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Motion
Songs like
Motion
by
Peter Sandberg
Based on a tempo of (+/- 10%) and a similar genre
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Peter Sandberg
Motion
176 bpm • D# Maj • 03:11 • -34.08db
58% Popularity • 14% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Ludovico Einaudi
Rolling Like A Ball
175 bpm • G# Maj • 04:17 • -29.93db
58% Popularity • 21% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Federico Albanese
Stellify
177 bpm • F# Maj • 03:43 • -28db
40% Popularity • 17% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Tim Linghaus
Drive Me Somewhere Nice
178 bpm • D# Maj • 01:55 • -26.26db
42% Popularity • 31% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
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Library Tapes
Entering
172 bpm • A min • 01:30 • -28.02db
35% Popularity • 40% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
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Alex Kozobolis
The World Was Her Notebook
179 bpm • F# Maj • 01:44 • -18.24db
48% Popularity • 34% Danceability • 14% Energy • 18% Liveness
88% Instrumentalness • 10% Positiveness
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Peter Sandberg
Orion III
175 bpm • D# Maj • 02:49 • -24.67db
23% Popularity • 26% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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SYML
In Between Breaths
180 bpm • C Maj • 03:23 • -17db
56% Popularity • 47% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 14% Positiveness
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Steven Gutheinz
Souvenirs
180 bpm • A Maj • 03:40 • -20.7db
36% Popularity • 47% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
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Phoria
Fairytail
180 bpm • F Maj • 02:50 • -12.71db
34% Popularity • 7% Danceability • 22% Energy • 13% Liveness
95% Instrumentalness • 3% Positiveness
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Daigo Hanada
Muku
181 bpm • C# Maj • 03:14 • -29.25db
48% Popularity • 21% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Erland Cooper
Holm Sound
181 bpm • C Maj • 02:55 • -28.27db
52% Popularity • 30% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 17% Positiveness
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Peter Sandberg
Surrender
174 bpm • C# Maj • 02:06 • -23.13db
26% Popularity • 16% Danceability • 12% Energy • 13% Liveness
90% Instrumentalness • 6% Positiveness
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Gavin Luke
Night Walk
170 bpm • F# Maj • 02:20 • -19.25db
42% Popularity • 25% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Steven Gutheinz
Before the Lens (Solo Piano)
180 bpm • D# Maj • 02:36 • -18db
40% Popularity • 53% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Dmitry Evgrafov
Illumination
182 bpm • D Maj • 02:32 • -25.03db
40% Popularity • 19% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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Angus MacRae
Single Cell
170 bpm • C min • 04:12 • -18.01db
26% Popularity • 10% Danceability • 13% Energy • 6% Liveness
66% Instrumentalness • 4% Positiveness
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Federico Albanese
North Variation
170 bpm • A min • 03:16 • -30.63db
36% Popularity • 16% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Peter Sandberg
Orion I
180 bpm • C min • 04:49 • -14.24db
20% Popularity • 22% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 10% Positiveness
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Martin Gauffin
Squaric
184 bpm • F min • 02:33 • -17.02db
30% Popularity • 41% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Steven Gutheinz
Currents
180 bpm • D min • 03:25 • -24.73db
37% Popularity • 40% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Muted
Belonging
167 bpm • C Maj • 02:27 • -23db
51% Popularity • 33% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Stephan Moccio
Whitby
167 bpm • G min • 03:15 • -28.53db
41% Popularity • 21% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Ben Crosland
The Snow is Melting
187 bpm • F Maj • 02:58 • -22.28db
50% Popularity • 16% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Peter Sandberg
Afterwards
180 bpm • C# min • 03:44 • -28.43db
30% Popularity • 21% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Luke Howard
First Harvest
166 bpm • A# Maj • 05:21 • -24.59db
34% Popularity • 35% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 14% Positiveness
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Erland Cooper
Haar over Hamnavoe - Bill Ryder-Jones Re...
165 bpm • G# Maj • 03:53 • -24.39db
37% Popularity • 9% Danceability • 8% Energy • 6% Liveness
93% Instrumentalness • 8% Positiveness
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Eik Octobre
Heart Failure
188 bpm • C Maj • 04:49 • -27.9db
37% Popularity • 12% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Tony Anderson
Under the Heavens
164 bpm • F# Maj • 03:41 • -25.01db
46% Popularity • 46% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Borrtex
Vera
161 bpm • F Maj • 02:24 • -24.6db
47% Popularity • 44% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 53% Positiveness
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Peter Sandberg
Water
182 bpm • F min • 03:26 • -28.01db
18% Popularity • 40% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Adam Daudrich
Swells
159 bpm • C min • 02:45 • -28.13db
37% Popularity • 30% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Nils Frahm
A Shimmer
196 bpm • G# min • 06:36 • -32.17db
48% Popularity • 15% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Angus MacRae
Fair Passage
195 bpm • D min • 02:19 • -24.44db
41% Popularity • 11% Danceability • 12% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Mike Lazarev
Healing
198 bpm • D min • 01:57 • -26.75db
39% Popularity • 31% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
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Borrtex
Back in Time
160 bpm • G# min • 01:25 • -26.47db
64% Popularity • 52% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Peter Sandberg
Remove The Complexities
168 bpm • E Maj • 02:15 • -21.7db
55% Popularity • 24% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 11% Positiveness
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Tim Linghaus
We Will Never Come Back Here Again
151 bpm • C min • 01:56 • -22.72db
41% Popularity • 59% Danceability • 17% Energy • 11% Liveness
97% Instrumentalness • 40% Positiveness
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Nils Frahm
Them
200 bpm • F# Maj • 03:59 • -21.02db
52% Popularity • 30% Danceability • 21% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
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Luca Longobardi
Residue
152 bpm • C min • 03:54 • -20.37db
37% Popularity • 46% Danceability • 22% Energy • 9% Liveness
83% Instrumentalness • 26% Positiveness
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Max Richter
A Catalogue of Afternoons
206 bpm • B Maj • 01:50 • -31.73db
49% Popularity • 12% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 14% Positiveness
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Borrtex
Flowing
150 bpm • A min • 01:51 • -32.67db
64% Popularity • 42% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Julia Gjertsen
Solregn
206 bpm • E Maj • 03:10 • -27.48db
43% Popularity • 45% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 31% Positiveness
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Peter Sandberg
Lightdrops
150 bpm • G Maj • 02:06 • -18.5db
27% Popularity • 73% Danceability • 22% Energy • 7% Liveness
87% Instrumentalness • 40% Positiveness
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Kevin Imbrechts
LlÅ·r - Tom Paul Soetaert Rework
150 bpm • G min • 03:32 • -32db
30% Popularity • 40% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 51% Positiveness
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Brambles
Pink And Golden Billows
210 bpm • G min • 02:58 • -23.84db
50% Popularity • 39% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 28% Positiveness
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Snorri HallgrÃmsson
Chasing the Present
208 bpm • F min • 03:02 • -27.57db
44% Popularity • 18% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Hugar
Faded Reflection
210 bpm • A min • 02:29 • -36.36db
32% Popularity • 28% Danceability • 2% Energy • 10% Liveness
73% Instrumentalness • 41% Positiveness
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Dustin O'Halloran
Umrika
216 bpm • G Maj • 01:23 • -35.07db
58% Popularity • 10% Danceability • 7% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
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Motion