Songs like Morpheus Rising by The Exorcist GBG
Based on a tempo of (+/- 10%) and a similar genre
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The Exorcist GBG
Morpheus Rising
113 bpm • C Maj • 04:54 • -7.6db
4% Popularity • 25% Danceability • 80% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
4% Popularity • 25% Danceability • 80% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
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Sunburned Hand Of The Man
Flex
112 bpm • B min • 04:01 • -15db
13% Popularity • 76% Danceability • 40% Energy • 12% Liveness
85% Instrumentalness • 86% Positiveness
13% Popularity • 76% Danceability • 40% Energy • 12% Liveness
85% Instrumentalness • 86% Positiveness
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Föllakzoid
Rio
113 bpm • A min • 07:31 • -11db
19% Popularity • 53% Danceability • 66% Energy • 8% Liveness
46% Instrumentalness • 61% Positiveness
19% Popularity • 53% Danceability • 66% Energy • 8% Liveness
46% Instrumentalness • 61% Positiveness
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Holy Fuck
Tone Bank Jungle
114 bpm • F# Maj • 06:34 • -7.78db
24% Popularity • 60% Danceability • 90% Energy • 16% Liveness
60% Instrumentalness • 53% Positiveness
24% Popularity • 60% Danceability • 90% Energy • 16% Liveness
60% Instrumentalness • 53% Positiveness
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Grails
Pelham
114 bpm • A Maj • 02:48 • -10.09db
21% Popularity • 54% Danceability • 88% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
21% Popularity • 54% Danceability • 88% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Maserati
Wallwalker
114 bpm • A# min • 07:54 • -5.01db
17% Popularity • 62% Danceability • 95% Energy • 19% Liveness
87% Instrumentalness • 28% Positiveness
17% Popularity • 62% Danceability • 95% Energy • 19% Liveness
87% Instrumentalness • 28% Positiveness
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Dead Meadow
The Left Hand Path
114 bpm • D Maj • 06:51 • -6.3db
22% Popularity • 37% Danceability • 69% Energy • 26% Liveness
69% Instrumentalness • 25% Positiveness
22% Popularity • 37% Danceability • 69% Energy • 26% Liveness
69% Instrumentalness • 25% Positiveness
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Japanese Television
Bumble Rumble
112 bpm • B min • 02:13 • -5db
28% Popularity • 32% Danceability • 85% Energy • 13% Liveness
72% Instrumentalness • 48% Positiveness
28% Popularity • 32% Danceability • 85% Energy • 13% Liveness
72% Instrumentalness • 48% Positiveness
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Trees Speak
Steckdose
114 bpm • C# Maj • 03:38 • -7.74db
8% Popularity • 40% Danceability • 55% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
8% Popularity • 40% Danceability • 55% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
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Al Cisneros
Suicide of Judas
114 bpm • F min • 04:19 • -12.34db
13% Popularity • 79% Danceability • 40% Energy • 8% Liveness
81% Instrumentalness • 71% Positiveness
13% Popularity • 79% Danceability • 40% Energy • 8% Liveness
81% Instrumentalness • 71% Positiveness
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Desert Sessions
Far East for the Trees
112 bpm • F# Maj • 04:52 • -10.97db
29% Popularity • 57% Danceability • 52% Energy • 12% Liveness
92% Instrumentalness • 88% Positiveness
29% Popularity • 57% Danceability • 52% Energy • 12% Liveness
92% Instrumentalness • 88% Positiveness
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Vanishing Twin
Vanishing Twin Syndrome
114 bpm • F min • 08:10 • -7.18db
14% Popularity • 40% Danceability • 88% Energy • 16% Liveness
69% Instrumentalness • 44% Positiveness
14% Popularity • 40% Danceability • 88% Energy • 16% Liveness
69% Instrumentalness • 44% Positiveness
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Eternal Tapestry
Ancient Echoes
111 bpm • A Maj • 08:07 • -10.99db
12% Popularity • 39% Danceability • 54% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
12% Popularity • 39% Danceability • 54% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
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Kombynat Robotron
Chandra
115 bpm • G Maj • 03:41 • -9.57db
19% Popularity • 27% Danceability • 83% Energy • 18% Liveness
90% Instrumentalness • 54% Positiveness
19% Popularity • 27% Danceability • 83% Energy • 18% Liveness
90% Instrumentalness • 54% Positiveness
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Trees Speak
Elements of Matter
115 bpm • C# Maj • 02:30 • -8.57db
26% Popularity • 65% Danceability • 65% Energy • 12% Liveness
89% Instrumentalness • 66% Positiveness
26% Popularity • 65% Danceability • 65% Energy • 12% Liveness
89% Instrumentalness • 66% Positiveness
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delving
Einstürzende Plattenbauten
115 bpm • G Maj • 03:39 • -10db
25% Popularity • 49% Danceability • 69% Energy • 14% Liveness
84% Instrumentalness • 12% Positiveness
25% Popularity • 49% Danceability • 69% Energy • 14% Liveness
84% Instrumentalness • 12% Positiveness
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Yawning Man
Violent Lights
111 bpm • G Maj • 06:32 • -8.31db
15% Popularity • 25% Danceability • 64% Energy • 29% Liveness
86% Instrumentalness • 32% Positiveness
15% Popularity • 25% Danceability • 64% Energy • 29% Liveness
86% Instrumentalness • 32% Positiveness
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Monomyth
LHC
111 bpm • G Maj • 09:46 • -11db
20% Popularity • 48% Danceability • 88% Energy • 8% Liveness
68% Instrumentalness • 8% Positiveness
20% Popularity • 48% Danceability • 88% Energy • 8% Liveness
68% Instrumentalness • 8% Positiveness
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Sinoia Caves
Forever Dilating Eye
111 bpm • A# min • 04:19 • -11db
27% Popularity • 53% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 53% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Hidria Spacefolk
Sindran Rastafan
115 bpm • E min • 09:20 • -8.28db
12% Popularity • 56% Danceability • 85% Energy • 37% Liveness
53% Instrumentalness • 42% Positiveness
12% Popularity • 56% Danceability • 85% Energy • 37% Liveness
53% Instrumentalness • 42% Positiveness
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Domkraft
Drones
110 bpm • C Maj • 01:41 • -18.59db
23% Popularity • 60% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
23% Popularity • 60% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Mondo Drag
Initiation
110 bpm • D Maj • 05:39 • -7.06db
22% Popularity • 29% Danceability • 77% Energy • 9% Liveness
27% Instrumentalness • 52% Positiveness
22% Popularity • 29% Danceability • 77% Energy • 9% Liveness
27% Instrumentalness • 52% Positiveness
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Holy Fuck
Shivering
116 bpm • C# min • 04:21 • -4.07db
27% Popularity • 70% Danceability • 52% Energy • 11% Liveness
73% Instrumentalness • 55% Positiveness
27% Popularity • 70% Danceability • 52% Energy • 11% Liveness
73% Instrumentalness • 55% Positiveness
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Pharaoh Overlord
Path Eternal
116 bpm • D Maj • 06:34 • -7.88db
7% Popularity • 55% Danceability • 92% Energy • 17% Liveness
91% Instrumentalness • 70% Positiveness
7% Popularity • 55% Danceability • 92% Energy • 17% Liveness
91% Instrumentalness • 70% Positiveness
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Pinkish Black
Petit Mal
116 bpm • G Maj • 04:05 • -10.36db
9% Popularity • 44% Danceability • 54% Energy • 13% Liveness
93% Instrumentalness • 20% Positiveness
9% Popularity • 44% Danceability • 54% Energy • 13% Liveness
93% Instrumentalness • 20% Positiveness
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35007
2009
116 bpm • A min • 10:02 • -10.6db
13% Popularity • 58% Danceability • 48% Energy • 7% Liveness
87% Instrumentalness • 16% Positiveness
13% Popularity • 58% Danceability • 48% Energy • 7% Liveness
87% Instrumentalness • 16% Positiveness
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Fontän
Meh-Teh
110 bpm • E min • 03:38 • -12.4db
13% Popularity • 81% Danceability • 51% Energy • 22% Liveness
92% Instrumentalness • 73% Positiveness
13% Popularity • 81% Danceability • 51% Energy • 22% Liveness
92% Instrumentalness • 73% Positiveness
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Sunnata
Ayahuasca (Bonus track)
110 bpm • G min • 07:30 • -13.15db
15% Popularity • 73% Danceability • 55% Energy • 8% Liveness
72% Instrumentalness • 82% Positiveness
15% Popularity • 73% Danceability • 55% Energy • 8% Liveness
72% Instrumentalness • 82% Positiveness
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Gunerius & Verdensveven
Blå disko a lá türk
110 bpm • D min • 03:13 • -9.94db
10% Popularity • 53% Danceability • 79% Energy • 13% Liveness
96% Instrumentalness • 33% Positiveness
10% Popularity • 53% Danceability • 79% Energy • 13% Liveness
96% Instrumentalness • 33% Positiveness
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The Young Gods
In C: , Pt. 5
110 bpm • E min • 04:27 • -9.96db
12% Popularity • 41% Danceability • 85% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
12% Popularity • 41% Danceability • 85% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
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Snapped Ankles
Come Play the Trees Outro
110 bpm • G min • 02:47 • -11.06db
14% Popularity • 50% Danceability • 64% Energy • 34% Liveness
83% Instrumentalness • 37% Positiveness
14% Popularity • 50% Danceability • 64% Energy • 34% Liveness
83% Instrumentalness • 37% Positiveness
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Maserati
A Warning In The Dark
110 bpm • G Maj • 06:02 • -8.47db
8% Popularity • 68% Danceability • 79% Energy • 31% Liveness
87% Instrumentalness • 29% Positiveness
8% Popularity • 68% Danceability • 79% Energy • 31% Liveness
87% Instrumentalness • 29% Positiveness
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Hollow Ship
We Were Kings
116 bpm • F# Maj • 04:54 • -9.86db
8% Popularity • 36% Danceability • 83% Energy • 34% Liveness
86% Instrumentalness • 77% Positiveness
8% Popularity • 36% Danceability • 83% Energy • 34% Liveness
86% Instrumentalness • 77% Positiveness
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Mondo Drag
Snakeskin
116 bpm • F# min • 06:10 • -5.63db
13% Popularity • 30% Danceability • 81% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
13% Popularity • 30% Danceability • 81% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
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Japanese Television
Moon Invasion
110 bpm • B min • 03:51 • -6db
18% Popularity • 44% Danceability • 90% Energy • 35% Liveness
79% Instrumentalness • 68% Positiveness
18% Popularity • 44% Danceability • 90% Energy • 35% Liveness
79% Instrumentalness • 68% Positiveness
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High Priest of Saturn
Son of Earth and Sky
117 bpm • F min • 08:40 • -12.82db
22% Popularity • 26% Danceability • 41% Energy • 15% Liveness
87% Instrumentalness • 15% Positiveness
22% Popularity • 26% Danceability • 41% Energy • 15% Liveness
87% Instrumentalness • 15% Positiveness
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Gnod
Pink Champagne Blues
117 bpm • G Maj • 04:10 • -4.33db
10% Popularity • 40% Danceability • 95% Energy • 33% Liveness
92% Instrumentalness • 19% Positiveness
10% Popularity • 40% Danceability • 95% Energy • 33% Liveness
92% Instrumentalness • 19% Positiveness
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The Exorcist GBG
Duck Juice
118 bpm • A# min • 07:04 • -9.82db
3% Popularity • 73% Danceability • 94% Energy • 16% Liveness
95% Instrumentalness • 54% Positiveness
3% Popularity • 73% Danceability • 94% Energy • 16% Liveness
95% Instrumentalness • 54% Positiveness
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The Oscillation
Liquid Memoryman
109 bpm • A# min • 04:08 • -3.6db
9% Popularity • 67% Danceability • 89% Energy • 22% Liveness
9% Instrumentalness • 73% Positiveness
9% Popularity • 67% Danceability • 89% Energy • 22% Liveness
9% Instrumentalness • 73% Positiveness
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Secret Chiefs 3
Vajra
118 bpm • D Maj • 03:33 • -10.09db
21% Popularity • 54% Danceability • 70% Energy • 26% Liveness
74% Instrumentalness • 79% Positiveness
21% Popularity • 54% Danceability • 70% Energy • 26% Liveness
74% Instrumentalness • 79% Positiveness
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Earth
Exaltation of Larks
118 bpm • A# min • 03:19 • -10.91db
23% Popularity • 38% Danceability • 75% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
23% Popularity • 38% Danceability • 75% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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OM
Cremation Ghat II
108 bpm • B Maj • 04:58 • -14.89db
30% Popularity • 36% Danceability • 32% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
30% Popularity • 36% Danceability • 32% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Maserati
Inventions
118 bpm • F# Maj • 09:43 • -11.02db
4% Popularity • 52% Danceability • 76% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
4% Popularity • 52% Danceability • 76% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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The Exorcist GBG
Electric Wine
118 bpm • G min • 06:00 • -18.2db
1% Popularity • 66% Danceability • 72% Energy • 16% Liveness
88% Instrumentalness • 27% Positiveness
1% Popularity • 66% Danceability • 72% Energy • 16% Liveness
88% Instrumentalness • 27% Positiveness
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35007
6174
118 bpm • E min • 08:31 • -7.68db
21% Popularity • 32% Danceability • 72% Energy • 11% Liveness
52% Instrumentalness • 18% Positiveness
21% Popularity • 32% Danceability • 72% Energy • 11% Liveness
52% Instrumentalness • 18% Positiveness
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Mythic Sunship
Blood Moon
118 bpm • A min • 04:45 • -10.74db
9% Popularity • 44% Danceability • 42% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
9% Popularity • 44% Danceability • 42% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
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Modern Ruin
Tense Soup
108 bpm • G# min • 05:24 • -6.56db
17% Popularity • 32% Danceability • 92% Energy • 10% Liveness
81% Instrumentalness • 31% Positiveness
17% Popularity • 32% Danceability • 92% Energy • 10% Liveness
81% Instrumentalness • 31% Positiveness
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OM
Gebel Barkal
108 bpm • D# min • 04:44 • -13db
24% Popularity • 44% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
24% Popularity • 44% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Beak>
Allé Sauvage
119 bpm • E min • 07:23 • -12db
21% Popularity • 59% Danceability • 50% Energy • 17% Liveness
76% Instrumentalness • 22% Positiveness
21% Popularity • 59% Danceability • 50% Energy • 17% Liveness
76% Instrumentalness • 22% Positiveness
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The Exorcist GBG
Hero
118 bpm • F# Maj • 04:14 • -13.63db
7% Popularity • 53% Danceability • 77% Energy • 47% Liveness
90% Instrumentalness • 45% Positiveness
7% Popularity • 53% Danceability • 77% Energy • 47% Liveness
90% Instrumentalness • 45% Positiveness
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Nolan Potter's Nightmare Band
Nightmare Theme
118 bpm • G Maj • 01:13 • -11.75db
21% Popularity • 18% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Dead Skeletons
Yama
119 bpm • E Maj • 04:50 • -8.45db
11% Popularity • 48% Danceability • 82% Energy • 67% Liveness
93% Instrumentalness • 16% Positiveness
11% Popularity • 48% Danceability • 82% Energy • 67% Liveness
93% Instrumentalness • 16% Positiveness
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Vibravoid
The Politics of Ecstasy
108 bpm • F# min • 04:41 • -4.22db
17% Popularity • 66% Danceability • 89% Energy • 17% Liveness
87% Instrumentalness • 23% Positiveness
17% Popularity • 66% Danceability • 89% Energy • 17% Liveness
87% Instrumentalness • 23% Positiveness
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Gnod
People
108 bpm • D# Maj • 09:47 • -8.96db
10% Popularity • 32% Danceability • 68% Energy • 10% Liveness
77% Instrumentalness • 20% Positiveness
10% Popularity • 32% Danceability • 68% Energy • 10% Liveness
77% Instrumentalness • 20% Positiveness
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Earth
Old Black
119 bpm • D# min • 08:49 • -10db
23% Popularity • 27% Danceability • 41% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
23% Popularity • 27% Danceability • 41% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Kombynat Robotron
Compton
107 bpm • G Maj • 06:00 • -11.1db
12% Popularity • 50% Danceability • 77% Energy • 9% Liveness
88% Instrumentalness • 54% Positiveness
12% Popularity • 50% Danceability • 77% Energy • 9% Liveness
88% Instrumentalness • 54% Positiveness
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Domkraft
Krank Blekhet
107 bpm • C Maj • 01:06 • -21.15db
33% Popularity • 41% Danceability • 23% Energy • 27% Liveness
87% Instrumentalness • 10% Positiveness
33% Popularity • 41% Danceability • 23% Energy • 27% Liveness
87% Instrumentalness • 10% Positiveness
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Death Hawks
Black Acid
119 bpm • E min • 09:06 • -12.35db
30% Popularity • 54% Danceability • 56% Energy • 10% Liveness
85% Instrumentalness • 14% Positiveness
30% Popularity • 54% Danceability • 56% Energy • 10% Liveness
85% Instrumentalness • 14% Positiveness
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The Darkside
Guitar Voodoo
107 bpm • A Maj • 06:18 • -13.69db
21% Popularity • 31% Danceability • 56% Energy • 6% Liveness
80% Instrumentalness • 56% Positiveness
21% Popularity • 31% Danceability • 56% Energy • 6% Liveness
80% Instrumentalness • 56% Positiveness
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Pershagen
En dag ska vi alla härifrån
119 bpm • A min • 07:29 • -12.83db
9% Popularity • 39% Danceability • 39% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
9% Popularity • 39% Danceability • 39% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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Helicon
Sound Of Confession
107 bpm • G Maj • 04:26 • -6.34db
7% Popularity • 43% Danceability • 93% Energy • 4% Liveness
78% Instrumentalness • 16% Positiveness
7% Popularity • 43% Danceability • 93% Energy • 4% Liveness
78% Instrumentalness • 16% Positiveness
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Eternal Tapestry
Galactic Derelict
119 bpm • F# Maj • 07:35 • -5.75db
9% Popularity • 20% Danceability • 64% Energy • 9% Liveness
9% Instrumentalness • 8% Positiveness
9% Popularity • 20% Danceability • 64% Energy • 9% Liveness
9% Instrumentalness • 8% Positiveness
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Causa Sui
Vibraciones Doradas
120 bpm • F Maj • 09:05 • -8.22db
8% Popularity • 27% Danceability • 67% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
8% Popularity • 27% Danceability • 67% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
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Wolf People
Kingfisher Reprise
107 bpm • G min • 01:13 • -9db
30% Popularity • 59% Danceability • 88% Energy • 13% Liveness
75% Instrumentalness • 61% Positiveness
30% Popularity • 59% Danceability • 88% Energy • 13% Liveness
75% Instrumentalness • 61% Positiveness
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VoX LoW
We Can't Be Blamed
120 bpm • D min • 03:47 • -8.25db
18% Popularity • 66% Danceability • 42% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
18% Popularity • 66% Danceability • 42% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
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River Flows Reverse
At the Gates of The Perennial
120 bpm • A min • 09:37 • -13db
9% Popularity • 57% Danceability • 36% Energy • 15% Liveness
79% Instrumentalness • 8% Positiveness
9% Popularity • 57% Danceability • 36% Energy • 15% Liveness
79% Instrumentalness • 8% Positiveness
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Dead Skeletons
When The Sun Comes Up
120 bpm • C Maj • 06:57 • -9.42db
13% Popularity • 49% Danceability • 67% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
13% Popularity • 49% Danceability • 67% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
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The Exorcist GBG
Pusher
120 bpm • A Maj • 08:08 • -10db
6% Popularity • 58% Danceability • 91% Energy • 12% Liveness
81% Instrumentalness • 23% Positiveness
6% Popularity • 58% Danceability • 91% Energy • 12% Liveness
81% Instrumentalness • 23% Positiveness
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The Oscillation
Future Echo
120 bpm • B Maj • 05:47 • -8.12db
9% Popularity • 68% Danceability • 65% Energy • 16% Liveness
82% Instrumentalness • 12% Positiveness
9% Popularity • 68% Danceability • 65% Energy • 16% Liveness
82% Instrumentalness • 12% Positiveness
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CAVS
Swordfish
120 bpm • A# min • 06:44 • -6db
19% Popularity • 65% Danceability • 99% Energy • 12% Liveness
38% Instrumentalness • 32% Positiveness
19% Popularity • 65% Danceability • 99% Energy • 12% Liveness
38% Instrumentalness • 32% Positiveness
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Die Wilde Jagd
Austerlitz
120 bpm • D Maj • 07:24 • -7.46db
10% Popularity • 68% Danceability • 57% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
10% Popularity • 68% Danceability • 57% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Kikagaku Moyo
Hem
106 bpm • C# min • 03:51 • -6.67db
29% Popularity • 44% Danceability • 82% Energy • 63% Liveness
97% Instrumentalness • 72% Positiveness
29% Popularity • 44% Danceability • 82% Energy • 63% Liveness
97% Instrumentalness • 72% Positiveness
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Dead Skeletons
Kingdom Of God
120 bpm • F# Maj • 04:31 • -7.91db
17% Popularity • 54% Danceability • 95% Energy • 12% Liveness
22% Instrumentalness • 10% Positiveness
17% Popularity • 54% Danceability • 95% Energy • 12% Liveness
22% Instrumentalness • 10% Positiveness
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The Exorcist GBG
Superstandard
120 bpm • D Maj • 04:16 • -8.73db
2% Popularity • 60% Danceability • 88% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
2% Popularity • 60% Danceability • 88% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
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Movie Club
Underwater Highway
120 bpm • A Maj • 02:46 • -7.83db
7% Popularity • 83% Danceability • 70% Energy • 10% Liveness
81% Instrumentalness • 64% Positiveness
7% Popularity • 83% Danceability • 70% Energy • 10% Liveness
81% Instrumentalness • 64% Positiveness
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Minami Deutsch
Nishi No Jiku
120 bpm • B min • 06:36 • -7db
12% Popularity • 55% Danceability • 81% Energy • 33% Liveness
96% Instrumentalness • 40% Positiveness
12% Popularity • 55% Danceability • 81% Energy • 33% Liveness
96% Instrumentalness • 40% Positiveness
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Farflung
Ix
120 bpm • D Maj • 06:02 • -8.79db
9% Popularity • 50% Danceability • 77% Energy • 14% Liveness
17% Instrumentalness • 15% Positiveness
9% Popularity • 50% Danceability • 77% Energy • 14% Liveness
17% Instrumentalness • 15% Positiveness
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Moon Duo
The Crystal World
120 bpm • F# min • 10:08 • -13.88db
13% Popularity • 46% Danceability • 76% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
13% Popularity • 46% Danceability • 76% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
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Pram
Shimmer and Disappear
120 bpm • A# min • 03:15 • -8db
23% Popularity • 54% Danceability • 85% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
23% Popularity • 54% Danceability • 85% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
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Causa Sui
Under the Spell
106 bpm • D min • 05:10 • -10.74db
13% Popularity • 42% Danceability • 51% Energy • 29% Liveness
76% Instrumentalness • 61% Positiveness
13% Popularity • 42% Danceability • 51% Energy • 29% Liveness
76% Instrumentalness • 61% Positiveness
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Futuropaco
Fuoco Palude
120 bpm • F min • 05:09 • -8.89db
7% Popularity • 34% Danceability • 67% Energy • 36% Liveness
86% Instrumentalness • 59% Positiveness
7% Popularity • 34% Danceability • 67% Energy • 36% Liveness
86% Instrumentalness • 59% Positiveness
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Trans Am
Tesco v. Sainsbury's
120 bpm • C min • 02:51 • -8.27db
10% Popularity • 30% Danceability • 96% Energy • 12% Liveness
70% Instrumentalness • 12% Positiveness
10% Popularity • 30% Danceability • 96% Energy • 12% Liveness
70% Instrumentalness • 12% Positiveness
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Earthless
Equus October
106 bpm • G Maj • 05:42 • -8db
25% Popularity • 17% Danceability • 57% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
25% Popularity • 17% Danceability • 57% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
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Sven Wunder
Magnolia
120 bpm • C Maj • 03:02 • -12.35db
32% Popularity • 37% Danceability • 57% Energy • 5% Liveness
81% Instrumentalness • 42% Positiveness
32% Popularity • 37% Danceability • 57% Energy • 5% Liveness
81% Instrumentalness • 42% Positiveness
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Bushman'S Revenge
No More Dead Bodies for Daddy Tonight
120 bpm • B min • 08:21 • -10.65db
16% Popularity • 41% Danceability • 85% Energy • 11% Liveness
56% Instrumentalness • 62% Positiveness
16% Popularity • 41% Danceability • 85% Energy • 11% Liveness
56% Instrumentalness • 62% Positiveness
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Ahkmed
Ilanesia
106 bpm • D Maj • 06:05 • -14.8db
9% Popularity • 27% Danceability • 54% Energy • 8% Liveness
81% Instrumentalness • 28% Positiveness
9% Popularity • 27% Danceability • 54% Energy • 8% Liveness
81% Instrumentalness • 28% Positiveness
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Acid Rooster
Oculatus Abyss
121 bpm • D Maj • 05:11 • -5db
9% Popularity • 19% Danceability • 92% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
9% Popularity • 19% Danceability • 92% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
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Yoo Doo Right
Black Moth
121 bpm • D Maj • 06:49 • -9.09db
8% Popularity • 25% Danceability • 56% Energy • 8% Liveness
72% Instrumentalness • 9% Positiveness
8% Popularity • 25% Danceability • 56% Energy • 8% Liveness
72% Instrumentalness • 9% Positiveness
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Here Lies Man
When I Come To
106 bpm • G# Maj • 04:01 • -8.63db
12% Popularity • 53% Danceability • 92% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
12% Popularity • 53% Danceability • 92% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
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Naxatras
Journey to Narahmon
121 bpm • D Maj • 06:06 • -7.78db
22% Popularity • 32% Danceability • 74% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
22% Popularity • 32% Danceability • 74% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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The Exorcist GBG
Venus
105 bpm • E Maj • 02:54 • -10.45db
24% Popularity • 30% Danceability • 58% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
24% Popularity • 30% Danceability • 58% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Föllakzoid
99
121 bpm • G Maj • 09:05 • -12.1db
22% Popularity • 55% Danceability • 50% Energy • 7% Liveness
95% Instrumentalness • 59% Positiveness
22% Popularity • 55% Danceability • 50% Energy • 7% Liveness
95% Instrumentalness • 59% Positiveness
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Trees Speak
Burner
105 bpm • F Maj • 01:43 • -7.12db
15% Popularity • 67% Danceability • 75% Energy • 22% Liveness
78% Instrumentalness • 80% Positiveness
15% Popularity • 67% Danceability • 75% Energy • 22% Liveness
78% Instrumentalness • 80% Positiveness
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Hooveriii
We're Both Lawyers
122 bpm • C# Maj • 04:55 • -11.52db
8% Popularity • 81% Danceability • 64% Energy • 10% Liveness
78% Instrumentalness • 93% Positiveness
8% Popularity • 81% Danceability • 64% Energy • 10% Liveness
78% Instrumentalness • 93% Positiveness
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Øresund Space Collective
I Teleported to Acapulco
105 bpm • B min • 09:55 • -9.34db
22% Popularity • 40% Danceability • 64% Energy • 20% Liveness
85% Instrumentalness • 79% Positiveness
22% Popularity • 40% Danceability • 64% Energy • 20% Liveness
85% Instrumentalness • 79% Positiveness
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Ampacity
Asimov's Sideburns
105 bpm • A# Maj • 09:49 • -9.09db
27% Popularity • 16% Danceability • 36% Energy • 58% Liveness
97% Instrumentalness • 5% Positiveness
27% Popularity • 16% Danceability • 36% Energy • 58% Liveness
97% Instrumentalness • 5% Positiveness
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The Psychotic Monks
It's Gone
122 bpm • G Maj • 05:43 • -5.51db
29% Popularity • 40% Danceability • 80% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
29% Popularity • 40% Danceability • 80% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
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Teeth Of The Sea
Field Punishment
122 bpm • A# min • 06:02 • -7.47db
15% Popularity • 54% Danceability • 87% Energy • 42% Liveness
84% Instrumentalness • 19% Positiveness
15% Popularity • 54% Danceability • 87% Energy • 42% Liveness
84% Instrumentalness • 19% Positiveness
