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Moving On
Songs like
Moving On
by
Sarah and the Sundays
Based on a tempo of (+/- 10%) and a similar genre
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Jelani Aryeh
Stella Brown
125 bpm • D Maj • 03:06 • -7.55db
59% Popularity • 73% Danceability • 48% Energy • 29% Liveness
7% Instrumentalness • 55% Positiveness
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Sarah and the Sundays
Moving On
125 bpm • A Maj • 02:39 • -5.81db
54% Popularity • 73% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Declan McKenna
Make Me Your Queen
125 bpm • D Maj • 03:41 • -6.42db
57% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Noah Floersch
On Your Mind
125 bpm • G# Maj • 02:39 • -8.38db
51% Popularity • 75% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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HARBOUR
Bahamas
125 bpm • E Maj • 03:47 • -4.22db
43% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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The Happy Return
Easy Peasy
125 bpm • D Maj • 03:12 • -8.1db
32% Popularity • 57% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Jelani Aryeh
From These Heights
125 bpm • E Maj • 03:26 • -4.11db
45% Popularity • 76% Danceability • 90% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
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sam.sts
Applesauce
125 bpm • C Maj • 03:21 • -8.91db
46% Popularity • 67% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Rebounder
Lovers
124 bpm • A min • 03:34 • -7.96db
36% Popularity • 69% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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The Moss
Carousel
126 bpm • E Maj • 03:24 • -5.45db
36% Popularity • 51% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Sarah and the Sundays
High Tide - Demo
124 bpm • D# Maj • 01:29 • -6.12db
36% Popularity • 66% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Leland Blue
Sofia...
124 bpm • A Maj • 05:12 • -5.44db
35% Popularity • 58% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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ROLE MODEL
hello!
126 bpm • A# Maj • 03:08 • -4.02db
53% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Seasalt
Kool Girl
124 bpm • A min • 03:45 • -9.47db
40% Popularity • 82% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Arlie
crashing down
124 bpm • A# Maj • 02:19 • -3.04db
32% Popularity • 58% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Wallows
Marvelous
124 bpm • A Maj • 02:22 • -3.27db
56% Popularity • 64% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Sarah and the Sundays
Don't Make Me Cry Anymore
126 bpm • A# Maj • 02:39 • -6.93db
31% Popularity • 67% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Peach Pit
Black Licorice
124 bpm • A Maj • 03:39 • -9.13db
52% Popularity • 69% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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M.A.G.S.
Demon
124 bpm • A Maj • 03:20 • -5.77db
35% Popularity • 59% Danceability • 72% Energy • 6% Liveness
7% Instrumentalness • 67% Positiveness
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Kid Bloom
Hold In, Hold On
124 bpm • C Maj • 02:39 • -3.83db
46% Popularity • 77% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Bedside Kites
Deep Brown Eyes
126 bpm • C# Maj • 04:17 • -9.44db
42% Popularity • 66% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Backseat Lovers
Davy Crochet
124 bpm • C Maj • 02:56 • -10.78db
57% Popularity • 74% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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WILLIS
Now & Then
124 bpm • B Maj • 03:27 • -7.49db
36% Popularity • 59% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Peach Pit
Peach Pit
124 bpm • F# min • 04:47 • -5.35db
59% Popularity • 52% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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The Moss
The Mood
124 bpm • A Maj • 03:51 • -10db
29% Popularity • 41% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Flamingos in the Tree
Take Me by the Hand
127 bpm • D Maj • 03:26 • -11.79db
53% Popularity • 58% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Tommy Newport
Violet Days
127 bpm • C# min • 03:23 • -7db
32% Popularity • 67% Danceability • 75% Energy • 13% Liveness
1% Instrumentalness • 33% Positiveness
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The Backseat Lovers
Pictures
126 bpm • F Maj • 03:16 • -12db
52% Popularity • 66% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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COIN
Cemetery
127 bpm • A Maj • 02:57 • -7.37db
52% Popularity • 65% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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dad sports
out 4 a breather
127 bpm • F Maj • 03:21 • -7.14db
44% Popularity • 68% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 69% Positiveness
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The Hails
Stay
127 bpm • A Maj • 02:39 • -4.09db
56% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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flipturn
Glistening
127 bpm • D# Maj • 04:07 • -5.52db
54% Popularity • 66% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Strawberry Milk Cult
Mustard
123 bpm • E Maj • 03:46 • -19.45db
43% Popularity • 79% Danceability • 35% Energy • 6% Liveness
24% Instrumentalness • 83% Positiveness
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Pretoria
Keep Two-Stepping
127 bpm • A Maj • 03:21 • -11.1db
40% Popularity • 73% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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COIN
Take The Stairs
127 bpm • C Maj • 02:22 • -4.64db
43% Popularity • 64% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Vista Kicks
Gotta Get Away
123 bpm • F# Maj • 03:50 • -5.5db
47% Popularity • 72% Danceability • 80% Energy • 14% Liveness
3% Instrumentalness • 90% Positiveness
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Christian Leave
10 Steps
123 bpm • G Maj • 03:29 • -6.53db
40% Popularity • 25% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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The Brook & The Bluff
Shelby
123 bpm • D Maj • 03:42 • -9.02db
49% Popularity • 83% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 86% Positiveness
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Dayglow
Fair Game
128 bpm • A Maj • 04:22 • -8db
46% Popularity • 77% Danceability • 70% Energy • 15% Liveness
5% Instrumentalness • 94% Positiveness
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Sun Room
Sol Del Sur
122 bpm • B Maj • 02:25 • -12db
59% Popularity • 56% Danceability • 60% Energy • 9% Liveness
17% Instrumentalness • 76% Positiveness
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Sarah and the Sundays
Cease
123 bpm • D Maj • 03:03 • -10.22db
40% Popularity • 38% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Vacation Manor
A Toast and a Spirit
128 bpm • A Maj • 03:29 • -5db
54% Popularity • 61% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Arlie
big fat mouth
128 bpm • D Maj • 03:38 • -5.15db
51% Popularity • 60% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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THE DRIVER ERA
Afterglow
128 bpm • F# Maj • 03:11 • -7.35db
57% Popularity • 70% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Del Water Gap
Laid Down My Arms
128 bpm • G# Maj • 04:29 • -5db
42% Popularity • 56% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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boy pablo
Dance, Baby!
122 bpm • A Maj • 03:18 • -8.52db
64% Popularity • 60% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Dominic Fike
She Wants My Money
129 bpm • A Maj • 02:13 • -6.56db
65% Popularity • 70% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Moss
Willie's Song
128 bpm • E min • 04:31 • -7.1db
50% Popularity • 75% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Christian Leave
Darling
129 bpm • C Maj • 02:45 • -7.64db
47% Popularity • 66% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Arlie
blackboard.edu
129 bpm • B min • 03:39 • -4db
36% Popularity • 58% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Del Water Gap
High Tops
128 bpm • G Maj • 03:58 • -5.13db
54% Popularity • 56% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Vista Kicks
Gimme Love
129 bpm • C min • 03:41 • -5.88db
40% Popularity • 68% Danceability • 78% Energy • 69% Liveness
0% Instrumentalness • 82% Positiveness
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Sarah and the Sundays
Growing Pains
130 bpm • A Maj • 03:46 • -8.47db
20% Popularity • 26% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Wallows
Quarterback
121 bpm • B Maj • 03:00 • -3.88db
58% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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The Happy Fits
Best Tears
130 bpm • D Maj • 02:38 • -4db
52% Popularity • 42% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Arlie
too long
130 bpm • C Maj • 03:46 • -4db
36% Popularity • 56% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Dr. Dog
Nellie
130 bpm • E Maj • 03:37 • -9.94db
63% Popularity • 51% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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The Walters
Hunk Beach
130 bpm • E Maj • 03:01 • -8db
44% Popularity • 57% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Sarah and the Sundays
I've Followed This Street For Days
120 bpm • C Maj • 02:09 • -11.77db
21% Popularity • 57% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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The Crystal Casino Band
Bound to Be Something Good
130 bpm • B min • 04:05 • -12db
23% Popularity • 77% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Rare Occasions
Origami
130 bpm • B Maj • 02:54 • -6.46db
61% Popularity • 48% Danceability • 80% Energy • 24% Liveness
1% Instrumentalness • 63% Positiveness
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No Vacation
Beach Bummer
130 bpm • A# Maj • 02:28 • -5.15db
53% Popularity • 69% Danceability • 78% Energy • 15% Liveness
24% Instrumentalness • 76% Positiveness
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Dayglow
Can I Call You Tonight?
130 bpm • A Maj • 04:38 • -7.27db
77% Popularity • 64% Danceability • 84% Energy • 42% Liveness
91% Instrumentalness • 50% Positiveness
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Ashes To Amber
Outskirts Of Infinity
130 bpm • E Maj • 03:07 • -7db
54% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Your Neighbors
Rx
130 bpm • E Maj • 03:25 • -4.96db
36% Popularity • 70% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Joe P
All Day I Dream About
130 bpm • B Maj • 03:20 • -7.71db
44% Popularity • 58% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Sarah and the Sundays
Pulling Teeth
130 bpm • E Maj • 04:51 • -7.36db
25% Popularity • 39% Danceability • 52% Energy • 9% Liveness
3% Instrumentalness • 24% Positiveness
► Preview
The Happy Fits
So Alright, Cool, Whatever
130 bpm • C Maj • 03:11 • -5.42db
57% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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Goth Babe
Casita
120 bpm • B min • 03:26 • -8.67db
59% Popularity • 65% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Wallows
Are You Bored Yet?
120 bpm • G# min • 02:58 • -6.44db
82% Popularity • 68% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Grady
The Idea of You
120 bpm • C Maj • 02:56 • -5.83db
43% Popularity • 66% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Sure Sure
This Time
130 bpm • D# Maj • 02:13 • -5db
47% Popularity • 84% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Sarah and the Sundays
Golden
130 bpm • B min • 02:17 • -9.16db
21% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
The F16s
Moon Child
120 bpm • A Maj • 04:39 • -5.99db
41% Popularity • 61% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Worry Club
In My Ear
120 bpm • B Maj • 02:48 • -13db
42% Popularity • 80% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Sir, Please
Dance With Me
120 bpm • E Maj • 04:25 • -7.32db
45% Popularity • 59% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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young friend
WHEN WE WERE KIDS
120 bpm • E Maj • 03:18 • -6.44db
45% Popularity • 80% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
► Preview
Vacation Manor
Can't Run Forever
120 bpm • A Maj • 03:49 • -6db
49% Popularity • 69% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Sarah and the Sundays
Time Well Wasted
120 bpm • A Maj • 04:02 • -7.24db
24% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Prince of Eden
Mammal Talk
120 bpm • C# Maj • 03:16 • -15.71db
43% Popularity • 40% Danceability • 41% Energy • 11% Liveness
13% Instrumentalness • 39% Positiveness
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The Crystal Casino Band
Waste My Time
120 bpm • C# Maj • 03:13 • -6.49db
49% Popularity • 59% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Cottonwood Firing Squad
Post Modern Fade
120 bpm • D Maj • 01:43 • -12.82db
47% Popularity • 85% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 96% Positiveness
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The Happy Fits
She Wants Me (To Be Loved)
120 bpm • A Maj • 03:19 • -5.18db
59% Popularity • 78% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Winnetka Bowling League
On The 5
120 bpm • B min • 02:59 • -6db
45% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Sarah and the Sundays
Reminiscing
120 bpm • C# Maj • 03:04 • -13.3db
21% Popularity • 67% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Milmine
Altered State Of Mind
120 bpm • A# Maj • 03:46 • -5.73db
46% Popularity • 57% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Summer Salt
Revvin' My Cj7
120 bpm • A# Maj • 02:48 • -7.97db
50% Popularity • 76% Danceability • 47% Energy • 12% Liveness
10% Instrumentalness • 35% Positiveness
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COIN
Sagittarius Superstar
120 bpm • F Maj • 02:53 • -8.63db
54% Popularity • 55% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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WILLIS
27 Reasons
130 bpm • B min • 03:28 • -8.36db
40% Popularity • 52% Danceability • 62% Energy • 25% Liveness
1% Instrumentalness • 35% Positiveness
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Jelani Aryeh
Marigold
131 bpm • E Maj • 04:03 • -8db
43% Popularity • 78% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Sarah and the Sundays
The Woods
120 bpm • G Maj • 05:44 • -11.76db
37% Popularity • 62% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Charlie Burg
Channel Orange In Your Living Room
119 bpm • B Maj • 02:38 • -6.49db
49% Popularity • 70% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Dreamer Boy
Falling for the Wrong One
119 bpm • G Maj • 04:11 • -8.27db
43% Popularity • 66% Danceability • 67% Energy • 32% Liveness
2% Instrumentalness • 46% Positiveness
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Peach Pit
Psychics in LA
132 bpm • C# min • 03:26 • -5.02db
49% Popularity • 33% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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again&again
hours
132 bpm • C Maj • 03:01 • -5.86db
55% Popularity • 72% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
The Backseat Lovers
Elevator Days
118 bpm • B Maj • 04:26 • -12.29db
50% Popularity • 67% Danceability • 38% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
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Sarah and the Sundays
Ghost (Reprise)
120 bpm • E Maj • 03:16 • -6.48db
21% Popularity • 54% Danceability • 54% Energy • 64% Liveness
0% Instrumentalness • 32% Positiveness
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Kid Bloom
I Kissed a Girl, And She Kissed Me
118 bpm • A# Maj • 02:35 • -12db
57% Popularity • 76% Danceability • 48% Energy • 18% Liveness
6% Instrumentalness • 57% Positiveness
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The Moss
Blink
118 bpm • G Maj • 04:25 • -6.66db
46% Popularity • 56% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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WILLIS
In Between
118 bpm • C# min • 02:27 • -7.31db
53% Popularity • 72% Danceability • 71% Energy • 11% Liveness
55% Instrumentalness • 55% Positiveness
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Moving On