Songs like Motoring - Single Version by Martha Reeves & The Vandellas
Based on a tempo of (+/- 10%) and a similar genre
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Martha Reeves & The Vandellas
You've Been In Love Too Long - Single Ve...
119 bpm • G# Maj • 02:56 • -2.52db
13% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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The Drifters
Sweets for My Sweet
119 bpm • C Maj • 02:37 • -9.5db
35% Popularity • 78% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
35% Popularity • 78% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Al Green
Take Me to the River
119 bpm • A Maj • 03:45 • -11.12db
62% Popularity • 79% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
62% Popularity • 79% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Bobby Womack
I'm A Midnight Mover
119 bpm • A Maj • 02:02 • -10.41db
43% Popularity • 77% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 93% Positiveness
43% Popularity • 77% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 93% Positiveness
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Heatwave
Boogie Nights
119 bpm • B min • 05:03 • -10.97db
58% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
58% Popularity • 63% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Harold Melvin & The Blue Notes
Don't Leave Me This Way
119 bpm • C Maj • 03:54 • -10.27db
35% Popularity • 48% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 48% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Martha Reeves & The Vandellas
I'll Have To Let Him Go
119 bpm • G min • 02:49 • -7.58db
11% Popularity • 63% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 63% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Sister Sledge
We Are Family - 1995 Remaster
119 bpm • G min • 03:36 • -5.15db
70% Popularity • 78% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
70% Popularity • 78% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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The 5th Dimension
Let The Sunshine In (Reprise) - Remaster...
118 bpm • B min • 01:27 • -6db
59% Popularity • 46% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 46% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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The Temptations
Ain't Too Proud To Beg
118 bpm • C Maj • 02:36 • -6.86db
67% Popularity • 76% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
67% Popularity • 76% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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The Elgins
How Sweet It Is (To Be Loved By You)
118 bpm • C Maj • 02:41 • -5.3db
12% Popularity • 73% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 73% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Petula Clark
Downtown
118 bpm • E Maj • 03:04 • -9.87db
53% Popularity • 48% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
53% Popularity • 48% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Martha Reeves & The Vandellas
The Jerk
119 bpm • C Maj • 02:18 • -7.85db
13% Popularity • 62% Danceability • 58% Energy • 16% Liveness
3% Instrumentalness • 81% Positiveness
13% Popularity • 62% Danceability • 58% Energy • 16% Liveness
3% Instrumentalness • 81% Positiveness
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Gene Chandler
Nothing Can Stop Me
120 bpm • C# Maj • 02:59 • -9db
22% Popularity • 61% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 61% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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The 5th Dimension
Aquarius/Let The Sunshine In (The Flesh ...
118 bpm • G Maj • 04:49 • -6.1db
58% Popularity • 29% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 29% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Etta James
Tell Mama
120 bpm • F Maj • 02:24 • -7db
53% Popularity • 68% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
53% Popularity • 68% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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David Ruffin
Everlasting Love
120 bpm • A Maj • 03:02 • -9db
25% Popularity • 62% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 62% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Four Tops
Reach Out I'll Be There
120 bpm • D# min • 02:58 • -8.91db
63% Popularity • 61% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
63% Popularity • 61% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Martha Reeves & The Vandellas
Danke Schön
119 bpm • A# Maj • 03:04 • -7.8db
13% Popularity • 54% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 54% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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The Foundations
Baby Now That I've Found You (Mono)
118 bpm • C Maj • 02:38 • -4.9db
58% Popularity • 64% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
58% Popularity • 64% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Brenda Holloway
Just Look What You've Done - Single Vers...
118 bpm • D min • 02:54 • -10.31db
26% Popularity • 77% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 77% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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The 5th Dimension
Wedding Bell Blues - Laura Nyro Cover
118 bpm • A min • 02:44 • -5.41db
46% Popularity • 48% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 48% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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James Brown
Get Up Offa That Thing
118 bpm • D Maj • 03:59 • -6.91db
62% Popularity • 86% Danceability • 81% Energy • 87% Liveness
0% Instrumentalness • 72% Positiveness
62% Popularity • 86% Danceability • 81% Energy • 87% Liveness
0% Instrumentalness • 72% Positiveness
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The Everly Brothers
Cathy's Clown - 2007 Remaster
120 bpm • G Maj • 02:25 • -10db
50% Popularity • 51% Danceability • 56% Energy • 59% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 51% Danceability • 56% Energy • 59% Liveness
0% Instrumentalness • 89% Positiveness
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Martha Reeves & The Vandellas
Motoring
118 bpm • F min • 02:49 • -8.24db
16% Popularity • 65% Danceability • 55% Energy • 13% Liveness
5% Instrumentalness • 76% Positiveness
16% Popularity • 65% Danceability • 55% Energy • 13% Liveness
5% Instrumentalness • 76% Positiveness
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LaBelle
Lady Marmalade
118 bpm • D min • 03:57 • -12.14db
59% Popularity • 63% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
59% Popularity • 63% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Curtis Mayfield
Superfly
120 bpm • D Maj • 03:53 • -9.14db
59% Popularity • 78% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
59% Popularity • 78% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Harold Melvin & The Blue Notes
Don't Leave Me This Way
120 bpm • C Maj • 06:03 • -8.85db
56% Popularity • 47% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
56% Popularity • 47% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Carole King
I Feel the Earth Move
120 bpm • G min • 02:58 • -8.78db
67% Popularity • 71% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
67% Popularity • 71% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Frankie Valli & The Four Seasons
Walk Like a Man
118 bpm • D# Maj • 02:17 • -10.36db
58% Popularity • 68% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 68% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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The Impressions
Woman's Got Soul
118 bpm • G# Maj • 02:27 • -9db
35% Popularity • 70% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 70% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Tyrone Davis
Turn Back The Hands Of Time
118 bpm • F# Maj • 02:58 • -6db
42% Popularity • 56% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
42% Popularity • 56% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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War
Spill the Wine
120 bpm • D min • 04:06 • -12.88db
55% Popularity • 82% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
55% Popularity • 82% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Major Lance
Um, Um, Um, Um, Um, Um
117 bpm • B min • 02:19 • -12db
38% Popularity • 85% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 85% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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The Crystals
He's a Rebel
117 bpm • F# Maj • 02:30 • -6.45db
44% Popularity • 71% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 87% Positiveness
44% Popularity • 71% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 87% Positiveness
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Frankie Valli & The Four Seasons
Sherry
118 bpm • C Maj • 02:32 • -8.07db
61% Popularity • 70% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
61% Popularity • 70% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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The Impressions
Gypsy Woman
120 bpm • G# min • 02:20 • -10db
35% Popularity • 57% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 57% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Marvin Gaye
I Heard It Through The Grapevine
117 bpm • D# min • 03:14 • -10.85db
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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The Three Degrees
When Will I See You Again
121 bpm • A Maj • 02:58 • -9.25db
62% Popularity • 56% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
62% Popularity • 56% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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David Ruffin
I've Got A Need For You
121 bpm • D# Maj • 03:19 • -6.07db
29% Popularity • 46% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 46% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Isaac Hayes
Theme From Shaft - Remastered 2009
121 bpm • A min • 04:39 • -17.69db
58% Popularity • 49% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 49% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Frankie Valli & The Four Seasons
Stay
117 bpm • A# Maj • 01:57 • -8db
40% Popularity • 74% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 74% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Martha Reeves & The Vandellas
Mockingbird
117 bpm • F Maj • 02:32 • -6.6db
13% Popularity • 69% Danceability • 79% Energy • 42% Liveness
1% Instrumentalness • 96% Positiveness
13% Popularity • 69% Danceability • 79% Energy • 42% Liveness
1% Instrumentalness • 96% Positiveness
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Jr. Walker & The All Stars
Shotgun
121 bpm • C# Maj • 02:56 • -5.77db
55% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Tavares
Heaven Must Be Missing An Angel - Pt. 1
117 bpm • A min • 06:33 • -11.89db
52% Popularity • 60% Danceability • 73% Energy • 65% Liveness
0% Instrumentalness • 95% Positiveness
52% Popularity • 60% Danceability • 73% Energy • 65% Liveness
0% Instrumentalness • 95% Positiveness
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The Shangri-Las
Leader of the Pack
121 bpm • C# Maj • 02:53 • -8.8db
30% Popularity • 43% Danceability • 56% Energy • 44% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 43% Danceability • 56% Energy • 44% Liveness
0% Instrumentalness • 29% Positiveness
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The Drifters
Some Kind of Wonderful
121 bpm • F Maj • 02:20 • -9db
48% Popularity • 52% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 52% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Etta James
In The Basement - Pt. 1
121 bpm • G Maj • 02:21 • -7db
38% Popularity • 78% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 78% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Aretha Franklin
Chain of Fools
117 bpm • A# Maj • 02:47 • -9.52db
63% Popularity • 72% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 91% Positiveness
63% Popularity • 72% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 91% Positiveness
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Four Tops
Baby I Need Your Loving
121 bpm • C min • 02:46 • -6.12db
63% Popularity • 63% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
63% Popularity • 63% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Carl Carlton
Everlasting Love
121 bpm • E Maj • 02:33 • -4.77db
52% Popularity • 55% Danceability • 83% Energy • 37% Liveness
3% Instrumentalness • 40% Positiveness
52% Popularity • 55% Danceability • 83% Energy • 37% Liveness
3% Instrumentalness • 40% Positiveness
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The Contours
Shake Sherrie - Single Version / Mono
122 bpm • F Maj • 02:50 • -7.75db
26% Popularity • 69% Danceability • 57% Energy • 9% Liveness
81% Instrumentalness • 96% Positiveness
26% Popularity • 69% Danceability • 57% Energy • 9% Liveness
81% Instrumentalness • 96% Positiveness
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The Marvelettes
Please Mr. Postman - Single Version / Mo...
122 bpm • D Maj • 02:28 • -5.26db
66% Popularity • 78% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
66% Popularity • 78% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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The Drifters
Up on the Roof
122 bpm • G# Maj • 02:37 • -17.5db
57% Popularity • 69% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
57% Popularity • 69% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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The Elgins
Put Yourself In My Place
116 bpm • C Maj • 02:40 • -4.39db
15% Popularity • 54% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 54% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Shorty Long
Here Comes The Judge
116 bpm • C# Maj • 02:37 • -16db
25% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Neil Sedaka
Breaking Up Is Hard to Do
116 bpm • G# min • 02:19 • -5.47db
60% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Betty Everett
The Shoop Shoop Song (It's in His Kiss)
122 bpm • A Maj • 02:12 • -8.56db
30% Popularity • 64% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 64% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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The Bar-Kays
Soul Finger
116 bpm • E Maj • 02:22 • -15db
43% Popularity • 74% Danceability • 46% Energy • 23% Liveness
84% Instrumentalness • 86% Positiveness
43% Popularity • 74% Danceability • 46% Energy • 23% Liveness
84% Instrumentalness • 86% Positiveness
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The Rascals
A Beautiful Morning - Single Version
122 bpm • F min • 02:31 • -12.83db
52% Popularity • 50% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 50% Danceability • 48% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Archie Bell & The Drells
I Can't Stop Dancing
122 bpm • C Maj • 02:21 • -8db
32% Popularity • 56% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 56% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Rufus Thomas
Walking the Dog - Mono
116 bpm • G# Maj • 02:38 • -9.03db
34% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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The Ronettes
Baby, I Love You
116 bpm • D# Maj • 02:51 • -8.3db
48% Popularity • 55% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 55% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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The Kingsmen
Louie Louie
122 bpm • C# min • 02:45 • -9.82db
64% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
64% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Mel & Tim
Backfield in Motion
123 bpm • D Maj • 02:34 • -6db
32% Popularity • 68% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
32% Popularity • 68% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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J.J. Jackson
But It's Alright
115 bpm • C# min • 02:53 • -4.81db
36% Popularity • 63% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 63% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The O'Jays
Love Train
123 bpm • C Maj • 02:58 • -9.63db
68% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
68% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Fontella Bass
Rescue Me
123 bpm • E min • 02:51 • -9.47db
67% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
67% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Emotions
Best of My Love
115 bpm • C Maj • 03:40 • -6.87db
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
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The McCoys
Hang On Sloopy
115 bpm • G Maj • 03:51 • -12db
55% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 76% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Buddy Holly
That'll Be The Day
115 bpm • D Maj • 02:30 • -7.77db
60% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
60% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Johnnie Taylor
Who's Making Love
115 bpm • A# Maj • 02:46 • -13.27db
43% Popularity • 79% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 79% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Fats Domino
Ain't That A Shame
123 bpm • E Maj • 02:32 • -8.57db
60% Popularity • 49% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
60% Popularity • 49% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Ohio Players
Love Rollercoaster
115 bpm • C Maj • 04:50 • -10.18db
59% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Cornelius Brothers & Sister Rose
Too Late To Turn Back Now
115 bpm • G Maj • 03:18 • -7.14db
59% Popularity • 52% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 52% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
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The Velvelettes
These Things Will Keep Me Loving You
123 bpm • D# Maj • 02:25 • -5.91db
32% Popularity • 65% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 65% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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The Originals
Come See About Me
115 bpm • A# Maj • 02:44 • -4db
23% Popularity • 74% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 74% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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The Supremes
Stop! In The Name Of Love
115 bpm • C Maj • 02:52 • -12.75db
65% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
65% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Clarence Carter
Looking for a Fox
115 bpm • B min • 02:16 • -14.52db
33% Popularity • 65% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 65% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Martha Reeves & The Vandellas
Hitch Hike
115 bpm • C# Maj • 02:33 • -8.55db
14% Popularity • 68% Danceability • 85% Energy • 19% Liveness
2% Instrumentalness • 92% Positiveness
14% Popularity • 68% Danceability • 85% Energy • 19% Liveness
2% Instrumentalness • 92% Positiveness
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Rose Royce
Car Wash - Single Version
115 bpm • A min • 03:19 • -11.58db
38% Popularity • 76% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 76% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Major Lance
The Monkey Time
123 bpm • F Maj • 02:46 • -8.71db
27% Popularity • 80% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 80% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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The Velvelettes
(We've Got) Honey Love
115 bpm • C# Maj • 02:33 • -8.18db
37% Popularity • 75% Danceability • 81% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
37% Popularity • 75% Danceability • 81% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
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Harold Melvin & The Blue Notes
The Love I Lost
123 bpm • D Maj • 06:24 • -4.53db
56% Popularity • 66% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
56% Popularity • 66% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Eddie Floyd
Bring It On Home To Me
123 bpm • C Maj • 02:31 • -14db
28% Popularity • 72% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 72% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Jackie Wilson
I Get The Sweetest Feeling
124 bpm • F Maj • 02:58 • -9.23db
57% Popularity • 68% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
57% Popularity • 68% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Maurice Williams
Stay
123 bpm • G# min • 01:37 • -6.84db
63% Popularity • 48% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
63% Popularity • 48% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Solomon Burke
Cry to Me
115 bpm • E Maj • 02:34 • -9.85db
71% Popularity • 73% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
71% Popularity • 73% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
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The Drifters
Under the Boardwalk
124 bpm • G Maj • 02:41 • -13.64db
68% Popularity • 75% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
68% Popularity • 75% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Harold Melvin & The Blue Notes
The Love I Lost - Single Version
124 bpm • D Maj • 03:33 • -4.51db
38% Popularity • 62% Danceability • 87% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 62% Danceability • 87% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
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Esther Phillips
Release Me
114 bpm • C# Maj • 03:19 • -12.46db
53% Popularity • 43% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 41% Positiveness
53% Popularity • 43% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 41% Positiveness
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Betty Everett
It's in the Kiss (The Shoop Shoop Song)
124 bpm • B min • 02:09 • -8.08db
45% Popularity • 59% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 59% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
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Sly & The Family Stone
Que Sera, Sera (Whatever Will Be, Will B...
124 bpm • E Maj • 05:22 • -15.47db
43% Popularity • 60% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 60% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Four Tops
Standing In The Shadows Of Love
114 bpm • F# Maj • 02:37 • -8.29db
46% Popularity • 74% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 74% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Frankie Valli & The Four Seasons
Working My Way Back to You
114 bpm • C Maj • 03:06 • -4db
43% Popularity • 67% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 67% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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MFSB
T.S.O.P. (The Sound of Philadelphia)
114 bpm • G min • 03:42 • -8.23db
48% Popularity • 71% Danceability • 85% Energy • 10% Liveness
12% Instrumentalness • 96% Positiveness
48% Popularity • 71% Danceability • 85% Energy • 10% Liveness
12% Instrumentalness • 96% Positiveness
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The Temptations
The Way You Do The Things You Do
124 bpm • E Maj • 02:45 • -5db
57% Popularity • 62% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 62% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Betty Everett
Getting Mighty Crowded
124 bpm • F Maj • 02:18 • -11db
21% Popularity • 60% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 60% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
