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Morning from Peer Gynt
Songs like
Morning from Peer Gynt
by
Lifestyle Music Group
Based on a tempo of (+/- 10%) and a similar genre
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Niño Tiro
Two Easy Pieces for Orchestra: I. Allegr...
148 bpm • G Maj • 01:29 • -25.59db
23% Popularity • 19% Danceability • 3% Energy • 23% Liveness
96% Instrumentalness • 27% Positiveness
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Lifestyle Music Group
Morning from Peer Gynt
148 bpm • E Maj • 05:04 • -25.41db
0% Popularity • 13% Danceability • 6% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
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Erik Satie
Relâche, Pt. 2: No. 10, La femme rejoin...
148 bpm • C min • 01:01 • -38.39db
8% Popularity • 16% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Antonin Dvorak
Slavonic Dances Op.72: VII. Kolo. Allegr...
149 bpm • G Maj • 03:14 • -16.37db
10% Popularity • 36% Danceability • 27% Energy • 28% Liveness
74% Instrumentalness • 38% Positiveness
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Jacques Offenbach
Gaîté parisienne: Barcarolle. Allegro ...
147 bpm • D Maj • 03:47 • -32.43db
1% Popularity • 16% Danceability • 1% Energy • 9% Liveness
58% Instrumentalness • 7% Positiveness
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NHK交响乐团
婚礼舞曲
149 bpm • E min • 05:05 • -23.5db
8% Popularity • 27% Danceability • 5% Energy • 8% Liveness
24% Instrumentalness • 19% Positiveness
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蔡榮吉
世界名曲:第五號匈牙利舞曲
149 bpm • G min • 03:20 • -10.88db
9% Popularity • 28% Danceability • 21% Energy • 12% Liveness
56% Instrumentalness • 23% Positiveness
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Danke Timi Briggs
Baby Mothers Unshamed Mothers
147 bpm • G min • 02:18 • -16.59db
17% Popularity • 17% Danceability • 20% Energy • 37% Liveness
92% Instrumentalness • 31% Positiveness
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Gioachino Rossini
Rossini: La Cenerentola: Overture
147 bpm • A# Maj • 07:57 • -22.72db
18% Popularity • 36% Danceability • 13% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
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Theobald Boehm
Fantasia dall'Italia: "Nel cor più non ...
149 bpm • G Maj • 01:04 • -11.41db
23% Popularity • 37% Danceability • 45% Energy • 21% Liveness
82% Instrumentalness • 96% Positiveness
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Luca Schettino
String Quartet N 20 Mov 1 Mazurka Versio...
150 bpm • C min • 01:16 • -14db
13% Popularity • 39% Danceability • 25% Energy • 83% Liveness
86% Instrumentalness • 66% Positiveness
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Antonin Dvorak
Slavonic Dances Op.46: II. Dumka. Allegr...
146 bpm • E min • 04:48 • -20.78db
7% Popularity • 24% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 16% Positiveness
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Hector Berlioz
Symphonie Fantastique In C Minor-C Major...
146 bpm • D min • 05:13 • -16.98db
10% Popularity • 32% Danceability • 16% Energy • 14% Liveness
89% Instrumentalness • 16% Positiveness
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Danke Timi Briggs
Billabong
150 bpm • G min • 02:12 • -15.02db
19% Popularity • 22% Danceability • 22% Energy • 36% Liveness
91% Instrumentalness • 38% Positiveness
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Wolfgang Amadeus Mozart
Divertimento No. 15 in B-Flat Major, K. ...
145 bpm • F Maj • 00:56 • -19.71db
10% Popularity • 49% Danceability • 15% Energy • 19% Liveness
96% Instrumentalness • 81% Positiveness
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José Manuel Ortega Caballo
Spring Waltz - Short Version
145 bpm • A Maj • 01:26 • -13.81db
20% Popularity • 26% Danceability • 15% Energy • 12% Liveness
97% Instrumentalness • 7% Positiveness
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Orion King
Intend
151 bpm • C# Maj • 02:59 • -19.28db
17% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
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Peter Deunov
At dawn
144 bpm • G Maj • 02:49 • -13.28db
11% Popularity • 41% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 30% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: No. 1 in G M...
144 bpm • G min • 03:08 • -18.4db
17% Popularity • 24% Danceability • 21% Energy • 7% Liveness
91% Instrumentalness • 46% Positiveness
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Danke Timi Briggs
Militant Beauty
152 bpm • A# Maj • 02:11 • -17.32db
16% Popularity • 12% Danceability • 18% Energy • 32% Liveness
85% Instrumentalness • 34% Positiveness
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Alexander Glazunov
Raymonda, Act III: Coda
153 bpm • D min • 02:48 • -15db
14% Popularity • 31% Danceability • 32% Energy • 10% Liveness
78% Instrumentalness • 60% Positiveness
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Georges Bizet
Symphony In C Major WD.33: II. Adagio
144 bpm • A min • 08:17 • -21.7db
10% Popularity • 21% Danceability • 10% Energy • 12% Liveness
82% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No.5 In E Minor Op.64: III. Val...
153 bpm • C Maj • 05:29 • -27.58db
9% Popularity • 22% Danceability • 6% Energy • 14% Liveness
71% Instrumentalness • 16% Positiveness
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Eric Coates
Cinderella: 2. Her Fairy Godmother calls...
143 bpm • G Maj • 01:35 • -31db
14% Popularity • 14% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Ernest Guiraud
L'Arlésienne Suite No. 2: III. Minuetto
143 bpm • D# Maj • 04:16 • -31.68db
7% Popularity • 26% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 20% Positiveness
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Raymond Leppard
Peter and the Wolf - A Musical Tale for ...
143 bpm • C Maj • 01:31 • -25.1db
11% Popularity • 39% Danceability • 6% Energy • 23% Liveness
69% Instrumentalness • 36% Positiveness
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Giuseppe Verdi
Un ballo in maschera: Overture
143 bpm • B min • 04:24 • -32.1db
11% Popularity • 18% Danceability • 1% Energy • 14% Liveness
38% Instrumentalness • 10% Positiveness
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Giacomo Puccini
La Bohème, SC 67, Act I: Mi chiamano Mi...
142 bpm • D Maj • 03:55 • -24.69db
2% Popularity • 14% Danceability • 2% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
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上海音协乐队
命运之力
142 bpm • E min • 07:38 • -19.97db
11% Popularity • 19% Danceability • 4% Energy • 12% Liveness
43% Instrumentalness • 13% Positiveness
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Franz Schubert
5 German Dances with 7 Trios and Coda, D...
142 bpm • C Maj • 03:00 • -19.62db
22% Popularity • 38% Danceability • 14% Energy • 31% Liveness
46% Instrumentalness • 25% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
141 bpm • G Maj • 09:45 • -26.3db
3% Popularity • 16% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Antonin Dvorak
Carnival Overture Op.92
140 bpm • D Maj • 09:09 • -19.09db
9% Popularity • 27% Danceability • 20% Energy • 24% Liveness
9% Instrumentalness • 12% Positiveness
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Lifestyle Music Group
Bolero
140 bpm • C Maj • 06:18 • -19.76db
0% Popularity • 24% Danceability • 49% Energy • 18% Liveness
92% Instrumentalness • 23% Positiveness
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Franz Von Suppe
The Beautiful Galatea: Overture
141 bpm • D Maj • 06:16 • -17.32db
11% Popularity • 25% Danceability • 18% Energy • 16% Liveness
45% Instrumentalness • 13% Positiveness
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Antonín Dvořák
Slavonic Dances, Series II., Op. 72, B. ...
140 bpm • F# min • 04:36 • -15.1db
8% Popularity • 24% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 16% Positiveness
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Alejandro Llovet Abascal
Waltz No 2 Vera Icon
140 bpm • A# Maj • 03:12 • -20.23db
13% Popularity • 68% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 94% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: Alborada: Vi...
142 bpm • A# Maj • 01:04 • -17.18db
17% Popularity • 40% Danceability • 25% Energy • 30% Liveness
57% Instrumentalness • 61% Positiveness
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Ernest Guiraud
L'Arlesienne Suite No. 2 (arr. E. Guiran...
140 bpm • D# Maj • 04:19 • -23.97db
9% Popularity • 16% Danceability • 2% Energy • 12% Liveness
67% Instrumentalness • 6% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Variation XII...
139 bpm • A# Maj • 02:23 • -21.38db
9% Popularity • 15% Danceability • 10% Energy • 18% Liveness
75% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Litaliana in Algeri Overture
138 bpm • C Maj • 08:03 • -19.42db
9% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 26% Positiveness
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Sergei Rachmaninoff
Woodland Suite: III. Moon-Fairy (Arr. Of...
139 bpm • A Maj • 02:08 • -34.07db
6% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Various Artists
Jupiter, The Bringer of Jollity, from Th...
137 bpm • G min • 07:59 • -18.82db
8% Popularity • 26% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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NHK交响乐团
《仲夏夜之梦》的小夜曲
137 bpm • E Maj • 04:57 • -23.05db
10% Popularity • 15% Danceability • 13% Energy • 18% Liveness
79% Instrumentalness • 4% Positiveness
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Lifestyle Music Group
Moonlight Sonata
137 bpm • C# min • 06:43 • -28.39db
0% Popularity • 34% Danceability • 5% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
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Daniel Auber
Emma, ou la promesse imprudente, S. 6 (E...
160 bpm • D Maj • 01:42 • -20.36db
21% Popularity • 41% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
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Leo Delibes
Coppelia, Orchestra Music ACT II: Scene ...
137 bpm • A Maj • 03:35 • -28.37db
9% Popularity • 36% Danceability • 3% Energy • 5% Liveness
1% Instrumentalness • 7% Positiveness
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Nikos Skalkottas
5 Greek Dances, AK 11b (Arr. for String ...
160 bpm • G min • 02:11 • -20.19db
18% Popularity • 33% Danceability • 22% Energy • 26% Liveness
92% Instrumentalness • 72% Positiveness
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Antonin Dvorak
My Homeland Op.62
137 bpm • C Maj • 09:11 • -18.67db
8% Popularity • 32% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 12% Positiveness
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蔡榮吉
世界名曲:小夜曲
137 bpm • D Maj • 03:50 • -19.3db
10% Popularity • 17% Danceability • 11% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Erik Satie
Mercure: III. Danse de tendresse
136 bpm • F Maj • 01:50 • -27.28db
5% Popularity • 26% Danceability • 2% Energy • 40% Liveness
55% Instrumentalness • 23% Positiveness
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Paul Wranitzky
Achmet und Zenide, Act V: Ouverture
161 bpm • G Maj • 06:05 • -19.56db
11% Popularity • 31% Danceability • 8% Energy • 11% Liveness
45% Instrumentalness • 32% Positiveness
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Giuseppe Verdi
La traviata, Act I: Overture: La Traviat...
136 bpm • G# Maj • 04:29 • -26.87db
15% Popularity • 18% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini: La scala di seta: Overture
135 bpm • C Maj • 06:01 • -26.55db
21% Popularity • 35% Danceability • 8% Energy • 9% Liveness
75% Instrumentalness • 32% Positiveness
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Antonio Vivaldi
Flute Concerto In C Minor RV.441: II. La...
135 bpm • F min • 03:07 • -17.13db
12% Popularity • 24% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Stravinsky: The Firebird, Tableau 1: App...
135 bpm • G# Maj • 02:18 • -28.12db
4% Popularity • 18% Danceability • 3% Energy • 34% Liveness
82% Instrumentalness • 4% Positiveness
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上海音协室内乐队
丝的阶梯
135 bpm • G Maj • 05:53 • -24.27db
1% Popularity • 27% Danceability • 7% Energy • 8% Liveness
29% Instrumentalness • 26% Positiveness
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Paul Wranitzky
Divertissement, Vorstellungen 1803: No. ...
135 bpm • A Maj • 02:03 • -22.01db
17% Popularity • 36% Danceability • 7% Energy • 10% Liveness
24% Instrumentalness • 26% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: Alborada: Vi...
134 bpm • A Maj • 01:10 • -17.23db
15% Popularity • 43% Danceability • 27% Energy • 35% Liveness
46% Instrumentalness • 37% Positiveness
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Ria Mbanefo
I Miss You Sometimes
134 bpm • A# Maj • 02:47 • -17.75db
15% Popularity • 45% Danceability • 17% Energy • 22% Liveness
86% Instrumentalness • 87% Positiveness
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New D'Oyly Carte Opera Orchestra
The Mikado: Overture
134 bpm • G Maj • 07:04 • -20.37db
8% Popularity • 33% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: II. Arabi...
134 bpm • F Maj • 04:27 • -23.67db
1% Popularity • 40% Danceability • 5% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
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Ferdinand Hérold
Hérold & Lanchbery: La fille mal gardé...
134 bpm • D# Maj • 03:35 • -28db
7% Popularity • 22% Danceability • 3% Energy • 48% Liveness
58% Instrumentalness • 24% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade For String Orchestra In C Major...
133 bpm • D Maj • 08:00 • -21.02db
11% Popularity • 18% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Leó Weiner
Divertimento No. 1, Op. 20: III. Marossz...
133 bpm • A Maj • 01:35 • -33.92db
10% Popularity • 47% Danceability • 1% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Ria Mbanefo
Love Sleeping Alone
134 bpm • G min • 02:24 • -22.2db
15% Popularity • 56% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
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Erik Satie
Relâche, Pt. 1: No. 3, Entrée de la fe...
133 bpm • D Maj • 01:16 • -33.3db
9% Popularity • 20% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Franz Von Suppe
Poet And Peasant Overture
165 bpm • D Maj • 09:22 • -17.77db
10% Popularity • 22% Danceability • 9% Energy • 23% Liveness
50% Instrumentalness • 8% Positiveness
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Gioachino Rossini
La Scala Di Seta: Overture
133 bpm • C Maj • 05:54 • -18.94db
13% Popularity • 32% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 42% Positiveness
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Benedetto Marcello
Introduzione, aria e presto: I. Largo e ...
133 bpm • E min • 01:04 • -11.83db
23% Popularity • 41% Danceability • 38% Energy • 45% Liveness
69% Instrumentalness • 50% Positiveness
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Felix Mendelssohn
Symphony No. 3, Op. 56, "Scottish": II. ...
133 bpm • F Maj • 04:11 • -20.31db
15% Popularity • 35% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 38% Positiveness
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Ria Mbanefo
Sleep & Chill
134 bpm • A# Maj • 02:50 • -14.89db
15% Popularity • 56% Danceability • 22% Energy • 10% Liveness
88% Instrumentalness • 47% Positiveness
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Adolphe Adam
Giselle, Act.1: X. Galop General
132 bpm • A Maj • 01:21 • -18.68db
10% Popularity • 48% Danceability • 23% Energy • 22% Liveness
86% Instrumentalness • 21% Positiveness
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Jules Massenet
Les Érinnyes: Invocation
166 bpm • E min • 02:06 • -26.72db
18% Popularity • 9% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Alexander Glazunov
Raymonda, Act III: Grand Pas de Deux, En...
167 bpm • C# Maj • 02:16 • -17.08db
13% Popularity • 26% Danceability • 13% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
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Bournemouth Symphony Orchestra
Summer Night - Suite from 'The Duenna', ...
131 bpm • C Maj • 02:42 • -18.55db
0% Popularity • 51% Danceability • 11% Energy • 6% Liveness
86% Instrumentalness • 43% Positiveness
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Antonin Dvorak
Symphony No.8 In G Major Op.88: III. All...
167 bpm • C Maj • 05:54 • -23.18db
9% Popularity • 16% Danceability • 10% Energy • 35% Liveness
92% Instrumentalness • 32% Positiveness
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William Hurlstone
The Magic Mirror Suite: VI. Interlude
131 bpm • B min • 03:00 • -26.9db
12% Popularity • 23% Danceability • 3% Energy • 34% Liveness
52% Instrumentalness • 7% Positiveness
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Adolphe Adam
Giselle, Act.2: III. Entrance Of Loys: P...
131 bpm • D min • 05:59 • -26.41db
15% Popularity • 24% Danceability • 3% Energy • 20% Liveness
7% Instrumentalness • 4% Positiveness
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Daniel Auber
Couvin, S. 2: Act II Prelude
167 bpm • C Maj • 01:27 • -34db
23% Popularity • 26% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 3% Positiveness
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Johannes Brahms
Symphony N. 1 in C Minore, Op. 68 - IV. ...
131 bpm • C Maj • 05:02 • -26.78db
10% Popularity • 17% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Nicolay Rimsky-Korsakov
Spanish Capriccio In A Major Op.34: III....
130 bpm • A# Maj • 01:12 • -15.29db
11% Popularity • 48% Danceability • 24% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Wilhelm Furtwängler
Variations on a Theme by Haydn, Op.56: O...
168 bpm • D# min • 02:55 • -18.36db
15% Popularity • 9% Danceability • 16% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Jean Sibelius
Karelia Suite, Op. 11: III. Alla marcia....
168 bpm • A Maj • 04:45 • -19.56db
14% Popularity • 24% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Rundfunkorchester des Südwestfunks Baden-Baden
Die Fledermaus
130 bpm • D Maj • 04:23 • -21.29db
10% Popularity • 29% Danceability • 8% Energy • 7% Liveness
73% Instrumentalness • 18% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake Suite Op.20a: IV. Introduction...
130 bpm • D# min • 06:12 • -25.31db
12% Popularity • 29% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 5% Positiveness
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Richard Strauss
Horn Concerto No. 1 in E-Flat Major, Op....
130 bpm • D# Maj • 05:18 • -23.29db
10% Popularity • 30% Danceability • 5% Energy • 12% Liveness
73% Instrumentalness • 30% Positiveness
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Coxeegan
Whit them
130 bpm • C# Maj • 01:50 • -17.05db
14% Popularity • 40% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
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Franz Schubert
5 German Dances with 7 Trios and Coda, D...
129 bpm • D Maj • 01:45 • -14.85db
22% Popularity • 53% Danceability • 8% Energy • 11% Liveness
62% Instrumentalness • 24% Positiveness
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Edward Elgar
Nimrod
129 bpm • D# Maj • 01:14 • -18.21db
13% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
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Max Bruch
Schottische Fantasie Op.46: II. Scherzo....
129 bpm • G Maj • 04:35 • -17.41db
8% Popularity • 36% Danceability • 14% Energy • 35% Liveness
14% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Concerto for Violin and Orchestra No. 4 ...
129 bpm • D Maj • 07:04 • -21.42db
9% Popularity • 43% Danceability • 6% Energy • 5% Liveness
71% Instrumentalness • 44% Positiveness
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Wolfgang Richter
Wie ein Vogel zu fliegen
170 bpm • F Maj • 02:12 • -11.9db
14% Popularity • 13% Danceability • 30% Energy • 10% Liveness
20% Instrumentalness • 14% Positiveness
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Dick Walter
Mini Hungarian 5
129 bpm • G min • 01:01 • -14.04db
16% Popularity • 33% Danceability • 29% Energy • 29% Liveness
63% Instrumentalness • 65% Positiveness
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Erik Satie
Relâche, Pt. 1: No. 10, Final
129 bpm • D Maj • 01:14 • -21.39db
7% Popularity • 48% Danceability • 15% Energy • 9% Liveness
49% Instrumentalness • 36% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: I. Jig
129 bpm • C Maj • 03:44 • -18.17db
15% Popularity • 31% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Wojciech Kilar
Orawa
171 bpm • G Maj • 09:11 • -15.36db
16% Popularity • 31% Danceability • 36% Energy • 4% Liveness
89% Instrumentalness • 13% Positiveness
► Preview
Nicolay Rimsky-Korsakov
Spanish Capriccio In A Major Op.34: I. A...
128 bpm • A Maj • 01:12 • -17.51db
14% Popularity • 48% Danceability • 25% Energy • 13% Liveness
17% Instrumentalness • 42% Positiveness
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Leo Delibes
Coppelia, Orchestra Music ACT I: Prelude...
172 bpm • D Maj • 05:32 • -18.93db
7% Popularity • 25% Danceability • 15% Energy • 25% Liveness
31% Instrumentalness • 7% Positiveness
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Márk Rózsavölgyi
Halljuk (Hear! Hear!) Csardas
172 bpm • D min • 03:04 • -20.08db
14% Popularity • 25% Danceability • 8% Energy • 10% Liveness
82% Instrumentalness • 16% Positiveness
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The Gerst Ensemble
Practical Exercises for Beginners, Op. 5...
127 bpm • C Maj • 01:12 • -26db
14% Popularity • 17% Danceability • 5% Energy • 21% Liveness
98% Instrumentalness • 32% Positiveness
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Morning from Peer Gynt