Songs like Mother's Wingspan by Ben Leinbach
Based on a tempo of (+/- 10%) and a similar genre
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Michael Hathaway
Jaya Bhavani - Ben Leinbach Remix
132 bpm • F Maj • 06:08 • -9.61db
0% Popularity • 58% Danceability • 62% Energy • 8% Liveness
11% Instrumentalness • 21% Positiveness
0% Popularity • 58% Danceability • 62% Energy • 8% Liveness
11% Instrumentalness • 21% Positiveness
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Ravid
News From New Zealand
132 bpm • D min • 03:13 • -18.51db
42% Popularity • 47% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 70% Positiveness
42% Popularity • 47% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 70% Positiveness
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Edo & Jo
Sarveshwari (Universal Mother)
132 bpm • A Maj • 06:53 • -14.58db
32% Popularity • 51% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 51% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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John William Bauld
Fly Away
132 bpm • C Maj • 08:21 • -10.97db
0% Popularity • 47% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
0% Popularity • 47% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
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Tales From The Dream World
Shaman Drum
132 bpm • D Maj • 01:13 • -24.83db
54% Popularity • 33% Danceability • 1% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
54% Popularity • 33% Danceability • 1% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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MC YOGI
Shanti (Shavasana Dub) Omstrumental
132 bpm • G Maj • 07:08 • -19.09db
37% Popularity • 16% Danceability • 12% Energy • 33% Liveness
97% Instrumentalness • 2% Positiveness
37% Popularity • 16% Danceability • 12% Energy • 33% Liveness
97% Instrumentalness • 2% Positiveness
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Ben Leinbach
Om Asatoma
132 bpm • F# Maj • 07:16 • -14.93db
43% Popularity • 55% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 55% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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The Hanumen
Manipuri Hari Krishna (Edit)
133 bpm • D min • 05:25 • -17db
43% Popularity • 24% Danceability • 15% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
43% Popularity • 24% Danceability • 15% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
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Diane Bardwell
Free Me from Fear
131 bpm • A Maj • 07:20 • -11.88db
0% Popularity • 50% Danceability • 35% Energy • 14% Liveness
1% Instrumentalness • 21% Positiveness
0% Popularity • 50% Danceability • 35% Energy • 14% Liveness
1% Instrumentalness • 21% Positiveness
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Kelsang Chukie Tethong
A Prayer to Dispel Sickness and Harm
131 bpm • C# Maj • 04:52 • -17.66db
31% Popularity • 34% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 34% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Al Gromer Khan
Mahal Recall
131 bpm • C# Maj • 02:06 • -31.76db
51% Popularity • 23% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
51% Popularity • 23% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Reema Datta
Immortality
131 bpm • A# Maj • 02:25 • -17.74db
50% Popularity • 26% Danceability • 19% Energy • 28% Liveness
55% Instrumentalness • 21% Positiveness
50% Popularity • 26% Danceability • 19% Energy • 28% Liveness
55% Instrumentalness • 21% Positiveness
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Ben Leinbach
Khumjung
133 bpm • G Maj • 12:16 • -18.72db
14% Popularity • 16% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Omkara
Shower of Grace
134 bpm • C Maj • 07:10 • -11.15db
30% Popularity • 22% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 22% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Diane Bardwell
I Free Myself
131 bpm • C# min • 11:14 • -12.62db
2% Popularity • 46% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
2% Popularity • 46% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
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Shastro
The Diamond and the Lotus (Excerpt)
134 bpm • D# Maj • 06:48 • -17.56db
30% Popularity • 48% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 24% Positiveness
30% Popularity • 48% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 24% Positiveness
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Vic Vision
Buddha's Enlightenment
130 bpm • F Maj • 03:02 • -21.92db
47% Popularity • 72% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
47% Popularity • 72% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Chinmaya Dunster
Meeting Of Two Oceans
134 bpm • C# Maj • 06:14 • -19.21db
41% Popularity • 30% Danceability • 4% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
41% Popularity • 30% Danceability • 4% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Deva Premal & Miten with Manose
Om Kumara Mantra (Innocence)
130 bpm • A# min • 10:27 • -14.69db
43% Popularity • 67% Danceability • 32% Energy • 9% Liveness
49% Instrumentalness • 50% Positiveness
43% Popularity • 67% Danceability • 32% Energy • 9% Liveness
49% Instrumentalness • 50% Positiveness
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Yaima
Iskra
130 bpm • B min • 06:53 • -12db
40% Popularity • 72% Danceability • 40% Energy • 9% Liveness
86% Instrumentalness • 44% Positiveness
40% Popularity • 72% Danceability • 40% Energy • 9% Liveness
86% Instrumentalness • 44% Positiveness
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Edo & Jo
Saraswati (Creativity and Wisdom)
130 bpm • C Maj • 08:46 • -12.5db
34% Popularity • 46% Danceability • 24% Energy • 7% Liveness
8% Instrumentalness • 15% Positiveness
34% Popularity • 46% Danceability • 24% Energy • 7% Liveness
8% Instrumentalness • 15% Positiveness
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Amber Herzog Lyman
Listen Deep
130 bpm • D min • 05:51 • -13.25db
0% Popularity • 91% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 91% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Stevin McNamara
Doorway to Eternity (Part 2 - Gat)
130 bpm • C# min • 09:55 • -16.71db
21% Popularity • 57% Danceability • 22% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
21% Popularity • 57% Danceability • 22% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
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Sounds of Optimism
Waves of Calm
130 bpm • C Maj • 02:51 • -19.09db
46% Popularity • 32% Danceability • 7% Energy • 13% Liveness
2% Instrumentalness • 57% Positiveness
46% Popularity • 32% Danceability • 7% Energy • 13% Liveness
2% Instrumentalness • 57% Positiveness
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Dean Evenson
Root Chakra - Primal Support
130 bpm • C Maj • 08:01 • -20db
46% Popularity • 22% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
46% Popularity • 22% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Ananta Govinda
Ray 10 Molten Gold
129 bpm • A min • 02:39 • -29db
1% Popularity • 17% Danceability • 7% Energy • 12% Liveness
76% Instrumentalness • 6% Positiveness
1% Popularity • 17% Danceability • 7% Energy • 12% Liveness
76% Instrumentalness • 6% Positiveness
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Vianney Lopez
Peaceful Flow
129 bpm • A min • 02:16 • -30db
50% Popularity • 21% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
50% Popularity • 21% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 7% Positiveness
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Amber Herzog Lyman
Alive
130 bpm • C Maj • 03:34 • -12.64db
3% Popularity • 71% Danceability • 36% Energy • 17% Liveness
2% Instrumentalness • 38% Positiveness
3% Popularity • 71% Danceability • 36% Energy • 17% Liveness
2% Instrumentalness • 38% Positiveness
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Binary One
Insitarament
136 bpm • G# Maj • 04:00 • -25.08db
40% Popularity • 53% Danceability • 3% Energy • 36% Liveness
63% Instrumentalness • 17% Positiveness
40% Popularity • 53% Danceability • 3% Energy • 36% Liveness
63% Instrumentalness • 17% Positiveness
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Rara Avis
Om Prana
129 bpm • D# Maj • 08:44 • -18.65db
27% Popularity • 22% Danceability • 28% Energy • 15% Liveness
72% Instrumentalness • 3% Positiveness
27% Popularity • 22% Danceability • 28% Energy • 15% Liveness
72% Instrumentalness • 3% Positiveness
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Lis Addison
IndigoDragonfly
136 bpm • D Maj • 07:57 • -21.42db
32% Popularity • 21% Danceability • 22% Energy • 13% Liveness
83% Instrumentalness • 9% Positiveness
32% Popularity • 21% Danceability • 22% Energy • 13% Liveness
83% Instrumentalness • 9% Positiveness
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Deya Dova
The Jasmani Garden
136 bpm • E Maj • 06:44 • -21.63db
43% Popularity • 26% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 6% Positiveness
43% Popularity • 26% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 6% Positiveness
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Rasa
Om Purnam
128 bpm • B Maj • 06:06 • -14db
26% Popularity • 52% Danceability • 26% Energy • 6% Liveness
9% Instrumentalness • 5% Positiveness
26% Popularity • 52% Danceability • 26% Energy • 6% Liveness
9% Instrumentalness • 5% Positiveness
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Krishan
Bhaj Man Mere - Krishan Liquid Mix
136 bpm • G Maj • 11:24 • -17.57db
37% Popularity • 24% Danceability • 3% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
37% Popularity • 24% Danceability • 3% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
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Shastro
Coqui Sutra
136 bpm • A Maj • 01:34 • -23db
44% Popularity • 23% Danceability • 12% Energy • 11% Liveness
71% Instrumentalness • 23% Positiveness
44% Popularity • 23% Danceability • 12% Energy • 11% Liveness
71% Instrumentalness • 23% Positiveness
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Silver Wattle
Shivohum
136 bpm • G Maj • 03:05 • -20.02db
52% Popularity • 26% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 26% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Lis Addison
SnakeRoot
128 bpm • F Maj • 08:04 • -20.43db
42% Popularity • 52% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
42% Popularity • 52% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Majbritte Ulrikkeholm
Dust in Persian Sahara
128 bpm • C# min • 07:32 • -22db
30% Popularity • 22% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Al Gromer Khan
Tardeo
127 bpm • D Maj • 01:42 • -37.69db
48% Popularity • 19% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
48% Popularity • 19% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Edo & Jo
Devi Kripa (Grace and Protection)
128 bpm • D min • 05:54 • -14.78db
34% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
34% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Morley
Sea of Oms
127 bpm • G# min • 02:48 • -36.91db
52% Popularity • 17% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
52% Popularity • 17% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Michael Mandrell and Benjy Wertheimer
Chandrika (Moonlight)
127 bpm • G min • 05:24 • -20.48db
32% Popularity • 27% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
32% Popularity • 27% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Ty Burhoe
Presence
137 bpm • G# Maj • 06:55 • -18db
42% Popularity • 32% Danceability • 7% Energy • 7% Liveness
16% Instrumentalness • 4% Positiveness
42% Popularity • 32% Danceability • 7% Energy • 7% Liveness
16% Instrumentalness • 4% Positiveness
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Tetouze
Beyond sand
127 bpm • C# min • 07:18 • -13.2db
30% Popularity • 31% Danceability • 22% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
30% Popularity • 31% Danceability • 22% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Todd Boston
Surya
138 bpm • C Maj • 01:51 • -25.46db
42% Popularity • 14% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
42% Popularity • 14% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Alexia Chellun
Om Mani Padme Hum
127 bpm • A# Maj • 06:52 • -12.99db
36% Popularity • 42% Danceability • 22% Energy • 11% Liveness
70% Instrumentalness • 10% Positiveness
36% Popularity • 42% Danceability • 22% Energy • 11% Liveness
70% Instrumentalness • 10% Positiveness
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Gaiea Sanskrit
Brahma
138 bpm • G# Maj • 03:02 • -24.55db
40% Popularity • 18% Danceability • 4% Energy • 15% Liveness
14% Instrumentalness • 10% Positiveness
40% Popularity • 18% Danceability • 4% Energy • 15% Liveness
14% Instrumentalness • 10% Positiveness
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Laurent Ferlet
Thème de Samuel
126 bpm • D min • 01:20 • -22.19db
51% Popularity • 43% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
51% Popularity • 43% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Krishan
Gobinday Mukunday - Krishan Liquid Mix
138 bpm • A Maj • 07:00 • -7.98db
30% Popularity • 79% Danceability • 67% Energy • 12% Liveness
12% Instrumentalness • 79% Positiveness
30% Popularity • 79% Danceability • 67% Energy • 12% Liveness
12% Instrumentalness • 79% Positiveness
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Sada Sat Kaur
Gobinday Mukunday
138 bpm • A Maj • 09:54 • -20.45db
42% Popularity • 49% Danceability • 9% Energy • 6% Liveness
2% Instrumentalness • 14% Positiveness
42% Popularity • 49% Danceability • 9% Energy • 6% Liveness
2% Instrumentalness • 14% Positiveness
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Ravid
Calm Upon You (Hang Solo)
138 bpm • D min • 05:01 • -24.79db
37% Popularity • 55% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 63% Positiveness
37% Popularity • 55% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 63% Positiveness
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Wolfgang Ohmer
Equinox
126 bpm • E min • 02:37 • -22db
52% Popularity • 48% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 53% Positiveness
52% Popularity • 48% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 53% Positiveness
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Sejel Bodereau
Jupiter & I
126 bpm • A min • 04:29 • -10.42db
0% Popularity • 63% Danceability • 58% Energy • 9% Liveness
5% Instrumentalness • 42% Positiveness
0% Popularity • 63% Danceability • 58% Energy • 9% Liveness
5% Instrumentalness • 42% Positiveness
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Nadaka
Surdas bhajan
125 bpm • C Maj • 04:53 • -16.89db
33% Popularity • 34% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 34% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Kate Stone
River at Dawn
125 bpm • D min • 03:06 • -29.81db
40% Popularity • 54% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 79% Positiveness
40% Popularity • 54% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 79% Positiveness
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Kiran Murti
Peace
138 bpm • D min • 05:05 • -12.06db
36% Popularity • 22% Danceability • 25% Energy • 12% Liveness
30% Instrumentalness • 7% Positiveness
36% Popularity • 22% Danceability • 25% Energy • 12% Liveness
30% Instrumentalness • 7% Positiveness
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East Forest
Grounded
125 bpm • A# Maj • 07:35 • -18.59db
45% Popularity • 33% Danceability • 10% Energy • 14% Liveness
50% Instrumentalness • 6% Positiveness
45% Popularity • 33% Danceability • 10% Energy • 14% Liveness
50% Instrumentalness • 6% Positiveness
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Ravid
Indigo Child
125 bpm • D min • 02:53 • -17.94db
32% Popularity • 50% Danceability • 31% Energy • 8% Liveness
97% Instrumentalness • 80% Positiveness
32% Popularity • 50% Danceability • 31% Energy • 8% Liveness
97% Instrumentalness • 80% Positiveness
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Manish Vyas
Sahana Vavatu (For Inner Nourishment)
125 bpm • D Maj • 05:59 • -18.36db
38% Popularity • 19% Danceability • 5% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 5% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
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Nirinjan Kaur
Aap Sahaaee Hoaa
140 bpm • A min • 08:33 • -13.12db
34% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Shastro
Bansuri
125 bpm • C Maj • 02:34 • -15.13db
32% Popularity • 20% Danceability • 18% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 18% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Wolfgang Ohmer
Namasté
140 bpm • A min • 03:48 • -18.11db
48% Popularity • 62% Danceability • 23% Energy • 10% Liveness
48% Instrumentalness • 36% Positiveness
48% Popularity • 62% Danceability • 23% Energy • 10% Liveness
48% Instrumentalness • 36% Positiveness
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Zensi Rohr
Meditation Mornings
140 bpm • A# Maj • 05:14 • -11.37db
37% Popularity • 64% Danceability • 39% Energy • 10% Liveness
84% Instrumentalness • 29% Positiveness
37% Popularity • 64% Danceability • 39% Energy • 10% Liveness
84% Instrumentalness • 29% Positiveness
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Janet Stone
Shiva Savasana
124 bpm • G# Maj • 05:03 • -21.42db
33% Popularity • 17% Danceability • 13% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 13% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
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Shaman's Dream
Breathing In
140 bpm • C Maj • 05:59 • -23db
36% Popularity • 16% Danceability • 41% Energy • 33% Liveness
96% Instrumentalness • 8% Positiveness
36% Popularity • 16% Danceability • 41% Energy • 33% Liveness
96% Instrumentalness • 8% Positiveness
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Amber Herzog Lyman
Our Mother
124 bpm • G min • 04:58 • -11.35db
1% Popularity • 88% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 88% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Krishan
I Am - Krishan Liquid Mix
124 bpm • C Maj • 07:13 • -9.07db
47% Popularity • 58% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
47% Popularity • 58% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Cellomano
Gratitude
124 bpm • G Maj • 07:42 • -28.79db
43% Popularity • 23% Danceability • 3% Energy • 19% Liveness
90% Instrumentalness • 7% Positiveness
43% Popularity • 23% Danceability • 3% Energy • 19% Liveness
90% Instrumentalness • 7% Positiveness
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Ben Leinbach
Hari Om
124 bpm • A Maj • 05:02 • -9db
19% Popularity • 69% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 69% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Lis Addison
ChangingWaters
124 bpm • D Maj • 07:46 • -19.12db
28% Popularity • 37% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
28% Popularity • 37% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
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Bird Tribe
Nova Luz
124 bpm • C# Maj • 05:28 • -11db
41% Popularity • 61% Danceability • 28% Energy • 10% Liveness
69% Instrumentalness • 22% Positiveness
41% Popularity • 61% Danceability • 28% Energy • 10% Liveness
69% Instrumentalness • 22% Positiveness
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Nirinjan Kaur
I Am
124 bpm • C Maj • 08:19 • -13db
48% Popularity • 41% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
48% Popularity • 41% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Alex Theory
Muladhara
143 bpm • B Maj • 08:35 • -17.16db
33% Popularity • 14% Danceability • 22% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
33% Popularity • 14% Danceability • 22% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Bishwo Shahi
Realisation (instrumental version)
123 bpm • A Maj • 06:29 • -19db
36% Popularity • 22% Danceability • 15% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 15% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Bachan Kaur
Being Nothing
122 bpm • E min • 08:26 • -15db
38% Popularity • 32% Danceability • 19% Energy • 18% Liveness
80% Instrumentalness • 4% Positiveness
38% Popularity • 32% Danceability • 19% Energy • 18% Liveness
80% Instrumentalness • 4% Positiveness
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Maryam Smith
Om Namo Bhagavate Vasudevaya
143 bpm • G min • 07:48 • -10.47db
2% Popularity • 43% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
2% Popularity • 43% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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EarthRise SoundSystem
Intention
121 bpm • G Maj • 02:26 • -13.29db
41% Popularity • 34% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 34% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Nada Sadhana
Opening
143 bpm • C Maj • 08:14 • -20db
42% Popularity • 15% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
42% Popularity • 15% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Ryan Richko
The Bookstore
121 bpm • D min • 01:30 • -20.36db
51% Popularity • 27% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 6% Positiveness
51% Popularity • 27% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 6% Positiveness
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Vedic Moon
Siddharthas Echoes
121 bpm • A Maj • 03:12 • -24.7db
50% Popularity • 53% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
50% Popularity • 53% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Gary Stroutsos
Rivers
121 bpm • C Maj • 03:28 • -19.05db
46% Popularity • 38% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
46% Popularity • 38% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Karunesh
Ancient Voices
121 bpm • D min • 05:19 • -14.04db
36% Popularity • 23% Danceability • 21% Energy • 9% Liveness
41% Instrumentalness • 4% Positiveness
36% Popularity • 23% Danceability • 21% Energy • 9% Liveness
41% Instrumentalness • 4% Positiveness
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Stevin McNamara
Anam (Part 1 - Alap)
120 bpm • C# Maj • 03:06 • -19.69db
38% Popularity • 52% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 28% Positiveness
38% Popularity • 52% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 28% Positiveness
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Nadaka
Calling
120 bpm • E Maj • 03:55 • -42.08db
39% Popularity • 29% Danceability • 1% Energy • 38% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 29% Danceability • 1% Energy • 38% Liveness
88% Instrumentalness • 3% Positiveness
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Mercedes Bahleda
Tara Guru Chant
120 bpm • G min • 04:46 • -16.65db
33% Popularity • 19% Danceability • 16% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
33% Popularity • 19% Danceability • 16% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
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Steven Halpern
Tibetan Bowl I
120 bpm • D Maj • 00:56 • -43.53db
49% Popularity • 25% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
49% Popularity • 25% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Chinmaya Dunster
Sunrise In Deerpark
145 bpm • F# min • 05:50 • -19.84db
31% Popularity • 30% Danceability • 2% Energy • 12% Liveness
78% Instrumentalness • 7% Positiveness
31% Popularity • 30% Danceability • 2% Energy • 12% Liveness
78% Instrumentalness • 7% Positiveness
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Masood Ali Khan
Bhakti Gita
145 bpm • A Maj • 08:17 • -17.05db
35% Popularity • 38% Danceability • 10% Energy • 18% Liveness
87% Instrumentalness • 20% Positiveness
35% Popularity • 38% Danceability • 10% Energy • 18% Liveness
87% Instrumentalness • 20% Positiveness
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Solarixo
Sol Rythym
120 bpm • A Maj • 03:04 • -12.59db
36% Popularity • 71% Danceability • 22% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
36% Popularity • 71% Danceability • 22% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
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Lee Mirabai Harrington
Om Mani Padme Hum (Chill Lounge Mix)
120 bpm • C min • 06:35 • -8.19db
11% Popularity • 50% Danceability • 48% Energy • 15% Liveness
14% Instrumentalness • 32% Positiveness
11% Popularity • 50% Danceability • 48% Energy • 15% Liveness
14% Instrumentalness • 32% Positiveness
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Calm Whale
Balancing with Love
120 bpm • B min • 09:59 • -30.48db
36% Popularity • 59% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
36% Popularity • 59% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Prajna Vieira
Sri Ram Jai Ram
120 bpm • C min • 05:22 • -10.59db
12% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 45% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Wolfgang Ohmer
Vanya Sulie
120 bpm • G min • 04:46 • -14.72db
27% Popularity • 69% Danceability • 14% Energy • 11% Liveness
49% Instrumentalness • 38% Positiveness
27% Popularity • 69% Danceability • 14% Energy • 11% Liveness
49% Instrumentalness • 38% Positiveness
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Paramjeet Singh
Tune In - Adi Mantra & Mangalacharan Man...
120 bpm • E min • 01:58 • -18.4db
47% Popularity • 48% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
47% Popularity • 48% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Narmada Shore
Safe In Me
120 bpm • D Maj • 03:16 • -23.26db
40% Popularity • 70% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
40% Popularity • 70% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Nirinjan Kaur
Adi Shakti
120 bpm • A min • 07:35 • -15db
44% Popularity • 51% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 51% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Johanna Beekman
Love Lives
120 bpm • F Maj • 05:24 • -13.13db
3% Popularity • 41% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 41% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Al-Khemetic
Om Mata Kali
120 bpm • D min • 07:57 • -9.25db
5% Popularity • 66% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
5% Popularity • 66% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
