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Mr. Rail
Songs like
Mr. Rail
by
Bruno Bavota
Based on a tempo of (+/- 10%) and a similar genre
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Moy Finneas
Weaving
163 bpm • E min • 02:13 • -24.02db
38% Popularity • 24% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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8th Floor Wide
Cor Meum
166 bpm • G min • 03:16 • -22.82db
37% Popularity • 36% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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HRDY
Me And My Piano
166 bpm • F min • 02:30 • -24.78db
31% Popularity • 31% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 21% Positiveness
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De Maynes
A Walk to Paradise
166 bpm • C min • 03:32 • -30.21db
36% Popularity • 25% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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S.A. Karl
Cassiopeia
167 bpm • B Maj • 02:48 • -29db
40% Popularity • 34% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Denise Young
Moon Song
161 bpm • C Maj • 04:17 • -20db
29% Popularity • 29% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Wilson Trouvé
Embers
161 bpm • G min • 02:37 • -32.29db
41% Popularity • 26% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Agni Bjark
Leaves
167 bpm • F Maj • 02:17 • -22.92db
37% Popularity • 26% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Teodor Wolgers
hopes
160 bpm • B min • 02:29 • -30.09db
39% Popularity • 52% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 62% Positiveness
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William Cas
Desert Wind
168 bpm • D# min • 02:21 • -31db
46% Popularity • 26% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
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Bruno Bavota
La luce nel cuore
168 bpm • D# min • 03:40 • -24.65db
4% Popularity • 34% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 9% Positiveness
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Adam Daudrich
Swells
159 bpm • C min • 02:45 • -28.13db
37% Popularity • 30% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Patrick Hamilton
Winged Melancholy
169 bpm • E min • 02:19 • -27.76db
40% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Lionel Scardino
Megaclite
159 bpm • C Maj • 02:26 • -27.13db
23% Popularity • 22% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 27% Positiveness
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Franco Robert
Lost In the Past
159 bpm • G# min • 03:34 • -26.62db
31% Popularity • 29% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Tristan Eckerson
It's Not Ice
170 bpm • A min • 03:34 • -25.42db
29% Popularity • 39% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
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Garreth Broke
Suspire
171 bpm • F# min • 02:13 • -28.77db
39% Popularity • 16% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Alexis Ffrench
Remember
170 bpm • D Maj • 01:24 • -16.31db
40% Popularity • 14% Danceability • 33% Energy • 14% Liveness
83% Instrumentalness • 29% Positiveness
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Comet Blue
Stars Light Up The Water
171 bpm • G# Maj • 02:16 • -25.94db
43% Popularity • 27% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Julia Gjertsen
Okno
171 bpm • C min • 03:07 • -19.52db
40% Popularity • 54% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Franco Robert
Bond
171 bpm • F min • 03:06 • -26.72db
31% Popularity • 29% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Ragnar Seaholm
Steady The Ship
156 bpm • C# min • 02:36 • -26.66db
41% Popularity • 37% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
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Otto A. Totland
Steps
172 bpm • G# min • 01:52 • -30.46db
35% Popularity • 30% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 77% Positiveness
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Alexis Ffrench
Crest of a Wave
171 bpm • C min • 03:15 • -18.28db
37% Popularity • 45% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Tomasz Kraal
Anfractuous View
172 bpm • F min • 03:09 • -29db
45% Popularity • 22% Danceability • 3% Energy • 14% Liveness
90% Instrumentalness • 13% Positiveness
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Jordane Tumarinson
Necessary Things
172 bpm • C min • 03:52 • -21db
43% Popularity • 27% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Oskar Schuster
Les soirs
174 bpm • D min • 03:07 • -21.92db
29% Popularity • 43% Danceability • 18% Energy • 14% Liveness
52% Instrumentalness • 29% Positiveness
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Cora Droma
Fearthainne
174 bpm • E min • 02:22 • -25.02db
34% Popularity • 22% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Niall Byrne
Somewhere
174 bpm • G Maj • 03:02 • -39db
24% Popularity • 28% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
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Eric Wilhelm
Voyage
154 bpm • G min • 02:36 • -22db
31% Popularity • 48% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 29% Positiveness
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Javi Lobe
Lost Time - Strings Version
175 bpm • D min • 02:21 • -13.99db
36% Popularity • 11% Danceability • 24% Energy • 16% Liveness
91% Instrumentalness • 35% Positiveness
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Bruno Bavota
Apartment Song #3
176 bpm • D min • 01:44 • -26.59db
5% Popularity • 25% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
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Oskar Schuster
Grunewald
156 bpm • C Maj • 01:45 • -19.81db
29% Popularity • 35% Danceability • 20% Energy • 8% Liveness
86% Instrumentalness • 39% Positiveness
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Ali Toygar
Silfra
153 bpm • B min • 02:56 • -24.85db
14% Popularity • 27% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Jonas Holmes
Must
176 bpm • E min • 02:46 • -20.42db
41% Popularity • 36% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
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Franco Robert
Imaginarium
176 bpm • A# min • 02:42 • -29.54db
30% Popularity • 29% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Annebelle Coenraad
Op Die Fiets
176 bpm • G min • 02:21 • -26.46db
33% Popularity • 24% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Khyaam Haque
A Long Life, Hidden Away
177 bpm • C# Maj • 01:21 • -22.84db
38% Popularity • 56% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 26% Positiveness
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Oskar Schuster
1993
177 bpm • D min • 02:35 • -20.18db
30% Popularity • 41% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 47% Positiveness
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Charles Bolt
Hush Now
152 bpm • D min • 01:49 • -21.68db
37% Popularity • 46% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 33% Positiveness
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Olivia Belli
Prélude
152 bpm • C min • 02:51 • -33.25db
47% Popularity • 11% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Frozen Silence
In Between
151 bpm • F Maj • 02:40 • -33.19db
33% Popularity • 36% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
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Annebelle Coenraad
Toužebný
176 bpm • E min • 02:14 • -30db
40% Popularity • 22% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
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Arden Forest
Kobicha
178 bpm • A# min • 02:39 • -20.78db
29% Popularity • 33% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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Franco Robert
A Peculiar Mind
151 bpm • G Maj • 02:01 • -29.66db
34% Popularity • 31% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Jackson Love
As Wind Echoes Over Snow
179 bpm • C min • 03:41 • -25.78db
39% Popularity • 37% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Olivia Belli
Beside The Spring
151 bpm • F Maj • 02:57 • -27.26db
36% Popularity • 38% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Jef Martens
The Unspoken
179 bpm • F min • 02:53 • -26.96db
32% Popularity • 28% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
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Virginio Aiello
Sunrise of a New Day
150 bpm • F# min • 03:21 • -21.45db
33% Popularity • 30% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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De Maynes
Sehnsucht
150 bpm • E min • 02:39 • -27.36db
32% Popularity • 48% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 11% Positiveness
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Felix May
My Secret Waterfall
180 bpm • G# Maj • 03:17 • -21.19db
30% Popularity • 42% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Otto A. Totland
Greiner
180 bpm • F Maj • 01:10 • -27.42db
36% Popularity • 44% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 56% Positiveness
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Olivia Belli
Ambro
151 bpm • G Maj • 02:45 • -32.17db
35% Popularity • 35% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 14% Positiveness
► Preview
Justus Rümenapp
Pure
149 bpm • G# min • 02:02 • -27.46db
40% Popularity • 23% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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James Spiteri
Reunite
149 bpm • F# min • 07:31 • -22.15db
35% Popularity • 28% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Marta Cascales Alimbau
Almost Here
181 bpm • G Maj • 02:57 • -21db
28% Popularity • 25% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Roberto Attanasio
Behind Those Eyes
180 bpm • B Maj • 03:16 • -18db
30% Popularity • 28% Danceability • 7% Energy • 9% Liveness
82% Instrumentalness • 12% Positiveness
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Biba Dupont
Silhouette
181 bpm • F# Maj • 02:23 • -26.09db
34% Popularity • 38% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
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Daigo Hanada
Muku
181 bpm • C# Maj • 03:14 • -29.25db
48% Popularity • 21% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Luis Berra
Seeds Don't Ask for Permission
148 bpm • F# Maj • 02:00 • -24db
49% Popularity • 31% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 41% Positiveness
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Luke Woodapple
Empathy in C Minor
182 bpm • C min • 03:13 • -26.35db
28% Popularity • 28% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
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Bruno Bavota
Sirens
181 bpm • C# min • 02:57 • -33.7db
2% Popularity • 16% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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Oskar Schuster
Kyiv
182 bpm • D min • 03:03 • -19.72db
36% Popularity • 33% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 83% Positiveness
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Dmitry Evgrafov
Illumination
182 bpm • D Maj • 02:32 • -25.03db
41% Popularity • 19% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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Edvard Kravchuk
Rising in the Sun
182 bpm • C Maj • 02:26 • -26.84db
50% Popularity • 16% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Jiřà Horák
Autumn Leaves
182 bpm • F# min • 02:37 • -20.17db
33% Popularity • 18% Danceability • 15% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
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Otto A. Totland
Anona
147 bpm • G Maj • 03:27 • -29.66db
36% Popularity • 30% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 30% Positiveness
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Franco Robert
Oneiric Trip
183 bpm • A min • 03:36 • -24.35db
29% Popularity • 36% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Vetle Nærø
Worlds Collide
147 bpm • G# min • 03:25 • -24.57db
40% Popularity • 42% Danceability • 9% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
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Moux
how we sleep
146 bpm • G Maj • 03:02 • -24db
37% Popularity • 36% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Manos Milonakis
Margarette
146 bpm • C min • 01:55 • -28.95db
28% Popularity • 51% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
Bruno Bavota
Tempesta
185 bpm • F min • 02:49 • -17.24db
5% Popularity • 31% Danceability • 8% Energy • 18% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Otto A. Totland
Closer
185 bpm • D# min • 02:13 • -34.62db
37% Popularity • 8% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Giovanni Rodo
Storm
185 bpm • F min • 02:48 • -16.75db
0% Popularity • 28% Danceability • 9% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Limestone Quarry
True Depth Of You
145 bpm • C min • 02:30 • -28.41db
30% Popularity • 38% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
► Preview
Carlos Cipa
senna's joy (Solo Piano Version)
145 bpm • G min • 06:16 • -30.58db
23% Popularity • 30% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 5% Positiveness
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Peter Sandberg
Ending (Scaled Down Version)
144 bpm • F# min • 02:15 • -20.08db
35% Popularity • 59% Danceability • 22% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
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Bruno Bavota
Birds
145 bpm • F Maj • 03:39 • -23.14db
4% Popularity • 22% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Olivia Belli
Silent Dusk
144 bpm • F# Maj • 03:29 • -30.38db
38% Popularity • 32% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Simeon Walker
Coda
144 bpm • F Maj • 02:13 • -25.62db
30% Popularity • 46% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 25% Positiveness
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Tristan Eckerson
Farsight, Pt. 1
143 bpm • F Maj • 03:28 • -30.45db
31% Popularity • 35% Danceability • 5% Energy • 11% Liveness
77% Instrumentalness • 17% Positiveness
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Peter Cavallo
You And Me
144 bpm • C Maj • 03:10 • -23.49db
40% Popularity • 52% Danceability • 19% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
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Saah
Moon
143 bpm • C min • 02:29 • -23.85db
39% Popularity • 32% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Angus MacRae
Camera Obscura
143 bpm • D min • 02:50 • -20.99db
38% Popularity • 42% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 36% Positiveness
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Hideyuki Hashimoto
Es
142 bpm • A Maj • 02:17 • -30.65db
40% Popularity • 44% Danceability • 6% Energy • 14% Liveness
95% Instrumentalness • 21% Positiveness
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Bruno Bavota
Lontano
142 bpm • A# min • 03:24 • -25.8db
4% Popularity • 26% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Oskar Schuster
Paris Montparnasse
142 bpm • G min • 01:53 • -20.28db
14% Popularity • 38% Danceability • 15% Energy • 19% Liveness
90% Instrumentalness • 36% Positiveness
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Giovanni Rodo
Love
142 bpm • F# Maj • 03:15 • -17.91db
0% Popularity • 38% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Brian Crain
Moonlight Waltz
142 bpm • G# Maj • 03:28 • -21.03db
37% Popularity • 38% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Philip Wesley
Haunted Past
142 bpm • B min • 03:30 • -26.74db
34% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Mario Viñuela
Moods Anemoia
141 bpm • D# Maj • 02:32 • -22.07db
25% Popularity • 35% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
► Preview
Bruno Bavota
Passengers
142 bpm • G# Maj • 04:08 • -22.65db
6% Popularity • 28% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Sigimund
The Tale of Two Hearts
141 bpm • C# min • 03:24 • -28.54db
36% Popularity • 40% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Lucas Forch
Apart
141 bpm • F# Maj • 03:15 • -30.46db
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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Moux
with me, with you
141 bpm • F Maj • 03:19 • -22db
38% Popularity • 54% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Giovanni Rodo
An Emotion
141 bpm • G Maj • 03:41 • -16.67db
0% Popularity • 34% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Franco Robert
Nowhere
141 bpm • A min • 04:46 • -30.51db
30% Popularity • 22% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
► Preview
Bruno Bavota
Darkest light
141 bpm • G# min • 03:24 • -17.65db
3% Popularity • 59% Danceability • 21% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
► Preview
Sophie Hutchings
Billow Gently
141 bpm • G min • 03:22 • -30db
32% Popularity • 33% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 47% Positiveness
► Preview
Daigo Hanada
Emi
141 bpm • A# min • 02:29 • -30.84db
25% Popularity • 38% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Mr. Rail