 03:33 • -10.73db
40% Popularity • 58% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
40% Popularity • 58% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Lukis Mac
Love Is the Medicine
126 bpm • B Maj • 03:20 • -7.4db
41% Popularity • 86% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 86% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Trevor Hall
fire on your house
115 bpm • B min • 03:44 • -6.85db
33% Popularity • 74% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 74% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Jordy Maxwell
Blue Eyes
114 bpm • G min • 03:57 • -12db
47% Popularity • 43% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 43% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Autograf
Walk With You
114 bpm • D Maj • 02:50 • -7.49db
40% Popularity • 79% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
40% Popularity • 79% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Carly King
Mountains, Alone.
126 bpm • C Maj • 03:00 • -8.95db
35% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 57% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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FACESOUL
Give Thanks
127 bpm • G# Maj • 03:24 • -12db
32% Popularity • 55% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
32% Popularity • 55% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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Beautiful Chorus
Infinite Universe
114 bpm • C# Maj • 05:37 • -20.5db
48% Popularity • 44% Danceability • 17% Energy • 15% Liveness
28% Instrumentalness • 8% Positiveness
48% Popularity • 44% Danceability • 17% Energy • 15% Liveness
28% Instrumentalness • 8% Positiveness
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Trevor Hall
Walk Quietly
125 bpm • A# Maj • 04:31 • -13.57db
33% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
33% Popularity • 53% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Gone Gone Beyond
She Just Can't Help But Shine
128 bpm • C Maj • 02:44 • -13db
47% Popularity • 57% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 57% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Felipe Baldomir
Only Light
113 bpm • C Maj • 04:39 • -8.79db
26% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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AHI
Ol' Sweet Day
113 bpm • D# Maj • 02:58 • -9db
50% Popularity • 39% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 39% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Brett Dennen
Wild Child (Acoustic)
128 bpm • E Maj • 04:17 • -13.27db
7% Popularity • 78% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 78% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Shylah Ray Sunshine
Existence
128 bpm • G Maj • 04:50 • -7.08db
30% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Trevor Hall
all of my lessons
115 bpm • F Maj • 02:56 • -7.58db
40% Popularity • 65% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
40% Popularity • 65% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
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Sophia Spallino
My Healing
128 bpm • C Maj • 04:50 • -9.4db
43% Popularity • 62% Danceability • 78% Energy • 32% Liveness
1% Instrumentalness • 32% Positiveness
43% Popularity • 62% Danceability • 78% Energy • 32% Liveness
1% Instrumentalness • 32% Positiveness
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Beautiful Chorus
My Little Light
112 bpm • C# Maj • 02:54 • -19.75db
40% Popularity • 56% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 56% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Minke
Gold Angel - Mahogany Sessions
128 bpm • G min • 04:59 • -8.78db
29% Popularity • 61% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 61% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Mt. Wolf
Burgs
112 bpm • A Maj • 07:07 • -18.03db
46% Popularity • 32% Danceability • 22% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
46% Popularity • 32% Danceability • 22% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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inLu
Show
128 bpm • A# Maj • 03:52 • -8.6db
29% Popularity • 66% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
29% Popularity • 66% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Trevor Hall
Jagadeesha
126 bpm • G# Maj • 04:27 • -9.87db
38% Popularity • 62% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
38% Popularity • 62% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Rising Appalachia
Lean In
128 bpm • A# Maj • 03:38 • -12.93db
45% Popularity • 48% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 48% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Yaima
Force - Acoustic
128 bpm • F# min • 04:29 • -14.53db
41% Popularity • 58% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 58% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Jack Botts
The Coffee Song
112 bpm • D Maj • 03:08 • -12db
45% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Wookiefoot
You're It!
112 bpm • G Maj • 03:36 • -7.75db
36% Popularity • 71% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 71% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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The Wide Eyed Kids
Open Doors
112 bpm • C# Maj • 03:58 • -10.8db
31% Popularity • 94% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 94% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Trevor Hall
without expectation
128 bpm • F Maj • 03:43 • -9.55db
45% Popularity • 77% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 77% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Dawson Graham
Hideaway
112 bpm • D# Maj • 03:02 • -11db
31% Popularity • 86% Danceability • 46% Energy • 9% Liveness
54% Instrumentalness • 46% Positiveness
31% Popularity • 86% Danceability • 46% Energy • 9% Liveness
54% Instrumentalness • 46% Positiveness
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Rising Appalachia
Stand Like An Oak
112 bpm • C Maj • 03:01 • -13.22db
49% Popularity • 65% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 65% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Zen
Self-Love
112 bpm • A Maj • 03:34 • -8.56db
38% Popularity • 76% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 76% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Wookiefoot
All over Again
112 bpm • C Maj • 03:53 • -8.16db
26% Popularity • 68% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 68% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Felipe Baldomir
I'll Be There
129 bpm • G Maj • 03:50 • -9.43db
34% Popularity • 59% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 59% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Trevor Hall
her
112 bpm • C Maj • 04:10 • -11.09db
39% Popularity • 78% Danceability • 18% Energy • 11% Liveness
68% Instrumentalness • 21% Positiveness
39% Popularity • 78% Danceability • 18% Energy • 11% Liveness
68% Instrumentalness • 21% Positiveness
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Mayestra
Heal Us Both - Acoustic
129 bpm • C# Maj • 05:20 • -12.18db
32% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Lo-Fang
88
129 bpm • G Maj • 04:12 • -9.11db
28% Popularity • 75% Danceability • 45% Energy • 17% Liveness
4% Instrumentalness • 59% Positiveness
28% Popularity • 75% Danceability • 45% Energy • 17% Liveness
4% Instrumentalness • 59% Positiveness
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Emory Hall
impermanence
111 bpm • C# Maj • 01:55 • -18.75db
43% Popularity • 22% Danceability • 12% Energy • 11% Liveness
52% Instrumentalness • 13% Positiveness
43% Popularity • 22% Danceability • 12% Energy • 11% Liveness
52% Instrumentalness • 13% Positiveness
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DISPATCH
Only the Wild Ones
111 bpm • G# Maj • 04:13 • -7db
58% Popularity • 42% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 42% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
