Songs like Morning Dew by Long John Baldry
Based on a tempo of (+/- 10%) and a similar genre
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Long John Baldry
Son of Hickory Hollers Tramp
151 bpm • C# Maj • 03:51 • -8.09db
6% Popularity • 44% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
6% Popularity • 44% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
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Tony Joe White
Gumbo John
151 bpm • B min • 04:15 • -10.31db
8% Popularity • 53% Danceability • 58% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
8% Popularity • 53% Danceability • 58% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
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Danny Vera
Less Than Nothing
150 bpm • G Maj • 03:28 • -5.76db
11% Popularity • 47% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 47% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Eric Clapton
Train To Nowhere
152 bpm • C Maj • 04:51 • -7.44db
34% Popularity • 55% Danceability • 80% Energy • 6% Liveness
43% Instrumentalness • 78% Positiveness
34% Popularity • 55% Danceability • 80% Energy • 6% Liveness
43% Instrumentalness • 78% Positiveness
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Tim Hardin
Simple Song of Freedom
152 bpm • C Maj • 03:50 • -8.38db
29% Popularity • 54% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 54% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Kayak
Starlight Dancer
153 bpm • C Maj • 04:59 • -13.01db
17% Popularity • 25% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 25% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Long John Baldry
Morning Dew
151 bpm • F Maj • 03:28 • -12db
31% Popularity • 49% Danceability • 59% Energy • 20% Liveness
1% Instrumentalness • 45% Positiveness
31% Popularity • 49% Danceability • 59% Energy • 20% Liveness
1% Instrumentalness • 45% Positiveness
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Tony Joe White
Cool Town Woman
153 bpm • E min • 04:23 • -16.11db
31% Popularity • 59% Danceability • 42% Energy • 15% Liveness
53% Instrumentalness • 64% Positiveness
31% Popularity • 59% Danceability • 42% Energy • 15% Liveness
53% Instrumentalness • 64% Positiveness
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Nick Lowe
Half a Boy and Half a Man
153 bpm • G Maj • 02:55 • -9.52db
36% Popularity • 54% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 54% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Lowell George
Cheek to Cheek
148 bpm • G Maj • 02:22 • -8db
27% Popularity • 41% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 41% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Nits
Tutti Ragazzi
149 bpm • F Maj • 02:11 • -10.74db
14% Popularity • 53% Danceability • 77% Energy • 56% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 53% Danceability • 77% Energy • 56% Liveness
0% Instrumentalness • 90% Positiveness
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Stan Webb
I'd Rather Go Blind
148 bpm • B min • 05:39 • -11.83db
31% Popularity • 50% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 50% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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John Hiatt
Tip Of My Tongue
147 bpm • E Maj • 05:52 • -12.87db
16% Popularity • 53% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 53% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Tony Joe White
Lake Placid Blues
147 bpm • A min • 05:21 • -11db
41% Popularity • 61% Danceability • 68% Energy • 7% Liveness
13% Instrumentalness • 64% Positiveness
41% Popularity • 61% Danceability • 68% Energy • 7% Liveness
13% Instrumentalness • 64% Positiveness
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Fleetwood Mac
Need Your Love So Bad
147 bpm • A Maj • 03:53 • -18.87db
51% Popularity • 36% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 36% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Nick Lowe
Half a Boy and Half a Man
153 bpm • G Maj • 02:55 • -9.89db
21% Popularity • 54% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 54% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Nits
Pelican & Penguin
147 bpm • A Maj • 03:57 • -11.72db
12% Popularity • 57% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 57% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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J.J. Cale
Hold on Baby
155 bpm • E min • 03:01 • -14.89db
19% Popularity • 54% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 54% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
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Bram Tchaikovsky
Sarah Smiles
156 bpm • D Maj • 03:41 • -17.04db
15% Popularity • 38% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 38% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Hothouse Flowers
It'll Be Easier in the Morning
156 bpm • C# Maj • 03:35 • -9db
33% Popularity • 38% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 38% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 44% Positiveness
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Long John Baldry
I'd Rather Go Blind
145 bpm • A Maj • 06:20 • -8.77db
8% Popularity • 34% Danceability • 60% Energy • 68% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 34% Danceability • 60% Energy • 68% Liveness
0% Instrumentalness • 32% Positiveness
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The Hoochie Coochie Men
Dimples - 2006 Digital Remaster
145 bpm • D Maj • 02:22 • -8.25db
3% Popularity • 59% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
3% Popularity • 59% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Poco
Rose Of Cimarron
157 bpm • F# Maj • 06:42 • -11.75db
39% Popularity • 29% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 41% Positiveness
39% Popularity • 29% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 41% Positiveness
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Sweet D'buster
Stir Up The Fire
145 bpm • A min • 05:39 • -13.75db
10% Popularity • 61% Danceability • 50% Energy • 4% Liveness
21% Instrumentalness • 92% Positiveness
10% Popularity • 61% Danceability • 50% Energy • 4% Liveness
21% Instrumentalness • 92% Positiveness
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King of the World
Bluesified
157 bpm • B min • 04:46 • -8.32db
14% Popularity • 47% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
14% Popularity • 47% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Nits
J.O.S. Days
157 bpm • E min • 03:13 • -13.13db
30% Popularity • 64% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 64% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Long John Baldry
I'm Shakin'
145 bpm • D Maj • 03:51 • -13.26db
7% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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McGuinness Flint
When I'm Dead And Gone - Remastered
145 bpm • D Maj • 03:41 • -14.63db
36% Popularity • 51% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 51% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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John Hiatt
Georgia Rae
145 bpm • G Maj • 04:28 • -12.06db
21% Popularity • 63% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 63% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Robert Palmer
Dreams to Remember
158 bpm • A Maj • 04:25 • -8.98db
16% Popularity • 36% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 36% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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The Scene
Borderline
144 bpm • G Maj • 03:22 • -11.33db
8% Popularity • 52% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 52% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Sue Saad & the Next
Young Girl
144 bpm • C# min • 04:00 • -12.41db
19% Popularity • 72% Danceability • 38% Energy • 27% Liveness
3% Instrumentalness • 54% Positiveness
19% Popularity • 72% Danceability • 38% Energy • 27% Liveness
3% Instrumentalness • 54% Positiveness
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The Fatal Flowers
Moving Target
144 bpm • A Maj • 04:37 • -7.62db
10% Popularity • 57% Danceability • 67% Energy • 8% Liveness
32% Instrumentalness • 57% Positiveness
10% Popularity • 57% Danceability • 67% Energy • 8% Liveness
32% Instrumentalness • 57% Positiveness
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Snowy White
Bird of Paradise
144 bpm • C# Maj • 04:41 • -11.42db
52% Popularity • 47% Danceability • 44% Energy • 32% Liveness
61% Instrumentalness • 31% Positiveness
52% Popularity • 47% Danceability • 44% Energy • 32% Liveness
61% Instrumentalness • 31% Positiveness
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Robert Cray
I've Slipped Her Mind
159 bpm • C Maj • 05:19 • -9.68db
14% Popularity • 54% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 54% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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Procol Harum
Homburg - 50th Anniversary Full Length S...
143 bpm • F Maj • 07:11 • -11.37db
25% Popularity • 36% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 36% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Eric Burdon
Once Upon A Time
143 bpm • G Maj • 03:51 • -6.7db
12% Popularity • 55% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 55% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Long John Baldry
Radio Spot #1
143 bpm • G Maj • 01:07 • -14.46db
4% Popularity • 58% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
4% Popularity • 58% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Status Quo
Roll over Lay Down
143 bpm • F Maj • 04:28 • -7.93db
10% Popularity • 80% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 80% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Snowy White
Bird of Paradise
143 bpm • C min • 04:56 • -8.51db
14% Popularity • 46% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
14% Popularity • 46% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
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Catapult
Teeny Bopperband
143 bpm • F Maj • 02:50 • -5.57db
5% Popularity • 47% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
5% Popularity • 47% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Van Morrison
Real Real Gone
142 bpm • G Maj • 03:40 • -6.56db
49% Popularity • 70% Danceability • 85% Energy • 19% Liveness
31% Instrumentalness • 95% Positiveness
49% Popularity • 70% Danceability • 85% Energy • 19% Liveness
31% Instrumentalness • 95% Positiveness
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Procol Harum
Homburg - Single Version - 2009 Remaster...
142 bpm • A# Maj • 03:57 • -8db
38% Popularity • 36% Danceability • 66% Energy • 6% Liveness
5% Instrumentalness • 38% Positiveness
38% Popularity • 36% Danceability • 66% Energy • 6% Liveness
5% Instrumentalness • 38% Positiveness
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Neil Diamond
Pretty Amazing Grace
142 bpm • B min • 04:53 • -12.44db
30% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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John Baldry
Black Girl - Remastered Version
142 bpm • G Maj • 02:49 • -9db
12% Popularity • 39% Danceability • 51% Energy • 82% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 39% Danceability • 51% Energy • 82% Liveness
0% Instrumentalness • 51% Positiveness
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Kayak
Starlight Dancer
142 bpm • C Maj • 04:59 • -14.93db
21% Popularity • 37% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 37% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Steeleye Span
All Around My Hat
142 bpm • D Maj • 04:03 • -12.32db
16% Popularity • 64% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 64% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Tony Joe White
Ice Cream Man
141 bpm • A min • 04:28 • -12.79db
15% Popularity • 49% Danceability • 55% Energy • 8% Liveness
73% Instrumentalness • 85% Positiveness
15% Popularity • 49% Danceability • 55% Energy • 8% Liveness
73% Instrumentalness • 85% Positiveness
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Procol Harum
Homburg
142 bpm • F Maj • 04:26 • -12.66db
25% Popularity • 33% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 33% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
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Steve Harley & Cockney Rebel
Sebastian - 2012 Remaster
140 bpm • B min • 07:00 • -14.21db
45% Popularity • 25% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 25% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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John Baldry
It Ain't Easy - Remastered Version
142 bpm • C Maj • 04:55 • -8.46db
17% Popularity • 40% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 40% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Long John Baldry
They Raided The Joint
140 bpm • A min • 03:24 • -10.53db
5% Popularity • 60% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
5% Popularity • 60% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Dizzy Man's Band
The Show
140 bpm • F min • 03:13 • -6db
25% Popularity • 52% Danceability • 80% Energy • 7% Liveness
2% Instrumentalness • 72% Positiveness
25% Popularity • 52% Danceability • 80% Energy • 7% Liveness
2% Instrumentalness • 72% Positiveness
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Sandy Coast
Capital Punishment (Death By Hanging)
163 bpm • C Maj • 05:26 • -11db
14% Popularity • 33% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 33% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Jon Anderson
Surrender
163 bpm • G# Maj • 03:53 • -7.6db
28% Popularity • 61% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 61% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Joan Armatrading
Rosie
163 bpm • B Maj • 03:11 • -12.31db
41% Popularity • 67% Danceability • 57% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness
41% Popularity • 67% Danceability • 57% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness
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Barrelhouse
Hard Feelings
163 bpm • A Maj • 05:58 • -6.06db
10% Popularity • 31% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 31% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Long John Baldry
Black Girl (2 Meter Session)
162 bpm • G Maj • 03:17 • -17.7db
6% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
6% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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David Knopfler
Easy Street
139 bpm • A Maj • 03:44 • -8.62db
23% Popularity • 53% Danceability • 64% Energy • 26% Liveness
13% Instrumentalness • 60% Positiveness
23% Popularity • 53% Danceability • 64% Energy • 26% Liveness
13% Instrumentalness • 60% Positiveness
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Sandy Coast
Capital Punishment
139 bpm • C Maj • 05:20 • -12.5db
13% Popularity • 37% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 37% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Warren Zevon
The Hula Hula Boys - 2007 Remaster
138 bpm • G Maj • 03:02 • -11db
36% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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AJ Plug
Blues Village
165 bpm • D# Maj • 03:41 • -11.42db
13% Popularity • 45% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 45% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Marianne Faithfull
Intrigue
139 bpm • A Maj • 04:31 • -15db
18% Popularity • 64% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
18% Popularity • 64% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Magna Carta
Took a long time
138 bpm • E Maj • 03:57 • -10.21db
14% Popularity • 60% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 60% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Mark Knopfler
Summer Of Love - Remastered 2021
138 bpm • A Maj • 03:16 • -8.84db
23% Popularity • 69% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 69% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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John Baldry
Don't Try to Lay No Boogie-Woogie on the...
138 bpm • A# Maj • 03:25 • -6db
29% Popularity • 61% Danceability • 93% Energy • 43% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 61% Danceability • 93% Energy • 43% Liveness
0% Instrumentalness • 87% Positiveness
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Tony Joe White
Steamy Windows
138 bpm • A Maj • 04:01 • -13.08db
45% Popularity • 69% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 69% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Pacific Gas & Electric
Are You Ready?
137 bpm • E min • 05:46 • -12.34db
28% Popularity • 60% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 60% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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The Lemming
Father John
137 bpm • D Maj • 03:28 • -11.3db
3% Popularity • 53% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
3% Popularity • 53% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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Malford Milligan
I'm Glad to Do It
137 bpm • F# min • 04:44 • -7.97db
13% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Schuld & Stamer
Voodoo Music
167 bpm • A Maj • 03:02 • -11.18db
2% Popularity • 66% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
2% Popularity • 66% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Chris Kramer
Power of the Blind Man
136 bpm • G# min • 05:40 • -11.7db
1% Popularity • 54% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
1% Popularity • 54% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Tony Joe White
Tunica Motel
137 bpm • F# min • 04:22 • -11.77db
44% Popularity • 73% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 73% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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The Meteors
It's You (Smersz)
136 bpm • A Maj • 04:41 • -10.09db
9% Popularity • 44% Danceability • 70% Energy • 49% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 44% Danceability • 70% Energy • 49% Liveness
0% Instrumentalness • 67% Positiveness
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J.J. Cale
Call Me The Breeze
168 bpm • A Maj • 05:36 • -6.97db
28% Popularity • 46% Danceability • 83% Energy • 96% Liveness
53% Instrumentalness • 95% Positiveness
28% Popularity • 46% Danceability • 83% Energy • 96% Liveness
53% Instrumentalness • 95% Positiveness
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The Fatal Flowers
Johnny D. Is Back!
136 bpm • B min • 03:12 • -6db
16% Popularity • 51% Danceability • 89% Energy • 30% Liveness
42% Instrumentalness • 61% Positiveness
16% Popularity • 51% Danceability • 89% Energy • 30% Liveness
42% Instrumentalness • 61% Positiveness
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Long John Baldry
Baldry's Out
168 bpm • G Maj • 04:13 • -8.29db
5% Popularity • 47% Danceability • 90% Energy • 99% Liveness
0% Instrumentalness • 71% Positiveness
5% Popularity • 47% Danceability • 90% Energy • 99% Liveness
0% Instrumentalness • 71% Positiveness
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The Outsiders
Monkey On Your Back
136 bpm • E Maj • 03:43 • -4.29db
19% Popularity • 51% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 51% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Schuld & Stamer
Going Down Slow
169 bpm • E min • 04:10 • -13.73db
0% Popularity • 60% Danceability • 28% Energy • 44% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 60% Danceability • 28% Energy • 44% Liveness
0% Instrumentalness • 38% Positiveness
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Danny Vera
Pressure Makes Diamonds
169 bpm • C# Maj • 03:29 • -8db
42% Popularity • 38% Danceability • 47% Energy • 20% Liveness
3% Instrumentalness • 49% Positiveness
42% Popularity • 38% Danceability • 47% Energy • 20% Liveness
3% Instrumentalness • 49% Positiveness
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Gilbert O'Sullivan
Underneath the Blanket Go
135 bpm • C Maj • 03:08 • -7.42db
19% Popularity • 67% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 67% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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José Feliciano
No Dogs Allowed
135 bpm • A Maj • 02:54 • -5.38db
11% Popularity • 60% Danceability • 82% Energy • 79% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 60% Danceability • 82% Energy • 79% Liveness
0% Instrumentalness • 56% Positiveness
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Long John Baldry
Dimples
135 bpm • A Maj • 03:56 • -8.32db
3% Popularity • 63% Danceability • 60% Energy • 69% Liveness
0% Instrumentalness • 80% Positiveness
3% Popularity • 63% Danceability • 60% Energy • 69% Liveness
0% Instrumentalness • 80% Positiveness
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Chris Kramer
Maggie Bell
135 bpm • G Maj • 03:33 • -10.41db
2% Popularity • 63% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
2% Popularity • 63% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Chi Coltrane
Go Like Elijah
135 bpm • D# Maj • 04:00 • -10.23db
18% Popularity • 63% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 63% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Tony Joe White
Menutha
135 bpm • D Maj • 04:12 • -9.64db
27% Popularity • 58% Danceability • 59% Energy • 16% Liveness
60% Instrumentalness • 66% Positiveness
27% Popularity • 58% Danceability • 59% Energy • 16% Liveness
60% Instrumentalness • 66% Positiveness
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The Hoochie Coochie Men
You're Breaking My Heart - 2006 Digital ...
170 bpm • C Maj • 04:35 • -7.6db
3% Popularity • 44% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
3% Popularity • 44% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
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José Feliciano
No Dogs Allowed
135 bpm • A Maj • 03:02 • -9.58db
8% Popularity • 66% Danceability • 73% Energy • 71% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 66% Danceability • 73% Energy • 71% Liveness
0% Instrumentalness • 56% Positiveness
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Specs Hildebrand
So Long Ago (With The Cats)
170 bpm • E Maj • 04:00 • -13.35db
17% Popularity • 39% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 39% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Barclay James Harvest
Titles
134 bpm • F Maj • 03:49 • -10.31db
34% Popularity • 46% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 46% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Long John Baldry
It's Too Late Brother
171 bpm • C# Maj • 03:10 • -13.22db
4% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
4% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Kevin Coyne
I'll Go Too
133 bpm • E Maj • 03:33 • -17.76db
10% Popularity • 54% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 54% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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The Hoochie Coochie Men
Gee Baby Ain't I Good To You - 2006 Digi...
171 bpm • G Maj • 03:57 • -9.6db
2% Popularity • 44% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 44% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Frankie Miller
Drunken Nights in the City - 2011 Remast...
133 bpm • C Maj • 03:50 • -17.68db
14% Popularity • 57% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 57% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Gary Brooker
(No More) Fear Of Flying
133 bpm • A# Maj • 04:46 • -9.2db
19% Popularity • 74% Danceability • 58% Energy • 3% Liveness
1% Instrumentalness • 90% Positiveness
19% Popularity • 74% Danceability • 58% Energy • 3% Liveness
1% Instrumentalness • 90% Positiveness
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J.J. Cale
No Time
133 bpm • B min • 03:12 • -13.9db
20% Popularity • 77% Danceability • 64% Energy • 8% Liveness
3% Instrumentalness • 99% Positiveness
20% Popularity • 77% Danceability • 64% Energy • 8% Liveness
3% Instrumentalness • 99% Positiveness
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Steve Forbert
Song for Katrina
172 bpm • G# Maj • 03:33 • -17db
29% Popularity • 56% Danceability • 61% Energy • 8% Liveness
1% Instrumentalness • 95% Positiveness
29% Popularity • 56% Danceability • 61% Energy • 8% Liveness
1% Instrumentalness • 95% Positiveness
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Wally Tax
Bridges Are Burning
132 bpm • F# min • 02:50 • -7.88db
12% Popularity • 50% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 50% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
