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Mr. Thomas
Songs like
Mr. Thomas
by
Donald Byrd
Based on a tempo of (+/- 10%) and a similar genre
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Archie Shepp
Blues For Brother George Jackson
124 bpm • B Maj • 04:00 • -14.24db
17% Popularity • 53% Danceability • 49% Energy • 20% Liveness
59% Instrumentalness • 68% Positiveness
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Charles Earland
Aquarius - Instrumental
124 bpm • A min • 08:01 • -9.2db
15% Popularity • 55% Danceability • 80% Energy • 31% Liveness
2% Instrumentalness • 77% Positiveness
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Richard "Groove" Holmes
Meditiation
124 bpm • F Maj • 06:13 • -9.43db
8% Popularity • 76% Danceability • 53% Energy • 7% Liveness
83% Instrumentalness • 74% Positiveness
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Eddie Henderson
Acuphuncture
124 bpm • A# min • 03:42 • -8.31db
13% Popularity • 71% Danceability • 73% Energy • 7% Liveness
3% Instrumentalness • 78% Positiveness
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The Lyman Woodard Organization
Allen Barnes
124 bpm • A# min • 02:43 • -11.17db
10% Popularity • 47% Danceability • 53% Energy • 14% Liveness
85% Instrumentalness • 46% Positiveness
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Donald Byrd
Mr. Thomas
124 bpm • A# min • 05:04 • -9.24db
20% Popularity • 75% Danceability • 81% Energy • 22% Liveness
91% Instrumentalness • 86% Positiveness
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Gene Ammons
Jug Eyes
124 bpm • F# Maj • 08:07 • -16.42db
8% Popularity • 68% Danceability • 47% Energy • 9% Liveness
7% Instrumentalness • 86% Positiveness
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Miles Davis
Minnie
124 bpm • F Maj • 03:54 • -6.14db
8% Popularity • 63% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Bill Mason
Gettin' Off
124 bpm • A# Maj • 07:24 • -11.35db
8% Popularity • 61% Danceability • 80% Energy • 4% Liveness
51% Instrumentalness • 82% Positiveness
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Azymuth
Estreito De Taruma
124 bpm • C min • 04:18 • -18.44db
31% Popularity • 71% Danceability • 35% Energy • 6% Liveness
90% Instrumentalness • 94% Positiveness
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Idris Muhammad
The Saddest Thing
123 bpm • A Maj • 07:06 • -12.95db
19% Popularity • 56% Danceability • 46% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
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Donald Byrd
Design A Nation
124 bpm • C Maj • 04:20 • -7.93db
19% Popularity • 62% Danceability • 68% Energy • 10% Liveness
4% Instrumentalness • 58% Positiveness
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O'Donel Levy
Panama Red
125 bpm • C Maj • 06:36 • -9.84db
8% Popularity • 58% Danceability • 79% Energy • 9% Liveness
73% Instrumentalness • 79% Positiveness
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Wes Montgomery
Up And At It
125 bpm • B min • 04:14 • -13.34db
24% Popularity • 76% Danceability • 40% Energy • 12% Liveness
84% Instrumentalness • 56% Positiveness
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The Meters
Ann
123 bpm • A min • 02:46 • -12.68db
23% Popularity • 60% Danceability • 56% Energy • 17% Liveness
77% Instrumentalness • 55% Positiveness
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Jack McDuff
Oblighetto
123 bpm • C Maj • 06:36 • -9.75db
32% Popularity • 45% Danceability • 73% Energy • 18% Liveness
43% Instrumentalness • 28% Positiveness
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Bobby Lyle
The Genie
123 bpm • C Maj • 05:56 • -13.49db
9% Popularity • 46% Danceability • 69% Energy • 18% Liveness
57% Instrumentalness • 92% Positiveness
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Donald Byrd
Wild Life
123 bpm • B Maj • 05:59 • -5.29db
8% Popularity • 61% Danceability • 82% Energy • 28% Liveness
51% Instrumentalness • 92% Positiveness
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Horace Silver
I've Had A Little Talk
123 bpm • F# Maj • 03:49 • -6.09db
25% Popularity • 59% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Gerald Wilson
Viva Tirado
123 bpm • D# min • 05:44 • -14.74db
9% Popularity • 53% Danceability • 49% Energy • 30% Liveness
25% Instrumentalness • 69% Positiveness
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Roy Ayers Ubiquity
Sweet Tears
125 bpm • D min • 03:32 • -15db
20% Popularity • 50% Danceability • 56% Energy • 9% Liveness
24% Instrumentalness • 27% Positiveness
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Deodato
Skyscrapers
125 bpm • B min • 06:38 • -12.59db
16% Popularity • 41% Danceability • 63% Energy • 10% Liveness
77% Instrumentalness • 94% Positiveness
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Eddie Harris
Is It In
123 bpm • E Maj • 03:35 • -13.16db
14% Popularity • 76% Danceability • 80% Energy • 22% Liveness
2% Instrumentalness • 96% Positiveness
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Donald Byrd
Sky High
123 bpm • C Maj • 05:58 • -10.66db
27% Popularity • 63% Danceability • 66% Energy • 26% Liveness
92% Instrumentalness • 88% Positiveness
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Lee Morgan
Yes I Can, No You Can't
123 bpm • A# Maj • 07:23 • -10.48db
22% Popularity • 58% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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The Lightmen
Luke
126 bpm • C min • 02:44 • -10.98db
14% Popularity • 54% Danceability • 52% Energy • 32% Liveness
1% Instrumentalness • 88% Positiveness
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The J.B.'s
Sucker
122 bpm • G Maj • 08:09 • -13.42db
14% Popularity • 63% Danceability • 44% Energy • 9% Liveness
23% Instrumentalness • 56% Positiveness
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Deodato
Do It Again
126 bpm • C min • 05:30 • -9.74db
15% Popularity • 74% Danceability • 55% Energy • 12% Liveness
82% Instrumentalness • 93% Positiveness
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Ronnie Laws
Momma
126 bpm • B min • 04:23 • -13.75db
14% Popularity • 39% Danceability • 92% Energy • 7% Liveness
60% Instrumentalness • 28% Positiveness
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Henry Franklin
Plastic Creek Stomp
122 bpm • G Maj • 03:23 • -17.86db
17% Popularity • 34% Danceability • 28% Energy • 12% Liveness
85% Instrumentalness • 41% Positiveness
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Richard "Groove" Holmes
You've Got It Bad
126 bpm • E min • 05:20 • -9.19db
10% Popularity • 72% Danceability • 60% Energy • 4% Liveness
90% Instrumentalness • 67% Positiveness
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Miles Davis
Shout (2022 Remaster)
122 bpm • G# Maj • 05:50 • -7.93db
16% Popularity • 72% Danceability • 77% Energy • 5% Liveness
85% Instrumentalness • 92% Positiveness
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Bob James
Night On Bald Mountain
122 bpm • D min • 05:53 • -13.37db
16% Popularity • 48% Danceability • 65% Energy • 7% Liveness
52% Instrumentalness • 57% Positiveness
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Deodato
Super Strut
122 bpm • D min • 08:56 • -11.4db
31% Popularity • 43% Danceability • 87% Energy • 13% Liveness
78% Instrumentalness • 88% Positiveness
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Don Cherry
California
126 bpm • C Maj • 02:49 • -8.16db
15% Popularity • 57% Danceability • 97% Energy • 25% Liveness
20% Instrumentalness • 57% Positiveness
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Lee Morgan
Sweet Honey Bee
126 bpm • F min • 06:55 • -10db
29% Popularity • 73% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Big John Patton
Boogaloo Boogie
122 bpm • F Maj • 05:25 • -12.82db
8% Popularity • 66% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Patrice Rushen
Roll With The Punches
126 bpm • D Maj • 06:20 • -7.09db
10% Popularity • 44% Danceability • 95% Energy • 8% Liveness
84% Instrumentalness • 88% Positiveness
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Blue Mitchell
Dorado
122 bpm • G Maj • 09:01 • -15.4db
30% Popularity • 74% Danceability • 48% Energy • 11% Liveness
88% Instrumentalness • 66% Positiveness
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Gary Bartz
Dr. Follow's Dance
122 bpm • G min • 10:31 • -12.74db
7% Popularity • 53% Danceability • 62% Energy • 65% Liveness
18% Instrumentalness • 84% Positiveness
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Hank Mobley
No Room For Squares - Remastered 2000 / ...
122 bpm • C min • 06:57 • -8.18db
32% Popularity • 56% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Lafayette Afro Rock Band
Djungi - Remastered
122 bpm • G min • 03:05 • -7.83db
34% Popularity • 54% Danceability • 83% Energy • 4% Liveness
95% Instrumentalness • 90% Positiveness
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Donald Byrd
Science Funktion
122 bpm • B min • 04:50 • -9.81db
8% Popularity • 59% Danceability • 87% Energy • 25% Liveness
6% Instrumentalness • 57% Positiveness
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Eddie Harris
1974 Blues
126 bpm • A min • 04:29 • -10.17db
9% Popularity • 79% Danceability • 47% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Larry Willis
Out on the Coast
121 bpm • G min • 04:32 • -10.31db
10% Popularity • 59% Danceability • 70% Energy • 6% Liveness
53% Instrumentalness • 74% Positiveness
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Red Garland Quintet
They Can't Take That Away From Me
127 bpm • C min • 10:25 • -15.17db
6% Popularity • 60% Danceability • 28% Energy • 11% Liveness
60% Instrumentalness • 57% Positiveness
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Hank Mobley
Double Whammy
122 bpm • F min • 08:12 • -6.67db
5% Popularity • 51% Danceability • 66% Energy • 24% Liveness
35% Instrumentalness • 77% Positiveness
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The J.B.'s
Wine Spot
127 bpm • F min • 03:32 • -6.36db
17% Popularity • 72% Danceability • 65% Energy • 4% Liveness
78% Instrumentalness • 75% Positiveness
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David Axelrod
Don't You Worry 'Bout A Thing
127 bpm • C min • 03:42 • -11.39db
26% Popularity • 64% Danceability • 60% Energy • 13% Liveness
66% Instrumentalness • 66% Positiveness
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Blue Mitchell
Soul Village
121 bpm • F Maj • 06:21 • -9.8db
11% Popularity • 57% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 61% Positiveness
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Horace Parlan
Congalegre
121 bpm • F min • 04:24 • -11.89db
32% Popularity • 54% Danceability • 67% Energy • 11% Liveness
66% Instrumentalness • 84% Positiveness
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Red Garland Quintet
Woody'n You
127 bpm • C# Maj • 06:46 • -8.93db
7% Popularity • 55% Danceability • 55% Energy • 7% Liveness
61% Instrumentalness • 69% Positiveness
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Richard "Groove" Holmes
Down Home Funk
127 bpm • A# min • 04:13 • -15.62db
14% Popularity • 65% Danceability • 73% Energy • 8% Liveness
80% Instrumentalness • 94% Positiveness
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The J.B.'s
My Brother
121 bpm • C Maj • 05:37 • -14.84db
16% Popularity • 67% Danceability • 54% Energy • 32% Liveness
4% Instrumentalness • 93% Positiveness
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Gary Bartz
Swing Thing
121 bpm • D min • 06:53 • -4.01db
10% Popularity • 54% Danceability • 87% Energy • 70% Liveness
1% Instrumentalness • 72% Positiveness
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Donald Byrd
Black Byrd
121 bpm • A# Maj • 07:21 • -9.49db
27% Popularity • 74% Danceability • 74% Energy • 10% Liveness
6% Instrumentalness • 96% Positiveness
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Weather Report
Tears
128 bpm • G Maj • 03:24 • -11.23db
23% Popularity • 42% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
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Jack McDuff
The Vibrator
120 bpm • C Maj • 04:48 • -10.53db
21% Popularity • 73% Danceability • 44% Energy • 21% Liveness
86% Instrumentalness • 74% Positiveness
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Richard "Groove" Holmes
Groovin' For Mr. G - Remastered
127 bpm • A# min • 04:13 • -10db
38% Popularity • 65% Danceability • 86% Energy • 9% Liveness
77% Instrumentalness • 95% Positiveness
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Earth, Wind & Fire
Bad Tune
120 bpm • E min • 04:42 • -13.49db
18% Popularity • 46% Danceability • 62% Energy • 8% Liveness
43% Instrumentalness • 57% Positiveness
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Eddie Henderson
Nostalgia
120 bpm • C Maj • 04:10 • -20.13db
11% Popularity • 35% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Donald Byrd
Fufu
127 bpm • E min • 09:39 • -16.44db
9% Popularity • 40% Danceability • 41% Energy • 9% Liveness
26% Instrumentalness • 35% Positiveness
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Tarika Blue
Revelation
128 bpm • C Maj • 07:02 • -10.41db
13% Popularity • 39% Danceability • 68% Energy • 36% Liveness
2% Instrumentalness • 73% Positiveness
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Pacific Express
The Way It Used to Be
120 bpm • G Maj • 04:06 • -7.93db
25% Popularity • 46% Danceability • 92% Energy • 7% Liveness
70% Instrumentalness • 96% Positiveness
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Richard "Groove" Holmes
Down Home Funk - Remastered
120 bpm • C Maj • 05:21 • -9.99db
23% Popularity • 60% Danceability • 75% Energy • 9% Liveness
92% Instrumentalness • 96% Positiveness
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Charles Earland
'Cause I Love Her
129 bpm • D min • 09:39 • -8.92db
12% Popularity • 63% Danceability • 65% Energy • 7% Liveness
87% Instrumentalness • 66% Positiveness
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Mandrill
Lord Of The Golden Baboon
129 bpm • G Maj • 03:34 • -7db
22% Popularity • 57% Danceability • 84% Energy • 14% Liveness
73% Instrumentalness • 59% Positiveness
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Donald Byrd
Love's So Far Away
128 bpm • F min • 06:03 • -10.89db
26% Popularity • 59% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 97% Positiveness
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Gary Bartz
Carnival De L'Esprit
119 bpm • G Maj • 05:57 • -6.07db
13% Popularity • 47% Danceability • 86% Energy • 24% Liveness
2% Instrumentalness • 74% Positiveness
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O'Donel Levy
Playhouse
129 bpm • C Maj • 04:34 • -9.17db
11% Popularity • 63% Danceability • 82% Energy • 16% Liveness
76% Instrumentalness • 89% Positiveness
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Lee Morgan
Cornbread
129 bpm • C min • 09:03 • -12.61db
31% Popularity • 66% Danceability • 52% Energy • 7% Liveness
8% Instrumentalness • 82% Positiveness
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Joe Henderson
Canyon Lady
119 bpm • G# min • 09:06 • -12.45db
19% Popularity • 53% Danceability • 36% Energy • 54% Liveness
79% Instrumentalness • 58% Positiveness
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Tina Brooks
True Blue
119 bpm • F min • 04:57 • -7db
37% Popularity • 63% Danceability • 51% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
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Frank Strazzeri
Cloudburst
119 bpm • G min • 09:54 • -14.23db
30% Popularity • 52% Danceability • 54% Energy • 13% Liveness
82% Instrumentalness • 45% Positiveness
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Idris Muhammad
Super Bad
119 bpm • C Maj • 05:29 • -12.71db
23% Popularity • 71% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Patrice Rushen
Haw-Right Now
119 bpm • C Maj • 08:02 • -13.01db
25% Popularity • 68% Danceability • 63% Energy • 11% Liveness
37% Instrumentalness • 90% Positiveness
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Donald Byrd
Caricatures
118 bpm • A# Maj • 05:10 • -6.98db
7% Popularity • 81% Danceability • 83% Energy • 7% Liveness
6% Instrumentalness • 88% Positiveness
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Eddie Harris
Hip Hoppin'
130 bpm • G Maj • 02:34 • -13.06db
17% Popularity • 64% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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David Axelrod
Urizen
118 bpm • A# min • 04:03 • -11.78db
22% Popularity • 39% Danceability • 49% Energy • 14% Liveness
76% Instrumentalness • 56% Positiveness
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David "Fathead" Newman
Foxy Brown
130 bpm • E min • 04:58 • -10.34db
9% Popularity • 78% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 90% Positiveness
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Jack DeJohnette
The Rock Thing
130 bpm • A# Maj • 04:15 • -13.44db
10% Popularity • 44% Danceability • 61% Energy • 13% Liveness
84% Instrumentalness • 83% Positiveness
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Eddie Henderson
Explodition
130 bpm • A min • 06:41 • -8.2db
10% Popularity • 50% Danceability • 86% Energy • 13% Liveness
60% Instrumentalness • 74% Positiveness
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Donald Byrd
The Uptowner
130 bpm • F min • 09:16 • -10.8db
9% Popularity • 70% Danceability • 58% Energy • 10% Liveness
37% Instrumentalness • 76% Positiveness
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Gene Harris & The Three Sounds
Black Gold
130 bpm • C Maj • 03:27 • -6.55db
16% Popularity • 72% Danceability • 88% Energy • 9% Liveness
4% Instrumentalness • 89% Positiveness
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Dizzy Gillespie
Alligator
118 bpm • F min • 05:04 • -8.63db
10% Popularity • 65% Danceability • 56% Energy • 22% Liveness
83% Instrumentalness • 83% Positiveness
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O'Donel Levy
Where Is the Love
118 bpm • F Maj • 02:35 • -12.39db
27% Popularity • 57% Danceability • 62% Energy • 10% Liveness
91% Instrumentalness • 95% Positiveness
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Dexter Wansel
Life on Mars
118 bpm • G Maj • 05:49 • -9.87db
31% Popularity • 64% Danceability • 86% Energy • 31% Liveness
56% Instrumentalness • 35% Positiveness
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Roy Ayers Ubiquity
The Golden Rod
131 bpm • F Maj • 03:03 • -13.21db
26% Popularity • 49% Danceability • 77% Energy • 29% Liveness
10% Instrumentalness • 85% Positiveness
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Donald Byrd
Here I Am - Rudy Van Gelder Edition/Rema...
118 bpm • D# min • 08:25 • -11.85db
24% Popularity • 55% Danceability • 39% Energy • 8% Liveness
74% Instrumentalness • 57% Positiveness
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Funk Inc.
Bowlegs
131 bpm • G min • 07:56 • -10db
9% Popularity • 77% Danceability • 70% Energy • 6% Liveness
78% Instrumentalness • 90% Positiveness
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Gene Harris & The Three Sounds
African Sweets
131 bpm • A min • 04:28 • -9db
15% Popularity • 61% Danceability • 67% Energy • 64% Liveness
82% Instrumentalness • 84% Positiveness
► Preview
O'Donel Levy
Bad, Bad, Simba
131 bpm • C Maj • 07:14 • -10.42db
31% Popularity • 52% Danceability • 68% Energy • 10% Liveness
66% Instrumentalness • 76% Positiveness
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Kool & The Gang
Sea Of Tranquility
131 bpm • F Maj • 03:34 • -11.99db
21% Popularity • 45% Danceability • 46% Energy • 9% Liveness
62% Instrumentalness • 37% Positiveness
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Big John Patton
Cissy Strut
117 bpm • F Maj • 06:58 • -17.8db
6% Popularity • 47% Danceability • 34% Energy • 21% Liveness
55% Instrumentalness • 57% Positiveness
► Preview
Donald Byrd
Lansana's Priestess
117 bpm • C Maj • 07:39 • -9db
33% Popularity • 48% Danceability • 88% Energy • 38% Liveness
34% Instrumentalness • 89% Positiveness
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The Three Sounds
Popsicle Pimp
117 bpm • A min • 02:55 • -10db
17% Popularity • 72% Danceability • 43% Energy • 9% Liveness
59% Instrumentalness • 60% Positiveness
► Preview
Gene Harris & The Three Sounds
Walls Of Respect
131 bpm • C min • 03:13 • -7.43db
25% Popularity • 74% Danceability • 55% Energy • 12% Liveness
90% Instrumentalness • 59% Positiveness
► Preview
The Jazz Crusaders
Jackson!
132 bpm • D# Maj • 02:44 • -9.45db
28% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Calvin Keys
B. K.
132 bpm • G Maj • 09:20 • -13.14db
11% Popularity • 60% Danceability • 52% Energy • 22% Liveness
1% Instrumentalness • 76% Positiveness
► Preview
Eddie Henderson
Kudu
132 bpm • F# Maj • 06:06 • -11db
13% Popularity • 51% Danceability • 73% Energy • 17% Liveness
83% Instrumentalness • 55% Positiveness
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Mr. Thomas