Songs like MOZART: SYMPHONY NO. 41 IN C, K.551 (JUPITER): I. ALLEGRO VIVACE by Jeffrey Tate
Based on a tempo of (+/- 10%) and a similar genre
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Franz Schubert
Schubert: Rosamunde, Op. 26, D. 797: Bal...
75 bpm • G Maj • 07:39 • -23.66db
18% Popularity • 41% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 41% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
75 bpm • D min • 07:58 • -18.48db
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
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Joseph Haydn
Concerto No. 1 in C Major, Hob. VIIh:1 "...
75 bpm • C Maj • 04:27 • -20.02db
26% Popularity • 40% Danceability • 9% Energy • 7% Liveness
78% Instrumentalness • 25% Positiveness
26% Popularity • 40% Danceability • 9% Energy • 7% Liveness
78% Instrumentalness • 25% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Jeffrey Tate
MOZART: SYMPHONY NO. 41 IN C, K.551 (JUP...
75 bpm • G Maj • 11:51 • -16.05db
2% Popularity • 37% Danceability • 15% Energy • 5% Liveness
88% Instrumentalness • 29% Positiveness
2% Popularity • 37% Danceability • 15% Energy • 5% Liveness
88% Instrumentalness • 29% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Joseph Canteloube
Chants d'Auvergne: 2. Bailero
75 bpm • A# Maj • 03:36 • -23.85db
11% Popularity • 16% Danceability • 5% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
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Georges Bizet
Les Pecheurs de Perles, Les ruines de te...
75 bpm • F Maj • 06:46 • -21.89db
0% Popularity • 19% Danceability • 6% Energy • 13% Liveness
9% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 6% Energy • 13% Liveness
9% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Chopin: Piano Sonata No. 1 in C Minor, O...
76 bpm • C min • 09:24 • -22db
50% Popularity • 23% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
50% Popularity • 23% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Endres Quartet
Quintet in A Major for Clarinet and Stri...
74 bpm • D Maj • 07:01 • -23db
55% Popularity • 10% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
55% Popularity • 10% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
64% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
64% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Johannes Brahms
Variations on a Theme by Haydn, Op. 56a,...
76 bpm • A# Maj • 02:08 • -25.03db
40% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
40% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Voyons: ...
76 bpm • A min • 04:11 • -20.09db
3% Popularity • 32% Danceability • 14% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
3% Popularity • 32% Danceability • 14% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
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Jeffrey Tate
MOZART: SYMPHONY NO. 36 IN C, K.425 (LIN...
74 bpm • C Maj • 11:07 • -23.37db
5% Popularity • 15% Danceability • 2% Energy • 10% Liveness
44% Instrumentalness • 6% Positiveness
5% Popularity • 15% Danceability • 2% Energy • 10% Liveness
44% Instrumentalness • 6% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Prelude (Versi...
74 bpm • G Maj • 02:43 • -18.62db
17% Popularity • 39% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 20% Positiveness
17% Popularity • 39% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 20% Positiveness
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Friedrich von Flotow
Martha / Act 2: Last Rose of Summer
76 bpm • F Maj • 04:52 • -22.87db
31% Popularity • 20% Danceability • 6% Energy • 35% Liveness
4% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 6% Energy • 35% Liveness
4% Instrumentalness • 4% Positiveness
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Richard Strauss
Arabella, Op. 79 / Act 3: Sie hier? So m...
74 bpm • E Maj • 05:09 • -16.15db
0% Popularity • 27% Danceability • 21% Energy • 49% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 27% Danceability • 21% Energy • 49% Liveness
0% Instrumentalness • 15% Positiveness
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AntonÃn Dvořák
Ciganské melodie, Op. 55, B. 104: 4. So...
74 bpm • D Maj • 02:24 • -19.15db
11% Popularity • 26% Danceability • 13% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 13% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Deux heu...
76 bpm • C Maj • 04:05 • -19.2db
2% Popularity • 36% Danceability • 21% Energy • 74% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 36% Danceability • 21% Energy • 74% Liveness
0% Instrumentalness • 34% Positiveness
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Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
33% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
33% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 447: Allemande
74 bpm • D min • 01:36 • -32.68db
53% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
53% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
77 bpm • F Maj • 02:19 • -28.37db
36% Popularity • 41% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 16% Positiveness
36% Popularity • 41% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
Bach, JS: Concerto for Two Violins in D ...
77 bpm • F Maj • 07:43 • -22db
23% Popularity • 19% Danceability • 16% Energy • 35% Liveness
62% Instrumentalness • 19% Positiveness
23% Popularity • 19% Danceability • 16% Energy • 35% Liveness
62% Instrumentalness • 19% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
77 bpm • D Maj • 02:14 • -23.75db
25% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
73 bpm • C# Maj • 05:30 • -20db
21% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
21% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Richard Strauss
Arabella, Op. 79 / Act 3: Einleitung
77 bpm • B Maj • 05:04 • -15.81db
1% Popularity • 7% Danceability • 25% Energy • 19% Liveness
92% Instrumentalness • 4% Positiveness
1% Popularity • 7% Danceability • 25% Energy • 19% Liveness
92% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
78 bpm • D Maj • 01:32 • -17db
55% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
55% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Bonjour,...
73 bpm • A min • 03:17 • -24.64db
2% Popularity • 31% Danceability • 5% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 31% Danceability • 5% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
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Antonio Salieri
Sinfonia in D Major, "La Veneziana": II....
78 bpm • G Maj • 03:57 • -24db
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
44% Instrumentalness • 7% Positiveness
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
44% Instrumentalness • 7% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
29% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
29% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
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Richard Strauss
Arabella, Op. 79 / Act 2: Und du wirst m...
78 bpm • E Maj • 03:39 • -23.89db
2% Popularity • 24% Danceability • 5% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 24% Danceability • 5% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Dixit Dominus (Psalm 109), R.594: 3. All...
78 bpm • D Maj • 02:57 • -22.45db
3% Popularity • 38% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
3% Popularity • 38% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
72 bpm • F Maj • 10:08 • -22db
29% Popularity • 10% Danceability • 16% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
29% Popularity • 10% Danceability • 16% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
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Joseph Haydn
Haydn: Symphony No. 100 in G Major, Hob....
72 bpm • C Maj • 05:18 • -22.96db
12% Popularity • 29% Danceability • 3% Energy • 5% Liveness
68% Instrumentalness • 19% Positiveness
12% Popularity • 29% Danceability • 3% Energy • 5% Liveness
68% Instrumentalness • 19% Positiveness
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Frédéric Chopin
Nocturne No. 15 In F Minor, Op. 55 No. 1
71 bpm • F min • 04:20 • -30.07db
42% Popularity • 36% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 11% Positiveness
42% Popularity • 36% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Bach, JS: Concerto for Oboe and Violin i...
78 bpm • F Maj • 05:52 • -18.16db
2% Popularity • 21% Danceability • 19% Energy • 35% Liveness
87% Instrumentalness • 14% Positiveness
2% Popularity • 21% Danceability • 19% Energy • 35% Liveness
87% Instrumentalness • 14% Positiveness
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Richard Strauss
Arabella, Op. 79 / Act 1: Das ist der Fa...
79 bpm • A Maj • 04:36 • -19.28db
0% Popularity • 35% Danceability • 15% Energy • 52% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 35% Danceability • 15% Energy • 52% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Francis Poulenc
Poulenc: Flute Sonata, FP 164: I. Allegr...
79 bpm • C Maj • 04:38 • -31db
23% Popularity • 29% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 6% Positiveness
23% Popularity • 29% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 6% Positiveness
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Louise Farrenc
Nonet in E-Flat Major, Op. 38: III. Sche...
79 bpm • C Maj • 05:07 • -25db
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Major, Op. 88, B. 16...
79 bpm • G min • 05:50 • -23db
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
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Edward Elgar
Elgar: Chanson de matin, Op. 15 No. 2
80 bpm • G Maj • 03:43 • -26db
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Franz Schubert
Heidenröslein, D. 257 (Op. 3/3)
80 bpm • G Maj • 01:44 • -26.04db
22% Popularity • 32% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
22% Popularity • 32% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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Richard Strauss
Arabella, Op. 79 / Act 1: Nach dem Matte...
80 bpm • C# Maj • 05:20 • -17.56db
1% Popularity • 16% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • E min • 01:17 • -19db
35% Popularity • 35% Danceability • 36% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
35% Popularity • 35% Danceability • 36% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
80 bpm • G# Maj • 00:55 • -35db
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • D Maj • 02:41 • -28.76db
17% Popularity • 19% Danceability • 3% Energy • 12% Liveness
13% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 3% Energy • 12% Liveness
13% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
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Richard Strauss
Arabella, Op. 79 / Act 2: Das ist ein En...
71 bpm • A# Maj • 03:15 • -23.73db
0% Popularity • 20% Danceability • 6% Energy • 27% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 20% Danceability • 6% Energy • 27% Liveness
0% Instrumentalness • 8% Positiveness
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Tchaïkovsky
Op. 66 - Panorama - Remastered 2024
80 bpm • G Maj • 03:00 • -33.58db
18% Popularity • 8% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
18% Popularity • 8% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 4 in A...
70 bpm • G# Maj • 08:01 • -23.29db
31% Popularity • 31% Danceability • 4% Energy • 15% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 31% Danceability • 4% Energy • 15% Liveness
93% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
81 bpm • D Maj • 03:52 • -33.75db
3% Popularity • 28% Danceability • 2% Energy • 42% Liveness
22% Instrumentalness • 6% Positiveness
3% Popularity • 28% Danceability • 2% Energy • 42% Liveness
22% Instrumentalness • 6% Positiveness
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Eder Quartet
String Quartet No. 4 in C Major, K. 157:...
81 bpm • C Maj • 01:50 • -19.06db
43% Popularity • 45% Danceability • 16% Energy • 15% Liveness
94% Instrumentalness • 85% Positiveness
43% Popularity • 45% Danceability • 16% Energy • 15% Liveness
94% Instrumentalness • 85% Positiveness
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Richard Strauss
Arabella, Op. 79 / Act 2: Sie wolln mich...
80 bpm • G# Maj • 05:57 • -18.01db
1% Popularity • 22% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 22% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
► Preview
Georges Bizet
Bizet / Arr. Guiraud: Carmen Suite No. 1...
70 bpm • D# Maj • 02:31 • -30.26db
44% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
44% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
Frédéric Chopin
Fantasy on Polish Airs, Op. 13: Largo no...
81 bpm • A Maj • 04:55 • -33.71db
51% Popularity • 26% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 26% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 3....
81 bpm • D Maj • 10:19 • -20db
29% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
29% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
► Preview
Robert Schumann
Waldszenen, Op. 82: 3. Einsame Blumen
69 bpm • A# Maj • 02:40 • -39db
32% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
32% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
► Preview
Richard Strauss
Horn Concerto 1 in E flat major Op. 11: ...
70 bpm • D# Maj • 05:06 • -19.8db
3% Popularity • 30% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
3% Popularity • 30% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
► Preview
Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
81 bpm • D# Maj • 09:32 • -26.22db
33% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
33% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
81 bpm • E Maj • 06:10 • -18.44db
29% Popularity • 32% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
29% Popularity • 32% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Frédéric Chopin
Berceuse in D-Flat Major, Op. 57
69 bpm • C# Maj • 04:29 • -26.73db
51% Popularity • 28% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
51% Popularity • 28% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Johann Strauss II
Die Fledermaus / Act 2: Nr.10 Csárdás:...
69 bpm • D Maj • 04:36 • -19.1db
11% Popularity • 25% Danceability • 10% Energy • 24% Liveness
2% Instrumentalness • 9% Positiveness
11% Popularity • 25% Danceability • 10% Energy • 24% Liveness
2% Instrumentalness • 9% Positiveness
► Preview
Richard Strauss
Arabella, Op. 79 / Act 1: Mein Elemer! ....
81 bpm • A Maj • 03:14 • -24.64db
1% Popularity • 11% Danceability • 7% Energy • 43% Liveness
13% Instrumentalness • 4% Positiveness
1% Popularity • 11% Danceability • 7% Energy • 43% Liveness
13% Instrumentalness • 4% Positiveness
► Preview
Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
► Preview
Edvard Grieg
Peer Gynt, Op. 23: No. 16, Anitra's Danc...
82 bpm • A min • 03:26 • -33.31db
28% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
28% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Richard Strauss
Arabella, Op. 79 / Act 2: Die Wiener Her...
69 bpm • D Maj • 06:39 • -17.46db
1% Popularity • 28% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
1% Popularity • 28% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
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Franz Schubert
Trout Quintet: Theme and variations
82 bpm • D Maj • 07:01 • -26.33db
22% Popularity • 25% Danceability • 6% Energy • 9% Liveness
32% Instrumentalness • 35% Positiveness
22% Popularity • 25% Danceability • 6% Energy • 9% Liveness
32% Instrumentalness • 35% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
69 bpm • G min • 02:38 • -18db
40% Popularity • 31% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
40% Popularity • 31% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
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Antonio Salieri
Piano Concerto in C (1773): 2. Larghetto
68 bpm • A min • 07:18 • -29.56db
12% Popularity • 32% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 13% Positiveness
12% Popularity • 32% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 13% Positiveness
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Luigi Boccherini
String Quintet E, Op.13, No.5: 3. Menuet...
83 bpm • A Maj • 04:10 • -30db
38% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
38% Popularity • 49% Danceability • 3% Energy • 15% Liveness
54% Instrumentalness • 32% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Richard Strauss
Arabella, Op. 79 / Act 1: Aber der Richt...
81 bpm • F Maj • 04:25 • -19.77db
3% Popularity • 18% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 18% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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Giacomo Meyerbeer
Der Fischer und das Milchmädchen: IXb. ...
83 bpm • A Maj • 01:21 • -28db
33% Popularity • 27% Danceability • 2% Energy • 13% Liveness
83% Instrumentalness • 22% Positiveness
33% Popularity • 27% Danceability • 2% Energy • 13% Liveness
83% Instrumentalness • 22% Positiveness
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Joseph Canteloube
Chants d'Auvergne (Series 4): 1. Jou l'p...
83 bpm • B Maj • 04:22 • -24.76db
2% Popularity • 19% Danceability • 6% Energy • 13% Liveness
2% Instrumentalness • 5% Positiveness
2% Popularity • 19% Danceability • 6% Energy • 13% Liveness
2% Instrumentalness • 5% Positiveness
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Joseph Haydn
Haydn: Symphony No. 96 in D Major, Hob. ...
83 bpm • D Maj • 03:45 • -23.12db
2% Popularity • 55% Danceability • 9% Energy • 8% Liveness
80% Instrumentalness • 57% Positiveness
2% Popularity • 55% Danceability • 9% Energy • 8% Liveness
80% Instrumentalness • 57% Positiveness
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Jeffrey Tate
MOZART: SYMPHONY NO. 41 IN C, K.551 (JUP...
67 bpm • F Maj • 09:15 • -25.08db
2% Popularity • 9% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
2% Popularity • 9% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Richard Strauss
Arabella, Op. 79 / Act 3: Sehr gut. Jetz...
82 bpm • F# min • 02:07 • -20.86db
0% Popularity • 21% Danceability • 14% Energy • 42% Liveness
15% Instrumentalness • 8% Positiveness
0% Popularity • 21% Danceability • 14% Energy • 42% Liveness
15% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Horn Concerto No. 2 in E-Flat Major, K. ...
67 bpm • A# Maj • 03:44 • -27.44db
4% Popularity • 16% Danceability • 3% Energy • 16% Liveness
96% Instrumentalness • 16% Positiveness
4% Popularity • 16% Danceability • 3% Energy • 16% Liveness
96% Instrumentalness • 16% Positiveness
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Felix Mendelssohn
Mendelssohn: A Midsummer Night's Dream, ...
67 bpm • C Maj • 01:44 • -15db
14% Popularity • 52% Danceability • 21% Energy • 6% Liveness
86% Instrumentalness • 24% Positiveness
14% Popularity • 52% Danceability • 21% Energy • 6% Liveness
86% Instrumentalness • 24% Positiveness
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Robert Schumann
Piano Quartet in E-Flat Major, Op. 47: I...
67 bpm • A# Maj • 07:39 • -31db
24% Popularity • 8% Danceability • 2% Energy • 16% Liveness
35% Instrumentalness • 6% Positiveness
24% Popularity • 8% Danceability • 2% Energy • 16% Liveness
35% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 3: "Vois sou...
84 bpm • D Maj • 04:02 • -22.15db
3% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Violin Concerto in D Major, Op. 77: III....
84 bpm • D Maj • 08:30 • -17db
29% Popularity • 31% Danceability • 21% Energy • 39% Liveness
7% Instrumentalness • 35% Positiveness
29% Popularity • 31% Danceability • 21% Energy • 39% Liveness
7% Instrumentalness • 35% Positiveness
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Richard Strauss
Arabella, Op. 79 / Act 3: Das war sehr g...
68 bpm • F Maj • 02:02 • -20.55db
1% Popularity • 30% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 30% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Les Sylphides: 3. Valse
84 bpm • G Maj • 02:25 • -15db
19% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
19% Popularity • 27% Danceability • 19% Energy • 40% Liveness
82% Instrumentalness • 15% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, RV 630: I. Aria. Nul...
84 bpm • E Maj • 06:20 • -19.94db
1% Popularity • 33% Danceability • 14% Energy • 23% Liveness
7% Instrumentalness • 7% Positiveness
1% Popularity • 33% Danceability • 14% Energy • 23% Liveness
7% Instrumentalness • 7% Positiveness
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Domenico Cimarosa
Oboe Concerto in C: 3. Siciliana
84 bpm • A min • 02:59 • -22.76db
27% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
27% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
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Christoph Willibald Gluck
Orpheo ed Euridice, Wq. 30, Act II: Danc...
67 bpm • D min • 03:27 • -25.5db
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
