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Mother Africa [Power of One]
Songs like
Mother Africa [Power of One]
by
Hans Zimmer
Based on a tempo of (+/- 10%) and a similar genre
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Hans Zimmer
12 Mother Africa
81 bpm • F# Maj • 08:03 • -17.91db
17% Popularity • 24% Danceability • 43% Energy • 10% Liveness
30% Instrumentalness • 19% Positiveness
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Anne Dudley
A Seam of Ironstone
81 bpm • D min • 01:30 • -10.82db
27% Popularity • 21% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
Atonement: Elegy for Dunkirk
81 bpm • B min • 05:24 • -20.85db
14% Popularity • 13% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Ennio Morricone
Falls
81 bpm • G Maj • 01:55 • -19db
47% Popularity • 11% Danceability • 12% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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The Starlite Orchestra & Singers
The Patriot (Main Theme)
81 bpm • C Maj • 06:35 • -13.17db
20% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
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Lindiwe Mkhize
Circle of Life/Nants' Ingonyama
81 bpm • A# Maj • 04:01 • -8.15db
56% Popularity • 30% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Hans Zimmer
Mother Africa [Power of One]
81 bpm • C Maj • 05:46 • -10.71db
12% Popularity • 30% Danceability • 49% Energy • 80% Liveness
4% Instrumentalness • 22% Positiveness
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Cheryl Porter
Il cerchio della vita/Nants' Ingonyama
82 bpm • A# Maj • 04:01 • -7db
35% Popularity • 23% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Patrick Doyle
Letter To Papa
80 bpm • D# Maj • 01:38 • -32.86db
20% Popularity • 26% Danceability • 2% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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James Newton Howard
Lasiurus
82 bpm • G min • 07:27 • -24.4db
45% Popularity • 9% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Anne Dudley
Where the Land Meets the Sea
80 bpm • D Maj • 02:52 • -12.43db
13% Popularity • 18% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Rob Lane
Hunith's Letter to Gaius
80 bpm • A Maj • 01:40 • -21.13db
30% Popularity • 22% Danceability • 10% Energy • 9% Liveness
23% Instrumentalness • 3% Positiveness
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Lisa Gerrard
The Wheat
82 bpm • B min • 01:03 • -33.48db
55% Popularity • 19% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
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Carter Burwell
Modo Niger
80 bpm • C# Maj • 01:13 • -26.99db
10% Popularity • 23% Danceability • 4% Energy • 18% Liveness
5% Instrumentalness • 3% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
Star Wars: Attack of the Clones: Across ...
82 bpm • C min • 05:44 • -15db
20% Popularity • 12% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Letter
82 bpm • D Maj • 01:18 • -21.08db
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Kamen
Bull's Theme - Instrumental
82 bpm • C Maj • 03:19 • -20.02db
18% Popularity • 13% Danceability • 12% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Prime
80 bpm • G# Maj • 02:14 • -17db
48% Popularity • 20% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Craig Armstrong
Bathsheba and Oak Unite
82 bpm • G Maj • 01:35 • -17.66db
48% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
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Mark Isham
A Fine Fisherman and the Big Black-Foot ...
80 bpm • F Maj • 01:42 • -11.44db
16% Popularity • 27% Danceability • 39% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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John Debney
The Young Messiah Theme
82 bpm • D min • 02:36 • -13.59db
16% Popularity • 33% Danceability • 40% Energy • 17% Liveness
96% Instrumentalness • 16% Positiveness
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Hans Zimmer
King Arthur Orchestra Suite - Live
82 bpm • D min • 03:49 • -12db
42% Popularity • 22% Danceability • 42% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
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James Newton Howard
Corynorhinus
80 bpm • F min • 05:04 • -25.39db
46% Popularity • 8% Danceability • 3% Energy • 55% Liveness
76% Instrumentalness • 4% Positiveness
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Patrick Doyle
Please Wait
80 bpm • G min • 03:21 • -26.29db
20% Popularity • 14% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 5% Positiveness
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John Bacchus Dykes
Roll Tide
82 bpm • D min • 07:33 • -16db
44% Popularity • 8% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Mark Isham
In Half-Light of the Canyon
80 bpm • F Maj • 02:47 • -15db
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Trevor Morris
A Howling Wilderness / The Death Of Jane...
82 bpm • C Maj • 02:45 • -13.33db
33% Popularity • 8% Danceability • 20% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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John Debney
Xan And Duma Say Goodbye
82 bpm • A Maj • 03:24 • -18.93db
10% Popularity • 27% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Kyle Eastwood
Madiba's Theme
82 bpm • E Maj • 01:17 • -20.1db
21% Popularity • 8% Danceability • 16% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
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Michael Kamen
Band Of Brothers Suite Two - Instrumenta...
80 bpm • D# Maj • 09:13 • -14.67db
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Tsidii Le Loka
Circle of Life with Nants' Ingonyama
82 bpm • D Maj • 04:29 • -11db
49% Popularity • 30% Danceability • 39% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Mark Isham
A River Runs Through It
82 bpm • G Maj • 02:23 • -16db
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
80 bpm • A# Maj • 01:49 • -25.21db
32% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
45% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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John Powell
P.S. I Love You
79 bpm • C Maj • 01:23 • -28.16db
47% Popularity • 46% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
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Patrick Doyle
The Wedding Night
79 bpm • C Maj • 02:05 • -18db
26% Popularity • 18% Danceability • 25% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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Lebo M.
Hakuna Matata
79 bpm • G# Maj • 04:24 • -8.22db
36% Popularity • 61% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Jóhann Jóhannsson
Cambridge, 1963
83 bpm • A# Maj • 01:41 • -16.91db
59% Popularity • 36% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 65% Positiveness
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Trevor Morris
Jack & Aliana Make Love
83 bpm • E min • 01:58 • -17.62db
12% Popularity • 31% Danceability • 14% Energy • 13% Liveness
82% Instrumentalness • 13% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Michael Giacchino
Star Trek Main Theme
79 bpm • A# Maj • 03:25 • -9.54db
50% Popularity • 23% Danceability • 52% Energy • 48% Liveness
95% Instrumentalness • 15% Positiveness
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Patrick Doyle
Sweets To The Sweet Farewell
83 bpm • F Maj • 05:10 • -16.48db
24% Popularity • 8% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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John Debney
A Son Named Jesus
79 bpm • F min • 04:27 • -21.84db
18% Popularity • 7% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Hayley Westenra
Flood
79 bpm • G Maj • 03:08 • -19.22db
23% Popularity • 13% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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RAYE
Mother Nature
83 bpm • C Maj • 03:55 • -9.23db
49% Popularity • 23% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Thomas Wander
Independence Day Resurgence Finale
83 bpm • A# Maj • 03:14 • -15.87db
24% Popularity • 9% Danceability • 18% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
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Hans Zimmer
The Da Vinci Code Orchestra Suite: Part ...
79 bpm • A min • 06:28 • -21.05db
33% Popularity • 15% Danceability • 16% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
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Craig Armstrong
Glasgow Love Theme
79 bpm • A Maj • 02:05 • -15.62db
49% Popularity • 31% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Andrea Guerra
Children Found
83 bpm • A min • 01:57 • -13.21db
17% Popularity • 10% Danceability • 30% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Carmen Twillie
Circle of Life
83 bpm • A# Maj • 03:57 • -8db
55% Popularity • 32% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
29% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Gladys Mwachiti
Der ewige Kreis/Nants' Ingonyama
83 bpm • A# Maj • 04:01 • -8db
40% Popularity • 22% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Hans Zimmer
Still Reprise
79 bpm • G min • 02:12 • -23.08db
35% Popularity • 19% Danceability • 7% Energy • 18% Liveness
63% Instrumentalness • 8% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Craig Armstrong
The Lake Scene
79 bpm • C Maj • 01:35 • -18db
46% Popularity • 17% Danceability • 8% Energy • 33% Liveness
96% Instrumentalness • 8% Positiveness
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Laila Adele
En värld full av liv/Nants' Ingonyama
84 bpm • A# Maj • 04:01 • -7.85db
34% Popularity • 20% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Marianne Anthonsen
Livets sirkel
84 bpm • A# Maj • 03:59 • -11.28db
35% Popularity • 37% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Lebo M.
One By One
84 bpm • C# Maj • 03:10 • -11.8db
25% Popularity • 25% Danceability • 36% Energy • 61% Liveness
0% Instrumentalness • 57% Positiveness
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Hans Zimmer
Hope
84 bpm • A Maj • 02:22 • -21.8db
18% Popularity • 8% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Meta Roos
En värld full av liv
84 bpm • A# Maj • 03:59 • -11db
35% Popularity • 36% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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China Moses
L'histoire de la vie/Nants' Ingonyama
84 bpm • A# Maj • 04:01 • -8.22db
42% Popularity • 36% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Anže Rozman
Prehistoric Planet Suite
78 bpm • F Maj • 09:09 • -18.74db
35% Popularity • 7% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Sunayana Sarkar
Zindagi Dor Si/Nants' Ingonyama
84 bpm • A# Maj • 04:01 • -9db
14% Popularity • 44% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Harald Kloser
Evolet
84 bpm • A min • 02:43 • -27db
25% Popularity • 8% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Hans Zimmer
A Prophecy Fulfilled
84 bpm • D# Maj • 03:00 • -13.35db
36% Popularity • 12% Danceability • 33% Energy • 33% Liveness
94% Instrumentalness • 3% Positiveness
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Carlo Savina
Love Theme Of Ben-Hur
78 bpm • F Maj • 02:51 • -21.83db
7% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Patrick Doyle
Crewe And The Soldier
84 bpm • G min • 01:22 • -15.92db
13% Popularity • 14% Danceability • 21% Energy • 27% Liveness
80% Instrumentalness • 19% Positiveness
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Lisa Gerrard
Gladiator Orchestra Suite: Part 2, Elysi...
84 bpm • D Maj • 05:37 • -11.26db
23% Popularity • 19% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Michael Kamen
Main Titles from the HBO Miniseries Band...
84 bpm • F Maj • 02:24 • -17.62db
46% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Hans Zimmer
Circle of Life - Instrumental Demo
84 bpm • A# Maj • 04:02 • -13db
28% Popularity • 34% Danceability • 36% Energy • 9% Liveness
74% Instrumentalness • 39% Positiveness
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Heather Headley
Shadowland
78 bpm • A min • 04:28 • -11.36db
44% Popularity • 25% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Thomas Bergersen
The Human Experience - Theme
84 bpm • C Maj • 02:48 • -16.27db
27% Popularity • 10% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Craig Armstrong
Hollow in the Ferns
85 bpm • D min • 03:38 • -17.3db
48% Popularity • 22% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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Karl Jenkins
Minuet
78 bpm • D min • 01:25 • -23.56db
41% Popularity • 30% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Mark Isham
Early Departure
85 bpm • F Maj • 00:50 • -20.08db
19% Popularity • 33% Danceability • 19% Energy • 14% Liveness
56% Instrumentalness • 14% Positiveness
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Hans Zimmer
The Blue Planet
84 bpm • E min • 03:13 • -11.49db
35% Popularity • 8% Danceability • 39% Energy • 32% Liveness
84% Instrumentalness • 4% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Patrick Doyle
Ryan, Mr. President
77 bpm • E Maj • 03:28 • -11.63db
17% Popularity • 14% Danceability • 44% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Georges Delerue
Symphonic Suite For Chorus And Orchestra...
85 bpm • E min • 03:30 • -13.41db
8% Popularity • 10% Danceability • 26% Energy • 17% Liveness
97% Instrumentalness • 4% Positiveness
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Czech Philharmonic
Wonderful Days Theme II - 오케스트�...
77 bpm • D min • 03:18 • -16.03db
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
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Hans Zimmer
A World Apart / End Title
84 bpm • D Maj • 05:04 • -16.68db
22% Popularity • 30% Danceability • 34% Energy • 11% Liveness
54% Instrumentalness • 14% Positiveness
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Ennio Morricone
The Mission
77 bpm • G Maj • 02:49 • -23.18db
52% Popularity • 23% Danceability • 9% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Anne Dudley
How the Tide Rushes In
77 bpm • E min • 03:03 • -16db
34% Popularity • 22% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Kamen
Austria - Instrumental
86 bpm • A# Maj • 01:59 • -22db
37% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
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Bear McCreary
A Fraser Officer Survived
77 bpm • D min • 04:15 • -16.73db
28% Popularity • 13% Danceability • 15% Energy • 5% Liveness
88% Instrumentalness • 4% Positiveness
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Miklós Rózsa
Star Of Bethlehem - Extended Version
86 bpm • D Maj • 01:33 • -14.34db
24% Popularity • 15% Danceability • 31% Energy • 39% Liveness
2% Instrumentalness • 7% Positiveness
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Hans Zimmer
Il Gladiatore (Based on Themes from the ...
84 bpm • E min • 03:30 • -7.64db
11% Popularity • 22% Danceability • 44% Energy • 38% Liveness
6% Instrumentalness • 25% Positiveness
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Rob Lane
Knights of the Round Table
86 bpm • E Maj • 04:16 • -21.5db
26% Popularity • 9% Danceability • 9% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Mychael Danna
Pi's Lullaby
86 bpm • C# Maj • 03:42 • -19.33db
42% Popularity • 40% Danceability • 19% Energy • 29% Liveness
4% Instrumentalness • 11% Positiveness
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Michael Kamen
The Mission Begins - Instrumental
86 bpm • D Maj • 05:49 • -15db
27% Popularity • 9% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Patrick Doyle
Fake Wedding
86 bpm • E Maj • 02:35 • -31.62db
8% Popularity • 9% Danceability • 3% Energy • 15% Liveness
8% Instrumentalness • 7% Positiveness
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Jerry Goldsmith
Old Bagdad
76 bpm • F min • 02:03 • -20.68db
29% Popularity • 38% Danceability • 27% Energy • 6% Liveness
5% Instrumentalness • 28% Positiveness
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Hans Zimmer
Instinct
85 bpm • D Maj • 03:33 • -20db
23% Popularity • 40% Danceability • 17% Energy • 10% Liveness
21% Instrumentalness • 3% Positiveness
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Mark Isham
A Trip to the Unknown
86 bpm • G Maj • 02:29 • -18.59db
19% Popularity • 12% Danceability • 11% Energy • 21% Liveness
79% Instrumentalness • 16% Positiveness
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B.S.O. Varios
The Miracle of the Bread
76 bpm • F# min • 04:22 • -19.85db
18% Popularity • 7% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Ramin Djawadi
A Lannister Always Pays His Debts
86 bpm • D min • 02:50 • -16.52db
59% Popularity • 29% Danceability • 29% Energy • 17% Liveness
95% Instrumentalness • 10% Positiveness
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Royal Philharmonic Orchestra
King Arthur: Tell Me Now (What You See)
76 bpm • C Maj • 04:32 • -16.24db
19% Popularity • 16% Danceability • 22% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Mother Africa [Power of One]