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Movements (Chapter III)
Songs like
Movements (Chapter III)
by
Leon Vynehall
Based on a tempo of (+/- 10%) and a similar genre
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Anthony Naples
Tango
104 bpm • A min • 03:24 • -8db
30% Popularity • 66% Danceability • 62% Energy • 14% Liveness
75% Instrumentalness • 15% Positiveness
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Andy Stott
Luxury Problems
104 bpm • G Maj • 05:03 • -13db
34% Popularity • 77% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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Leon Vynehall
Movements (Chapter III)
104 bpm • B min • 03:51 • -15.26db
50% Popularity • 52% Danceability • 30% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Terekke
Jqm
104 bpm • F# min • 05:17 • -23.05db
19% Popularity • 72% Danceability • 29% Energy • 12% Liveness
94% Instrumentalness • 83% Positiveness
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Talaboman
Safe Changes
104 bpm • E Maj • 06:23 • -9.92db
34% Popularity • 79% Danceability • 50% Energy • 18% Liveness
67% Instrumentalness • 61% Positiveness
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Caribou
The Spiritually Immature Mansion
104 bpm • B Maj • 02:11 • -18db
48% Popularity • 78% Danceability • 43% Energy • 14% Liveness
86% Instrumentalness • 37% Positiveness
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Lusine
Chatter
104 bpm • E min • 01:40 • -22.35db
44% Popularity • 28% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
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Andy Stott
Butterflies
104 bpm • C Maj • 04:23 • -12.66db
25% Popularity • 65% Danceability • 36% Energy • 9% Liveness
72% Instrumentalness • 24% Positiveness
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Leon Vynehall
Movements (Chapter III) - Edit
104 bpm • G Maj • 02:53 • -14.76db
35% Popularity • 51% Danceability • 31% Energy • 14% Liveness
70% Instrumentalness • 5% Positiveness
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Baba Stiltz
Discovery - New Dawn
104 bpm • F# Maj • 01:22 • -10.47db
26% Popularity • 75% Danceability • 37% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
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Shigeto
Deep Breathing
105 bpm • F min • 01:51 • -14.5db
34% Popularity • 17% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Mount Kimbie
Before I Move Off
105 bpm • F# min • 04:10 • -5.59db
38% Popularity • 80% Danceability • 64% Energy • 17% Liveness
30% Instrumentalness • 66% Positiveness
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Lord Of The Isles
Waiting in Arisaig
103 bpm • A min • 06:43 • -11db
28% Popularity • 57% Danceability • 54% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Patrick Holland
Dustman
105 bpm • B min • 06:13 • -12db
33% Popularity • 80% Danceability • 56% Energy • 25% Liveness
89% Instrumentalness • 35% Positiveness
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Leon Vynehall
Ice Cream (Chapter VIII)
104 bpm • F# Maj • 04:50 • -13db
26% Popularity • 15% Danceability • 36% Energy • 35% Liveness
84% Instrumentalness • 3% Positiveness
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Photay
Illusion Of Seclusion
105 bpm • D Maj • 06:30 • -6.1db
39% Popularity • 66% Danceability • 82% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Joy Orbison
w Dad
105 bpm • G# Maj • 01:51 • -21.6db
35% Popularity • 38% Danceability • 36% Energy • 17% Liveness
34% Instrumentalness • 12% Positiveness
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Mount Kimbie
William
105 bpm • E min • 04:04 • -17.42db
25% Popularity • 48% Danceability • 20% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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Sapphire Slows
Silent Escape / Szikra / Alpha Tauri - M...
102 bpm • D Maj • 01:34 • -18.02db
35% Popularity • 73% Danceability • 51% Energy • 10% Liveness
77% Instrumentalness • 93% Positiveness
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Huerco S.
A Sea Of Love
102 bpm • A# min • 07:17 • -28.72db
40% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Flako
Gelis
106 bpm • A# min • 03:08 • -21.62db
44% Popularity • 40% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Galcher Lustwerk
Thermonics
106 bpm • A# Maj • 02:20 • -15.73db
21% Popularity • 81% Danceability • 43% Energy • 23% Liveness
93% Instrumentalness • 62% Positiveness
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Aphex Twin
Ageispolis
102 bpm • F# min • 05:23 • -17.54db
57% Popularity • 64% Danceability • 39% Energy • 36% Liveness
89% Instrumentalness • 44% Positiveness
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Susumu Yokota
Song Of The Sleeping Forest
107 bpm • G Maj • 04:19 • -10.18db
36% Popularity • 82% Danceability • 70% Energy • 18% Liveness
87% Instrumentalness • 79% Positiveness
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Patrick Holland
Channel 83
107 bpm • D Maj • 03:12 • -21.02db
40% Popularity • 76% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Leon Vynehall
Endless (II)
107 bpm • B min • 05:53 • -10.25db
9% Popularity • 83% Danceability • 74% Energy • 12% Liveness
74% Instrumentalness • 46% Positiveness
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Ross from Friends
The Knife
101 bpm • C# min • 03:33 • -9.88db
41% Popularity • 63% Danceability • 59% Energy • 12% Liveness
17% Instrumentalness • 11% Positiveness
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Galcher Lustwerk
Blue Lotus
101 bpm • G Maj • 01:54 • -8.6db
25% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Against All Logic
Cityfade
108 bpm • A# min • 05:40 • -7.77db
46% Popularity • 71% Danceability • 89% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
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Move D
Beyond The Machine
108 bpm • G min • 05:24 • -18.82db
19% Popularity • 65% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 55% Positiveness
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Bing & Ruth
Badwater Psalm - Khotin Remix
108 bpm • C# Maj • 06:00 • -8db
22% Popularity • 70% Danceability • 81% Energy • 11% Liveness
50% Instrumentalness • 56% Positiveness
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Session Victim
Hyuwee
108 bpm • C Maj • 03:47 • -10db
34% Popularity • 88% Danceability • 48% Energy • 10% Liveness
56% Instrumentalness • 53% Positiveness
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Ross from Friends
John Cage
108 bpm • G# min • 06:06 • -10db
34% Popularity • 69% Danceability • 62% Energy • 7% Liveness
56% Instrumentalness • 53% Positiveness
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Nosaj Thing
Nightcrawler
108 bpm • E min • 03:45 • -14db
36% Popularity • 68% Danceability • 33% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Against All Logic
Now U Got Me Hooked
100 bpm • D Maj • 05:51 • -6db
47% Popularity • 80% Danceability • 71% Energy • 10% Liveness
69% Instrumentalness • 28% Positiveness
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Nils Frahm
Sunson
100 bpm • A# min • 09:10 • -19.97db
38% Popularity • 62% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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DjRUM
Waters Rising
108 bpm • C min • 06:19 • -11.34db
32% Popularity • 38% Danceability • 71% Energy • 56% Liveness
44% Instrumentalness • 4% Positiveness
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Leon Vynehall
Alichea Vella Amor
100 bpm • C# Maj • 03:43 • -15.4db
36% Popularity • 61% Danceability • 47% Energy • 12% Liveness
81% Instrumentalness • 50% Positiveness
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Ross from Friends
John Cage - Edit
108 bpm • C# min • 04:17 • -8.92db
36% Popularity • 76% Danceability • 61% Energy • 16% Liveness
41% Instrumentalness • 75% Positiveness
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Vegyn
Fake Life
100 bpm • F min • 03:14 • -12.24db
36% Popularity • 64% Danceability • 42% Energy • 21% Liveness
88% Instrumentalness • 46% Positiveness
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Against All Logic
If Loving You is Wrong
108 bpm • E min • 03:56 • -6.24db
35% Popularity • 73% Danceability • 90% Energy • 64% Liveness
16% Instrumentalness • 72% Positiveness
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Gaussian Curve
Ride
100 bpm • C Maj • 05:09 • -12db
32% Popularity • 81% Danceability • 16% Energy • 5% Liveness
94% Instrumentalness • 22% Positiveness
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Khotin
Dwellberry
100 bpm • C Maj • 04:43 • -7db
32% Popularity • 61% Danceability • 62% Energy • 9% Liveness
26% Instrumentalness • 66% Positiveness
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Session Victim
Bad Weather Mates
100 bpm • B min • 02:47 • -12.99db
41% Popularity • 64% Danceability • 57% Energy • 10% Liveness
93% Instrumentalness • 44% Positiveness
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Andy Stott
New Romantic
100 bpm • C# Maj • 05:39 • -10db
37% Popularity • 71% Danceability • 62% Energy • 8% Liveness
69% Instrumentalness • 6% Positiveness
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Joy Orbison
froth sipping
100 bpm • F Maj • 03:14 • -13db
32% Popularity • 77% Danceability • 52% Energy • 16% Liveness
4% Instrumentalness • 50% Positiveness
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420
Untitled 5
99 bpm • C# Maj • 04:20 • -10db
20% Popularity • 77% Danceability • 54% Energy • 11% Liveness
86% Instrumentalness • 95% Positiveness
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Gaussian Curve
Dancing Rain
100 bpm • D# min • 03:00 • -21db
36% Popularity • 70% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Leon Vynehall
Midnight on Rainbow Road
109 bpm • F min • 06:23 • -7.53db
35% Popularity • 47% Danceability • 85% Energy • 28% Liveness
97% Instrumentalness • 14% Positiveness
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Khotin
Groove 32
100 bpm • A min • 03:50 • -9db
32% Popularity • 75% Danceability • 59% Energy • 39% Liveness
22% Instrumentalness • 83% Positiveness
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Andy Stott
Tell Me Anthing
109 bpm • D Maj • 05:43 • -14db
31% Popularity • 89% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Teebs
Just the Yellow Bits
109 bpm • C# Maj • 02:30 • -9.04db
40% Popularity • 76% Danceability • 67% Energy • 29% Liveness
88% Instrumentalness • 79% Positiveness
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Laurence Guy
Intro
110 bpm • C min • 03:22 • -12.87db
31% Popularity • 26% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Shanti Celeste
Slow Wave
110 bpm • G Maj • 03:05 • -22.08db
25% Popularity • 55% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Leon Vynehall
Midnight on Rainbow Road - Beat Edit
109 bpm • F min • 06:28 • -6.8db
23% Popularity • 72% Danceability • 77% Energy • 12% Liveness
96% Instrumentalness • 85% Positiveness
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Chassol
Birds, Pt. I
110 bpm • G Maj • 03:59 • -12.21db
36% Popularity • 44% Danceability • 44% Energy • 11% Liveness
62% Instrumentalness • 5% Positiveness
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Bella Boo
Do The Right Thing
110 bpm • E min • 06:44 • -17.52db
25% Popularity • 79% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
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Space Dimension Controller
The Love Quadrant
110 bpm • D# min • 07:18 • -13db
28% Popularity • 69% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Kelly Lee Owens
Bird
110 bpm • A# Maj • 05:15 • -13db
37% Popularity • 66% Danceability • 43% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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HNNY
Frankfurt
110 bpm • F# Maj • 02:47 • -12.56db
39% Popularity • 64% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
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Hidden Spheres
Too Soon
98 bpm • C# Maj • 02:30 • -16.31db
43% Popularity • 86% Danceability • 22% Energy • 14% Liveness
91% Instrumentalness • 25% Positiveness
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Joseph Shabason
November
98 bpm • A min • 05:09 • -12.77db
24% Popularity • 60% Danceability • 22% Energy • 15% Liveness
78% Instrumentalness • 14% Positiveness
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Steve Hauschildt
Saccade
98 bpm • F# min • 04:09 • -15.19db
35% Popularity • 51% Danceability • 45% Energy • 11% Liveness
95% Instrumentalness • 80% Positiveness
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Lone
Breeze Out
111 bpm • E Maj • 02:39 • -16.16db
42% Popularity • 24% Danceability • 30% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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efdemin
Acid Bells - Martyn's Bittersweet Mix
97 bpm • A# min • 04:55 • -18db
22% Popularity • 34% Danceability • 24% Energy • 97% Liveness
85% Instrumentalness • 7% Positiveness
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Suzanne Kraft
Renee Sleeping
97 bpm • D min • 04:09 • -22db
31% Popularity • 61% Danceability • 3% Energy • 13% Liveness
84% Instrumentalness • 11% Positiveness
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Max Cooper
Waves
111 bpm • C# Maj • 05:31 • -8.54db
39% Popularity • 66% Danceability • 68% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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Akasha System
Sunbreather
111 bpm • A# min • 05:40 • -7.79db
21% Popularity • 69% Danceability • 93% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Leon Vynehall
St. Sinclair
111 bpm • C# Maj • 03:51 • -12.43db
30% Popularity • 50% Danceability • 87% Energy • 28% Liveness
74% Instrumentalness • 30% Positiveness
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Young Marco
Kalapa Garden
97 bpm • F# min • 06:01 • -17db
18% Popularity • 75% Danceability • 20% Energy • 13% Liveness
91% Instrumentalness • 56% Positiveness
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E Ruscha V
The Hostess
112 bpm • F Maj • 02:04 • -14.28db
40% Popularity • 51% Danceability • 26% Energy • 53% Liveness
97% Instrumentalness • 8% Positiveness
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Pearson Sound
Raindrops, Pt. II
97 bpm • A# min • 02:39 • -23db
26% Popularity • 51% Danceability • 12% Energy • 11% Liveness
64% Instrumentalness • 41% Positiveness
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Teebs
Atoms Song
113 bpm • C# Maj • 07:40 • -18.82db
37% Popularity • 48% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Francis Harris
Minor Forms
112 bpm • A# min • 05:44 • -21db
15% Popularity • 69% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
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Jitwam
Confessions
113 bpm • D Maj • 02:28 • -14.84db
38% Popularity • 53% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
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Dauwd
Murmure
96 bpm • B min • 04:47 • -15.25db
32% Popularity • 62% Danceability • 43% Energy • 14% Liveness
89% Instrumentalness • 12% Positiveness
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Satoshi & Makoto
Crepuscule Leger
96 bpm • A# Maj • 06:49 • -14db
29% Popularity • 61% Danceability • 51% Energy • 20% Liveness
92% Instrumentalness • 38% Positiveness
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Terekke
Amaze
113 bpm • C# Maj • 05:57 • -20db
18% Popularity • 40% Danceability • 34% Energy • 51% Liveness
91% Instrumentalness • 15% Positiveness
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James Holden
Blackpool Late Eighties
113 bpm • G Maj • 08:38 • -10.15db
29% Popularity • 67% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
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Session Victim
Crystal Maze
113 bpm • D Maj • 02:54 • -10db
41% Popularity • 73% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 39% Positiveness
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Rival Consoles
Dreamer's Wake
113 bpm • F min • 05:04 • -12.81db
49% Popularity • 66% Danceability • 51% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Aleksandir
Reveries
113 bpm • F# Maj • 03:08 • -17.45db
41% Popularity • 74% Danceability • 44% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Fridge
Cut Up Piano & Xylophone - Remastered
96 bpm • F# min • 02:34 • -16.34db
36% Popularity • 35% Danceability • 39% Energy • 34% Liveness
91% Instrumentalness • 62% Positiveness
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Duke Hugh
Butterflies
95 bpm • C Maj • 02:12 • -14db
40% Popularity • 45% Danceability • 50% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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Lone
Jaded
95 bpm • C# Maj • 04:49 • -19.87db
42% Popularity • 64% Danceability • 29% Energy • 10% Liveness
74% Instrumentalness • 9% Positiveness
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Frank & Tony
Bring The Sun Gry - Original Mix
114 bpm • A min • 08:20 • -11.23db
33% Popularity • 88% Danceability • 61% Energy • 10% Liveness
91% Instrumentalness • 50% Positiveness
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Session Victim
Gheister
114 bpm • G Maj • 02:08 • -15db
43% Popularity • 76% Danceability • 49% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
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Aleksandir
Before, After
114 bpm • C# min • 04:32 • -19.41db
34% Popularity • 77% Danceability • 30% Energy • 58% Liveness
87% Instrumentalness • 12% Positiveness
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Shigeto
Detroit Part II
114 bpm • C# Maj • 07:28 • -13.66db
33% Popularity • 88% Danceability • 41% Energy • 22% Liveness
83% Instrumentalness • 27% Positiveness
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letherette
Langsette
114 bpm • D# Maj • 03:26 • -5.44db
40% Popularity • 79% Danceability • 55% Energy • 12% Liveness
52% Instrumentalness • 32% Positiveness
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Teebs
Mirror Memory
94 bpm • G# Maj • 02:37 • -9.68db
39% Popularity • 57% Danceability • 75% Energy • 10% Liveness
59% Instrumentalness • 71% Positiveness
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Leon Vynehall
Farewell! Magnus Gabbro
94 bpm • C# Maj • 04:32 • -12.15db
17% Popularity • 14% Danceability • 12% Energy • 40% Liveness
66% Instrumentalness • 3% Positiveness
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Young Marco
The Beginning and End
114 bpm • C# Maj • 07:38 • -18db
18% Popularity • 41% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Actress
FALLING RIZLAS
115 bpm • E min • 02:25 • -15.9db
47% Popularity • 44% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Andy Stott
Versi
94 bpm • A# min • 05:26 • -13.35db
31% Popularity • 68% Danceability • 38% Energy • 13% Liveness
87% Instrumentalness • 28% Positiveness
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Floating Points
King Bromeliad
115 bpm • C# Maj • 08:52 • -10.39db
42% Popularity • 90% Danceability • 47% Energy • 8% Liveness
87% Instrumentalness • 29% Positiveness
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Pavel Dovgal
Floating Beams
115 bpm • C# Maj • 03:02 • -7db
45% Popularity • 61% Danceability • 70% Energy • 66% Liveness
80% Instrumentalness • 20% Positiveness
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Chaos In The CBD
Common Unity
115 bpm • F Maj • 05:05 • -6.51db
36% Popularity • 76% Danceability • 72% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Ross from Friends
Bootman
115 bpm • D min • 06:05 • -12.2db
41% Popularity • 79% Danceability • 63% Energy • 45% Liveness
33% Instrumentalness • 25% Positiveness
► Preview
Daedelus
Special Re: Quest
115 bpm • A# Maj • 03:34 • -8.13db
36% Popularity • 68% Danceability • 84% Energy • 16% Liveness
10% Instrumentalness • 56% Positiveness
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Movements (Chapter III)