Songs like MSI musmiD by Ghostpoet
Based on a tempo of (+/- 10%) and a similar genre
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Romare
Motherless Child
79 bpm • C min • 05:11 • -11.65db
43% Popularity • 70% Danceability • 50% Energy • 11% Liveness
80% Instrumentalness • 31% Positiveness
43% Popularity • 70% Danceability • 50% Energy • 11% Liveness
80% Instrumentalness • 31% Positiveness
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U.S. Girls
Island Song
77 bpm • F# Maj • 04:11 • -4.59db
39% Popularity • 43% Danceability • 47% Energy • 10% Liveness
79% Instrumentalness • 8% Positiveness
39% Popularity • 43% Danceability • 47% Energy • 10% Liveness
79% Instrumentalness • 8% Positiveness
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Lost Horizons
Reckless
79 bpm • C Maj • 04:39 • -11.89db
28% Popularity • 60% Danceability • 56% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
28% Popularity • 60% Danceability • 56% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
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Nicolas Jaar
The Governor
80 bpm • C Maj • 06:49 • -15db
26% Popularity • 49% Danceability • 55% Energy • 11% Liveness
47% Instrumentalness • 22% Positiveness
26% Popularity • 49% Danceability • 55% Energy • 11% Liveness
47% Instrumentalness • 22% Positiveness
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sir Was
Digging a Tunnel
80 bpm • D min • 04:01 • -8.62db
9% Popularity • 51% Danceability • 59% Energy • 45% Liveness
59% Instrumentalness • 4% Positiveness
9% Popularity • 51% Danceability • 59% Energy • 45% Liveness
59% Instrumentalness • 4% Positiveness
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Jane Weaver
Modern Kosmology
80 bpm • C Maj • 05:01 • -14.75db
26% Popularity • 40% Danceability • 36% Energy • 6% Liveness
4% Instrumentalness • 56% Positiveness
26% Popularity • 40% Danceability • 36% Energy • 6% Liveness
4% Instrumentalness • 56% Positiveness
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Palace Winter
Take Shelter
80 bpm • A min • 04:10 • -4.71db
25% Popularity • 47% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 47% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Forest Swords
Thor's Stone
80 bpm • C# Maj • 04:31 • -13db
29% Popularity • 52% Danceability • 36% Energy • 69% Liveness
92% Instrumentalness • 38% Positiveness
29% Popularity • 52% Danceability • 36% Energy • 69% Liveness
92% Instrumentalness • 38% Positiveness
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Ghostpoet
Woe Is Meee
80 bpm • G# min • 04:07 • -11db
22% Popularity • 71% Danceability • 42% Energy • 13% Liveness
69% Instrumentalness • 30% Positiveness
22% Popularity • 71% Danceability • 42% Energy • 13% Liveness
69% Instrumentalness • 30% Positiveness
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Mark Lanegan
I Am the Wolf - Greg Dulli Remix
80 bpm • E min • 04:12 • -6.57db
10% Popularity • 65% Danceability • 46% Energy • 11% Liveness
21% Instrumentalness • 30% Positiveness
10% Popularity • 65% Danceability • 46% Energy • 11% Liveness
21% Instrumentalness • 30% Positiveness
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Elliott Power
Murmur
80 bpm • F# Maj • 04:45 • -14db
19% Popularity • 38% Danceability • 29% Energy • 21% Liveness
42% Instrumentalness • 41% Positiveness
19% Popularity • 38% Danceability • 29% Energy • 21% Liveness
42% Instrumentalness • 41% Positiveness
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Sleaford Mods
Silly Me
80 bpm • G Maj • 03:14 • -8.1db
17% Popularity • 89% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 89% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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13 & God
Death Major
80 bpm • F# Maj • 04:26 • -6.54db
11% Popularity • 70% Danceability • 77% Energy • 68% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 70% Danceability • 77% Energy • 68% Liveness
0% Instrumentalness • 63% Positiveness
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Anna Calvi
Don’t Beat the Girl out of My Boy
81 bpm • C Maj • 04:03 • -7db
34% Popularity • 52% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 52% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Nick Cave & The Bad Seeds
We No Who U R
75 bpm • A min • 04:04 • -14.03db
46% Popularity • 69% Danceability • 26% Energy • 15% Liveness
3% Instrumentalness • 31% Positiveness
46% Popularity • 69% Danceability • 26% Energy • 15% Liveness
3% Instrumentalness • 31% Positiveness
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SUUNS
Armed For Peace
75 bpm • D Maj • 03:37 • -5.67db
19% Popularity • 55% Danceability • 73% Energy • 12% Liveness
2% Instrumentalness • 23% Positiveness
19% Popularity • 55% Danceability • 73% Energy • 12% Liveness
2% Instrumentalness • 23% Positiveness
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Low
No Comprende
75 bpm • G Maj • 04:59 • -7.62db
32% Popularity • 55% Danceability • 27% Energy • 10% Liveness
59% Instrumentalness • 24% Positiveness
32% Popularity • 55% Danceability • 27% Energy • 10% Liveness
59% Instrumentalness • 24% Positiveness
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DRC Music
Hallo
75 bpm • D min • 04:48 • -6.8db
29% Popularity • 64% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 64% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Sleaford Mods
B.H.S.
75 bpm • F# Maj • 03:50 • -8db
36% Popularity • 74% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 74% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Fyfe
Purpose - Beatless Mix
73 bpm • F Maj • 03:14 • -10.83db
17% Popularity • 10% Danceability • 47% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 47% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Matthew Dear
Earthforms
83 bpm • B min • 03:33 • -8.56db
19% Popularity • 60% Danceability • 75% Energy • 36% Liveness
78% Instrumentalness • 87% Positiveness
19% Popularity • 60% Danceability • 75% Energy • 36% Liveness
78% Instrumentalness • 87% Positiveness
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Gonjasufi
The Blame
75 bpm • G min • 03:25 • -9.58db
14% Popularity • 38% Danceability • 48% Energy • 11% Liveness
71% Instrumentalness • 16% Positiveness
14% Popularity • 38% Danceability • 48% Energy • 11% Liveness
71% Instrumentalness • 16% Positiveness
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Ghostpoet
Be Right Back, Moving House
84 bpm • D Maj • 06:06 • -11.48db
27% Popularity • 28% Danceability • 52% Energy • 71% Liveness
57% Instrumentalness • 8% Positiveness
27% Popularity • 28% Danceability • 52% Energy • 71% Liveness
57% Instrumentalness • 8% Positiveness
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She Drew The Gun
If You Could See
73 bpm • A min • 04:15 • -10.26db
15% Popularity • 60% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 60% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Euanwhosarmy
For Nothing
84 bpm • D Maj • 03:12 • -11.28db
15% Popularity • 53% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
15% Popularity • 53% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Death In Vegas
Soul Auctioneer
84 bpm • E min • 05:59 • -7.57db
27% Popularity • 56% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 56% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
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Warhaus
Beaches - Jim Sclavunos Remix
85 bpm • F# Maj • 04:19 • -5.82db
9% Popularity • 60% Danceability • 67% Energy • 19% Liveness
1% Instrumentalness • 35% Positiveness
9% Popularity • 60% Danceability • 67% Energy • 19% Liveness
1% Instrumentalness • 35% Positiveness
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Warpaint
Love Is to Die
85 bpm • B min • 04:51 • -9db
49% Popularity • 33% Danceability • 64% Energy • 9% Liveness
36% Instrumentalness • 43% Positiveness
49% Popularity • 33% Danceability • 64% Energy • 9% Liveness
36% Instrumentalness • 43% Positiveness
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Ghostpoet
Rats In A Sack
84 bpm • G# Maj • 03:39 • -11db
11% Popularity • 30% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 30% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Moloko
Should've Been, Could've Been
85 bpm • F Maj • 05:37 • -10.36db
30% Popularity • 77% Danceability • 33% Energy • 7% Liveness
73% Instrumentalness • 20% Positiveness
30% Popularity • 77% Danceability • 33% Energy • 7% Liveness
73% Instrumentalness • 20% Positiveness
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Bonobo
If You Stayed Over
85 bpm • A min • 05:23 • -14db
46% Popularity • 26% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
46% Popularity • 26% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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SUUNS
Edie's Dream
85 bpm • A# min • 04:21 • -10db
25% Popularity • 68% Danceability • 30% Energy • 9% Liveness
50% Instrumentalness • 20% Positiveness
25% Popularity • 68% Danceability • 30% Energy • 9% Liveness
50% Instrumentalness • 20% Positiveness
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The Child of Lov
Give Me
85 bpm • A Maj • 03:39 • -9.19db
7% Popularity • 69% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 69% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Tom Vek
Sherman (Animals in the Jungle)
86 bpm • A# min • 04:03 • -6.78db
27% Popularity • 50% Danceability • 64% Energy • 12% Liveness
10% Instrumentalness • 22% Positiveness
27% Popularity • 50% Danceability • 64% Energy • 12% Liveness
10% Instrumentalness • 22% Positiveness
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C Duncan
For
85 bpm • A Maj • 03:51 • -7.55db
25% Popularity • 59% Danceability • 60% Energy • 8% Liveness
29% Instrumentalness • 47% Positiveness
25% Popularity • 59% Danceability • 60% Energy • 8% Liveness
29% Instrumentalness • 47% Positiveness
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DARKSIDE
Metatron
70 bpm • A# min • 05:07 • -13.15db
34% Popularity • 56% Danceability • 23% Energy • 14% Liveness
82% Instrumentalness • 6% Positiveness
34% Popularity • 56% Danceability • 23% Energy • 14% Liveness
82% Instrumentalness • 6% Positiveness
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Malcolm Middleton
A Toast
86 bpm • D min • 03:04 • -8db
19% Popularity • 33% Danceability • 61% Energy • 43% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 33% Danceability • 61% Energy • 43% Liveness
0% Instrumentalness • 42% Positiveness
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TVAM
Porsche Majeure
88 bpm • G Maj • 04:34 • -9.26db
13% Popularity • 33% Danceability • 60% Energy • 18% Liveness
86% Instrumentalness • 10% Positiveness
13% Popularity • 33% Danceability • 60% Energy • 18% Liveness
86% Instrumentalness • 10% Positiveness
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sir Was
Revoke
69 bpm • F Maj • 05:28 • -8db
3% Popularity • 22% Danceability • 56% Energy • 60% Liveness
19% Instrumentalness • 4% Positiveness
3% Popularity • 22% Danceability • 56% Energy • 60% Liveness
19% Instrumentalness • 4% Positiveness
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Skinny Pelembe
Spit / Swallow
88 bpm • G Maj • 04:14 • -9.96db
17% Popularity • 66% Danceability • 61% Energy • 52% Liveness
2% Instrumentalness • 66% Positiveness
17% Popularity • 66% Danceability • 61% Energy • 52% Liveness
2% Instrumentalness • 66% Positiveness
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Tom Vek
Broke
89 bpm • C min • 04:23 • -4.75db
16% Popularity • 56% Danceability • 90% Energy • 24% Liveness
52% Instrumentalness • 58% Positiveness
16% Popularity • 56% Danceability • 90% Energy • 24% Liveness
52% Instrumentalness • 58% Positiveness
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Boxed In
Bug
89 bpm • F# Maj • 03:44 • -12.96db
19% Popularity • 65% Danceability • 45% Energy • 9% Liveness
18% Instrumentalness • 52% Positiveness
19% Popularity • 65% Danceability • 45% Energy • 9% Liveness
18% Instrumentalness • 52% Positiveness
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Gonjasufi
Nikels and Dimes
89 bpm • A# Maj • 03:49 • -6db
12% Popularity • 62% Danceability • 99% Energy • 28% Liveness
83% Instrumentalness • 44% Positiveness
12% Popularity • 62% Danceability • 99% Energy • 28% Liveness
83% Instrumentalness • 44% Positiveness
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ANOHNI
Drone Bomb Me
90 bpm • F# min • 04:10 • -7.54db
33% Popularity • 33% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
33% Popularity • 33% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Sound of Rum
Icarus
90 bpm • A Maj • 03:11 • -7.54db
11% Popularity • 74% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 74% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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SUUNS
Instrument
90 bpm • C# min • 03:20 • -11.69db
27% Popularity • 69% Danceability • 36% Energy • 10% Liveness
68% Instrumentalness • 16% Positiveness
27% Popularity • 69% Danceability • 36% Energy • 10% Liveness
68% Instrumentalness • 16% Positiveness
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Ghostpoet
Nothing in the Way
90 bpm • G Maj • 06:11 • -10.59db
15% Popularity • 26% Danceability • 49% Energy • 9% Liveness
63% Instrumentalness • 10% Positiveness
15% Popularity • 26% Danceability • 49% Energy • 9% Liveness
63% Instrumentalness • 10% Positiveness
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Lea Porcelain
Warsaw Street
90 bpm • D Maj • 03:56 • -7db
21% Popularity • 36% Danceability • 70% Energy • 34% Liveness
75% Instrumentalness • 22% Positiveness
21% Popularity • 36% Danceability • 70% Energy • 34% Liveness
75% Instrumentalness • 22% Positiveness
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Warhaus
I'm Not Him
90 bpm • E Maj • 04:13 • -10.78db
32% Popularity • 62% Danceability • 51% Energy • 64% Liveness
9% Instrumentalness • 43% Positiveness
32% Popularity • 62% Danceability • 51% Energy • 64% Liveness
9% Instrumentalness • 43% Positiveness
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Febueder
Sloppiness Tank
90 bpm • F# min • 04:32 • -8.3db
12% Popularity • 63% Danceability • 50% Energy • 27% Liveness
11% Instrumentalness • 37% Positiveness
12% Popularity • 63% Danceability • 50% Energy • 27% Liveness
11% Instrumentalness • 37% Positiveness
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Society
Will To Win
90 bpm • C# min • 04:59 • -7.51db
12% Popularity • 48% Danceability • 81% Energy • 18% Liveness
19% Instrumentalness • 37% Positiveness
12% Popularity • 48% Danceability • 81% Energy • 18% Liveness
19% Instrumentalness • 37% Positiveness
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Sound of Rum
Best Intentions
90 bpm • G Maj • 04:10 • -5.84db
8% Popularity • 60% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 60% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Anna Calvi
Chain
91 bpm • F Maj • 04:47 • -6.73db
18% Popularity • 24% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 24% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
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Jane Weaver
H>A>K
92 bpm • A Maj • 03:31 • -15.64db
24% Popularity • 42% Danceability • 62% Energy • 21% Liveness
62% Instrumentalness • 16% Positiveness
24% Popularity • 42% Danceability • 62% Energy • 21% Liveness
62% Instrumentalness • 16% Positiveness
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SUUNS
Mortise and Tenon
92 bpm • F# Maj • 03:33 • -15.06db
24% Popularity • 88% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 21% Positiveness
24% Popularity • 88% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 21% Positiveness
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Fever Ray
When I Grow Up - D. Lissvik Remix
92 bpm • F Maj • 04:28 • -6.21db
26% Popularity • 69% Danceability • 77% Energy • 45% Liveness
1% Instrumentalness • 82% Positiveness
26% Popularity • 69% Danceability • 77% Energy • 45% Liveness
1% Instrumentalness • 82% Positiveness
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Ghostpoet
Humana Second Hand
92 bpm • D Maj • 03:55 • -12.73db
15% Popularity • 65% Danceability • 24% Energy • 16% Liveness
6% Instrumentalness • 26% Positiveness
15% Popularity • 65% Danceability • 24% Energy • 16% Liveness
6% Instrumentalness • 26% Positiveness
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Thom Yorke
Knife Edge
92 bpm • D# Maj • 03:19 • -15.61db
0% Popularity • 35% Danceability • 12% Energy • 14% Liveness
28% Instrumentalness • 6% Positiveness
0% Popularity • 35% Danceability • 12% Energy • 14% Liveness
28% Instrumentalness • 6% Positiveness
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Tindersticks
Show Me Everything
93 bpm • C Maj • 05:29 • -9.57db
40% Popularity • 71% Danceability • 30% Energy • 9% Liveness
6% Instrumentalness • 42% Positiveness
40% Popularity • 71% Danceability • 30% Energy • 9% Liveness
6% Instrumentalness • 42% Positiveness
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Rozi Plain
Marshes
93 bpm • D Maj • 04:16 • -11.35db
8% Popularity • 41% Danceability • 23% Energy • 11% Liveness
6% Instrumentalness • 6% Positiveness
8% Popularity • 41% Danceability • 23% Energy • 11% Liveness
6% Instrumentalness • 6% Positiveness
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kwes.
36
93 bpm • G Maj • 04:03 • -7.94db
15% Popularity • 64% Danceability • 47% Energy • 11% Liveness
24% Instrumentalness • 28% Positiveness
15% Popularity • 64% Danceability • 47% Energy • 11% Liveness
24% Instrumentalness • 28% Positiveness
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jennylee
long lonely winter
93 bpm • C# Maj • 04:17 • -13.31db
15% Popularity • 56% Danceability • 41% Energy • 11% Liveness
43% Instrumentalness • 42% Positiveness
15% Popularity • 56% Danceability • 41% Energy • 11% Liveness
43% Instrumentalness • 42% Positiveness
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SUUNS
Resistance
93 bpm • B Maj • 05:11 • -10.98db
14% Popularity • 73% Danceability • 41% Energy • 9% Liveness
76% Instrumentalness • 23% Positiveness
14% Popularity • 73% Danceability • 41% Energy • 9% Liveness
76% Instrumentalness • 23% Positiveness
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Ahu
To Love.
93 bpm • G# min • 03:51 • -13.26db
9% Popularity • 29% Danceability • 52% Energy • 10% Liveness
18% Instrumentalness • 48% Positiveness
9% Popularity • 29% Danceability • 52% Energy • 10% Liveness
18% Instrumentalness • 48% Positiveness
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Fat White Family
Work
93 bpm • G Maj • 04:29 • -3.9db
23% Popularity • 47% Danceability • 92% Energy • 84% Liveness
27% Instrumentalness • 37% Positiveness
23% Popularity • 47% Danceability • 92% Energy • 84% Liveness
27% Instrumentalness • 37% Positiveness
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This Is The Kit
Hotter Colder
94 bpm • C# min • 03:57 • -8.31db
28% Popularity • 49% Danceability • 63% Energy • 32% Liveness
5% Instrumentalness • 63% Positiveness
28% Popularity • 49% Danceability • 63% Energy • 32% Liveness
5% Instrumentalness • 63% Positiveness
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Lea Porcelain
Streets of Philadelphia
94 bpm • F Maj • 03:04 • -5.97db
13% Popularity • 28% Danceability • 72% Energy • 15% Liveness
88% Instrumentalness • 37% Positiveness
13% Popularity • 28% Danceability • 72% Energy • 15% Liveness
88% Instrumentalness • 37% Positiveness
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Josefin Öhrn + The Liberation
In Madrid
96 bpm • D Maj • 03:18 • -14.21db
14% Popularity • 44% Danceability • 78% Energy • 16% Liveness
49% Instrumentalness • 74% Positiveness
14% Popularity • 44% Danceability • 78% Energy • 16% Liveness
49% Instrumentalness • 74% Positiveness
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Francesca Belmonte
Stole
94 bpm • E Maj • 03:27 • -9.66db
31% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 57% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Johnny Marr
The Priest
96 bpm • C# Maj • 05:35 • -5.75db
20% Popularity • 68% Danceability • 75% Energy • 12% Liveness
37% Instrumentalness • 62% Positiveness
20% Popularity • 68% Danceability • 75% Energy • 12% Liveness
37% Instrumentalness • 62% Positiveness
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Liima
Amerika
96 bpm • C# min • 05:53 • -7.77db
14% Popularity • 67% Danceability • 70% Energy • 21% Liveness
5% Instrumentalness • 29% Positiveness
14% Popularity • 67% Danceability • 70% Energy • 21% Liveness
5% Instrumentalness • 29% Positiveness
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The Veils
Axolotl
96 bpm • F# Maj • 03:02 • -7db
36% Popularity • 50% Danceability • 70% Energy • 11% Liveness
76% Instrumentalness • 19% Positiveness
36% Popularity • 50% Danceability • 70% Energy • 11% Liveness
76% Instrumentalness • 19% Positiveness
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Faces on TV
Run Against the Stream
96 bpm • C# Maj • 03:30 • -10.3db
32% Popularity • 77% Danceability • 35% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
32% Popularity • 77% Danceability • 35% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
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Chimes & Bells
The Mole (Trentemøller Remix)
97 bpm • F# min • 08:23 • -8.79db
31% Popularity • 64% Danceability • 60% Energy • 8% Liveness
55% Instrumentalness • 8% Positiveness
31% Popularity • 64% Danceability • 60% Energy • 8% Liveness
55% Instrumentalness • 8% Positiveness
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Francesca Belmonte
Driving
97 bpm • G Maj • 03:19 • -6.95db
19% Popularity • 86% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 86% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Saul Williams
The Noise Came From Here
96 bpm • G Maj • 02:39 • -8.32db
19% Popularity • 57% Danceability • 67% Energy • 24% Liveness
1% Instrumentalness • 26% Positiveness
19% Popularity • 57% Danceability • 67% Energy • 24% Liveness
1% Instrumentalness • 26% Positiveness
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Anna Calvi
Hunter
98 bpm • F Maj • 04:11 • -8.25db
26% Popularity • 44% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 44% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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SUUNS
PVC
97 bpm • C# Maj • 03:39 • -5.22db
19% Popularity • 78% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 78% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Martina Topley-Bird
Crystalised
98 bpm • D Maj • 03:51 • -13.19db
43% Popularity • 83% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 83% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Massive Attack
Ritual Spirit
98 bpm • G Maj • 03:55 • -8db
49% Popularity • 63% Danceability • 67% Energy • 12% Liveness
37% Instrumentalness • 15% Positiveness
49% Popularity • 63% Danceability • 67% Energy • 12% Liveness
37% Instrumentalness • 15% Positiveness
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This Is The Kit
Moonshine Freeze
98 bpm • F# min • 03:41 • -9db
39% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Fontaines D.C.
Starburster
98 bpm • A# Maj • 03:41 • -5.68db
69% Popularity • 51% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
69% Popularity • 51% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Pumarosa
The Witch
99 bpm • E Maj • 06:37 • -8.72db
12% Popularity • 67% Danceability • 71% Energy • 7% Liveness
14% Instrumentalness • 10% Positiveness
12% Popularity • 67% Danceability • 71% Energy • 7% Liveness
14% Instrumentalness • 10% Positiveness
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Ghostpoet
Black Dog Got Silver Eyes
100 bpm • D Maj • 04:02 • -11.52db
11% Popularity • 61% Danceability • 38% Energy • 18% Liveness
56% Instrumentalness • 43% Positiveness
11% Popularity • 61% Danceability • 38% Energy • 18% Liveness
56% Instrumentalness • 43% Positiveness
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The Notwist
Kong
99 bpm • A Maj • 06:38 • -6.33db
25% Popularity • 40% Danceability • 93% Energy • 81% Liveness
41% Instrumentalness • 29% Positiveness
25% Popularity • 40% Danceability • 93% Energy • 81% Liveness
41% Instrumentalness • 29% Positiveness
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Melanie De Biasio
I'm Gonna Leave You - The Cinematic Orch...
100 bpm • G min • 08:56 • -10.94db
34% Popularity • 47% Danceability • 58% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
34% Popularity • 47% Danceability • 58% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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Keeley Forsyth
Start Again
100 bpm • F# min • 03:26 • -17.38db
37% Popularity • 49% Danceability • 22% Energy • 6% Liveness
75% Instrumentalness • 21% Positiveness
37% Popularity • 49% Danceability • 22% Energy • 6% Liveness
75% Instrumentalness • 21% Positiveness
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Death In Vegas
Dirge
100 bpm • E Maj • 05:43 • -7.74db
46% Popularity • 49% Danceability • 69% Energy • 8% Liveness
58% Instrumentalness • 57% Positiveness
46% Popularity • 49% Danceability • 69% Energy • 8% Liveness
58% Instrumentalness • 57% Positiveness
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Mark Kozelek & Jimmy LaValle
1936
100 bpm • G Maj • 05:10 • -15.14db
35% Popularity • 59% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
35% Popularity • 59% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Ghostpoet
Trouble + Me
100 bpm • C# Maj • 04:52 • -11.62db
20% Popularity • 40% Danceability • 34% Energy • 11% Liveness
43% Instrumentalness • 15% Positiveness
20% Popularity • 40% Danceability • 34% Energy • 11% Liveness
43% Instrumentalness • 15% Positiveness
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Rozi Plain
See My Boat - Plaisir De France Remix
100 bpm • F# Maj • 04:09 • -10db
12% Popularity • 54% Danceability • 51% Energy • 33% Liveness
14% Instrumentalness • 16% Positiveness
12% Popularity • 54% Danceability • 51% Energy • 33% Liveness
14% Instrumentalness • 16% Positiveness
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Dels
Trumpalump - Joe Goddard Remix
100 bpm • F min • 04:40 • -11.3db
11% Popularity • 76% Danceability • 34% Energy • 23% Liveness
16% Instrumentalness • 34% Positiveness
11% Popularity • 76% Danceability • 34% Energy • 23% Liveness
16% Instrumentalness • 34% Positiveness
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Piano Magic
Exile
100 bpm • F# min • 04:05 • -13.8db
11% Popularity • 69% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 69% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Public Service Broadcasting
London Can Take It
100 bpm • B min • 03:27 • -9.34db
27% Popularity • 69% Danceability • 73% Energy • 61% Liveness
30% Instrumentalness • 51% Positiveness
27% Popularity • 69% Danceability • 73% Energy • 61% Liveness
30% Instrumentalness • 51% Positiveness
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Warpaint
Billie Holiday - Steve Mackey Radio Edit
101 bpm • A min • 03:37 • -8.39db
17% Popularity • 46% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 46% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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King Biscuit Time
I Walk the Earth
101 bpm • C Maj • 05:52 • -7.67db
33% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Grasscut
The Tin Man
101 bpm • A min • 04:28 • -10.52db
19% Popularity • 28% Danceability • 38% Energy • 16% Liveness
34% Instrumentalness • 12% Positiveness
19% Popularity • 28% Danceability • 38% Energy • 16% Liveness
34% Instrumentalness • 12% Positiveness
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Douglas Dare
Doublethink
101 bpm • D# Maj • 04:12 • -8.74db
15% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
