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Mr. Soul
Songs like
Mr. Soul
by
Neil Young
Based on a tempo of (+/- 10%) and a similar genre
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Jason Herndon
I Don't Know
104 bpm • A Maj • 03:19 • -9.13db
18% Popularity • 65% Danceability • 31% Energy • 15% Liveness
18% Instrumentalness • 12% Positiveness
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Steve Hunter
Waiting on a Friend
104 bpm • A# Maj • 04:44 • -7.66db
16% Popularity • 75% Danceability • 52% Energy • 12% Liveness
5% Instrumentalness • 40% Positiveness
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Franz Kupka
Why Not Me
104 bpm • G Maj • 04:01 • -11.77db
21% Popularity • 58% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Neil Young
Mr. Soul
104 bpm • G Maj • 03:54 • -16.88db
27% Popularity • 42% Danceability • 34% Energy • 84% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Nero
Dwell in the Safety of Your Love
104 bpm • G Maj • 03:19 • -10.04db
17% Popularity • 62% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Richard Thompson
Mascara Tears
104 bpm • G Maj • 03:38 • -9.82db
10% Popularity • 55% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Lucinda Williams
Pyramid of Tears
104 bpm • F# Maj • 04:47 • -12.95db
12% Popularity • 68% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Crosby & Nash
They Want It All
104 bpm • D Maj • 05:34 • -9.34db
12% Popularity • 69% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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John Hiatt
Nobody Knew His Name
103 bpm • C Maj • 04:25 • -10.74db
27% Popularity • 60% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Neil Young
The Needle and the Damage Done
104 bpm • G Maj • 02:52 • -19.08db
27% Popularity • 54% Danceability • 26% Energy • 98% Liveness
0% Instrumentalness • 39% Positiveness
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RG Brown
Raised
105 bpm • A min • 05:15 • -14.24db
8% Popularity • 34% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Buffalo Springfield
Kind Woman
105 bpm • A Maj • 04:15 • -16db
44% Popularity • 68% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Vincent Dent (aka:NavyChief)
Shattered
103 bpm • G# Maj • 03:05 • -20.93db
30% Popularity • 50% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Bruce Cockburn
In The Falling Dark
103 bpm • A min • 04:54 • -13.3db
11% Popularity • 70% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Gerry Arias
Jane S. Paddy
106 bpm • G Maj • 03:48 • -17.29db
7% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Robbie Robertson
Straight Down The Line
102 bpm • D Maj • 05:19 • -8.56db
15% Popularity • 76% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Lucinda Williams
Righteously
102 bpm • G Maj • 04:38 • -9.78db
40% Popularity • 68% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Ten Year Day
To Tell the Truth
106 bpm • G Maj • 03:11 • -15.04db
9% Popularity • 69% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Gary Clute
Time to Let Some Dust Settle
106 bpm • D# Maj • 04:16 • -17db
8% Popularity • 59% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Buffalo Springfield
Questions
106 bpm • G Maj • 02:57 • -14db
49% Popularity • 57% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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King Barry C Thomas
One or the other
106 bpm • C# Maj • 03:49 • -21.36db
16% Popularity • 71% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Steve The Trailplayer
born to fret
102 bpm • G Maj • 02:15 • -10.8db
22% Popularity • 48% Danceability • 43% Energy • 17% Liveness
3% Instrumentalness • 82% Positiveness
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Malcolm Holcombe
Roots
106 bpm • D# Maj • 03:01 • -13.9db
11% Popularity • 43% Danceability • 41% Energy • 13% Liveness
27% Instrumentalness • 77% Positiveness
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Graham Nash
Southbound Train - Remastered Version
102 bpm • F Maj • 03:55 • -10.62db
31% Popularity • 57% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Mangalia and the Maga Band
Man in the White House
102 bpm • C Maj • 04:25 • -10.29db
10% Popularity • 78% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Ivan Macleod
The Misery Dollar
102 bpm • C Maj • 04:49 • -11.66db
8% Popularity • 42% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Leon Russell
Wild Horses
106 bpm • F Maj • 03:37 • -13.72db
31% Popularity • 65% Danceability • 48% Energy • 20% Liveness
1% Instrumentalness • 83% Positiveness
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BANG
Little Red Flower
106 bpm • B Maj • 03:04 • -10.28db
28% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Malcolm Holcombe
Pitiful Blues
106 bpm • F min • 03:46 • -11db
29% Popularity • 52% Danceability • 51% Energy • 12% Liveness
18% Instrumentalness • 57% Positiveness
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Stephen Murphy
The Devils Right Hand
106 bpm • G Maj • 02:13 • -15.91db
8% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Peter Case
Charlie James
106 bpm • F Maj • 03:06 • -11db
10% Popularity • 57% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Crosby, Stills & Nash
Cathedral
102 bpm • B Maj • 05:17 • -16db
43% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Dave Alvin
Barn Burning
102 bpm • C Maj • 04:01 • -13.96db
12% Popularity • 46% Danceability • 38% Energy • 12% Liveness
8% Instrumentalness • 68% Positiveness
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Alexis Korner
Honky Tonk Woman
101 bpm • A min • 03:45 • -14.67db
9% Popularity • 70% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Neil Young
From Hank to Hendrix
107 bpm • C Maj • 05:17 • -14.35db
40% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Cary Morin
Angels and Devils
107 bpm • C Maj • 03:02 • -9.77db
10% Popularity • 54% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Richard Thompson
I Ride In Your Slipstream
101 bpm • E min • 04:07 • -13.14db
8% Popularity • 61% Danceability • 67% Energy • 8% Liveness
50% Instrumentalness • 62% Positiveness
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Crosby, Stills & Nash
Long Time Gone - 2005 Remaster
107 bpm • D Maj • 04:16 • -11.85db
46% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Greg Harrington
Where Do
101 bpm • E Maj • 04:39 • -8.71db
27% Popularity • 52% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Basil Halifax
Deep Playback
107 bpm • D min • 04:14 • -9.64db
23% Popularity • 66% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Neil Young
It's a Dream
107 bpm • C Maj • 06:29 • -13.32db
24% Popularity • 41% Danceability • 33% Energy • 15% Liveness
6% Instrumentalness • 15% Positiveness
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Lowell Morrison
Stand Your Ground
107 bpm • D Maj • 02:30 • -14.37db
23% Popularity • 46% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 58% Positiveness
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John Hiatt
Crossing Muddy Waters
101 bpm • A Maj • 04:05 • -9.93db
50% Popularity • 63% Danceability • 49% Energy • 33% Liveness
4% Instrumentalness • 49% Positiveness
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Truman Gresham
The Call Of The Wild
108 bpm • A# min • 03:20 • -10.45db
29% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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BeetRootJam
To Heaven from Hell (Demo Version)
108 bpm • D Maj • 03:02 • -6.95db
16% Popularity • 56% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Korey Dickinson
Klaus Doesn't Have Schultz And Blues
100 bpm • B min • 05:12 • -6.68db
18% Popularity • 22% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Neil Young
Wolf Moon
108 bpm • G Maj • 03:52 • -13.53db
10% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Robert Plant
Poor Howard
108 bpm • C Maj • 04:10 • -7.63db
17% Popularity • 69% Danceability • 63% Energy • 20% Liveness
25% Instrumentalness • 87% Positiveness
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John Hiatt
Terms of My Surrender
108 bpm • B Maj • 03:29 • -12db
43% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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steve moore thirst
in your hands
100 bpm • A Maj • 02:46 • -10.99db
14% Popularity • 61% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Blunt Objects
I Want More
100 bpm • C Maj • 02:45 • -6.87db
27% Popularity • 53% Danceability • 68% Energy • 26% Liveness
1% Instrumentalness • 50% Positiveness
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The Band
King Harvest (Has Surely Come)
100 bpm • C Maj • 03:37 • -8db
43% Popularity • 58% Danceability • 69% Energy • 7% Liveness
14% Instrumentalness • 73% Positiveness
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Neil Young
Unknown Legend
108 bpm • G Maj • 04:46 • -13.21db
27% Popularity • 62% Danceability • 41% Energy • 82% Liveness
0% Instrumentalness • 40% Positiveness
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Dan Browning
Ballad Of Uncle Cray
108 bpm • D Maj • 02:52 • -8.7db
10% Popularity • 48% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Suitcase Rags Trio
The Curse of Stagger Lee
108 bpm • E Maj • 04:44 • -10.08db
9% Popularity • 68% Danceability • 37% Energy • 9% Liveness
7% Instrumentalness • 46% Positiveness
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Richard Thompson
When The Spell Is Broken
109 bpm • D min • 04:31 • -9.17db
16% Popularity • 74% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Steve The Trailplayer
All About Love
99 bpm • C Maj • 03:25 • -11.68db
15% Popularity • 35% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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The Band
Chest Fever - Remastered 2000
100 bpm • E Maj • 05:13 • -8db
42% Popularity • 44% Danceability • 70% Energy • 8% Liveness
20% Instrumentalness • 31% Positiveness
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Neil Young
From Hank to Hendrix
109 bpm • C Maj • 05:51 • -15.13db
25% Popularity • 52% Danceability • 46% Energy • 97% Liveness
0% Instrumentalness • 42% Positiveness
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Tom Petty
Don't Fade On Me
109 bpm • G Maj • 03:32 • -14.75db
39% Popularity • 55% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Last "Ravage" Opinion
Ghost World
109 bpm • E min • 02:49 • -4.75db
17% Popularity • 65% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Steve Moore Oldster
Repaid
109 bpm • C Maj • 01:47 • -12.62db
25% Popularity • 57% Danceability • 27% Energy • 9% Liveness
16% Instrumentalness • 11% Positiveness
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Mao Bozzi
The Milestone
109 bpm • G Maj • 03:50 • -10.12db
14% Popularity • 84% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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John Hiatt
Long Time Comin'
99 bpm • E Maj • 04:12 • -10db
52% Popularity • 65% Danceability • 42% Energy • 8% Liveness
53% Instrumentalness • 26% Positiveness
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Neil Young
Tonight's the Night - 2016 Remaster
108 bpm • G Maj • 04:40 • -15.93db
33% Popularity • 57% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Hundred Year Old Man
Just Wondering
99 bpm • C Maj • 05:00 • -16.27db
35% Popularity • 52% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Ed Kuepper
Cypress Groves Blues
99 bpm • D min • 03:01 • -7.65db
13% Popularity • 39% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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Steve The Trailplayer
turning back
99 bpm • A Maj • 01:40 • -14.3db
22% Popularity • 52% Danceability • 25% Energy • 11% Liveness
89% Instrumentalness • 37% Positiveness
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Pete Townshend
Dirty Water
110 bpm • D Maj • 01:04 • -10.8db
12% Popularity • 47% Danceability • 54% Energy • 12% Liveness
83% Instrumentalness • 92% Positiveness
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Gene Kalmes
Killing Is Wrong
110 bpm • D min • 08:53 • -13.04db
9% Popularity • 49% Danceability • 31% Energy • 22% Liveness
5% Instrumentalness • 62% Positiveness
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Neil Young
Good to See You
99 bpm • G Maj • 02:49 • -13.14db
24% Popularity • 66% Danceability • 39% Energy • 7% Liveness
2% Instrumentalness • 52% Positiveness
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Willelm Comtois
Voyage
98 bpm • D Maj • 03:30 • -15.83db
22% Popularity • 69% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Lightning Hall
Save Me
98 bpm • G# min • 04:26 • -14.56db
14% Popularity • 60% Danceability • 30% Energy • 11% Liveness
14% Instrumentalness • 72% Positiveness
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Suitcase Rags Trio
House of the Risin' Sun Blues
110 bpm • B min • 04:37 • -10.86db
10% Popularity • 46% Danceability • 29% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
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The Band
Across The Great Divide
111 bpm • G Maj • 02:53 • -7.32db
44% Popularity • 73% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Eric Clapton
Danger
111 bpm • A Maj • 05:32 • -7db
45% Popularity • 66% Danceability • 78% Energy • 36% Liveness
7% Instrumentalness • 91% Positiveness
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Neil Young
Too Far Gone
109 bpm • G Maj • 02:48 • -12.51db
23% Popularity • 68% Danceability • 53% Energy • 9% Liveness
2% Instrumentalness • 75% Positiveness
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Lou Reed
Nobody but You
111 bpm • A Maj • 03:45 • -15.44db
44% Popularity • 80% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
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Latrice Ziemann
Made It
111 bpm • F Maj • 03:49 • -9.71db
13% Popularity • 49% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Jason Greene
Never Go Back
98 bpm • A min • 02:18 • -6.51db
14% Popularity • 65% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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earthcakes
a way to get home
98 bpm • D Maj • 03:03 • -12.43db
13% Popularity • 47% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Lichael Dayberry
Who Said That
97 bpm • B min • 03:44 • -15.6db
21% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Steve The Trailplayer
got it made
111 bpm • B min • 02:37 • -10.57db
17% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Neil Young
Helpless
97 bpm • C Maj • 05:47 • -17.12db
30% Popularity • 37% Danceability • 21% Energy • 73% Liveness
0% Instrumentalness • 22% Positiveness
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Mark Joseph
CAPITAN
111 bpm • G Maj • 02:55 • -12.93db
9% Popularity • 67% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Richard Thompson
Mingus Eyes
111 bpm • G Maj • 04:47 • -12.12db
8% Popularity • 68% Danceability • 30% Energy • 10% Liveness
75% Instrumentalness • 34% Positiveness
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The Byrds
Ballad of Easy Rider
97 bpm • D Maj • 02:04 • -12db
44% Popularity • 41% Danceability • 64% Energy • 27% Liveness
5% Instrumentalness • 76% Positiveness
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Shael Wrinch
Old
97 bpm • D Maj • 02:49 • -11.78db
8% Popularity • 67% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Slam Wood
Didactic Celebration
97 bpm • A Maj • 03:36 • -18.62db
17% Popularity • 54% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Graham Parker
Cruel Lips
112 bpm • B Maj • 04:03 • -6.5db
12% Popularity • 59% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Malcolm Holcombe
A Hundred Lies
97 bpm • F# Maj • 03:49 • -17.17db
13% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Maye Lalo
Wash Away
97 bpm • C Maj • 05:06 • -12.02db
28% Popularity • 56% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
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Lightning Hall
Snake Oil Man
112 bpm • G# Maj • 04:37 • -16.24db
14% Popularity • 76% Danceability • 26% Energy • 8% Liveness
57% Instrumentalness • 84% Positiveness
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Stephen Stills
Nothin' to Do but Today
112 bpm • G Maj • 02:43 • -8db
30% Popularity • 83% Danceability • 78% Energy • 7% Liveness
14% Instrumentalness • 94% Positiveness
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Man Mountain Moore
Be Still
112 bpm • D Maj • 02:07 • -11.67db
25% Popularity • 51% Danceability • 29% Energy • 28% Liveness
5% Instrumentalness • 45% Positiveness
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J.J. Cale
Crazy Mama
96 bpm • B Maj • 02:22 • -19.45db
58% Popularity • 83% Danceability • 8% Energy • 8% Liveness
21% Instrumentalness • 48% Positiveness
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Fred Hostetler
Orphan Blues
96 bpm • A Maj • 03:08 • -11.66db
1% Popularity • 69% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Tymen Zoeteweij
Again And Again
96 bpm • G Maj • 06:06 • -13.75db
21% Popularity • 62% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Kristie Lytle
Straw Moon
113 bpm • G# Maj • 02:04 • -12.2db
8% Popularity • 64% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Stephen Stills
Go Back Home
96 bpm • G Maj • 05:54 • -10.12db
37% Popularity • 65% Danceability • 54% Energy • 18% Liveness
56% Instrumentalness • 60% Positiveness
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Mr. Soul