Songs like Mother Of God, Here I Stand by John Tavener
Based on a tempo of (+/- 10%) and a similar genre
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Lili Boulanger
Hymne au soleil
131 bpm • D Maj • 03:53 • -22.66db
19% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
19% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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John Tavener
The Lamb
131 bpm • E min • 04:57 • -35.96db
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
27% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
27% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido and Aeneas, Z.626 - Arr. for cello ...
131 bpm • G min • 03:54 • -27.85db
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
O Viridissima virga
131 bpm • C Maj • 03:48 • -26.4db
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Henryk Górecki
3 Utwory w dawnym stylu (3 Pieces in Old...
130 bpm • A min • 04:27 • -22db
23% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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John Tavener
The Protecting Veil: VII. The Dormition
131 bpm • G Maj • 06:56 • -28.59db
3% Popularity • 16% Danceability • 1% Energy • 20% Liveness
74% Instrumentalness • 4% Positiveness
3% Popularity • 16% Danceability • 1% Energy • 20% Liveness
74% Instrumentalness • 4% Positiveness
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Arvo Pärt
Nunc Dimittis
132 bpm • G# Maj • 06:55 • -26.72db
28% Popularity • 16% Danceability • 3% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 3% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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Thomas Adès
Adès: Les baricades mistérieuses
132 bpm • A# Maj • 02:42 • -40.82db
28% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
28% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Hildegard von Bingen
Ancient Suite
132 bpm • E min • 03:30 • -21.35db
24% Popularity • 22% Danceability • 11% Energy • 8% Liveness
51% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 11% Energy • 8% Liveness
51% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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John Sheppard
Libera nos I & II: Libera nos I & II
130 bpm • G# Maj • 05:36 • -27db
14% Popularity • 16% Danceability • 8% Energy • 16% Liveness
24% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 8% Energy • 16% Liveness
24% Instrumentalness • 4% Positiveness
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Anton Bruckner
Vexilla regis, WAB 51
130 bpm • F Maj • 04:55 • -27.43db
12% Popularity • 16% Danceability • 3% Energy • 9% Liveness
60% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 9% Liveness
60% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
18% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Frederick Delius
To Be Sung of a Summer Night on the Wate...
130 bpm • C# min • 02:26 • -21.11db
20% Popularity • 18% Danceability • 17% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 17% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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John Tavener
Psalm 121: I Will Lift up Mine Eyes unto...
133 bpm • C Maj • 05:16 • -20.92db
2% Popularity • 22% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 22% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 8. Domine Deus noster ...
133 bpm • C Maj • 01:20 • -45.99db
34% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
8% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
28% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
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Jan Garbarek
Parce Mihi Domine
129 bpm • A# Maj • 06:42 • -19.24db
49% Popularity • 19% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
49% Popularity • 19% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
23% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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John Tavener
The Protecting Veil: III. Annunciation
129 bpm • G Maj • 03:22 • -19.11db
5% Popularity • 22% Danceability • 16% Energy • 12% Liveness
17% Instrumentalness • 6% Positiveness
5% Popularity • 22% Danceability • 16% Energy • 12% Liveness
17% Instrumentalness • 6% Positiveness
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David Buckley
Strengthen ye the weak hands
129 bpm • G Maj • 02:18 • -27.58db
16% Popularity • 17% Danceability • 8% Energy • 7% Liveness
22% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 8% Energy • 7% Liveness
22% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
24% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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PÄ“teris Vasks
Klusas dziemas (silent songs): I. Nosapi...
129 bpm • F min • 03:38 • -31.84db
14% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
18% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Salvation Is Created, Op. 25 No. 5
129 bpm • D Maj • 04:17 • -29.94db
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 3% Positiveness
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John Tavener
Mother of God, Here I Stand
129 bpm • G Maj • 03:15 • -33.14db
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Kjartan Sveinsson
Teil II
129 bpm • G min • 08:21 • -23db
23% Popularity • 17% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
17% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
17% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido & Aeneas, Z. 626: Dido & Aeneas, Z....
134 bpm • F# min • 04:09 • -26db
25% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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John Tavener
Preces and Responses: Part One
128 bpm • A Maj • 02:06 • -20.84db
2% Popularity • 27% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 27% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Thomas Tallis
O Nata Lux
128 bpm • A min • 02:58 • -24db
25% Popularity • 20% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
11% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Benjamin Britten
A Hymn To The Virgin
134 bpm • A min • 03:49 • -27.1db
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Agnus Dei
128 bpm • C Maj • 07:24 • -26db
23% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
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Arvo Pärt
Da pacem Domine
128 bpm • A min • 05:43 • -29.06db
35% Popularity • 19% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
35% Popularity • 19% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Arthur Bliss
Adam Zero: Approach of Autumn
128 bpm • D min • 03:34 • -38db
20% Popularity • 17% Danceability • 1% Energy • 26% Liveness
76% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 26% Liveness
76% Instrumentalness • 4% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Jonathan Roberts
Never Seek to Tell Thy Love
127 bpm • F Maj • 03:50 • -35.04db
23% Popularity • 17% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Knut Nystedt
Immortal Bach
127 bpm • D# Maj • 05:40 • -34db
20% Popularity • 17% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 2% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Carlo Gesualdo
O vos omnes
135 bpm • A min • 03:51 • -32db
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi, WAB 30
127 bpm • C Maj • 04:41 • -27.01db
15% Popularity • 17% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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Alonso Lobo
Versa est in luctum
135 bpm • G min • 05:32 • -22.04db
38% Popularity • 16% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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John Tavener
Petra: a ritual dream
135 bpm • A# min • 10:34 • -29.47db
8% Popularity • 16% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: II. Aleph
135 bpm • F# min • 01:50 • -24.69db
34% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Andrea Gabrieli
Communion: O sacrum convivium à 5
135 bpm • C Maj • 03:59 • -32db
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
39% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Komm, süsser Tod, BWV 478 (Arr. L. Stok...
136 bpm • C min • 04:59 • -29.09db
13% Popularity • 15% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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John Tavener
The Protecting Veil: II. The Birth of th...
127 bpm • F# min • 05:51 • -22.44db
2% Popularity • 21% Danceability • 3% Energy • 24% Liveness
80% Instrumentalness • 4% Positiveness
2% Popularity • 21% Danceability • 3% Energy • 24% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
BYU Singers
Water Night
136 bpm • A# min • 05:16 • -22.92db
30% Popularity • 15% Danceability • 4% Energy • 16% Liveness
64% Instrumentalness • 3% Positiveness
30% Popularity • 15% Danceability • 4% Energy • 16% Liveness
64% Instrumentalness • 3% Positiveness
► Preview
Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
18% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Henryk Górecki
Miserere, Op. 44: 6. Domine Deus noster-...
126 bpm • C Maj • 04:34 • -38.75db
9% Popularity • 17% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
► Preview
Þorkell Sigurbjörnsson
Nú hverfur sól à haf
126 bpm • G# min • 03:22 • -28.42db
19% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
► Preview
David Lang
The Little Match Girl Passion (Version f...
136 bpm • G# Maj • 02:42 • -26.66db
10% Popularity • 27% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 27% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
136 bpm • D# min • 04:52 • -29.48db
12% Popularity • 15% Danceability • 2% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 2% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
► Preview
Jean Mouton
Nesciens mater
126 bpm • G Maj • 06:51 • -30.95db
15% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
USSR Ministry of Culture Chamber Choir
Hymn of the Cherubim (Excerpt)
126 bpm • D# min • 07:41 • -22.31db
40% Popularity • 17% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
40% Popularity • 17% Danceability • 11% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
St. John Passion, BWV 245: Part I: Chora...
137 bpm • F# min • 09:24 • -17.84db
37% Popularity • 17% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
37% Popularity • 17% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
► Preview
Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
15% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
► Preview
Alessandro Striggio
Ecce beatam lucem à 40
126 bpm • C Maj • 08:15 • -19db
8% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
► Preview
Michael Praetorius
Terpsichore*: Ballet
126 bpm • A# Maj • 02:04 • -35db
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
► Preview
PÄ“teris Vasks
Vasara (Summer)
137 bpm • A min • 04:22 • -26.33db
15% Popularity • 20% Danceability • 6% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 6% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
John Tavener
The Lord's Prayer (1999)
125 bpm • G Maj • 03:57 • -35.06db
9% Popularity • 19% Danceability • 2% Energy • 7% Liveness
60% Instrumentalness • 3% Positiveness
9% Popularity • 19% Danceability • 2% Energy • 7% Liveness
60% Instrumentalness • 3% Positiveness
► Preview
Karl Jenkins
Stabat mater: VII. And The Mother Did We...
137 bpm • E Maj • 05:51 • -18.01db
30% Popularity • 16% Danceability • 18% Energy • 22% Liveness
17% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 18% Energy • 22% Liveness
17% Instrumentalness • 4% Positiveness
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Hermann Contractus
Salve Regina
137 bpm • C# Maj • 03:22 • -31.31db
30% Popularity • 20% Danceability • 1% Energy • 18% Liveness
69% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 1% Energy • 18% Liveness
69% Instrumentalness • 4% Positiveness
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Alexander Sheremetiev
Nine sili nebesniye
125 bpm • C# min • 03:45 • -23.13db
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
35% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
35% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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Anna Thorvaldsdottir
Heyr þú oss himnum á
138 bpm • D min • 04:22 • -27.71db
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
11% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
11% Instrumentalness • 3% Positiveness
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Sally Beamish
In the Stillness
125 bpm • A min • 02:19 • -31.93db
18% Popularity • 17% Danceability • 3% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 3% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Antiphon Caritas habundant in omnia
125 bpm • F min • 02:18 • -26.93db
23% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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The King's Singers
Spem In Alium (Tallis)
138 bpm • A# Maj • 08:31 • -18.66db
16% Popularity • 15% Danceability • 17% Energy • 8% Liveness
50% Instrumentalness • 7% Positiveness
16% Popularity • 15% Danceability • 17% Energy • 8% Liveness
50% Instrumentalness • 7% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
30% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
30% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Charles Villiers Stanford
The Blue Bird, Op. 119 No. 3
124 bpm • F# Maj • 03:47 • -31.49db
13% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
138 bpm • E min • 04:29 • -22.33db
43% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Spiritus Sanctus Vivificans
124 bpm • C# min • 02:50 • -29.86db
43% Popularity • 23% Danceability • 2% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
43% Popularity • 23% Danceability • 2% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op.48: Pie Jesu
138 bpm • A# Maj • 03:50 • -35.2db
10% Popularity • 15% Danceability • 1% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
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Karin Rehnqvist
När natten skänker frid
139 bpm • D min • 03:37 • -27.17db
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
31% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
41% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
41% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Anna Lapwood
O Nata Lux
139 bpm • C Maj • 04:02 • -29.84db
15% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
15% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Jón Leifs
Requiem, Op. 33b
140 bpm • G# Maj • 04:43 • -31.82db
12% Popularity • 18% Danceability • 4% Energy • 14% Liveness
62% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 14% Liveness
62% Instrumentalness • 4% Positiveness
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John Tavener
Song for Athene
140 bpm • A# Maj • 06:10 • -25.5db
29% Popularity • 14% Danceability • 2% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 2% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Phoenix
139 bpm • A Maj • 04:25 • -30db
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
