Songs like Movies by Weyes Blood
Based on a tempo of (+/- 10%) and a similar genre
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Weyes Blood
Movies
71 bpm • G min • 05:53 • -8.93db
54% Popularity • 9% Danceability • 36% Energy • 11% Liveness
40% Instrumentalness • 9% Positiveness
54% Popularity • 9% Danceability • 36% Energy • 11% Liveness
40% Instrumentalness • 9% Positiveness
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Mitski
Heaven
72 bpm • D Maj • 03:44 • -11.85db
66% Popularity • 30% Danceability • 30% Energy • 12% Liveness
25% Instrumentalness • 33% Positiveness
66% Popularity • 30% Danceability • 30% Energy • 12% Liveness
25% Instrumentalness • 33% Positiveness
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Tennis
I'll Haunt You
72 bpm • E Maj • 02:32 • -11db
46% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Alice Phoebe Lou
Witches
73 bpm • G# Maj • 03:15 • -5.75db
63% Popularity • 58% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 58% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Lomelda
Hannah Sun
72 bpm • G# Maj • 03:28 • -17db
51% Popularity • 66% Danceability • 27% Energy • 22% Liveness
14% Instrumentalness • 31% Positiveness
51% Popularity • 66% Danceability • 27% Energy • 22% Liveness
14% Instrumentalness • 31% Positiveness
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Perfume Genius
Die 4 You
74 bpm • D# Maj • 03:32 • -11db
42% Popularity • 26% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 26% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Weyes Blood
Maybe Love
69 bpm • C# Maj • 04:04 • -5.2db
22% Popularity • 21% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 21% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Samia
Pool
68 bpm • D Maj • 04:29 • -12.16db
24% Popularity • 14% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 14% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Lana Del Rey
Thunder
74 bpm • D# Maj • 04:19 • -8db
69% Popularity • 48% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
69% Popularity • 48% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Elliott Smith
Everything Means Nothing To Me
74 bpm • A# min • 02:22 • -8.88db
50% Popularity • 42% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
50% Popularity • 42% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Julee Cruise
Mysteries of Love
74 bpm • B Maj • 04:29 • -17.31db
37% Popularity • 15% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
37% Popularity • 15% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Fiona Apple
Shadowboxer
74 bpm • D min • 05:24 • -7.3db
54% Popularity • 30% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
54% Popularity • 30% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Weyes Blood
Picture Me Better
74 bpm • G# Maj • 03:41 • -14.68db
53% Popularity • 23% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
53% Popularity • 23% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Skullcrusher
Two Weeks in December
75 bpm • B Maj • 00:55 • -13db
60% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
60% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Portishead
The Rip
75 bpm • A min • 04:30 • -9.41db
57% Popularity • 47% Danceability • 48% Energy • 10% Liveness
50% Instrumentalness • 24% Positiveness
57% Popularity • 47% Danceability • 48% Energy • 10% Liveness
50% Instrumentalness • 24% Positiveness
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Vashti Bunyan
Diamond Day
76 bpm • D Maj • 01:47 • -18.5db
47% Popularity • 49% Danceability • 12% Energy • 37% Liveness
39% Instrumentalness • 72% Positiveness
47% Popularity • 49% Danceability • 12% Energy • 37% Liveness
39% Instrumentalness • 72% Positiveness
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Eartheater
Crushing
76 bpm • C Maj • 04:31 • -7.5db
51% Popularity • 53% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 53% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Grouper
Alien Observer
76 bpm • A min • 03:56 • -22.6db
53% Popularity • 22% Danceability • 8% Energy • 28% Liveness
60% Instrumentalness • 17% Positiveness
53% Popularity • 22% Danceability • 8% Energy • 28% Liveness
60% Instrumentalness • 17% Positiveness
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Weyes Blood
A Given Thing
75 bpm • C Maj • 04:01 • -13.1db
37% Popularity • 29% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 29% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Lana Del Rey
Mariners Apartment Complex
76 bpm • A Maj • 04:07 • -12.77db
70% Popularity • 53% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
70% Popularity • 53% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Adrianne Lenker
Free Treasure
76 bpm • C# Maj • 03:35 • -9.99db
62% Popularity • 50% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 50% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Oneohtrix Point Never
Long Road Home
77 bpm • C# min • 03:32 • -6.93db
34% Popularity • 47% Danceability • 59% Energy • 11% Liveness
5% Instrumentalness • 38% Positiveness
34% Popularity • 47% Danceability • 59% Energy • 11% Liveness
5% Instrumentalness • 38% Positiveness
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Father John Misty
Buddy's Rendezvous
77 bpm • F Maj • 04:59 • -10db
42% Popularity • 45% Danceability • 37% Energy • 10% Liveness
24% Instrumentalness • 24% Positiveness
42% Popularity • 45% Danceability • 37% Energy • 10% Liveness
24% Instrumentalness • 24% Positiveness
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Alice Phoebe Lou
Nostalgia
77 bpm • A Maj • 03:17 • -8.73db
48% Popularity • 34% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
48% Popularity • 34% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Weyes Blood
Requiem for Forgiveness
67 bpm • B Maj • 04:29 • -13.72db
13% Popularity • 12% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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Mitski
Your Best American Girl
77 bpm • G Maj • 03:32 • -9.66db
70% Popularity • 36% Danceability • 26% Energy • 23% Liveness
1% Instrumentalness • 13% Positiveness
70% Popularity • 36% Danceability • 26% Energy • 23% Liveness
1% Instrumentalness • 13% Positiveness
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Lana Del Rey
Venice Bitch
78 bpm • A min • 09:37 • -13.03db
67% Popularity • 37% Danceability • 29% Energy • 10% Liveness
18% Instrumentalness • 31% Positiveness
67% Popularity • 37% Danceability • 29% Energy • 10% Liveness
18% Instrumentalness • 31% Positiveness
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Jockstrap
Yellow In Green
77 bpm • G min • 03:17 • -12db
34% Popularity • 30% Danceability • 25% Energy • 25% Liveness
62% Instrumentalness • 8% Positiveness
34% Popularity • 30% Danceability • 25% Energy • 25% Liveness
62% Instrumentalness • 8% Positiveness
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Cocteau Twins
Serpentskirt
78 bpm • E min • 03:57 • -6.48db
56% Popularity • 45% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 45% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Alice Phoebe Lou
Lover / / Over the Moon
77 bpm • E Maj • 03:27 • -9.55db
53% Popularity • 52% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
53% Popularity • 52% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Weyes Blood
It's Not Just Me, It's Everybody
75 bpm • C Maj • 06:16 • -12db
50% Popularity • 43% Danceability • 34% Energy • 26% Liveness
2% Instrumentalness • 16% Positiveness
50% Popularity • 43% Danceability • 34% Energy • 26% Liveness
2% Instrumentalness • 16% Positiveness
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Yo La Tengo
Our Way to Fall
78 bpm • C Maj • 04:18 • -14.65db
47% Popularity • 56% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 56% Positiveness
47% Popularity • 56% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 56% Positiveness
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Lana Del Rey
Buddy's Rendezvous
78 bpm • F Maj • 05:01 • -10db
54% Popularity • 29% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
54% Popularity • 29% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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St. Vincent
Slow Disco
64 bpm • A Maj • 02:44 • -12.89db
39% Popularity • 26% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 26% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Phoebe Bridgers
Demi Moore
78 bpm • D Maj • 03:18 • -13db
55% Popularity • 39% Danceability • 18% Energy • 10% Liveness
24% Instrumentalness • 19% Positiveness
55% Popularity • 39% Danceability • 18% Energy • 10% Liveness
24% Instrumentalness • 19% Positiveness
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Julia Holter
So Humble the Afternoon
64 bpm • C Maj • 05:22 • -12.99db
27% Popularity • 24% Danceability • 22% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 22% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Weyes Blood
Something to Believe - Rough Trade Sessi...
67 bpm • E Maj • 04:49 • -13.1db
24% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 36% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Okay Kaya
Tu Me Manques
79 bpm • D min • 01:00 • -18.33db
34% Popularity • 24% Danceability • 9% Energy • 9% Liveness
34% Instrumentalness • 9% Positiveness
34% Popularity • 24% Danceability • 9% Energy • 9% Liveness
34% Instrumentalness • 9% Positiveness
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Lana Del Rey
How to disappear
79 bpm • A Maj • 03:48 • -11.79db
73% Popularity • 54% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
73% Popularity • 54% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Dean Blunt
The Narcissist
63 bpm • B Maj • 04:06 • -8.77db
44% Popularity • 44% Danceability • 59% Energy • 62% Liveness
27% Instrumentalness • 8% Positiveness
44% Popularity • 44% Danceability • 59% Energy • 62% Liveness
27% Instrumentalness • 8% Positiveness
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Lingua Ignota
PENNSYLVANIA FURNACE
79 bpm • C# Maj • 05:46 • -12.33db
33% Popularity • 25% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 6% Positiveness
33% Popularity • 25% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 6% Positiveness
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Julia Holter
Sea Calls Me Home
80 bpm • B min • 03:07 • -7db
37% Popularity • 32% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 32% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Weyes Blood
Candyboy
66 bpm • A# min • 09:26 • -8.41db
16% Popularity • 16% Danceability • 58% Energy • 55% Liveness
90% Instrumentalness • 12% Positiveness
16% Popularity • 16% Danceability • 58% Energy • 55% Liveness
90% Instrumentalness • 12% Positiveness
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Alexandra Savior
But You
80 bpm • B min • 02:53 • -6.92db
50% Popularity • 35% Danceability • 61% Energy • 10% Liveness
20% Instrumentalness • 20% Positiveness
50% Popularity • 35% Danceability • 61% Energy • 10% Liveness
20% Instrumentalness • 20% Positiveness
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Lana Del Rey
The greatest
79 bpm • D min • 05:00 • -12.51db
66% Popularity • 44% Danceability • 23% Energy • 14% Liveness
2% Instrumentalness • 20% Positiveness
66% Popularity • 44% Danceability • 23% Energy • 14% Liveness
2% Instrumentalness • 20% Positiveness
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John Cale
STORY OF BLOOD
80 bpm • C min • 07:31 • -9db
23% Popularity • 42% Danceability • 58% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
23% Popularity • 42% Danceability • 58% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Jockstrap
Acid
80 bpm • C Maj • 03:50 • -5.96db
40% Popularity • 55% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 55% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Ethel Cain
Western Nights
80 bpm • A min • 06:05 • -11db
55% Popularity • 42% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
55% Popularity • 42% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Weyes Blood
God Turn Me Into a Flower
78 bpm • G Maj • 06:25 • -11.88db
49% Popularity • 11% Danceability • 25% Energy • 16% Liveness
6% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 25% Energy • 16% Liveness
6% Instrumentalness • 4% Positiveness
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Low
Words
80 bpm • F Maj • 05:48 • -15.27db
44% Popularity • 35% Danceability • 21% Energy • 10% Liveness
62% Instrumentalness • 23% Positiveness
44% Popularity • 35% Danceability • 21% Energy • 10% Liveness
62% Instrumentalness • 23% Positiveness
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Lana Del Rey
Sweet Carolina
80 bpm • C# Maj • 03:21 • -11.8db
60% Popularity • 45% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
60% Popularity • 45% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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boygenius
Salt In The Wound
63 bpm • D Maj • 04:11 • -7.59db
60% Popularity • 42% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
60% Popularity • 42% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Alexandra Savior
Soft Currents
81 bpm • F Maj • 03:11 • -11.8db
44% Popularity • 42% Danceability • 13% Energy • 11% Liveness
36% Instrumentalness • 11% Positiveness
44% Popularity • 42% Danceability • 13% Energy • 11% Liveness
36% Instrumentalness • 11% Positiveness
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Sharon Van Etten
Our Love
81 bpm • C# min • 03:52 • -9.87db
47% Popularity • 61% Danceability • 51% Energy • 11% Liveness
68% Instrumentalness • 40% Positiveness
47% Popularity • 61% Danceability • 51% Energy • 11% Liveness
68% Instrumentalness • 40% Positiveness
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Weyes Blood
When You're Smiling
80 bpm • C# Maj • 02:29 • -13.74db
36% Popularity • 23% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 23% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Yo La Tengo
Nowhere Near
81 bpm • A Maj • 06:03 • -15.24db
48% Popularity • 43% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
48% Popularity • 43% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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![Holocene [feat. Weyes Blood] cover art](https://i.scdn.co/image/ab67616d00001e02e7fa902ce3278f262425c315)
Zella Day
Holocene
81 bpm • C# Maj • 04:26 • -10.06db
35% Popularity • 44% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 44% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Okay Kaya
Guttural Sounds
82 bpm • B Maj • 03:14 • -10db
32% Popularity • 39% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 39% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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FKA twigs
thousand eyes
81 bpm • C min • 05:00 • -14.75db
42% Popularity • 24% Danceability • 24% Energy • 32% Liveness
4% Instrumentalness • 18% Positiveness
42% Popularity • 24% Danceability • 24% Energy • 32% Liveness
4% Instrumentalness • 18% Positiveness
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Japanese Breakfast
Soft Sounds from Another Planet
82 bpm • D Maj • 03:20 • -7db
44% Popularity • 43% Danceability • 49% Energy • 10% Liveness
39% Instrumentalness • 12% Positiveness
44% Popularity • 43% Danceability • 49% Energy • 10% Liveness
39% Instrumentalness • 12% Positiveness
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Lomelda
Interstate Vision
82 bpm • E min • 02:42 • -14db
47% Popularity • 61% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 61% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Weyes Blood
Titanic Rising
82 bpm • A min • 01:36 • -19.14db
44% Popularity • 16% Danceability • 29% Energy • 8% Liveness
100% Instrumentalness • 3% Positiveness
44% Popularity • 16% Danceability • 29% Energy • 8% Liveness
100% Instrumentalness • 3% Positiveness
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Chelsea Wolfe
Flatlands
83 bpm • G min • 04:00 • -14.9db
47% Popularity • 21% Danceability • 27% Energy • 9% Liveness
32% Instrumentalness • 17% Positiveness
47% Popularity • 21% Danceability • 27% Energy • 9% Liveness
32% Instrumentalness • 17% Positiveness
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Okay Kaya
Ascend and Try Again
83 bpm • A Maj • 02:13 • -11db
41% Popularity • 64% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
41% Popularity • 64% Danceability • 30% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
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Mitski
Two Slow Dancers
83 bpm • C Maj • 03:59 • -13.18db
61% Popularity • 37% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
61% Popularity • 37% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Mazzy Star
Rose Blood
83 bpm • C# min • 04:51 • -14.85db
59% Popularity • 26% Danceability • 32% Energy • 11% Liveness
72% Instrumentalness • 7% Positiveness
59% Popularity • 26% Danceability • 32% Energy • 11% Liveness
72% Instrumentalness • 7% Positiveness
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Alexandra Savior
The Archer
83 bpm • C Maj • 02:25 • -7.24db
47% Popularity • 51% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 51% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
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SASAMI
Turned Out I Was Everyone
83 bpm • F min • 04:59 • -14db
37% Popularity • 27% Danceability • 40% Energy • 10% Liveness
14% Instrumentalness • 55% Positiveness
37% Popularity • 27% Danceability • 40% Energy • 10% Liveness
14% Instrumentalness • 55% Positiveness
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Caroline Polachek
The Gate
83 bpm • C Maj • 01:42 • -10db
44% Popularity • 18% Danceability • 31% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
44% Popularity • 18% Danceability • 31% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
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Kelsey Lu
Shades of Blue
84 bpm • A min • 03:54 • -7.15db
34% Popularity • 26% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 26% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Mitski
Working for the Knife
83 bpm • B Maj • 02:38 • -8.12db
61% Popularity • 47% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 47% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Phoebe Bridgers
Punisher
84 bpm • C# Maj • 03:09 • -12.8db
63% Popularity • 32% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
63% Popularity • 32% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Adrianne Lenker
anything
84 bpm • D# Maj • 03:22 • -12.95db
72% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
72% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Weyes Blood
Do You Need My Love
84 bpm • F min • 06:25 • -6.67db
29% Popularity • 30% Danceability • 49% Energy • 12% Liveness
33% Instrumentalness • 19% Positiveness
29% Popularity • 30% Danceability • 49% Energy • 12% Liveness
33% Instrumentalness • 19% Positiveness
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SASAMI
Take Care
84 bpm • A# Maj • 03:55 • -8db
35% Popularity • 60% Danceability • 59% Energy • 10% Liveness
5% Instrumentalness • 48% Positiveness
35% Popularity • 60% Danceability • 59% Energy • 10% Liveness
5% Instrumentalness • 48% Positiveness
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Jerry Paper
Grey Area
85 bpm • G Maj • 02:05 • -7.14db
33% Popularity • 65% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 65% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Kelsey Lu
I'm Not In Love
86 bpm • E Maj • 06:54 • -13.19db
53% Popularity • 19% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
53% Popularity • 19% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Lucy Dacus
Night Shift
86 bpm • A Maj • 06:31 • -7.89db
69% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
69% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Alice Phoebe Lou
Glow
87 bpm • F# Maj • 02:45 • -5.35db
55% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 58% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Weyes Blood
Romneydale
86 bpm • G min • 07:27 • -10.87db
21% Popularity • 17% Danceability • 46% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
21% Popularity • 17% Danceability • 46% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
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Adrianne Lenker
Vampire Empire
87 bpm • G Maj • 03:55 • -6.04db
60% Popularity • 40% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
60% Popularity • 40% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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St. Vincent
Hang On Me
86 bpm • F min • 02:48 • -10db
41% Popularity • 54% Danceability • 49% Energy • 11% Liveness
52% Instrumentalness • 34% Positiveness
41% Popularity • 54% Danceability • 49% Energy • 11% Liveness
52% Instrumentalness • 34% Positiveness
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SASAMI
I Was A Window
87 bpm • B Maj • 03:34 • -15.15db
30% Popularity • 64% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 64% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Haley Heynderickx
No Face
87 bpm • F min • 01:56 • -11.58db
56% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
56% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Ethel Cain
Ptolemaea
88 bpm • C# min • 06:23 • -10.68db
60% Popularity • 28% Danceability • 37% Energy • 59% Liveness
89% Instrumentalness • 3% Positiveness
60% Popularity • 28% Danceability • 37% Energy • 59% Liveness
89% Instrumentalness • 3% Positiveness
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Weyes Blood
Bad Magic
86 bpm • A Maj • 05:54 • -8db
23% Popularity • 31% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 31% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Phoebe Bridgers
Smoke Signals
88 bpm • A# Maj • 05:24 • -14.6db
61% Popularity • 26% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
61% Popularity • 26% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Yves Tumor
Licking An Orchid
88 bpm • G# min • 04:38 • -9.37db
46% Popularity • 67% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 67% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Radiohead
All I Need
88 bpm • E min • 03:48 • -8.69db
72% Popularity • 67% Danceability • 48% Energy • 14% Liveness
43% Instrumentalness • 10% Positiveness
72% Popularity • 67% Danceability • 48% Energy • 14% Liveness
43% Instrumentalness • 10% Positiveness
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Animal Collective
Bluish
89 bpm • B min • 05:13 • -6.34db
44% Popularity • 24% Danceability • 83% Energy • 12% Liveness
3% Instrumentalness • 45% Positiveness
44% Popularity • 24% Danceability • 83% Energy • 12% Liveness
3% Instrumentalness • 45% Positiveness
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U.S. Girls
L-Over
89 bpm • C# Maj • 04:05 • -6.58db
43% Popularity • 55% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 55% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Weyes Blood
Nearer to Thee
87 bpm • C# Maj • 01:05 • -19.34db
40% Popularity • 17% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
40% Popularity • 17% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Caroline Polachek
Crude Drawing Of An Angel
89 bpm • B min • 03:29 • -11.36db
48% Popularity • 59% Danceability • 37% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
48% Popularity • 59% Danceability • 37% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Okay Kaya
Believe
90 bpm • C Maj • 03:22 • -14.36db
48% Popularity • 45% Danceability • 18% Energy • 12% Liveness
14% Instrumentalness • 26% Positiveness
48% Popularity • 45% Danceability • 18% Energy • 12% Liveness
14% Instrumentalness • 26% Positiveness
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Fiona Apple
The First Taste
90 bpm • F# Maj • 04:46 • -10.29db
57% Popularity • 68% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
57% Popularity • 68% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 54% Positiveness
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Suki Waterhouse
Coolest Place in the World
90 bpm • G# Maj • 02:37 • -11db
50% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
50% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Cocteau Twins
Cherry-coloured Funk
90 bpm • D Maj • 03:12 • -5.81db
68% Popularity • 49% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
68% Popularity • 49% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Weyes Blood
Titanic Risen
89 bpm • C Maj • 04:28 • -18db
30% Popularity • 13% Danceability • 25% Energy • 10% Liveness
57% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 25% Energy • 10% Liveness
57% Instrumentalness • 6% Positiveness
