Songs like Move It On Over by George Thorogood & The Destroyers
Based on a tempo of (+/- 10%) and a similar genre
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Sammy Hagar
Your Love Is Driving Me Crazy
147 bpm • E Maj • 03:31 • -10.83db
52% Popularity • 59% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 59% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Webb Wilder
Human Cannonball
147 bpm • C# Maj • 04:30 • -12.22db
22% Popularity • 51% Danceability • 75% Energy • 35% Liveness
2% Instrumentalness • 83% Positiveness
22% Popularity • 51% Danceability • 75% Energy • 35% Liveness
2% Instrumentalness • 83% Positiveness
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The Outlaws
Gunsmoke
147 bpm • D Maj • 04:18 • -7db
27% Popularity • 44% Danceability • 85% Energy • 20% Liveness
57% Instrumentalness • 87% Positiveness
27% Popularity • 44% Danceability • 85% Energy • 20% Liveness
57% Instrumentalness • 87% Positiveness
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George Thorogood & The Destroyers
Move It On Over
147 bpm • G Maj • 04:20 • -8db
53% Popularity • 50% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
53% Popularity • 50% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 81% Positiveness
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REO Speedwagon
Keep Pushin'
148 bpm • C# min • 04:05 • -5.57db
49% Popularity • 58% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
49% Popularity • 58% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Loggins & Messina
Your Mama Don't Dance
146 bpm • C Maj • 02:47 • -7.37db
53% Popularity • 55% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 55% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Van Morrison
Wild Night
146 bpm • G Maj • 03:33 • -7.14db
62% Popularity • 57% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 57% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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The Doobie Brothers
Rockin' Down the Highway
146 bpm • D Maj • 03:19 • -6.93db
46% Popularity • 58% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
46% Popularity • 58% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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The Vaughan Brothers
White Boots
146 bpm • B min • 03:49 • -11.61db
29% Popularity • 71% Danceability • 80% Energy • 4% Liveness
2% Instrumentalness • 92% Positiveness
29% Popularity • 71% Danceability • 80% Energy • 4% Liveness
2% Instrumentalness • 92% Positiveness
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Jim Croce
Bad, Bad Leroy Brown
148 bpm • G Maj • 02:59 • -10.74db
73% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
73% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Steppenwolf
Born To Be Wild
146 bpm • D Maj • 03:30 • -12.41db
74% Popularity • 44% Danceability • 71% Energy • 22% Liveness
54% Instrumentalness • 53% Positiveness
74% Popularity • 44% Danceability • 71% Energy • 22% Liveness
54% Instrumentalness • 53% Positiveness
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Robert Palmer
Bad Case Of Loving You (Doctor, Doctor)
146 bpm • E Maj • 03:15 • -9db
63% Popularity • 67% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
63% Popularity • 67% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Creedence Clearwater Revival
It Came Out Of The Sky
148 bpm • D Maj • 02:55 • -7.61db
57% Popularity • 62% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
57% Popularity • 62% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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The Doobie Brothers
China Grove
146 bpm • A Maj • 03:15 • -8.45db
65% Popularity • 62% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
65% Popularity • 62% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Buddy Guy
Damn Right, I've Got the Blues
146 bpm • D Maj • 04:31 • -5.64db
54% Popularity • 35% Danceability • 92% Energy • 31% Liveness
6% Instrumentalness • 53% Positiveness
54% Popularity • 35% Danceability • 92% Energy • 31% Liveness
6% Instrumentalness • 53% Positiveness
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The Charlie Daniels Band
Long Haired Country Boy
145 bpm • D Maj • 04:00 • -11.65db
60% Popularity • 59% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 59% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Steppenwolf
Berry Rides Again
145 bpm • F Maj • 02:50 • -12db
43% Popularity • 62% Danceability • 77% Energy • 9% Liveness
20% Instrumentalness • 97% Positiveness
43% Popularity • 62% Danceability • 77% Energy • 9% Liveness
20% Instrumentalness • 97% Positiveness
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ZZ Top
Tush (2006 Remaster)
145 bpm • C Maj • 02:13 • -6.08db
71% Popularity • 51% Danceability • 91% Energy • 64% Liveness
3% Instrumentalness • 72% Positiveness
71% Popularity • 51% Danceability • 91% Energy • 64% Liveness
3% Instrumentalness • 72% Positiveness
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Thin Lizzy
Jailbreak
145 bpm • D# Maj • 04:00 • -9db
57% Popularity • 62% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
57% Popularity • 62% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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Delbert McClinton
Livin' It Down
145 bpm • G Maj • 02:41 • -3.07db
11% Popularity • 62% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 62% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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George Thorogood & The Destroyers
Nadine
149 bpm • D Maj • 04:04 • -12.44db
14% Popularity • 61% Danceability • 71% Energy • 7% Liveness
5% Instrumentalness • 84% Positiveness
14% Popularity • 61% Danceability • 71% Energy • 7% Liveness
5% Instrumentalness • 84% Positiveness
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Rush
Closer To The Heart
145 bpm • D Maj • 02:51 • -9.19db
64% Popularity • 37% Danceability • 81% Energy • 65% Liveness
0% Instrumentalness • 54% Positiveness
64% Popularity • 37% Danceability • 81% Energy • 65% Liveness
0% Instrumentalness • 54% Positiveness
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Van Halen
Everybody Wants Some!! - 2015 Remaster
145 bpm • G# Maj • 05:06 • -8.41db
52% Popularity • 53% Danceability • 77% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
52% Popularity • 53% Danceability • 77% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
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Joe Louis Walker
Too Drunk To Drive Drunk
145 bpm • E Maj • 03:56 • -3db
35% Popularity • 64% Danceability • 94% Energy • 8% Liveness
2% Instrumentalness • 87% Positiveness
35% Popularity • 64% Danceability • 94% Energy • 8% Liveness
2% Instrumentalness • 87% Positiveness
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The Guess Who
Star Baby - 2003 Remastered
145 bpm • E Maj • 02:40 • -12db
37% Popularity • 46% Danceability • 85% Energy • 75% Liveness
0% Instrumentalness • 98% Positiveness
37% Popularity • 46% Danceability • 85% Energy • 75% Liveness
0% Instrumentalness • 98% Positiveness
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Little Feat
Dixie Chicken
150 bpm • A Maj • 03:59 • -10.08db
53% Popularity • 57% Danceability • 67% Energy • 59% Liveness
7% Instrumentalness • 92% Positiveness
53% Popularity • 57% Danceability • 67% Energy • 59% Liveness
7% Instrumentalness • 92% Positiveness
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George Thorogood & The Destroyers
Bad To The Bone
149 bpm • C Maj • 04:52 • -11.78db
70% Popularity • 46% Danceability • 73% Energy • 38% Liveness
7% Instrumentalness • 96% Positiveness
70% Popularity • 46% Danceability • 73% Energy • 38% Liveness
7% Instrumentalness • 96% Positiveness
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The Band
Up On Cripple Creek
144 bpm • A Maj • 04:30 • -9.11db
58% Popularity • 72% Danceability • 67% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
58% Popularity • 72% Danceability • 67% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
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Jackson Browne
Doctor My Eyes - 1997 Remaster
150 bpm • F Maj • 03:19 • -8.75db
67% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
67% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Rod Stewart
Every Picture Tells A Story
144 bpm • G Maj • 05:59 • -10db
46% Popularity • 55% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 55% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Poison
Your Mama Don't Dance
150 bpm • C# Maj • 03:00 • -4db
51% Popularity • 53% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
51% Popularity • 53% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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38 Special
Wild-Eyed Southern Boys
143 bpm • A# Maj • 04:18 • -11db
39% Popularity • 41% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 41% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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George Thorogood & The Destroyers
Go Go Go
150 bpm • C Maj • 03:32 • -13db
17% Popularity • 48% Danceability • 78% Energy • 51% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 48% Danceability • 78% Energy • 51% Liveness
0% Instrumentalness • 81% Positiveness
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Jimmie Vaughan
Boom Bapa Boom
143 bpm • C Maj • 03:55 • -9.27db
31% Popularity • 68% Danceability • 87% Energy • 41% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 68% Danceability • 87% Energy • 41% Liveness
0% Instrumentalness • 94% Positiveness
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Huey Lewis & The News
The Heart Of Rock And Roll
143 bpm • A# Maj • 05:04 • -8.82db
53% Popularity • 59% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 59% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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The Outlaws
Keep Prayin'
151 bpm • D Maj • 02:46 • -8db
27% Popularity • 46% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 46% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Bad Company
Simple Man - 2017 Remaster
143 bpm • C Maj • 03:38 • -10db
41% Popularity • 53% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 53% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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The Vaughan Brothers
Good Texan
143 bpm • A Maj • 04:21 • -13db
40% Popularity • 79% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 79% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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George Thorogood & The Destroyers
Cocaine Blues
143 bpm • C Maj • 02:55 • -8.33db
32% Popularity • 57% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 57% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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James Gang
Heartbreak Hotel
142 bpm • E Maj • 02:15 • -10.41db
30% Popularity • 62% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 62% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Dr. Hook
The Cover of "Rolling Stone"
142 bpm • A Maj • 02:52 • -8.17db
57% Popularity • 61% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
57% Popularity • 61% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Eddie Money
Think I'm In Love
152 bpm • D# Maj • 03:08 • -10.82db
56% Popularity • 49% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
56% Popularity • 49% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Junior Brown
Highway Patrol
152 bpm • A Maj • 02:35 • -9db
44% Popularity • 64% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 64% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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John Mellencamp
Paper In Fire
142 bpm • E Maj • 03:51 • -4.75db
52% Popularity • 61% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 61% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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George Thorogood & The Destroyers
Madison Blues
142 bpm • D Maj • 04:28 • -13.08db
43% Popularity • 46% Danceability • 72% Energy • 11% Liveness
10% Instrumentalness • 92% Positiveness
43% Popularity • 46% Danceability • 72% Energy • 11% Liveness
10% Instrumentalness • 92% Positiveness
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Creedence Clearwater Revival
Green River
142 bpm • A Maj • 02:34 • -9.68db
77% Popularity • 70% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
77% Popularity • 70% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
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Little Feat
Oh, Atlanta
152 bpm • C Maj • 03:29 • -14db
42% Popularity • 52% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 52% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Rod Stewart
Sweet Little Rock 'N' Roller
153 bpm • F Maj • 03:42 • -7.31db
41% Popularity • 48% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
41% Popularity • 48% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Jonny Lang
Good Morning Little School Girl
141 bpm • G min • 04:14 • -9.12db
36% Popularity • 76% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
36% Popularity • 76% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 85% Positiveness
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Triumph
Magic Power
153 bpm • G Maj • 04:52 • -6db
47% Popularity • 17% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 17% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Boz Scaggs
Lido Shuffle (2023 Remaster)
141 bpm • A# Maj • 03:43 • -9.81db
61% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
61% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Blackfoot
Gimme, Gimme, Gimme
153 bpm • E Maj • 04:04 • -6db
23% Popularity • 47% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 47% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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The Marshall Tucker Band
Heard It in a Love Song
153 bpm • D Maj • 04:57 • -7.48db
56% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
56% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Alice Cooper
Under My Wheels
141 bpm • F Maj • 02:51 • -13.95db
45% Popularity • 24% Danceability • 80% Energy • 14% Liveness
38% Instrumentalness • 29% Positiveness
45% Popularity • 24% Danceability • 80% Energy • 14% Liveness
38% Instrumentalness • 29% Positiveness
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Van Halen
Panama - 2015 Remaster
141 bpm • G# Maj • 03:30 • -5db
75% Popularity • 53% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
75% Popularity • 53% Danceability • 98% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Traveling Wilburys
She's My Baby
141 bpm • G Maj • 03:15 • -5db
46% Popularity • 50% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 50% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Billy Joel
It's Still Rock and Roll to Me
141 bpm • C Maj • 02:56 • -7.6db
71% Popularity • 75% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
71% Popularity • 75% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Sammy Hagar
There's Only One Way To Rock
153 bpm • F# min • 04:15 • -11.24db
48% Popularity • 43% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 43% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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April Wine
Roller
141 bpm • A Maj • 03:37 • -5db
55% Popularity • 43% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
55% Popularity • 43% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
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The Gregg Allman Band
I'm No Angel
141 bpm • E Maj • 03:42 • -12.16db
50% Popularity • 62% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 62% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Great White
Rock Me
141 bpm • F# min • 07:19 • -14.01db
50% Popularity • 56% Danceability • 42% Energy • 11% Liveness
8% Instrumentalness • 13% Positiveness
50% Popularity • 56% Danceability • 42% Energy • 11% Liveness
8% Instrumentalness • 13% Positiveness
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Chuck Berry
Nadine - Stereo Remix
141 bpm • A# Maj • 02:49 • -12db
47% Popularity • 80% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 80% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Glenn Frey
Partytown
141 bpm • E Maj • 02:57 • -7.78db
34% Popularity • 71% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
34% Popularity • 71% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
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Nitty Gritty Dirt Band
Mr. Bojangles - Remastered 2001
154 bpm • B min • 03:35 • -6.88db
52% Popularity • 44% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 44% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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April Wine
Roller - Remastered
141 bpm • A Maj • 04:19 • -3.62db
37% Popularity • 45% Danceability • 97% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
37% Popularity • 45% Danceability • 97% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
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The Outlaws
Cry No More
155 bpm • A Maj • 04:21 • -6db
25% Popularity • 45% Danceability • 78% Energy • 2% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 45% Danceability • 78% Energy • 2% Liveness
0% Instrumentalness • 83% Positiveness
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David Lee Roth
Tobacco Road (La Calle del Tabaco)
139 bpm • A min • 02:29 • -12.39db
42% Popularity • 44% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 44% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Chilliwack
Fly At Night (In The Morning We Land)
139 bpm • G Maj • 04:53 • -16db
46% Popularity • 34% Danceability • 57% Energy • 12% Liveness
28% Instrumentalness • 50% Positiveness
46% Popularity • 34% Danceability • 57% Energy • 12% Liveness
28% Instrumentalness • 50% Positiveness
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Mountain
Mississippi Queen
140 bpm • A Maj • 02:31 • -8.35db
69% Popularity • 58% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
69% Popularity • 58% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Blackfoot
Spendin' Cabbage
139 bpm • G Maj • 03:16 • -10.55db
27% Popularity • 42% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 42% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Kenny Wayne Shepherd
Blue on Black
155 bpm • G Maj • 05:33 • -7.34db
59% Popularity • 41% Danceability • 68% Energy • 21% Liveness
11% Instrumentalness • 56% Positiveness
59% Popularity • 41% Danceability • 68% Energy • 21% Liveness
11% Instrumentalness • 56% Positiveness
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George Thorogood & The Destroyers
Christine
139 bpm • A Maj • 04:20 • -5.18db
13% Popularity • 48% Danceability • 96% Energy • 8% Liveness
75% Instrumentalness • 61% Positiveness
13% Popularity • 48% Danceability • 96% Energy • 8% Liveness
75% Instrumentalness • 61% Positiveness
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The Hollies
Long Cool Woman (In a Black Dress) - 199...
139 bpm • A Maj • 03:19 • -9.33db
74% Popularity • 76% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
74% Popularity • 76% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Cheap Trick
She's Tight
156 bpm • E Maj • 02:58 • -8.79db
37% Popularity • 42% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
37% Popularity • 42% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Foreigner
Dirty White Boy
139 bpm • C Maj • 03:38 • -8.91db
51% Popularity • 62% Danceability • 77% Energy • 58% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 62% Danceability • 77% Energy • 58% Liveness
0% Instrumentalness • 67% Positiveness
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April Wine
Sign Of The Gypsy Queen
138 bpm • E min • 04:17 • -14.29db
45% Popularity • 42% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 42% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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John Mellencamp
Authority Song
156 bpm • D Maj • 03:49 • -4.99db
57% Popularity • 50% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 50% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
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Van Halen
You Really Got Me - 2015 Remaster
138 bpm • C# min • 02:36 • -5.98db
70% Popularity • 45% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
70% Popularity • 45% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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The Who
Who Are You
156 bpm • A Maj • 06:21 • -11.41db
66% Popularity • 65% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
66% Popularity • 65% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Cheap Trick
California Man
156 bpm • A Maj • 03:44 • -7.97db
42% Popularity • 53% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 53% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Billy F Gibbons
Missin’ Yo’ Kissin’
138 bpm • A Maj • 03:19 • -4db
43% Popularity • 55% Danceability • 90% Energy • 16% Liveness
47% Instrumentalness • 70% Positiveness
43% Popularity • 55% Danceability • 90% Energy • 16% Liveness
47% Instrumentalness • 70% Positiveness
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John Cafferty & the Beaver Brown Band
Runnin' Thru The Fire
157 bpm • G Maj • 03:36 • -5db
35% Popularity • 54% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 54% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Rush
Working Man
157 bpm • A Maj • 07:09 • -11.04db
57% Popularity • 20% Danceability • 84% Energy • 13% Liveness
4% Instrumentalness • 66% Positiveness
57% Popularity • 20% Danceability • 84% Energy • 13% Liveness
4% Instrumentalness • 66% Positiveness
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Harlequin
Thinking of You
157 bpm • D Maj • 04:21 • -5.49db
35% Popularity • 50% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 50% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Lonnie Mack
Satisfy Susie
137 bpm • A# Maj • 04:33 • -8.2db
31% Popularity • 51% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 83% Positiveness
31% Popularity • 51% Danceability • 82% Energy • 30% Liveness
1% Instrumentalness • 83% Positiveness
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Cheap Trick
Dream Police
137 bpm • E Maj • 03:53 • -11.44db
50% Popularity • 48% Danceability • 77% Energy • 21% Liveness
1% Instrumentalness • 68% Positiveness
50% Popularity • 48% Danceability • 77% Energy • 21% Liveness
1% Instrumentalness • 68% Positiveness
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Van Halen
Unchained - 2015 Remaster
137 bpm • C# Maj • 03:29 • -5.91db
60% Popularity • 53% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 53% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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George Thorogood & The Destroyers
One Bourbon, One Scotch, One Beer
137 bpm • A Maj • 08:26 • -14.52db
59% Popularity • 55% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 55% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Boston
Rock & Roll Band
137 bpm • E Maj • 03:00 • -6.15db
59% Popularity • 49% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
59% Popularity • 49% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Huey Lewis & The News
Workin For A Livin
158 bpm • D Maj • 02:38 • -11db
45% Popularity • 57% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
45% Popularity • 57% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Creedence Clearwater Revival
Run Through The Jungle
137 bpm • G Maj • 03:05 • -6db
73% Popularity • 64% Danceability • 76% Energy • 10% Liveness
18% Instrumentalness • 84% Positiveness
73% Popularity • 64% Danceability • 76% Energy • 10% Liveness
18% Instrumentalness • 84% Positiveness
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Great White
Call It Rock N' Roll
136 bpm • D Maj • 03:56 • -8.69db
44% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Doucette
Mama Let Him Play
136 bpm • D Maj • 04:24 • -17db
44% Popularity • 46% Danceability • 51% Energy • 57% Liveness
1% Instrumentalness • 79% Positiveness
44% Popularity • 46% Danceability • 51% Energy • 57% Liveness
1% Instrumentalness • 79% Positiveness
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George Thorogood & The Destroyers
That Same Thing
136 bpm • C Maj • 03:06 • -12.98db
26% Popularity • 71% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 71% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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AC/DC
It's a Long Way to the Top (If You Wanna...
136 bpm • D# Maj • 05:01 • -3.55db
73% Popularity • 46% Danceability • 86% Energy • 6% Liveness
5% Instrumentalness • 53% Positiveness
73% Popularity • 46% Danceability • 86% Energy • 6% Liveness
5% Instrumentalness • 53% Positiveness
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The Outlaws
There Goes Another Love Song
136 bpm • C Maj • 03:04 • -5.89db
47% Popularity • 51% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 51% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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The Ozark Mountain Daredevils
Look Away
136 bpm • B Maj • 03:35 • -9.98db
32% Popularity • 60% Danceability • 78% Energy • 27% Liveness
2% Instrumentalness • 94% Positiveness
32% Popularity • 60% Danceability • 78% Energy • 27% Liveness
2% Instrumentalness • 94% Positiveness
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Prism
Take Me To The Kaptin
136 bpm • E min • 03:59 • -9.25db
30% Popularity • 55% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 55% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
