Songs like Mr. Hot Pants by The Jezebel Sextet
Based on a tempo of (+/- 10%) and a similar genre
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Papa Grows Funk
Do U Want It?
112 bpm • A min • 04:50 • -6db
34% Popularity • 81% Danceability • 85% Energy • 32% Liveness
16% Instrumentalness • 92% Positiveness
34% Popularity • 81% Danceability • 85% Energy • 32% Liveness
16% Instrumentalness • 92% Positiveness
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The Jezebel Sextet
Mr Hot Pants aka Across The Track
112 bpm • C Maj • 03:27 • -4.6db
5% Popularity • 68% Danceability • 82% Energy • 7% Liveness
87% Instrumentalness • 69% Positiveness
5% Popularity • 68% Danceability • 82% Energy • 7% Liveness
87% Instrumentalness • 69% Positiveness
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Mestizo Beat
Featherbed Lane
112 bpm • G Maj • 03:46 • -9.33db
22% Popularity • 68% Danceability • 89% Energy • 7% Liveness
85% Instrumentalness • 97% Positiveness
22% Popularity • 68% Danceability • 89% Energy • 7% Liveness
85% Instrumentalness • 97% Positiveness
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Ikebe Shakedown
Up In The Trees
112 bpm • F min • 03:58 • -7.5db
14% Popularity • 75% Danceability • 87% Energy • 20% Liveness
91% Instrumentalness • 96% Positiveness
14% Popularity • 75% Danceability • 87% Energy • 20% Liveness
91% Instrumentalness • 96% Positiveness
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The Quantic Soul Orchestra
Panama City
112 bpm • A# min • 05:17 • -3db
31% Popularity • 71% Danceability • 92% Energy • 10% Liveness
84% Instrumentalness • 66% Positiveness
31% Popularity • 71% Danceability • 92% Energy • 10% Liveness
84% Instrumentalness • 66% Positiveness
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Ramon Morris
Sweet Sister Funk
112 bpm • C# Maj • 06:19 • -8db
15% Popularity • 53% Danceability • 75% Energy • 7% Liveness
55% Instrumentalness • 81% Positiveness
15% Popularity • 53% Danceability • 75% Energy • 7% Liveness
55% Instrumentalness • 81% Positiveness
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Mr President
Left and Right
112 bpm • A# min • 05:11 • -7db
19% Popularity • 86% Danceability • 92% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
19% Popularity • 86% Danceability • 92% Energy • 5% Liveness
88% Instrumentalness • 96% Positiveness
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The Jezebel Sextet
Soul & Sunshine
112 bpm • G# min • 03:30 • -5.8db
1% Popularity • 62% Danceability • 86% Energy • 10% Liveness
91% Instrumentalness • 82% Positiveness
1% Popularity • 62% Danceability • 86% Energy • 10% Liveness
91% Instrumentalness • 82% Positiveness
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Osaka Monaurail
Ball Of Fire
112 bpm • F Maj • 02:39 • -6.36db
10% Popularity • 66% Danceability • 61% Energy • 14% Liveness
61% Instrumentalness • 81% Positiveness
10% Popularity • 66% Danceability • 61% Energy • 14% Liveness
61% Instrumentalness • 81% Positiveness
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Ikebe Shakedown
In Circles
112 bpm • F min • 03:25 • -7.1db
21% Popularity • 65% Danceability • 90% Energy • 5% Liveness
91% Instrumentalness • 87% Positiveness
21% Popularity • 65% Danceability • 90% Energy • 5% Liveness
91% Instrumentalness • 87% Positiveness
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The Poets Of Rhythm
North Carolina
112 bpm • D Maj • 02:51 • -6.88db
29% Popularity • 70% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 70% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Ridin' Thumb
True To Myself
112 bpm • C# Maj • 06:03 • -7db
15% Popularity • 58% Danceability • 85% Energy • 4% Liveness
2% Instrumentalness • 80% Positiveness
15% Popularity • 58% Danceability • 85% Energy • 4% Liveness
2% Instrumentalness • 80% Positiveness
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Breakestra
You Don't Need a Dance
113 bpm • C Maj • 04:15 • -4db
25% Popularity • 68% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 68% Danceability • 98% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Cookin' On 3 Burners
Gravel Rash
111 bpm • G# min • 03:21 • -4.1db
11% Popularity • 67% Danceability • 84% Energy • 6% Liveness
48% Instrumentalness • 70% Positiveness
11% Popularity • 67% Danceability • 84% Energy • 6% Liveness
48% Instrumentalness • 70% Positiveness
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The Fantastics!
Don't Follow Leaders
113 bpm • C min • 03:08 • -8.02db
9% Popularity • 63% Danceability • 90% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
9% Popularity • 63% Danceability • 90% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
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Mauro Ottolini 8Funk Project
My Flight
111 bpm • F Maj • 09:54 • -11db
14% Popularity • 67% Danceability • 68% Energy • 8% Liveness
54% Instrumentalness • 95% Positiveness
14% Popularity • 67% Danceability • 68% Energy • 8% Liveness
54% Instrumentalness • 95% Positiveness
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The Bamboos
Voodoo Doll
113 bpm • F Maj • 03:36 • -5.63db
15% Popularity • 65% Danceability • 68% Energy • 9% Liveness
88% Instrumentalness • 84% Positiveness
15% Popularity • 65% Danceability • 68% Energy • 9% Liveness
88% Instrumentalness • 84% Positiveness
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Delvon Lamarr Organ Trio
Hole In One
113 bpm • C# Maj • 04:34 • -8.48db
32% Popularity • 72% Danceability • 71% Energy • 7% Liveness
53% Instrumentalness • 96% Positiveness
32% Popularity • 72% Danceability • 71% Energy • 7% Liveness
53% Instrumentalness • 96% Positiveness
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The Filthy Six
Mr Morris
113 bpm • C Maj • 05:13 • -9.4db
15% Popularity • 78% Danceability • 75% Energy • 4% Liveness
90% Instrumentalness • 94% Positiveness
15% Popularity • 78% Danceability • 75% Energy • 4% Liveness
90% Instrumentalness • 94% Positiveness
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Osaka Monaurail
The Drunk
113 bpm • F min • 02:41 • -7.61db
13% Popularity • 71% Danceability • 74% Energy • 20% Liveness
90% Instrumentalness • 94% Positiveness
13% Popularity • 71% Danceability • 74% Energy • 20% Liveness
90% Instrumentalness • 94% Positiveness
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The Greyboy Allstars
The Browns at Home
111 bpm • A min • 05:04 • -9.16db
24% Popularity • 73% Danceability • 66% Energy • 10% Liveness
81% Instrumentalness • 82% Positiveness
24% Popularity • 73% Danceability • 66% Energy • 10% Liveness
81% Instrumentalness • 82% Positiveness
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The Sound Stylistics
CORNHOLIN
113 bpm • A# min • 04:21 • -7.95db
12% Popularity • 70% Danceability • 72% Energy • 10% Liveness
53% Instrumentalness • 82% Positiveness
12% Popularity • 70% Danceability • 72% Energy • 10% Liveness
53% Instrumentalness • 82% Positiveness
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Groove Collective
Earth To Earth
113 bpm • E min • 04:22 • -7.95db
9% Popularity • 70% Danceability • 65% Energy • 19% Liveness
1% Instrumentalness • 51% Positiveness
9% Popularity • 70% Danceability • 65% Energy • 19% Liveness
1% Instrumentalness • 51% Positiveness
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Richard "Groove" Holmes
No Trouble on the Mountain
111 bpm • A min • 03:58 • -7.71db
18% Popularity • 67% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 67% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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6ix Toys
Giggle
113 bpm • C Maj • 03:31 • -6.74db
26% Popularity • 89% Danceability • 77% Energy • 13% Liveness
43% Instrumentalness • 72% Positiveness
26% Popularity • 89% Danceability • 77% Energy • 13% Liveness
43% Instrumentalness • 72% Positiveness
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Osaka Monaurail
(She's a) Riptide
111 bpm • C Maj • 05:10 • -4.93db
7% Popularity • 77% Danceability • 89% Energy • 7% Liveness
64% Instrumentalness • 89% Positiveness
7% Popularity • 77% Danceability • 89% Energy • 7% Liveness
64% Instrumentalness • 89% Positiveness
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Chris Joss
Get Off of That Couch
113 bpm • A# min • 03:22 • -7.81db
11% Popularity • 67% Danceability • 83% Energy • 11% Liveness
44% Instrumentalness • 90% Positiveness
11% Popularity • 67% Danceability • 83% Energy • 11% Liveness
44% Instrumentalness • 90% Positiveness
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Kashmere Stage Band
Scorpio
111 bpm • C# Maj • 04:39 • -6.9db
14% Popularity • 82% Danceability • 74% Energy • 13% Liveness
93% Instrumentalness • 67% Positiveness
14% Popularity • 82% Danceability • 74% Energy • 13% Liveness
93% Instrumentalness • 67% Positiveness
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Kylie Auldist
Its On
111 bpm • G Maj • 04:01 • -7.08db
16% Popularity • 72% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 72% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Cookin' On 3 Burners
Wind Up
111 bpm • A# min • 03:27 • -6.05db
11% Popularity • 68% Danceability • 90% Energy • 11% Liveness
85% Instrumentalness • 70% Positiveness
11% Popularity • 68% Danceability • 90% Energy • 11% Liveness
85% Instrumentalness • 70% Positiveness
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The Sound Stylistics
CRACK AWAY JACK
114 bpm • D Maj • 04:13 • -4.7db
11% Popularity • 72% Danceability • 91% Energy • 7% Liveness
52% Instrumentalness • 88% Positiveness
11% Popularity • 72% Danceability • 91% Energy • 7% Liveness
52% Instrumentalness • 88% Positiveness
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Joe Sample
Viva De Funk
114 bpm • G Maj • 05:44 • -10db
26% Popularity • 87% Danceability • 58% Energy • 33% Liveness
74% Instrumentalness • 88% Positiveness
26% Popularity • 87% Danceability • 58% Energy • 33% Liveness
74% Instrumentalness • 88% Positiveness
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Chris Hazelton's Boogaloo 7
100 Days, 100 Nights
114 bpm • A min • 04:47 • -6.48db
10% Popularity • 42% Danceability • 67% Energy • 37% Liveness
50% Instrumentalness • 62% Positiveness
10% Popularity • 42% Danceability • 67% Energy • 37% Liveness
50% Instrumentalness • 62% Positiveness
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The Bamboos
Eel Oil
114 bpm • A# min • 03:05 • -7.12db
17% Popularity • 74% Danceability • 75% Energy • 10% Liveness
91% Instrumentalness • 85% Positiveness
17% Popularity • 74% Danceability • 75% Energy • 10% Liveness
91% Instrumentalness • 85% Positiveness
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The Jezebel Sextet
Snake Oil
114 bpm • F min • 03:50 • -3.76db
13% Popularity • 57% Danceability • 89% Energy • 33% Liveness
61% Instrumentalness • 94% Positiveness
13% Popularity • 57% Danceability • 89% Energy • 33% Liveness
61% Instrumentalness • 94% Positiveness
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Brooklyn Funk Essentials
Brooklyn Recycles
110 bpm • B min • 05:24 • -9.44db
17% Popularity • 70% Danceability • 86% Energy • 19% Liveness
8% Instrumentalness • 75% Positiveness
17% Popularity • 70% Danceability • 86% Energy • 19% Liveness
8% Instrumentalness • 75% Positiveness
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The Sound Stylistics
KNUCKLEHEAD
114 bpm • C Maj • 05:33 • -5.62db
14% Popularity • 69% Danceability • 90% Energy • 3% Liveness
71% Instrumentalness • 94% Positiveness
14% Popularity • 69% Danceability • 90% Energy • 3% Liveness
71% Instrumentalness • 94% Positiveness
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Solsonics
Daddy Love
110 bpm • G Maj • 03:55 • -12.36db
25% Popularity • 69% Danceability • 70% Energy • 9% Liveness
8% Instrumentalness • 75% Positiveness
25% Popularity • 69% Danceability • 70% Energy • 9% Liveness
8% Instrumentalness • 75% Positiveness
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Shaolin Temple Defenders
At the Drive-in
110 bpm • A# min • 03:31 • -7.57db
23% Popularity • 83% Danceability • 89% Energy • 11% Liveness
91% Instrumentalness • 96% Positiveness
23% Popularity • 83% Danceability • 89% Energy • 11% Liveness
91% Instrumentalness • 96% Positiveness
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Strokeland Superband
It May Be Very Good
110 bpm • G Maj • 03:53 • -12.14db
8% Popularity • 77% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 77% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Kokolo
Soul Power - Lack of Afro Remix
114 bpm • C Maj • 03:33 • -5.85db
30% Popularity • 76% Danceability • 92% Energy • 5% Liveness
79% Instrumentalness • 90% Positiveness
30% Popularity • 76% Danceability • 92% Energy • 5% Liveness
79% Instrumentalness • 90% Positiveness
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Funky Destination
Everybody's Inn
114 bpm • E min • 03:18 • -4.13db
30% Popularity • 69% Danceability • 94% Energy • 28% Liveness
84% Instrumentalness • 86% Positiveness
30% Popularity • 69% Danceability • 94% Energy • 28% Liveness
84% Instrumentalness • 86% Positiveness
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Reverend Jamel & Bob Johnson
Walking on the Moon
114 bpm • A# min • 03:54 • -6.6db
16% Popularity • 68% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 68% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Redtenbacher's Funkestra
Go Mo
110 bpm • G Maj • 02:57 • -5.15db
27% Popularity • 76% Danceability • 89% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
27% Popularity • 76% Danceability • 89% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
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The Funk Ark
From The Rooftops
114 bpm • F# min • 04:31 • -10.95db
17% Popularity • 72% Danceability • 82% Energy • 5% Liveness
89% Instrumentalness • 97% Positiveness
17% Popularity • 72% Danceability • 82% Energy • 5% Liveness
89% Instrumentalness • 97% Positiveness
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Big Boss Man
Sea Groove
110 bpm • F Maj • 04:28 • -8db
43% Popularity • 80% Danceability • 76% Energy • 3% Liveness
90% Instrumentalness • 87% Positiveness
43% Popularity • 80% Danceability • 76% Energy • 3% Liveness
90% Instrumentalness • 87% Positiveness
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Lack Of Afro
Mongrel Strut
110 bpm • C# Maj • 04:50 • -8db
15% Popularity • 82% Danceability • 94% Energy • 14% Liveness
84% Instrumentalness • 76% Positiveness
15% Popularity • 82% Danceability • 94% Energy • 14% Liveness
84% Instrumentalness • 76% Positiveness
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Strokeland Superband
It Is What It Is
110 bpm • A# min • 05:38 • -4.79db
6% Popularity • 85% Danceability • 90% Energy • 4% Liveness
3% Instrumentalness • 86% Positiveness
6% Popularity • 85% Danceability • 90% Energy • 4% Liveness
3% Instrumentalness • 86% Positiveness
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James Taylor Quartet
3 Mile Island
114 bpm • C# Maj • 05:38 • -12.18db
17% Popularity • 68% Danceability • 74% Energy • 32% Liveness
84% Instrumentalness • 93% Positiveness
17% Popularity • 68% Danceability • 74% Energy • 32% Liveness
84% Instrumentalness • 93% Positiveness
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Karl Denson
Elephants
110 bpm • F Maj • 09:09 • -7.95db
2% Popularity • 71% Danceability • 89% Energy • 21% Liveness
73% Instrumentalness • 84% Positiveness
2% Popularity • 71% Danceability • 89% Energy • 21% Liveness
73% Instrumentalness • 84% Positiveness
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Sophistakits
Sophistakiddin'
110 bpm • G# Maj • 03:17 • -7.03db
16% Popularity • 72% Danceability • 71% Energy • 15% Liveness
78% Instrumentalness • 96% Positiveness
16% Popularity • 72% Danceability • 71% Energy • 15% Liveness
78% Instrumentalness • 96% Positiveness
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The Jazzinvaders
Up & Out - Tim Wood Remix
110 bpm • A# min • 03:58 • -5.06db
14% Popularity • 84% Danceability • 94% Energy • 5% Liveness
72% Instrumentalness • 76% Positiveness
14% Popularity • 84% Danceability • 94% Energy • 5% Liveness
72% Instrumentalness • 76% Positiveness
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Lee Fields
Let's Get a Groove On
114 bpm • G Maj • 02:54 • -8.95db
21% Popularity • 78% Danceability • 89% Energy • 39% Liveness
13% Instrumentalness • 45% Positiveness
21% Popularity • 78% Danceability • 89% Energy • 39% Liveness
13% Instrumentalness • 45% Positiveness
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Cookin' On 3 Burners
Heavy Lenny
114 bpm • E Maj • 04:39 • -5.79db
9% Popularity • 68% Danceability • 85% Energy • 7% Liveness
12% Instrumentalness • 86% Positiveness
9% Popularity • 68% Danceability • 85% Energy • 7% Liveness
12% Instrumentalness • 86% Positiveness
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The Quantic Soul Orchestra
West Pier Getdown
110 bpm • F# Maj • 04:17 • -5.89db
17% Popularity • 80% Danceability • 84% Energy • 55% Liveness
90% Instrumentalness • 84% Positiveness
17% Popularity • 80% Danceability • 84% Energy • 55% Liveness
90% Instrumentalness • 84% Positiveness
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Scary Goldings
Belly Up
110 bpm • G Maj • 03:28 • -5.75db
12% Popularity • 68% Danceability • 92% Energy • 17% Liveness
78% Instrumentalness • 67% Positiveness
12% Popularity • 68% Danceability • 92% Energy • 17% Liveness
78% Instrumentalness • 67% Positiveness
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Harvey Mason
Marching In The Street
110 bpm • G Maj • 06:37 • -9.13db
11% Popularity • 66% Danceability • 70% Energy • 7% Liveness
28% Instrumentalness • 68% Positiveness
11% Popularity • 66% Danceability • 70% Energy • 7% Liveness
28% Instrumentalness • 68% Positiveness
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The Poets Of Rhythm
Ham Gallery
109 bpm • G Maj • 03:21 • -10db
34% Popularity • 78% Danceability • 85% Energy • 5% Liveness
77% Instrumentalness • 64% Positiveness
34% Popularity • 78% Danceability • 85% Energy • 5% Liveness
77% Instrumentalness • 64% Positiveness
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The Sound Stylistics
THE TAKING OF PECKHAM 343
115 bpm • C# Maj • 04:47 • -6.21db
11% Popularity • 62% Danceability • 70% Energy • 9% Liveness
84% Instrumentalness • 95% Positiveness
11% Popularity • 62% Danceability • 70% Energy • 9% Liveness
84% Instrumentalness • 95% Positiveness
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The Brooks
Turn up the Sound
115 bpm • D Maj • 03:49 • -5db
29% Popularity • 68% Danceability • 91% Energy • 22% Liveness
1% Instrumentalness • 61% Positiveness
29% Popularity • 68% Danceability • 91% Energy • 22% Liveness
1% Instrumentalness • 61% Positiveness
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David "Fathead" Newman
Captain Buckles
109 bpm • G# Maj • 04:38 • -9.49db
10% Popularity • 63% Danceability • 82% Energy • 23% Liveness
35% Instrumentalness • 70% Positiveness
10% Popularity • 63% Danceability • 82% Energy • 23% Liveness
35% Instrumentalness • 70% Positiveness
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James Taylor Quartet
In the Hand of the Inevitable
115 bpm • C Maj • 04:53 • -9.73db
12% Popularity • 67% Danceability • 86% Energy • 5% Liveness
72% Instrumentalness • 66% Positiveness
12% Popularity • 67% Danceability • 86% Energy • 5% Liveness
72% Instrumentalness • 66% Positiveness
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Greyboy
Singles Party
109 bpm • C Maj • 04:16 • -14db
33% Popularity • 92% Danceability • 63% Energy • 5% Liveness
34% Instrumentalness • 97% Positiveness
33% Popularity • 92% Danceability • 63% Energy • 5% Liveness
34% Instrumentalness • 97% Positiveness
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Big Boss Man
Oh My Gawd!
115 bpm • D Maj • 04:43 • -9.48db
9% Popularity • 68% Danceability • 86% Energy • 32% Liveness
83% Instrumentalness • 66% Positiveness
9% Popularity • 68% Danceability • 86% Energy • 32% Liveness
83% Instrumentalness • 66% Positiveness
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Gizelle Smith
Nothing For Nothing
109 bpm • G# min • 03:08 • -4.27db
24% Popularity • 64% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 64% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Analog Son
Top Hat
115 bpm • A min • 03:23 • -6.48db
29% Popularity • 81% Danceability • 95% Energy • 4% Liveness
84% Instrumentalness • 87% Positiveness
29% Popularity • 81% Danceability • 95% Energy • 4% Liveness
84% Instrumentalness • 87% Positiveness
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Corduroy
Ponytail
109 bpm • G Maj • 05:00 • -8.24db
15% Popularity • 78% Danceability • 70% Energy • 39% Liveness
78% Instrumentalness • 66% Positiveness
15% Popularity • 78% Danceability • 70% Energy • 39% Liveness
78% Instrumentalness • 66% Positiveness
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Down To The Bone
Supercharged
115 bpm • A Maj • 05:21 • -5.29db
22% Popularity • 73% Danceability • 97% Energy • 25% Liveness
59% Instrumentalness • 88% Positiveness
22% Popularity • 73% Danceability • 97% Energy • 25% Liveness
59% Instrumentalness • 88% Positiveness
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Cookin' On 3 Burners
Four n' Twenty
115 bpm • D# min • 03:10 • -4.03db
18% Popularity • 55% Danceability • 94% Energy • 7% Liveness
17% Instrumentalness • 87% Positiveness
18% Popularity • 55% Danceability • 94% Energy • 7% Liveness
17% Instrumentalness • 87% Positiveness
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Breakestra
Deuces up Double Down
109 bpm • F Maj • 04:37 • -7db
24% Popularity • 69% Danceability • 84% Energy • 31% Liveness
81% Instrumentalness • 91% Positiveness
24% Popularity • 69% Danceability • 84% Energy • 31% Liveness
81% Instrumentalness • 91% Positiveness
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Mr Day
Spooky
115 bpm • D Maj • 04:13 • -6.07db
31% Popularity • 96% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 96% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Hot 8 Brass Band
It's Real - Lack of Afro Remix
109 bpm • G Maj • 05:33 • -5.54db
8% Popularity • 65% Danceability • 97% Energy • 12% Liveness
2% Instrumentalness • 73% Positiveness
8% Popularity • 65% Danceability • 97% Energy • 12% Liveness
2% Instrumentalness • 73% Positiveness
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Corduroy
Return of the Fabric Four
115 bpm • B min • 02:58 • -12.63db
22% Popularity • 71% Danceability • 60% Energy • 9% Liveness
86% Instrumentalness • 93% Positiveness
22% Popularity • 71% Danceability • 60% Energy • 9% Liveness
86% Instrumentalness • 93% Positiveness
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Polyrhythmics
Bobo
115 bpm • C# Maj • 04:38 • -10.43db
16% Popularity • 75% Danceability • 82% Energy • 17% Liveness
80% Instrumentalness • 89% Positiveness
16% Popularity • 75% Danceability • 82% Energy • 17% Liveness
80% Instrumentalness • 89% Positiveness
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Brooklyn Funk Essentials
Stickman Crossing The Brooklyn Bridge
109 bpm • C# Maj • 07:28 • -8.05db
14% Popularity • 71% Danceability • 90% Energy • 60% Liveness
1% Instrumentalness • 83% Positiveness
14% Popularity • 71% Danceability • 90% Energy • 60% Liveness
1% Instrumentalness • 83% Positiveness
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Breakestra
The Gettin' to It
115 bpm • C Maj • 02:43 • -3.6db
30% Popularity • 73% Danceability • 95% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
30% Popularity • 73% Danceability • 95% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
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Diplomats of Solid Sound
Plenty Nasty
109 bpm • F Maj • 03:52 • -5.53db
13% Popularity • 66% Danceability • 86% Energy • 6% Liveness
46% Instrumentalness • 77% Positiveness
13% Popularity • 66% Danceability • 86% Energy • 6% Liveness
46% Instrumentalness • 77% Positiveness
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The Eminent Stars
Brown Thang
115 bpm • G Maj • 05:11 • -6.32db
10% Popularity • 82% Danceability • 72% Energy • 5% Liveness
88% Instrumentalness • 89% Positiveness
10% Popularity • 82% Danceability • 72% Energy • 5% Liveness
88% Instrumentalness • 89% Positiveness
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Corduroy
Skirt Alert
109 bpm • B min • 03:32 • -7.57db
20% Popularity • 56% Danceability • 88% Energy • 5% Liveness
69% Instrumentalness • 89% Positiveness
20% Popularity • 56% Danceability • 88% Energy • 5% Liveness
69% Instrumentalness • 89% Positiveness
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Eddie Harris
Funkorama
109 bpm • A Maj • 04:59 • -13.03db
25% Popularity • 81% Danceability • 52% Energy • 4% Liveness
79% Instrumentalness • 48% Positiveness
25% Popularity • 81% Danceability • 52% Energy • 4% Liveness
79% Instrumentalness • 48% Positiveness
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Dojo Cuts
El Entro
109 bpm • G Maj • 01:05 • -7.04db
37% Popularity • 62% Danceability • 80% Energy • 7% Liveness
87% Instrumentalness • 56% Positiveness
37% Popularity • 62% Danceability • 80% Energy • 7% Liveness
87% Instrumentalness • 56% Positiveness
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Osaka Monaurail
Determination
109 bpm • C Maj • 04:27 • -5.19db
10% Popularity • 77% Danceability • 83% Energy • 8% Liveness
46% Instrumentalness • 84% Positiveness
10% Popularity • 77% Danceability • 83% Energy • 8% Liveness
46% Instrumentalness • 84% Positiveness
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Breakestra
Get It Right
109 bpm • F# min • 03:12 • -3.92db
34% Popularity • 74% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 74% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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The Filthy Six
Slinky
116 bpm • F min • 05:37 • -10db
27% Popularity • 60% Danceability • 68% Energy • 10% Liveness
86% Instrumentalness • 88% Positiveness
27% Popularity • 60% Danceability • 68% Energy • 10% Liveness
86% Instrumentalness • 88% Positiveness
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Kylie Auldist
Cut You Loose
108 bpm • A Maj • 03:49 • -5.25db
24% Popularity • 82% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 82% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Valique
(let Go) Trouble Girl
116 bpm • A# min • 04:57 • -7.54db
15% Popularity • 77% Danceability • 78% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
15% Popularity • 77% Danceability • 78% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
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The Soul Snatchers
Crushed Ice
116 bpm • A Maj • 02:50 • -4.06db
11% Popularity • 78% Danceability • 91% Energy • 8% Liveness
5% Instrumentalness • 94% Positiveness
11% Popularity • 78% Danceability • 91% Energy • 8% Liveness
5% Instrumentalness • 94% Positiveness
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Pimps of Joytime
Street Sound
116 bpm • C# min • 07:59 • -6.27db
23% Popularity • 76% Danceability • 89% Energy • 10% Liveness
4% Instrumentalness • 77% Positiveness
23% Popularity • 76% Danceability • 89% Energy • 10% Liveness
4% Instrumentalness • 77% Positiveness
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Deep Street Soul
Done Me Wrong
116 bpm • E Maj • 04:02 • -3.69db
8% Popularity • 70% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 70% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Cookin' On 3 Burners
Piranha
116 bpm • C Maj • 04:06 • -4.85db
11% Popularity • 78% Danceability • 77% Energy • 6% Liveness
59% Instrumentalness • 88% Positiveness
11% Popularity • 78% Danceability • 77% Energy • 6% Liveness
59% Instrumentalness • 88% Positiveness
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The Bamboos
Bring It Home
108 bpm • A# min • 03:35 • -4.94db
22% Popularity • 80% Danceability • 86% Energy • 7% Liveness
6% Instrumentalness • 96% Positiveness
22% Popularity • 80% Danceability • 86% Energy • 7% Liveness
6% Instrumentalness • 96% Positiveness
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Chris Hazelton's Boogaloo 7
Bambu
108 bpm • D min • 07:50 • -7.65db
26% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Nils Landgren Funk Unit
Get Serious Get a New Job
108 bpm • A# Maj • 04:54 • -9.15db
16% Popularity • 91% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 91% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Ramsey Lewis
Do What You Wanna - Mr. Scruff's Soul Pa...
108 bpm • F# Maj • 05:24 • -6.94db
36% Popularity • 82% Danceability • 85% Energy • 69% Liveness
93% Instrumentalness • 50% Positiveness
36% Popularity • 82% Danceability • 85% Energy • 69% Liveness
93% Instrumentalness • 50% Positiveness
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Greyboy
Panacea
108 bpm • F# Maj • 06:22 • -13.21db
30% Popularity • 76% Danceability • 50% Energy • 7% Liveness
89% Instrumentalness • 93% Positiveness
30% Popularity • 76% Danceability • 50% Energy • 7% Liveness
89% Instrumentalness • 93% Positiveness
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Lafayette Afro Rock Band
Malik - Remastered
116 bpm • A# min • 05:13 • -6.13db
28% Popularity • 41% Danceability • 94% Energy • 8% Liveness
13% Instrumentalness • 67% Positiveness
28% Popularity • 41% Danceability • 94% Energy • 8% Liveness
13% Instrumentalness • 67% Positiveness
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Shaolin Temple Defenders
Blue Shades
108 bpm • G min • 04:07 • -7.71db
29% Popularity • 74% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 74% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Strokeland Superband
Let's Do Funk
108 bpm • C Maj • 04:40 • -12.58db
9% Popularity • 87% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 87% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
