Songs like Mosquito en Mojito by The Wind Walkers
Based on a tempo of (+/- 10%) and a similar genre
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Alfredo Rodriguez
Für Elise
130 bpm • E min • 03:50 • -10.03db
18% Popularity • 66% Danceability • 54% Energy • 35% Liveness
92% Instrumentalness • 51% Positiveness
18% Popularity • 66% Danceability • 54% Energy • 35% Liveness
92% Instrumentalness • 51% Positiveness
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Anibal Seminario
Baile Amoroso
130 bpm • C min • 04:11 • -7.37db
21% Popularity • 74% Danceability • 75% Energy • 19% Liveness
72% Instrumentalness • 91% Positiveness
21% Popularity • 74% Danceability • 75% Energy • 19% Liveness
72% Instrumentalness • 91% Positiveness
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Victor Wooten
Caught in the Act
130 bpm • A# min • 04:26 • -7.73db
24% Popularity • 49% Danceability • 76% Energy • 23% Liveness
56% Instrumentalness • 78% Positiveness
24% Popularity • 49% Danceability • 76% Energy • 23% Liveness
56% Instrumentalness • 78% Positiveness
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Pat Metheny
A Night Away
130 bpm • G min • 07:59 • -9.01db
26% Popularity • 42% Danceability • 61% Energy • 26% Liveness
92% Instrumentalness • 58% Positiveness
26% Popularity • 42% Danceability • 61% Energy • 26% Liveness
92% Instrumentalness • 58% Positiveness
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The Wind Walkers
Sinai
130 bpm • B min • 10:29 • -7.7db
0% Popularity • 47% Danceability • 71% Energy • 25% Liveness
16% Instrumentalness • 32% Positiveness
0% Popularity • 47% Danceability • 71% Energy • 25% Liveness
16% Instrumentalness • 32% Positiveness
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Tobias Forster
Samba Zamba
130 bpm • C Maj • 04:18 • -13.24db
11% Popularity • 48% Danceability • 66% Energy • 15% Liveness
92% Instrumentalness • 42% Positiveness
11% Popularity • 48% Danceability • 66% Energy • 15% Liveness
92% Instrumentalness • 42% Positiveness
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Jorge Pardo
Playa del Carmen
130 bpm • D Maj • 08:30 • -11.09db
11% Popularity • 49% Danceability • 65% Energy • 4% Liveness
91% Instrumentalness • 58% Positiveness
11% Popularity • 49% Danceability • 65% Energy • 4% Liveness
91% Instrumentalness • 58% Positiveness
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Ada Rovatti
Grooveland
130 bpm • A# min • 06:03 • -8.81db
9% Popularity • 56% Danceability • 61% Energy • 22% Liveness
92% Instrumentalness • 63% Positiveness
9% Popularity • 56% Danceability • 61% Energy • 22% Liveness
92% Instrumentalness • 63% Positiveness
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Either/Orchestra
Harvey's Entrance
129 bpm • F Maj • 07:29 • -8.86db
8% Popularity • 49% Danceability • 62% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
8% Popularity • 49% Danceability • 62% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
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Niels Lan Doky
Dixie Hop
131 bpm • B min • 08:20 • -14db
15% Popularity • 60% Danceability • 44% Energy • 96% Liveness
44% Instrumentalness • 74% Positiveness
15% Popularity • 60% Danceability • 44% Energy • 96% Liveness
44% Instrumentalness • 74% Positiveness
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The Wind Walkers
Mountain Dance
130 bpm • F Maj • 06:54 • -10.4db
0% Popularity • 47% Danceability • 60% Energy • 8% Liveness
60% Instrumentalness • 38% Positiveness
0% Popularity • 47% Danceability • 60% Energy • 8% Liveness
60% Instrumentalness • 38% Positiveness
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Platina Jazz
Tank!
129 bpm • G# Maj • 06:50 • -6.75db
18% Popularity • 55% Danceability • 78% Energy • 16% Liveness
93% Instrumentalness • 61% Positiveness
18% Popularity • 55% Danceability • 78% Energy • 16% Liveness
93% Instrumentalness • 61% Positiveness
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Paquito D'Rivera
Guataca City
131 bpm • G min • 04:40 • -14.16db
13% Popularity • 42% Danceability • 57% Energy • 28% Liveness
76% Instrumentalness • 91% Positiveness
13% Popularity • 42% Danceability • 57% Energy • 28% Liveness
76% Instrumentalness • 91% Positiveness
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Béla Fleck and the Flecktones
Kaleidoscope
129 bpm • G Maj • 05:05 • -10.22db
7% Popularity • 49% Danceability • 61% Energy • 7% Liveness
71% Instrumentalness • 84% Positiveness
7% Popularity • 49% Danceability • 61% Energy • 7% Liveness
71% Instrumentalness • 84% Positiveness
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Gary Burton
Afro Blue
129 bpm • F min • 06:48 • -14.5db
12% Popularity • 42% Danceability • 54% Energy • 11% Liveness
63% Instrumentalness • 37% Positiveness
12% Popularity • 42% Danceability • 54% Energy • 11% Liveness
63% Instrumentalness • 37% Positiveness
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Cory Henry
Gotcha Now
131 bpm • G# Maj • 05:10 • -13.99db
11% Popularity • 44% Danceability • 55% Energy • 21% Liveness
86% Instrumentalness • 73% Positiveness
11% Popularity • 44% Danceability • 55% Energy • 21% Liveness
86% Instrumentalness • 73% Positiveness
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The Wind Walkers
Mosquito en Mojito
130 bpm • C# Maj • 01:19 • -10.77db
0% Popularity • 54% Danceability • 70% Energy • 12% Liveness
79% Instrumentalness • 94% Positiveness
0% Popularity • 54% Danceability • 70% Energy • 12% Liveness
79% Instrumentalness • 94% Positiveness
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El Comité
Gran Via
129 bpm • F min • 06:03 • -8db
15% Popularity • 60% Danceability • 78% Energy • 62% Liveness
92% Instrumentalness • 74% Positiveness
15% Popularity • 60% Danceability • 78% Energy • 62% Liveness
92% Instrumentalness • 74% Positiveness
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Takuya Kuroda
Mala
132 bpm • F min • 05:59 • -11.4db
28% Popularity • 54% Danceability • 62% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
28% Popularity • 54% Danceability • 62% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
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Yellowjackets
Tortoise And The Hare
128 bpm • C# Maj • 07:25 • -10.21db
13% Popularity • 45% Danceability • 59% Energy • 85% Liveness
11% Instrumentalness • 16% Positiveness
13% Popularity • 45% Danceability • 59% Energy • 85% Liveness
11% Instrumentalness • 16% Positiveness
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Jorge Pardo
El Faro - Rumba
132 bpm • F# Maj • 06:56 • -9.59db
8% Popularity • 48% Danceability • 64% Energy • 6% Liveness
63% Instrumentalness • 67% Positiveness
8% Popularity • 48% Danceability • 64% Energy • 6% Liveness
63% Instrumentalness • 67% Positiveness
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Veronica Swift
Closer
132 bpm • C Maj • 04:55 • -5.55db
33% Popularity • 76% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 76% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Jeroen De Rijk
Small Man Big Man
128 bpm • D min • 05:15 • -9.52db
14% Popularity • 48% Danceability • 60% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
14% Popularity • 48% Danceability • 60% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
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Hiromi
Old Castle, by the river, in the middle ...
132 bpm • F min • 08:20 • -23.01db
16% Popularity • 35% Danceability • 27% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
16% Popularity • 35% Danceability • 27% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
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Alain Pérez
En el Aire (On The Air)
128 bpm • G Maj • 06:44 • -11.4db
8% Popularity • 62% Danceability • 71% Energy • 10% Liveness
84% Instrumentalness • 66% Positiveness
8% Popularity • 62% Danceability • 71% Energy • 10% Liveness
84% Instrumentalness • 66% Positiveness
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Yellowjackets
Mofongo
132 bpm • A min • 07:17 • -9.94db
11% Popularity • 45% Danceability • 80% Energy • 69% Liveness
62% Instrumentalness • 64% Positiveness
11% Popularity • 45% Danceability • 80% Energy • 69% Liveness
62% Instrumentalness • 64% Positiveness
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Claudio Roditi
Melancia
133 bpm • G# Maj • 07:30 • -11.28db
11% Popularity • 43% Danceability • 72% Energy • 14% Liveness
2% Instrumentalness • 74% Positiveness
11% Popularity • 43% Danceability • 72% Energy • 14% Liveness
2% Instrumentalness • 74% Positiveness
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Carlos Averhoff Jr.
Oriented Conga
132 bpm • C# Maj • 05:36 • -7.48db
10% Popularity • 55% Danceability • 74% Energy • 10% Liveness
77% Instrumentalness • 61% Positiveness
10% Popularity • 55% Danceability • 74% Energy • 10% Liveness
77% Instrumentalness • 61% Positiveness
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Balimaya Project
Seasons of Baraka
133 bpm • D Maj • 06:31 • -8.52db
14% Popularity • 64% Danceability • 82% Energy • 4% Liveness
86% Instrumentalness • 79% Positiveness
14% Popularity • 64% Danceability • 82% Energy • 4% Liveness
86% Instrumentalness • 79% Positiveness
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Yusuke Shima
Philly's Dance
127 bpm • F min • 04:59 • -13.12db
29% Popularity • 50% Danceability • 54% Energy • 9% Liveness
98% Instrumentalness • 63% Positiveness
29% Popularity • 50% Danceability • 54% Energy • 9% Liveness
98% Instrumentalness • 63% Positiveness
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Karen Souza
It Don't Mean a Thing (If It Ain't Got T...
127 bpm • D min • 04:45 • -7.83db
13% Popularity • 50% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 50% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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El Comité
Transiciones
127 bpm • A Maj • 05:09 • -8.72db
9% Popularity • 47% Danceability • 73% Energy • 15% Liveness
86% Instrumentalness • 66% Positiveness
9% Popularity • 47% Danceability • 73% Energy • 15% Liveness
86% Instrumentalness • 66% Positiveness
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Monty Alexander
I Shot The Sheriff
127 bpm • G min • 06:23 • -18.17db
14% Popularity • 54% Danceability • 41% Energy • 11% Liveness
87% Instrumentalness • 68% Positiveness
14% Popularity • 54% Danceability • 41% Energy • 11% Liveness
87% Instrumentalness • 68% Positiveness
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Ludwig van Beethoven
Pathétique Sonata III
133 bpm • C min • 03:14 • -13.54db
8% Popularity • 74% Danceability • 41% Energy • 9% Liveness
90% Instrumentalness • 74% Positiveness
8% Popularity • 74% Danceability • 41% Energy • 9% Liveness
90% Instrumentalness • 74% Positiveness
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Tommy Igoe and the Birdland Big Band
New Ground
127 bpm • A min • 06:52 • -5.37db
13% Popularity • 54% Danceability • 86% Energy • 12% Liveness
70% Instrumentalness • 82% Positiveness
13% Popularity • 54% Danceability • 86% Energy • 12% Liveness
70% Instrumentalness • 82% Positiveness
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Harold López-Nussa
Otro güajiro en Paris - Bonus Track
127 bpm • A min • 03:41 • -11.44db
11% Popularity • 75% Danceability • 44% Energy • 16% Liveness
86% Instrumentalness • 30% Positiveness
11% Popularity • 75% Danceability • 44% Energy • 16% Liveness
86% Instrumentalness • 30% Positiveness
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Oliver Dragojevic
Nedostaješ Mi Ti
126 bpm • G min • 05:18 • -8.71db
11% Popularity • 47% Danceability • 86% Energy • 69% Liveness
1% Instrumentalness • 64% Positiveness
11% Popularity • 47% Danceability • 86% Energy • 69% Liveness
1% Instrumentalness • 64% Positiveness
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Malpaís
Zapateao
126 bpm • A min • 04:20 • -9.84db
15% Popularity • 69% Danceability • 51% Energy • 24% Liveness
71% Instrumentalness • 57% Positiveness
15% Popularity • 69% Danceability • 51% Energy • 24% Liveness
71% Instrumentalness • 57% Positiveness
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Ray Obiedo
True Or False
134 bpm • D min • 07:48 • -11.11db
8% Popularity • 60% Danceability • 49% Energy • 7% Liveness
75% Instrumentalness • 45% Positiveness
8% Popularity • 60% Danceability • 49% Energy • 7% Liveness
75% Instrumentalness • 45% Positiveness
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Shawn McGowan
Crescent Moon
126 bpm • F min • 06:23 • -14.33db
18% Popularity • 51% Danceability • 45% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
18% Popularity • 51% Danceability • 45% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
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The Wind Walkers
Sophisticated Chacha
126 bpm • C# Maj • 08:03 • -5.28db
0% Popularity • 72% Danceability • 76% Energy • 9% Liveness
60% Instrumentalness • 83% Positiveness
0% Popularity • 72% Danceability • 76% Energy • 9% Liveness
60% Instrumentalness • 83% Positiveness
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Jazz Soul Seven
Superfly
134 bpm • C# Maj • 08:24 • -6.78db
9% Popularity • 52% Danceability • 69% Energy • 11% Liveness
71% Instrumentalness • 47% Positiveness
9% Popularity • 52% Danceability • 69% Energy • 11% Liveness
71% Instrumentalness • 47% Positiveness
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Hadouk Trio
Lomsha
126 bpm • D min • 07:20 • -14db
28% Popularity • 53% Danceability • 24% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
28% Popularity • 53% Danceability • 24% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
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Paoli Mejias
Lo Cierto Que Es Lo Incierto
134 bpm • C# Maj • 06:30 • -9.41db
9% Popularity • 50% Danceability • 63% Energy • 10% Liveness
86% Instrumentalness • 83% Positiveness
9% Popularity • 50% Danceability • 63% Energy • 10% Liveness
86% Instrumentalness • 83% Positiveness
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Sarp Maden
Inspite All
126 bpm • C Maj • 07:24 • -13.28db
9% Popularity • 57% Danceability • 62% Energy • 21% Liveness
90% Instrumentalness • 77% Positiveness
9% Popularity • 57% Danceability • 62% Energy • 21% Liveness
90% Instrumentalness • 77% Positiveness
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Avishai Cohen
Abie
126 bpm • A min • 03:47 • -13.23db
29% Popularity • 36% Danceability • 45% Energy • 11% Liveness
83% Instrumentalness • 54% Positiveness
29% Popularity • 36% Danceability • 45% Energy • 11% Liveness
83% Instrumentalness • 54% Positiveness
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Henrique Mota
Poslúdio
134 bpm • B Maj • 07:31 • -13.43db
14% Popularity • 36% Danceability • 50% Energy • 8% Liveness
89% Instrumentalness • 29% Positiveness
14% Popularity • 36% Danceability • 50% Energy • 8% Liveness
89% Instrumentalness • 29% Positiveness
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Eddie Palmieri
Samba Do Suenho
126 bpm • C# Maj • 06:37 • -8.43db
12% Popularity • 74% Danceability • 61% Energy • 9% Liveness
88% Instrumentalness • 88% Positiveness
12% Popularity • 74% Danceability • 61% Energy • 9% Liveness
88% Instrumentalness • 88% Positiveness
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Michael Brecker
Modus Operandy
126 bpm • F# Maj • 05:25 • -7.14db
7% Popularity • 59% Danceability • 80% Energy • 32% Liveness
42% Instrumentalness • 67% Positiveness
7% Popularity • 59% Danceability • 80% Energy • 32% Liveness
42% Instrumentalness • 67% Positiveness
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Christian Galvez
SILENCE FORCE Alternative Studio Version
135 bpm • G min • 10:28 • -13.73db
8% Popularity • 42% Danceability • 56% Energy • 6% Liveness
30% Instrumentalness • 46% Positiveness
8% Popularity • 42% Danceability • 56% Energy • 6% Liveness
30% Instrumentalness • 46% Positiveness
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Various Artists
Angelic Praise - Artist: Fletch Wiley
125 bpm • D Maj • 04:57 • -9.52db
17% Popularity • 58% Danceability • 69% Energy • 65% Liveness
23% Instrumentalness • 78% Positiveness
17% Popularity • 58% Danceability • 69% Energy • 65% Liveness
23% Instrumentalness • 78% Positiveness
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Bad Greens
Beauty
135 bpm • A# min • 03:39 • -12.71db
17% Popularity • 71% Danceability • 63% Energy • 16% Liveness
80% Instrumentalness • 83% Positiveness
17% Popularity • 71% Danceability • 63% Energy • 16% Liveness
80% Instrumentalness • 83% Positiveness
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Hiromi
Dreamer
135 bpm • D min • 08:31 • -14.72db
28% Popularity • 36% Danceability • 64% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
28% Popularity • 36% Danceability • 64% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
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The Wind Walkers
La Guagua
135 bpm • C min • 07:14 • -4.49db
0% Popularity • 60% Danceability • 93% Energy • 24% Liveness
85% Instrumentalness • 80% Positiveness
0% Popularity • 60% Danceability • 93% Energy • 24% Liveness
85% Instrumentalness • 80% Positiveness
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The Jazz Defenders
Costa Del Lol
125 bpm • G min • 04:36 • -8.82db
8% Popularity • 47% Danceability • 63% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
8% Popularity • 47% Danceability • 63% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
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Cristiano Parato
Dark Smoke
125 bpm • B min • 04:35 • -6.08db
13% Popularity • 77% Danceability • 66% Energy • 12% Liveness
77% Instrumentalness • 60% Positiveness
13% Popularity • 77% Danceability • 66% Energy • 12% Liveness
77% Instrumentalness • 60% Positiveness
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Caribbean Jazz Project
Birds Of A Feather
125 bpm • B min • 05:04 • -6.99db
13% Popularity • 47% Danceability • 91% Energy • 7% Liveness
83% Instrumentalness • 79% Positiveness
13% Popularity • 47% Danceability • 91% Energy • 7% Liveness
83% Instrumentalness • 79% Positiveness
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Victor Wooten
A Little Rice and Beans
125 bpm • G Maj • 06:07 • -9.5db
17% Popularity • 66% Danceability • 67% Energy • 7% Liveness
57% Instrumentalness • 47% Positiveness
17% Popularity • 66% Danceability • 67% Energy • 7% Liveness
57% Instrumentalness • 47% Positiveness
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Victor Fuertes
Tag, You're it!
125 bpm • C Maj • 03:37 • -9.89db
21% Popularity • 74% Danceability • 71% Energy • 12% Liveness
87% Instrumentalness • 37% Positiveness
21% Popularity • 74% Danceability • 71% Energy • 12% Liveness
87% Instrumentalness • 37% Positiveness
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Avishai Darash
Andalusian Love Song
125 bpm • G# Maj • 03:54 • -14.37db
10% Popularity • 36% Danceability • 48% Energy • 9% Liveness
90% Instrumentalness • 62% Positiveness
10% Popularity • 36% Danceability • 48% Energy • 9% Liveness
90% Instrumentalness • 62% Positiveness
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Christian Houmann
Spring Dance
125 bpm • G Maj • 05:20 • -11.99db
12% Popularity • 50% Danceability • 54% Energy • 10% Liveness
58% Instrumentalness • 68% Positiveness
12% Popularity • 50% Danceability • 54% Energy • 10% Liveness
58% Instrumentalness • 68% Positiveness
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Zeca Do Trombone
Maracangalha
125 bpm • G Maj • 02:48 • -11.24db
12% Popularity • 76% Danceability • 54% Energy • 13% Liveness
59% Instrumentalness • 59% Positiveness
12% Popularity • 76% Danceability • 54% Energy • 13% Liveness
59% Instrumentalness • 59% Positiveness
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Mario Canonge
Adelante
136 bpm • A# min • 05:23 • -9.92db
14% Popularity • 37% Danceability • 83% Energy • 15% Liveness
93% Instrumentalness • 73% Positiveness
14% Popularity • 37% Danceability • 83% Energy • 15% Liveness
93% Instrumentalness • 73% Positiveness
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Golden Mean
Terra
125 bpm • F# min • 01:50 • -14.42db
11% Popularity • 51% Danceability • 76% Energy • 92% Liveness
40% Instrumentalness • 73% Positiveness
11% Popularity • 51% Danceability • 76% Energy • 92% Liveness
40% Instrumentalness • 73% Positiveness
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Horacio El Negro Hernandez
A Night In Torino
124 bpm • G min • 05:55 • -6.27db
11% Popularity • 58% Danceability • 83% Energy • 11% Liveness
84% Instrumentalness • 80% Positiveness
11% Popularity • 58% Danceability • 83% Energy • 11% Liveness
84% Instrumentalness • 80% Positiveness
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Karl Denson
Latin Snap
136 bpm • C# Maj • 06:25 • -14.75db
10% Popularity • 53% Danceability • 54% Energy • 9% Liveness
87% Instrumentalness • 84% Positiveness
10% Popularity • 53% Danceability • 54% Energy • 9% Liveness
87% Instrumentalness • 84% Positiveness
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Jaco Pastorius
Kuru / Speak Like A Child
136 bpm • D Maj • 08:03 • -11.86db
9% Popularity • 34% Danceability • 70% Energy • 34% Liveness
75% Instrumentalness • 45% Positiveness
9% Popularity • 34% Danceability • 70% Energy • 34% Liveness
75% Instrumentalness • 45% Positiveness
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Kenny Garrett
Boogety Boogety
124 bpm • G# Maj • 09:03 • -9db
8% Popularity • 46% Danceability • 77% Energy • 20% Liveness
29% Instrumentalness • 86% Positiveness
8% Popularity • 46% Danceability • 77% Energy • 20% Liveness
29% Instrumentalness • 86% Positiveness
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Carlos Averhoff Jr.
Sequence for You
124 bpm • C# Maj • 10:24 • -6.87db
8% Popularity • 59% Danceability • 65% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
8% Popularity • 59% Danceability • 65% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
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Humberto Ramirez
Pasiones
124 bpm • G# Maj • 06:47 • -12db
12% Popularity • 48% Danceability • 68% Energy • 9% Liveness
66% Instrumentalness • 77% Positiveness
12% Popularity • 48% Danceability • 68% Energy • 9% Liveness
66% Instrumentalness • 77% Positiveness
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Bheki Mseleku
Celebration
124 bpm • D min • 07:51 • -11.85db
11% Popularity • 41% Danceability • 65% Energy • 11% Liveness
71% Instrumentalness • 26% Positiveness
11% Popularity • 41% Danceability • 65% Energy • 11% Liveness
71% Instrumentalness • 26% Positiveness
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Koinonia
Chuncho
124 bpm • A# min • 06:23 • -15.83db
12% Popularity • 61% Danceability • 57% Energy • 6% Liveness
77% Instrumentalness • 75% Positiveness
12% Popularity • 61% Danceability • 57% Energy • 6% Liveness
77% Instrumentalness • 75% Positiveness
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Nils Landgren Funk Unit
5000 Miles
136 bpm • A# Maj • 08:14 • -11.41db
9% Popularity • 46% Danceability • 51% Energy • 9% Liveness
43% Instrumentalness • 24% Positiveness
9% Popularity • 46% Danceability • 51% Energy • 9% Liveness
43% Instrumentalness • 24% Positiveness
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Takuya Kuroda
ソング・フォー・マイ・ファ�...
124 bpm • F min • 05:16 • -9.32db
14% Popularity • 49% Danceability • 60% Energy • 9% Liveness
73% Instrumentalness • 50% Positiveness
14% Popularity • 49% Danceability • 60% Energy • 9% Liveness
73% Instrumentalness • 50% Positiveness
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Vinocio
Mambeado
124 bpm • B min • 08:32 • -12.15db
15% Popularity • 67% Danceability • 58% Energy • 67% Liveness
27% Instrumentalness • 69% Positiveness
15% Popularity • 67% Danceability • 58% Energy • 67% Liveness
27% Instrumentalness • 69% Positiveness
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Dave Grusin
Fascinating Rhythm
124 bpm • F Maj • 05:04 • -10.34db
16% Popularity • 53% Danceability • 72% Energy • 5% Liveness
56% Instrumentalness • 78% Positiveness
16% Popularity • 53% Danceability • 72% Energy • 5% Liveness
56% Instrumentalness • 78% Positiveness
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Paquito Cruz
Terra ignota
124 bpm • D Maj • 06:09 • -12.88db
8% Popularity • 56% Danceability • 68% Energy • 23% Liveness
94% Instrumentalness • 86% Positiveness
8% Popularity • 56% Danceability • 68% Energy • 23% Liveness
94% Instrumentalness • 86% Positiveness
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Spyro Gyra
I Know What You Mingus
137 bpm • F min • 07:37 • -6.1db
12% Popularity • 54% Danceability • 79% Energy • 2% Liveness
64% Instrumentalness • 45% Positiveness
12% Popularity • 54% Danceability • 79% Energy • 2% Liveness
64% Instrumentalness • 45% Positiveness
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Nelson Faria
Brooklyn High
137 bpm • C# Maj • 08:57 • -9.49db
10% Popularity • 48% Danceability • 74% Energy • 85% Liveness
51% Instrumentalness • 50% Positiveness
10% Popularity • 48% Danceability • 74% Energy • 85% Liveness
51% Instrumentalness • 50% Positiveness
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Charles Lloyd
Dismal Swamp
137 bpm • C# min • 06:30 • -16.75db
8% Popularity • 59% Danceability • 29% Energy • 11% Liveness
64% Instrumentalness • 57% Positiveness
8% Popularity • 59% Danceability • 29% Energy • 11% Liveness
64% Instrumentalness • 57% Positiveness
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Enea DJ
Childish
137 bpm • G min • 03:09 • -12.56db
18% Popularity • 66% Danceability • 42% Energy • 11% Liveness
91% Instrumentalness • 72% Positiveness
18% Popularity • 66% Danceability • 42% Energy • 11% Liveness
91% Instrumentalness • 72% Positiveness
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Quasimode
mode of blue
123 bpm • A Maj • 06:36 • -6.35db
11% Popularity • 44% Danceability • 76% Energy • 10% Liveness
85% Instrumentalness • 66% Positiveness
11% Popularity • 44% Danceability • 76% Energy • 10% Liveness
85% Instrumentalness • 66% Positiveness
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Julio Barreto Cuban Quartet
Coming Home Baby
123 bpm • F Maj • 05:25 • -7.17db
12% Popularity • 72% Danceability • 90% Energy • 9% Liveness
81% Instrumentalness • 79% Positiveness
12% Popularity • 72% Danceability • 90% Energy • 9% Liveness
81% Instrumentalness • 79% Positiveness
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Terence Blanchard
Saving Wedding Montage
138 bpm • G# Maj • 04:56 • -12.93db
11% Popularity • 42% Danceability • 61% Energy • 16% Liveness
90% Instrumentalness • 73% Positiveness
11% Popularity • 42% Danceability • 61% Energy • 16% Liveness
90% Instrumentalness • 73% Positiveness
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Shiro SAGISU
2EM18_KK_C01
123 bpm • E min • 02:21 • -5.63db
18% Popularity • 80% Danceability • 84% Energy • 27% Liveness
84% Instrumentalness • 70% Positiveness
18% Popularity • 80% Danceability • 84% Energy • 27% Liveness
84% Instrumentalness • 70% Positiveness
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Harold López-Nussa
Timbeando
123 bpm • C min • 04:15 • -8.77db
11% Popularity • 52% Danceability • 64% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
11% Popularity • 52% Danceability • 64% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
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Sophie Milman
It Might As Well Be Spring
123 bpm • G# Maj • 03:36 • -7.41db
39% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Nye Banfield
Pocket Tissue Blues
138 bpm • A Maj • 05:32 • -11.39db
13% Popularity • 50% Danceability • 48% Energy • 8% Liveness
32% Instrumentalness • 25% Positiveness
13% Popularity • 50% Danceability • 48% Energy • 8% Liveness
32% Instrumentalness • 25% Positiveness
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Tribeqa
Qartel
138 bpm • C min • 05:02 • -9.22db
11% Popularity • 57% Danceability • 44% Energy • 67% Liveness
80% Instrumentalness • 64% Positiveness
11% Popularity • 57% Danceability • 44% Energy • 67% Liveness
80% Instrumentalness • 64% Positiveness
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Avishai Darash
Andalusian Love Song
122 bpm • G# Maj • 04:37 • -12.28db
8% Popularity • 67% Danceability • 66% Energy • 10% Liveness
97% Instrumentalness • 42% Positiveness
8% Popularity • 67% Danceability • 66% Energy • 10% Liveness
97% Instrumentalness • 42% Positiveness
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Diego Rivera
Machete
122 bpm • F min • 04:53 • -10.22db
12% Popularity • 48% Danceability • 62% Energy • 16% Liveness
89% Instrumentalness • 75% Positiveness
12% Popularity • 48% Danceability • 62% Energy • 16% Liveness
89% Instrumentalness • 75% Positiveness
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Hiromi
Desire
138 bpm • G# Maj • 07:16 • -14db
29% Popularity • 40% Danceability • 64% Energy • 11% Liveness
93% Instrumentalness • 82% Positiveness
29% Popularity • 40% Danceability • 64% Energy • 11% Liveness
93% Instrumentalness • 82% Positiveness
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Harold López-Nussa
Bacalao Con Pan
122 bpm • C# Maj • 03:38 • -8.08db
10% Popularity • 36% Danceability • 78% Energy • 11% Liveness
90% Instrumentalness • 96% Positiveness
10% Popularity • 36% Danceability • 78% Energy • 11% Liveness
90% Instrumentalness • 96% Positiveness
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Yellowjackets
Man Facing North
122 bpm • C# Maj • 06:48 • -11db
18% Popularity • 56% Danceability • 45% Energy • 9% Liveness
80% Instrumentalness • 45% Positiveness
18% Popularity • 56% Danceability • 45% Energy • 9% Liveness
80% Instrumentalness • 45% Positiveness
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Yotam Silberstein
Parabens
122 bpm • G Maj • 04:12 • -9.96db
12% Popularity • 60% Danceability • 72% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
12% Popularity • 60% Danceability • 72% Energy • 11% Liveness
87% Instrumentalness • 73% Positiveness
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東京アクティブNEETs
西方ノ蒼ィ汽車
122 bpm • C min • 05:18 • -11.78db
12% Popularity • 65% Danceability • 70% Energy • 4% Liveness
64% Instrumentalness • 67% Positiveness
12% Popularity • 65% Danceability • 70% Energy • 4% Liveness
64% Instrumentalness • 67% Positiveness
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Groove Collective
Rahsaanasong
139 bpm • A# min • 05:02 • -13.28db
8% Popularity • 47% Danceability • 52% Energy • 28% Liveness
2% Instrumentalness • 28% Positiveness
8% Popularity • 47% Danceability • 52% Energy • 28% Liveness
2% Instrumentalness • 28% Positiveness
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Ernest Ranglin
D'Accord Dakar
122 bpm • G Maj • 04:35 • -12.2db
12% Popularity • 83% Danceability • 45% Energy • 8% Liveness
66% Instrumentalness • 97% Positiveness
12% Popularity • 83% Danceability • 45% Energy • 8% Liveness
66% Instrumentalness • 97% Positiveness
